User:WillEngle/Sound
- Archive/2016wTerm2/example wiki project
- Archive/2016wTerm2/Erhu Acoustics
- Archive/2016wTerm2/Diffuser Material Choice
- Archive/2016wTerm2/PipeOrgan
- Archive/2016wTerm2/LoudSpeakerSweetSpot
- Archive/2016wTerm2/KalimbaResonator
- Archive/2016wTerm2/BandSound
- Archive/2016wTerm2/The Contribution Of F-holes To A Violin's Sound
- Archive/2016wTerm2/WineGlasses
- Archive/2016wTerm2/mitei
- Archive/2016wTerm2/HowTheQualityOfTheMaterialAffectsTheQualityOfSound
- Archive/2016wTerm2/EffectivenessOfEqualTemperament
- Archive/2016wTerm2/ScienceOfMusicalRhythm
- Archive/2016wTerm2/WellTempermentAndItsEffectOnMusicalColour
- Archive/2016wTerm2/AcousticsoftheGuitar
- Archive/2016wTerm2/Janggu
- Archive/2016wTerm2/ModularSynthesizers
- Archive/2016wTerm2/glockenspiel
- Archive/2016wTerm2/MusicWithHugeReverbTimes
- Archive/2016wTerm2/HarmoniumPitchBending
- Archive/2016wTerm2/How embouchure effects your sound: Brass
- Archive/2016wTerm2/FormantandTimbreintheHumanVoice
- Archive/2016wTerm2/How the Quality of Brass Affects the Tone of Brass Instruments
- Archive/2016wTerm2/Tamburica organology
- Course:PHYS 341/Relation between music and colour
- Archive/2016wTerm2/Inharmonicity in Pipa Strings
- Archive/2016wTerm2/Physics Behind Overtone Singing
- Archive/2016wTerm2/SnareDrum
- Course:Phys341/vocaltracteffectonwoodwindinstruments
- Archive/2016wTerm2/OvertoneSinging
- Archive/2016wTerm2/UnderstandingSopranoVoice
- Archive/2016wTerm2/TibetanSingingBowl
- Archive/2016wTerm2/BrassVsPlastic
- Archive/2016wTerm2/HowtheSympatheticStringsoftheSarangiHelpMimictheHumanVoice
- Archive/2016wTerm2/AcousticsofReedInstruments
- Archive/2016wTerm2/Synesthesia and Musicality