Course:PHYS341/2018/Calendar/Lecture 21

From UBC Wiki

Phys341 Lecture 21: Summary and web references

2018.03.02

Textbook 14.9-14.11; 15.5-15.7

Combination tones

  1. Perception of pitch
    • Frequently, but far from always, perceived pitch is determined:
      • By the lowest note of a chord
      • By the fundamental of a harmonic series
    • There are significant exceptions.
      • Missing fundamental
      • Significantly inharmonic partials
      • Missing fundamental
  2. Missing fundamental
    • Can show this by opening two browser windows with
    • http://www.szynalski.com/tone-generator/
    • Play two tones a fifth apart, e.g. A4 and E5 (upper violin strings)
    • (you may have to “correct” the equal temperament E5 from 659.255 Hz to 660 Hz)
    • At same level: pitch usually perceived to be A3
    • works even if tones fed into different ears
  3. Implication for string instruments
    • Many string instruments only weakly radiate the fundamental frequency of their lowest string.
    • This doesn’t matter because we would hear it even if it was completely absent.
    • In most cases the instrument will strongly radiate the second harmonic partial (an octave above).
    • A note on Chromatic tuners
      • Electronic or chromatic tuners show how much a note deviates from 12-TET
      • The deviation is measured in cents ¢
      • 1 ¢ equals 1/100 of a semitone
      • 1200 ¢ equals one octave
      • Tuners will account for the missing fundamental:
      • e.g. play a violin A4 (440 Hz) and E5 (660 Hz) together (the upper two strings) and a tuner will show a pitch of A3 (220 Hz)
      • Because tuners work on 12-TET, they will mis-tune a violin E string to 659.255 Hz, whereas tuning by playing A and E together and listening to beats will give a “perfect” 660 Hz.
  4. Interesting chords
    • Dominant seventh https://en.wikipedia.org/wiki/Dominant_seventh_chord
      • “Corrected” to ratio 4:5:6:7
      • Top note flattened 31 cents
      • “Barber’s Shop Chord” (no beats)
    • Tristan chord http://www.roh.org.uk/news/tristan-und-isolde-musical-highlight-the-tristan-chord
  5. Auditory illusions
    • Shepard tones https://en.wikipedia.org/wiki/Shepard_tone
    • Tritone paradox https://en.wikipedia.org/wiki/Tritone_paradox