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		<id>https://wiki.ubc.ca/index.php?title=Course:EDCP481&amp;diff=521044</id>
		<title>Course:EDCP481</title>
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		<summary type="html">&lt;p&gt;Stephenpetrina: /* Email Section (Preferably Gmail) */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== &#039;&#039;&#039;Summer 2a 2018&#039;&#039;&#039; ==&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy. Media studies is a dynamic discipline tailored to exploring a range of concepts or techniques. In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement. Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy. Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum. Hence, this course balances practice with ethical, legal, and theoretical aspects and emphasizes the design of curriculum and courses for teaching media studies and for integrating media literacy across the curriculum. This year&#039;s section of EDCP 481 focuses on meaningful media by and for children and youth. All media productions add meaning but those providing deep meaning are necessarily unique.  [Link to the EDCP 481  Resource page http://blogs.ubc.ca/etec/courses-2/edcp-481/].&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Textbook (Media Study Guide) Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a section-- Media Study Guide-- of a textbook, which is being designed and written for grades K-3, 4-5, 6-7, 8-10 or 11-12 students) &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 Media Study Guide &#039;&#039;Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Group #1&lt;br /&gt;
Group #2&lt;br /&gt;
etc...&lt;br /&gt;
&lt;br /&gt;
== Activity Planning Section ==&lt;br /&gt;
Group #1 Matt, Mark, Travis&lt;br /&gt;
Group #2&lt;br /&gt;
etc...&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Cassie, Anh, Kevin&lt;br /&gt;
&lt;br /&gt;
== Email Section (Preferably Gmail) ==&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2017&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy. Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding. In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement. Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy. Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum. Hence, this course balances practice with ethical, legal, and theoretical aspects and emphasizes the design of curriculum and courses for teaching media studies and for integrating media literacy across the curriculum.  [Link to the EDCP 481  Resource page http://blogs.ubc.ca/etec/courses-2/edcp-481/].&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
== Textbook (Media Study Guide) Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a section-- Media Study Guide-- of a textbook, which is being designed and written for grades K-3, 4-5, 6-7, 8-10 or 11-12 students) &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Dawson, Sonya, Mark, Curtis: The Lorax&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 Media Study Guide Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
xx &amp;lt;br&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The Matrix - Brooke, David, Harrison, Jordan&lt;br /&gt;
&lt;br /&gt;
Harry Potter- Alysha, Sat, Arshbir, Manjot&lt;br /&gt;
&lt;br /&gt;
X-Men- Sam and Katia&lt;br /&gt;
&lt;br /&gt;
Interstellar: Mike, Stephen, Yoohoon, and Paul.&lt;br /&gt;
&lt;br /&gt;
Call of Duty Zombies: Hermano, Wells, Mikey, Mike&lt;br /&gt;
&lt;br /&gt;
Avatar: Vardip, Jeongbae&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2016&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy. Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding. In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement. Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy. Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum. Hence, this course balances practice with ethical, legal, and theoretical aspects and emphasizes the design of curriculum and courses for teaching media studies and for integrating media literacy across the curriculum.  [Link to the EDCP 481  Resource page http://blogs.ubc.ca/etec/courses-2/edcp-481/].&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Link to the EDCP 481 Textbook (Media Study Guides) co-authored by the  students  http://blogs.ubc.ca/etec/courses-2/edcp-481/&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Textbook (Media Study Guide) Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a section-- Media Study Guide-- of a textbook, which is being designed and written for grade 8-10 or 11-12 students):&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;2017 Guides&#039;&#039;&#039; &amp;lt;br&amp;gt;&lt;br /&gt;
Dawson, Sonya, Mark, Curtis: The Lorax&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 Media Study Guide Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
xx &amp;lt;br&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The Matrix - Brooke, David, Harrison, Jordan&lt;br /&gt;
&lt;br /&gt;
Harry Potter- Alysha, Sat, Arshbir, Manjot&lt;br /&gt;
&lt;br /&gt;
X-Men- Sam and Katia&lt;br /&gt;
&lt;br /&gt;
Interstellar: Mike, Stephen, Yoohoon, and Paul.&lt;br /&gt;
&lt;br /&gt;
Call of Duty Zombies: Hermano, Wells, Mikey, Mike&lt;br /&gt;
&lt;br /&gt;
Avatar: Vardip, Jeongbae&lt;br /&gt;
&lt;br /&gt;
== BAA Course Planning Section ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The direct link to the example BAA is:&#039;&#039;&#039; &amp;lt;br&amp;gt;&lt;br /&gt;
http://www.bced.gov.bc.ca/greenschools/sustcoursecontent.htm&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the BAA Course here:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 BA/A Topics&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The Business of Media - Brooke, Harrison, Jordan&lt;br /&gt;
&lt;br /&gt;
Who Controls the Media (11/12)- Sam Jeongbae, David E, Vardip &lt;br /&gt;
&lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Sat, Arshbir, Alysha &amp;amp; Manjot - Media influences across disciplines&lt;br /&gt;
&lt;br /&gt;
Katia, Stephen, Mike, and Paul: Publishing&lt;br /&gt;
&lt;br /&gt;
Hermano, Wells, Mikey, Mike: Theatre, Film and Media Studies&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2011&#039;&#039;&#039;==&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy.  Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding.  In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement.  Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy.  Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum.  Hence, this course emphasizes ethical, legal, and theoretical aspects and the design of curriculum and courses for teaching media education or media studies and for integrating media literacy across the curriculum.  [Link to the EDCP 481  Resource page http://m1.cust.educ.ubc.ca:16080/tsedgrad/?page_id=460].&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Link to the EDCP 481 Textbook (Media Study Guides) co-authored by the  students  http://blogs.ubc.ca/etec/courses-2/edcp-481/&#039;&#039;&#039;&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Student Planning Space&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== Textbook (Media Study Guide) Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a section-- Media Study Guide-- of a textbook, which is being designed and written for grade 8-10 or 11-12 students):&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 Media Study Guide Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
xx &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Dianna Stashuk and Adam Alvaro - &amp;quot;Lost&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Melissa Evans and Shaun Beach- &amp;quot;Family&amp;quot; Shows (exploring the representations of family, past and present)&lt;br /&gt;
&lt;br /&gt;
Brian, Peter &amp;amp; Tyler - Need for Speed&lt;br /&gt;
&lt;br /&gt;
Michelle Fatkin and Chelsea Campbell - &amp;quot;Mean Girls&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Tom Froh and Peter Maxwell - &amp;quot;16 and Pregnant&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Nick De Santis and Nam Pham- &amp;quot;127 Hours&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Chris Flannelly and Grace Woo - &amp;quot;Freedom Writers&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Lucas Mann and Marie-Anne Hellinckx - Film Review &amp;quot;Ma vie en rose&amp;quot; to address issues of homophobia.&lt;br /&gt;
&lt;br /&gt;
Stephanie Malloy and Jon Schmidt-&amp;quot;My Sister&#039;s Keeper&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 951 Media Study Guide Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
xx&lt;br /&gt;
&lt;br /&gt;
Adam Deboer and Alvin Lui - The Dark Knight&lt;br /&gt;
&lt;br /&gt;
Kelly Skehill and Kat Ast - &amp;quot;Thirteen&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Ashley MacKenzie and Alex Thureau - &amp;quot;One Week&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Wendy Sigaty and Haley Lucas - &amp;quot;Avatar&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Kady Huhn &amp;amp; Hannah Yu- &amp;quot;Into the Wild&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Fay Sterne &amp;amp; Brittaney Boone - &amp;quot;The Office&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Rachel Fales &amp;amp; Jennifer Visser - &amp;quot;Wall-E&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Yik Wah Penner &amp;amp; Chris Howey - &amp;quot;Little Ms. Sunshine&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Lance Peters &amp;amp; Al McKillop - &#039;Lord of the Rings&#039; (I know, it&#039;s a little ambitious.)&lt;br /&gt;
&lt;br /&gt;
Ashley Bayles &amp;amp; Danny Nann - &amp;quot;The Simpsons&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Jenn O, Jenn M, Sarah K - &amp;quot;Schindler&#039;s List&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Alexander McKechnie - Mythology and Popular Music&lt;br /&gt;
&lt;br /&gt;
Mark Brown - &amp;quot;Bright Star&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Sarah James and Lillian Ryan - &amp;quot;Food Inc.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Michael Bui &amp;amp; Jennifer Neff - Outsourced&lt;br /&gt;
&lt;br /&gt;
== BAA Course Planning Section ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The direct link to the example BAA is:&#039;&#039;&#039; &amp;lt;br&amp;gt;&lt;br /&gt;
http://www.bced.gov.bc.ca/greenschools/sustcoursecontent.htm&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the BAA Course here:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 BA/A Topics&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Brian, Peter &amp;amp; Tyler - GAME ON! Video Game Play as Text: Critical Reading for Gamers     &lt;br /&gt;
&lt;br /&gt;
Dianna Stashuk and Adam Alvaro - Media and Canadian Identity&lt;br /&gt;
&lt;br /&gt;
Melissa Evans and Shaun Beach - Youth and advertising--This course will explore the industry of advertising, focusing specifically on how advertisers target youth through TV commercials, product placement, and endorsements. There will also be some discussion on advertisement law and various opportunities to critically analyse advertisements made in the industry and in the classroom. Students will be able to create their own advertisements based on what they have learned about the laws and techniques used in the industry.&lt;br /&gt;
&lt;br /&gt;
Michelle Fatkin and Chelsea Campbell - Acquiring Wisdom through Media&lt;br /&gt;
&lt;br /&gt;
In this course, we want students to understand that media is not simply entertainment. Rather, we want them to see that they can acquire wisdom through observing the actions and consequences of others in TV/film, and through analyzing the subtleties of messages in advertisements, print, and other forms. &lt;br /&gt;
&lt;br /&gt;
Taha and Kara - Apocalypse in Media&lt;br /&gt;
&lt;br /&gt;
Stef and Jess aka...Jeff - Seeing with your ears: An introduction to media through music&lt;br /&gt;
&lt;br /&gt;
This course looks at the relationship between music and the media by analysing historical and political events effects on music.  It focuses on the power of music and it&#039;s affect on the media.  We will also look at the power of the media and it&#039;s control over the message of popular music.  By focusing on a timeline one can easily see the changes in music and it&#039;s message due to events occurring all over the world.&lt;br /&gt;
&lt;br /&gt;
Nick De Santis and Nam Pham - &amp;quot;Add me as a Friend&amp;quot;: Deconstructing Social Media&lt;br /&gt;
       &lt;br /&gt;
&lt;br /&gt;
This course will explore the current trends in social media and how they have influenced our society. In particular, we will examine Facebook and Twitter, the two most popular forms of this media. The focus of this course will be to educate students on the benefits and dangers of using social media and to critically analyze the prevalence of social media in today’s society. By the end of this course, each student will be able to use social media to their maximum positive benefit.&lt;br /&gt;
&lt;br /&gt;
Thomas Froh and Peter Maxwell - &amp;quot;The Man&amp;quot; Behind the Message&lt;br /&gt;
&lt;br /&gt;
This course will work towards answering the question of whether there is a person or organization controlling the messages we receive in the media, and if so, who or what are they and to what end?  Specifically, the course will examine large television corporations and whether or not they work to shape popular perspective in news broadcasts, television programming, etc.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Paul and Rhonda - Music Videos and Pop Culture&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course will explore the question; Are music videos a product of pop culture or pop culture and product of music videos? The course will critically analyse the key media literacy aspects of production, analysis and audience. Due to the sometimes sensitive content of music videos it is important for students to deconstruct the specifics behind the media consumption, production and regulation.&lt;br /&gt;
&lt;br /&gt;
  &lt;br /&gt;
&lt;br /&gt;
Rupinder and Parmjeet: Attitude is everything!! Aquiring positive attitude through media.&lt;br /&gt;
&lt;br /&gt;
This course will focus on developing positive attitude through media productions, such as film, television, print etc. We want students to show how to use media&#039;s positive side to develop good attitude habits. &lt;br /&gt;
&lt;br /&gt;
Michael &amp;amp; John - &amp;quot;Mickey Wants You” – How Disney Won the War &lt;br /&gt;
&lt;br /&gt;
In this course, students will analyse and identify historical examples of Disney products to better understand bias, impact, and opinions.  This course has been designed with the target of engaging students in history and its contexts with products of Disney media. Students will learn and gain skills in the ability to think critically, detect biases, and learn to read and develop media products for use in their own lives.  &lt;br /&gt;
      &lt;br /&gt;
Chris and Grace - Multiculturalism in the Media&lt;br /&gt;
&lt;br /&gt;
Marie-Anne and Lucas - Francophone cinema&lt;br /&gt;
                    &lt;br /&gt;
This course has been designed to encourage students to have a better appreciation for Francophone cinema, to help them examine and identify the values and cultural differences in films and have a better understanding of Francophone culture. They will be able to apply critical thinking to film analyses and appreciations. A collaborative and safe atmosphere will be provided to foster creative expression in film production and media representation.  &lt;br /&gt;
      &lt;br /&gt;
&#039;&#039;&#039;Section 951 BA/A Topics&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Kelly Skehill and Kat Ast - &amp;quot;Media: The Inside Scoop&amp;quot;&lt;br /&gt;
&lt;br /&gt;
This course will expose students to the positive and negative influences media has on people.  It will have students analyze Social Networking, Advertising, Hollywood Movies, Documentaries and Music.  The goal is for students to gain the critical analysis and information skills necessary to become intelligent, competent consumers and creators of media messages (Considine, 2003).   &lt;br /&gt;
&lt;br /&gt;
Adam Deboer and Alvin Lui - Music, Culture, and Technology&lt;br /&gt;
&lt;br /&gt;
Ashley MacKenzie and Alex Thureau - Reality Television Production: This course will introduce students to the medium of television. Students will learn the pre-production, production and post-production steps required to produce their own reality television episode. Students will leave the course with the ability to objectively analyze television media.   &lt;br /&gt;
&lt;br /&gt;
Kady Huhn &amp;amp; Hannah Yu-Media &amp;amp; Identity-This course will explore the ways in which personal identity is constructed and mediated through media and will analyze how popular culture such as film, music, television and print media impact identity and behaviour. It will also look at the ways in which social media has impacted identity construction online and focus on the implications this has on the safety of social networking.&lt;br /&gt;
      &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Wendy Sigaty &amp;amp; Haley Lucas - Social Values in Media Through History&#039;&#039;&#039;&lt;br /&gt;
Students will use various media (Print, Television, Film, Music, etc) to examine how our social values (Race Relations, Relationships, Gender Roles, Sexuality, Religion, Family, Lifestyle, etc) have changed from biblical times to the present.    &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Rachel Fales &amp;amp; Jennifer Visser - &#039;&#039;Film Studies- An Analysis of Superheroes&#039;&#039;&#039;&#039;&#039; - This course intends to analyze Superheroes in films. This course will chronologically follow Superheroes as they have been adapted from comic books (ie. Superman 1978) to Hollywood Blockbusters and the idea of sequels, exploring a variety of topics during each film. Students will question genre, originality, race, gender, sexuality, public vs. private (dual) identities, villains vs. victims, technology and remediation of Superhero films. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Michael Bui &amp;amp; Jennifer Neff - Sociology and the Media 11/12&#039;&#039;&#039; -  This course examines culture and the construction of identity through shifts in media.  Trends in visual media, advancements in technology and social media will be looked at under the lens of sociology. Students will identify the ways media can influence the creation and disintegration of stereotypes.  Students will analyze different perceptions represented through these mediums of technology and how this adds to the development of new youth culture. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analyzing Modern Animated Satire 11/12&#039;&#039;&#039; (Fay Sterne &amp;amp; Brittaney Boone) - Students will take a critical look at &#039;&#039;The Simpsons&#039;&#039;, &#039;&#039;Family Guy&#039;&#039;, and &#039;&#039;South Park&#039;&#039; as satirical representations of modern North American society.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Graham Haigh &amp;amp; Dean Morris&#039;&#039;&#039; Teaching Media through the examination of Political Campaigns. Students will evaluate, analyze, political media. Students will also create their own commercial, poster, National address, attack add, or some other media presentation relating to the study of politics.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ashley Bayles &amp;amp; Danny Nann - Media &amp;amp; Popular Culture&#039;&#039;&#039;&lt;br /&gt;
- This course will examine the way in which media has an impact on cultural production and vice versa. What is popular culture? What role does the media have on the production of popular culture? Is popular culture an authentic representation of our cultural values as a society, or is it impacted by the media and if so, how? We will look into how the social and culture environment is formed and what role it has on media and vice versa. This course will examine popular culture as a concept on its own and through its representation in different forms of media. &lt;br /&gt;
&lt;br /&gt;
Yik Wah Penner &amp;amp; Chris Howey - Manufacturing Identity in the Media: This course will examine the ways in which media creates identities which are often shaped by stereotype. Our goal will be to explore the social and cultural relevance of these produced identities in the day to day lives of students.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lance Peters &amp;amp; Al McKillop - Using current media to access classic literature&#039;&#039;&#039;&lt;br /&gt;
We plan to look at various media, with a particular focus on using contemporary media such as podcasting, film, games, graphic novels, wikis, etc. to access &#039;classic&#039; literature such as Shakespeare, Melville, Dickens, Tolkien and others.&lt;br /&gt;
&lt;br /&gt;
Mark Brown and Alex McKechnie - Popular Music Studies&lt;br /&gt;
This course looks at the images, text, and music of popular songs and videos, and the relationships and meanings found therein. Students will develop appreciation, as well as, analytical and critical thinking skills to help them navigate through the multiple images, values, and meanings found within popular music and music videos&lt;br /&gt;
&lt;br /&gt;
 &lt;br /&gt;
Lillian Ryan &amp;amp; Sarah James (documentary film studies)&lt;br /&gt;
&lt;br /&gt;
Sat, Arshbir, Alysha and Manjot (Media influences across disciplines)&lt;br /&gt;
&lt;br /&gt;
== PSA Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;952 Planning: &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Time = 30 to 60 seconds&lt;br /&gt;
Theme = Unique to Group&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;951 Planning: &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Time = 30 to 60 seconds&lt;br /&gt;
Theme = Unique to Group&lt;br /&gt;
&lt;br /&gt;
The Scaffolders-Brittaney Boone, Jennifer Visser, Kady Huhn, Yik Penner, Chris Howey, Faye Sterne&lt;br /&gt;
&lt;br /&gt;
High-Def (HD): Mark, Alvin, Rachel, Jennifer N, Michael, Adam   [http://youtu.be/9u3Rhw9jdiE Cyber-bullying PSA]&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2010&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy.  Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding.  In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement.  The course provides a survey of media studies and new media with an emphasis on media education and literacy.  Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum.  Hence, this course emphasizes ethical, legal, and theoretical aspects and the design of curriculum and courses for teaching media education or media studies and for integrating media literacy across the curriculum. [Link to the EDCP 481 Resource page http://m1.cust.educ.ubc.ca:16080/tsedgrad/?page_id=366]. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Student Planning Space&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== Textbook Curriculum Planning Section ==&lt;br /&gt;
&lt;br /&gt;
Download the Media Studies 11-12 Textbook written by EDCP 481 students: http://m1.cust.educ.ubc.ca:16080/tsedgrad/?page_id=366&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Table of Contents&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;1. Who/What are The Media?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Who / What is a Journalist? (Paul Korczyk &amp;amp; Sara Newham)&amp;lt;br&amp;gt;&lt;br /&gt;
Web 2.0 (Matthew Palmer &amp;amp; Stasia Siscoe)&amp;lt;br&amp;gt; &lt;br /&gt;
Social Networking and the Media (Esther Yong &amp;amp; Gideon Lin)&amp;lt;br&amp;gt; &lt;br /&gt;
Teen Age, Teen Ad (Shelagh &amp;amp; Sean)&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;2. News or Entertainment&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Blurring Line Between Television News and Entertainment (Herleen Malli &amp;amp; Jagroop Nagra)&amp;lt;br&amp;gt; &lt;br /&gt;
Celebrity Culture (Magda Misiak &amp;amp; Jo-Anne McKee)&amp;lt;br&amp;gt; &lt;br /&gt;
The Prevalence of Violence in the Media (Cameron Vand&#039;Erkamps &amp;amp; Daljit Purewal)&amp;lt;br&amp;gt; &lt;br /&gt;
School on Television: Reality vs. Depiction (Greg Rushton &amp;amp; Sheryl Reinhardt)&amp;lt;br&amp;gt; &lt;br /&gt;
Fashion Trends and Media Representations (Balkiran Dusanj &amp;amp; Shirley Lal)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3. Bias and Perspective&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David Bron &amp;amp; Kari White)&amp;lt;br&amp;gt; &lt;br /&gt;
Editing: An Inquiry into Ideological Stance (David Mergens &amp;amp; Andrew Crawford)&amp;lt;br&amp;gt;&lt;br /&gt;
The use of Propaganda in Modern Society (Kiran Basi &amp;amp; Mike Byun)&amp;lt;br&amp;gt;&lt;br /&gt;
Storytelling and Media (Elle Kay &amp;amp; Rochelle Patten)&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;4. Culture and Technology&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Media Consumption in the Digital Age (Caleb Bouey &amp;amp; Gabrielle Rougeau)&amp;lt;br&amp;gt; &lt;br /&gt;
Technology and the Evolution of Music (JP Lancaster &amp;amp; Dorianna Chessa)&amp;lt;br&amp;gt; &lt;br /&gt;
Literature Adaptations and Interpretations in the Media (Sarah McNeil &amp;amp; Victoria Yip)&amp;lt;br&amp;gt; &lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary Yang &amp;amp; Liang You)&amp;lt;br&amp;gt; &lt;br /&gt;
Copyright in the Information Age (Ken Vimalesan &amp;amp; Jen Fehlauer)&amp;lt;br&amp;gt;&lt;br /&gt;
Appropriation and Art: Issues of Copyright in Image Production (Alex Reed &amp;amp; Fred Beitler)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a 4 page section of a textbook, which is being designed and written for grade 10-12 students):&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
e.g., Teen Age, Teen Ad (Shelagh &amp;amp; Sean)&lt;br /&gt;
Cable News (Bert &amp;amp; Ernie)&lt;br /&gt;
Web 2.0 (Stasia &amp;amp; Matthew)&lt;br /&gt;
Storytelling and Media (Rochelle and Elle)&lt;br /&gt;
Literature Adaptations and Interpretations in the Media (Victoria &amp;amp; Sarah)&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David &amp;amp; Kari)&lt;br /&gt;
Fashion Trends and Media Representations (Balkiran &amp;amp; Shirley)&lt;br /&gt;
Who/What is a Journalist? (Paul and Sara)&lt;br /&gt;
Celebrity Gossip as News (Magda and Jo-Anne)&lt;br /&gt;
Social Networking and the Media (Esther and Gideon)&lt;br /&gt;
Editing; An Inquiry into Ideological Stance (David and Andrew)&lt;br /&gt;
The blurring line between television news and entertainment (Herleen and Jag)&lt;br /&gt;
The prevelance of violence in the media (Cam and Dal)&lt;br /&gt;
Technology and the Evolution of Music (JP and Dorianna)&lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary and Liang)&lt;br /&gt;
The use of propaganda in modern society (Kiran and Mike)&lt;br /&gt;
Media Consumption in the Digital Age (Caleb and Gabby)&lt;br /&gt;
School on Television: Reality vs. Depiction (Greg and Sheryl)&lt;br /&gt;
Copyright in the Information Age (Ken and Jen)&lt;br /&gt;
Appropriation and Art: Issues of copyright in image production (Alex and Fred)&lt;br /&gt;
&lt;br /&gt;
Here are a couple possible ways to break down the book with some (wild) guesses about where each topic might fit. Thoughts? (Thanks Jen-- awesome work!)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;1. Who/What are The Media?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Who/What is a Journalist? (Paul and Sara)&amp;lt;br&amp;gt;&lt;br /&gt;
The blurring line between television news and entertainment (Herleen and Jag) &amp;lt;br&amp;gt;&lt;br /&gt;
Celebrity Gossip as News (Magda and Jo-Anne) &amp;lt;br&amp;gt;&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David &amp;amp; Kari) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;2. Who/What is Represented?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Editing: An Inquiry into Ideological Stance (David and Andrew)&amp;lt;br&amp;gt;&lt;br /&gt;
The use of propaganda in modern society (Kiran and Mike)&amp;lt;br&amp;gt;&lt;br /&gt;
School on Television: Reality vs. Depiction (Greg and Sheryl)&amp;lt;br&amp;gt; &lt;br /&gt;
The prevalence of violence in the media (Cam and Dal) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3. Web 2.0&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Web 2.0 (Stasia &amp;amp; Matthew) &amp;lt;br&amp;gt;&lt;br /&gt;
Social Networking and the Media (Esther and Gideon) &amp;lt;br&amp;gt;&lt;br /&gt;
Copyright in the Information Age (Ken and Jen)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;4. The Evolution of Culture&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Technology and the Evolution of Music (JP and Dorianna)&amp;lt;br&amp;gt; &lt;br /&gt;
Storytelling and Media (Rochelle and Leanna) &amp;lt;br&amp;gt;&lt;br /&gt;
Film Adaptations of &#039;&#039;Alice&#039;s Adventures in Wonderland&#039;&#039; (Victoria &amp;amp; Sarah) &amp;lt;br&amp;gt;&lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary and Liang) &amp;lt;br&amp;gt;&lt;br /&gt;
Appropriation and Art: Issues of copyright in image production (Alex and Fred)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;5. Economics of Technology&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Teen Age, Teen Ad (Shelagh &amp;amp; Sean) &amp;lt;br&amp;gt;&lt;br /&gt;
Fashion Trends and Media Representations (Balkiran &amp;amp; Shirley)&amp;lt;br&amp;gt;&lt;br /&gt;
Media Consumption in the Digital Age (Caleb and Gabby) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;B&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;1. Who/What are The Media?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Who/What is a Journalist? (Paul and Sara)&amp;lt;br&amp;gt;&lt;br /&gt;
Web 2.0 (Stasia &amp;amp; Matthew) &amp;lt;br&amp;gt;&lt;br /&gt;
Social Networking and the Media (Esther and Gideon) &amp;lt;br&amp;gt;&lt;br /&gt;
Teen Age, Teen Ad (Shelagh &amp;amp; Sean) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;2. News or Entertainment&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The blurring line between television news and entertainment (Herleen and Jag) &amp;lt;br&amp;gt;&lt;br /&gt;
Celebrity Gossip as News (Magda and Jo-Anne) &amp;lt;br&amp;gt;&lt;br /&gt;
The prevalence of violence in the media (Cam and Dal) &amp;lt;br&amp;gt;&lt;br /&gt;
School on Television: Reality vs. Depiction (Greg and Sheryl) &amp;lt;br&amp;gt;&lt;br /&gt;
Fashion Trends and Media Representations (Balkiran &amp;amp; Shirley)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3. Bias and Perspective&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David &amp;amp; Kari) &amp;lt;br&amp;gt;&lt;br /&gt;
Editing: An Inquiry into Ideological Stance (David and Andrew)&amp;lt;br&amp;gt;&lt;br /&gt;
The use of propaganda in modern society (Kiran and Mike)&amp;lt;br&amp;gt;&lt;br /&gt;
Storytelling and Media (Elle &amp;amp; Rochelle) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;4. Culture and Technology&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Media Consumption in the Digital Age (Caleb and Gabby) &amp;lt;br&amp;gt;&lt;br /&gt;
Technology and the Evolution of Music (JP and Dorianna) &amp;lt;br&amp;gt;&lt;br /&gt;
Literature Adaptations and Interpretations in the Media (Victoria &amp;amp; Sarah) &amp;lt;br&amp;gt;&lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary and Liang) &amp;lt;br&amp;gt;&lt;br /&gt;
Copyright in the Information Age (Ken and Jen)&amp;lt;br&amp;gt;&lt;br /&gt;
Appropriation and Art: Issues of copyright in image production (Alex and Fred)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== BAA Course Planning Section ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Media and Advertising 11&#039;&#039;&#039;(Ken and Jen)&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
This course will prepare students to deconstruct and understand how media impact their lives and decisions. Students will learn and apply the concepts of audience, purpose and argument through an analysis of advertising across various media.  Students will understand how advertising creates and appeals to cultural values which will prepare them to be informed and active citizens in a media-saturated world.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Identity, Pop Culture and Media 12&#039;&#039;&#039; (Rochelle and Leanna)&lt;br /&gt;
-portrayals of gender, age, race, sexuality, beauty, and wealth in Pop Culture and the Media and how these construct and affirm our beliefs and personal and corporate identity&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Societal and Cultural Values in Media 12&#039;&#039;&#039; (Gideon &amp;amp; Esther)&lt;br /&gt;
&amp;lt;br&amp;gt; An overview analysis of television, film, pop culture and advertising and how, within these mediums, certain societal and cultural values are propagated and reflected. It is important for students to be aware and analytical of what they view/listen to etc, in order to be critical of what values are being (re)presented by the media.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;From The Page to the Stage, and Beyond: Literary Adaptations in the Media&#039;&#039;&#039; (Victoria &amp;amp; Sarah)&lt;br /&gt;
&amp;lt;br&amp;gt;Increasingly, the first exposure that young people have to literature is through television, film, or Internet adaptations.  This course will help students understand the transformation that a work goes through as it travels from the page to another medium, and will explore adaptations of popular works for the stage, radio, television, film, and Internet.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Music and Technology 11/12&#039;&#039;&#039; (Greg and Sheryl)&lt;br /&gt;
This course will examine the ways in which technology has changed the way that music is created, perceived and consumed.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;History lives -An examination of historical events through film&amp;quot;&#039;&#039;&#039; (Mike and Kiran)&lt;br /&gt;
This course will consider various points in history through the medium of film. A careful examination of movies that deal with historical events will be analyzed with respect to the underlying message portrayed in the film. This course will consider the political and social aspects as well as the historical context and how it is portrayed by the media.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A Game Making Approach to Bioethics&#039;&#039;&#039; (Mary and Liang)&lt;br /&gt;
&amp;lt;br&amp;gt;This course is meant to consider the ethical issues associated with the studies of current science that incorporate biology and technology. With some knowledge on high school biology, students will develop a basic understanding of these science studies.  Through collecting science media, students will learn about the occurrence and the relevancy of these studies to their daily lives.  With some discussions, students will identify both ethical and unethical actions committed by stakeholders.  In addition, students will master the ability to come up with alternative solutions that are by definition more ethical to these studies.  Lastly, students will demonstrate their overall knowledge of bioethics by planning for a computer or video game that demands ethical decisions and administers consequences.  As well, the planning process requires the usage of multiple forms of technology.  Through the practices of this course, students are made to hold some responsibilities to the well-being of our world as a whole.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The Power of Media&#039;&#039;&#039; (David B and Kari)&lt;br /&gt;
&lt;br /&gt;
This course will challenge students to look at the way in which the media impacts society. Looking at different forms of media (ie. television, the radio, the internet, newspapers/magazines) the following issues will be addressed: how does the media shape reality, who is the targeted audience, the ability of technology to communicate, and the influence that the media has on everyday life. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The History of Communication Throughout the 20th Century&#039;&#039;&#039; (JP and Dorianna)&lt;br /&gt;
This course will examine the evolution of communication throughout the 20th century and how this process affected important historical events, eras and trends. Students will look at how various communication technologies, such as AM radio, television, and the internet, were employed during the century and what events/phenomenons they facilitated. Central themes to be studied will include war and conflict, popular culture, and globalization.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Music Media&#039;&#039;&#039; (David and Andrew)&lt;br /&gt;
Investigation of lyrical content with respect to audience. Investigation into lyrical content and political message. The study of the interaction between lyrical message and music video message.  This course will provide for students opportunities to observe aspects of social, political, and cultural history through the lens of instrumental music.  In regards to tonality, style, and timbre, the directions in which genres of music evolved heavily reflected the social conditions of eras; it is impossible, for example, to separate the violence associated wit the modern Civil Rights Movement from the sound of 1960s avant-garde jazz.  Students will analyze such connections in a variety of ways, such as by sampling various music selections that will be supplemented with pertaining historical contexts. &lt;br /&gt;
[[Category: Curriculum and Pedagogy]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Critical Media Studies in Film and Television&#039;&#039;&#039; (Alex and Fred)&lt;br /&gt;
This course will focus on pop culture film and television media of the 20th and 21st centuries.  Students will develop a critical awareness of how media messages are constructed in the world of film and television.  Students will make use of media literacy methodologies to deconstruct and critically analyze meaning in a series of film and television screenings.  Students will also read texts and view documentaries critiquing pop culture film and telesion.  The course will culminate in the students utilizing these critical skills to create their own critical documentary.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Intro to Media Studies&#039;&#039;&#039; (Matthew and Stasia)&lt;br /&gt;
This course will introduce students to the concept of media studies and what it entails - what is media, the history of media, the influence of media on society, the different forms of media, etc.  It will provide a foundation for future, more focused courses, and will establish the analytical skills necessary for students to navigate todays dynamic media landscape.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Media: Issues and Technology 12&#039;&#039;&#039; (Paul and Sara)&lt;br /&gt;
This course deals with media depictions of controversial issues facing the world today. Each issue will be looked at through one of television/film, radio, print, and internet. The technology aspect of the course covers media production, and students will gain experience working in each of the major forms of media. After analyzing issues, students will be asked to produce their own representations of those issues in a skills-based, technological approach.&lt;br /&gt;
&lt;br /&gt;
   &lt;br /&gt;
&amp;quot;Stereotypes in TV &amp;amp; Film: Changes Over Time&amp;quot; -Sarah K, Jenn O, Jenn M&lt;br /&gt;
&lt;br /&gt;
This course will examine the way that stereotypes are portrayed in TV and Film. It will look in depth at the changes in stereotypes as a reflection of society. Topics considered will include gender/sexuality, minorities, women and society in general.&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;External Resources&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
[http://www.pixton.com Pixton - &#039;Free&#039; Online Comic Maker]&lt;br /&gt;
      &lt;br /&gt;
&lt;br /&gt;
[[Category:EDCP]]&lt;/div&gt;</summary>
		<author><name>Stephenpetrina</name></author>
	</entry>
	<entry>
		<id>https://wiki.ubc.ca/index.php?title=Course:EDCP481&amp;diff=521030</id>
		<title>Course:EDCP481</title>
		<link rel="alternate" type="text/html" href="https://wiki.ubc.ca/index.php?title=Course:EDCP481&amp;diff=521030"/>
		<updated>2018-07-03T20:42:13Z</updated>

		<summary type="html">&lt;p&gt;Stephenpetrina: /* Textbook (Media Study Guide) Planning Section */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== &#039;&#039;&#039;Summer 2a 2018&#039;&#039;&#039; ==&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy. Media studies is a dynamic discipline tailored to exploring a range of concepts or techniques. In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement. Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy. Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum. Hence, this course balances practice with ethical, legal, and theoretical aspects and emphasizes the design of curriculum and courses for teaching media studies and for integrating media literacy across the curriculum. This year&#039;s section of EDCP 481 focuses on meaningful media by and for children and youth. All media productions add meaning but those providing deep meaning are necessarily unique.  [Link to the EDCP 481  Resource page http://blogs.ubc.ca/etec/courses-2/edcp-481/].&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Textbook (Media Study Guide) Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a section-- Media Study Guide-- of a textbook, which is being designed and written for grades K-3, 4-5, 6-7, 8-10 or 11-12 students) &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 Media Study Guide &#039;&#039;Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Group #1&lt;br /&gt;
Group #2&lt;br /&gt;
etc...&lt;br /&gt;
&lt;br /&gt;
== Activity Planning Section ==&lt;br /&gt;
Group #1&lt;br /&gt;
Group #2&lt;br /&gt;
etc...&lt;br /&gt;
&lt;br /&gt;
== Email Section (Preferably Gmail) ==&lt;br /&gt;
hwlmediatechno@gmail.com (course gmail)&lt;br /&gt;
my gmail address&lt;br /&gt;
Kirsten.ko@gmail.com -- Kirsten Ko&lt;br /&gt;
&lt;br /&gt;
pwcaplan@gmail.com&lt;br /&gt;
cheyenne.w.ryan@gmail.com&lt;br /&gt;
kevchu13@gmail.com&lt;br /&gt;
matthewlebourdais@gmail.com&lt;br /&gt;
breannalang1243@gmail.com&lt;br /&gt;
cassietagseth@gmail.com&lt;br /&gt;
keongimprov@gmail.com -- Jeremy Keong&lt;br /&gt;
giantcranium5@gmail.com&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2017&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy. Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding. In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement. Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy. Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum. Hence, this course balances practice with ethical, legal, and theoretical aspects and emphasizes the design of curriculum and courses for teaching media studies and for integrating media literacy across the curriculum.  [Link to the EDCP 481  Resource page http://blogs.ubc.ca/etec/courses-2/edcp-481/].&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
== Textbook (Media Study Guide) Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a section-- Media Study Guide-- of a textbook, which is being designed and written for grades K-3, 4-5, 6-7, 8-10 or 11-12 students) &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Dawson, Sonya, Mark, Curtis: The Lorax&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 Media Study Guide Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
xx &amp;lt;br&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The Matrix - Brooke, David, Harrison, Jordan&lt;br /&gt;
&lt;br /&gt;
Harry Potter- Alysha, Sat, Arshbir, Manjot&lt;br /&gt;
&lt;br /&gt;
X-Men- Sam and Katia&lt;br /&gt;
&lt;br /&gt;
Interstellar: Mike, Stephen, Yoohoon, and Paul.&lt;br /&gt;
&lt;br /&gt;
Call of Duty Zombies: Hermano, Wells, Mikey, Mike&lt;br /&gt;
&lt;br /&gt;
Avatar: Vardip, Jeongbae&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2016&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy. Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding. In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement. Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy. Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum. Hence, this course balances practice with ethical, legal, and theoretical aspects and emphasizes the design of curriculum and courses for teaching media studies and for integrating media literacy across the curriculum.  [Link to the EDCP 481  Resource page http://blogs.ubc.ca/etec/courses-2/edcp-481/].&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Link to the EDCP 481 Textbook (Media Study Guides) co-authored by the  students  http://blogs.ubc.ca/etec/courses-2/edcp-481/&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Textbook (Media Study Guide) Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a section-- Media Study Guide-- of a textbook, which is being designed and written for grade 8-10 or 11-12 students):&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;2017 Guides&#039;&#039;&#039; &amp;lt;br&amp;gt;&lt;br /&gt;
Dawson, Sonya, Mark, Curtis: The Lorax&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 Media Study Guide Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
xx &amp;lt;br&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The Matrix - Brooke, David, Harrison, Jordan&lt;br /&gt;
&lt;br /&gt;
Harry Potter- Alysha, Sat, Arshbir, Manjot&lt;br /&gt;
&lt;br /&gt;
X-Men- Sam and Katia&lt;br /&gt;
&lt;br /&gt;
Interstellar: Mike, Stephen, Yoohoon, and Paul.&lt;br /&gt;
&lt;br /&gt;
Call of Duty Zombies: Hermano, Wells, Mikey, Mike&lt;br /&gt;
&lt;br /&gt;
Avatar: Vardip, Jeongbae&lt;br /&gt;
&lt;br /&gt;
== BAA Course Planning Section ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The direct link to the example BAA is:&#039;&#039;&#039; &amp;lt;br&amp;gt;&lt;br /&gt;
http://www.bced.gov.bc.ca/greenschools/sustcoursecontent.htm&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the BAA Course here:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 BA/A Topics&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The Business of Media - Brooke, Harrison, Jordan&lt;br /&gt;
&lt;br /&gt;
Who Controls the Media (11/12)- Sam Jeongbae, David E, Vardip &lt;br /&gt;
&lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Sat, Arshbir, Alysha &amp;amp; Manjot - Media influences across disciplines&lt;br /&gt;
&lt;br /&gt;
Katia, Stephen, Mike, and Paul: Publishing&lt;br /&gt;
&lt;br /&gt;
Hermano, Wells, Mikey, Mike: Theatre, Film and Media Studies&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2011&#039;&#039;&#039;==&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy.  Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding.  In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement.  Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy.  Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum.  Hence, this course emphasizes ethical, legal, and theoretical aspects and the design of curriculum and courses for teaching media education or media studies and for integrating media literacy across the curriculum.  [Link to the EDCP 481  Resource page http://m1.cust.educ.ubc.ca:16080/tsedgrad/?page_id=460].&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Link to the EDCP 481 Textbook (Media Study Guides) co-authored by the  students  http://blogs.ubc.ca/etec/courses-2/edcp-481/&#039;&#039;&#039;&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Student Planning Space&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== Textbook (Media Study Guide) Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a section-- Media Study Guide-- of a textbook, which is being designed and written for grade 8-10 or 11-12 students):&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 Media Study Guide Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
xx &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Dianna Stashuk and Adam Alvaro - &amp;quot;Lost&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Melissa Evans and Shaun Beach- &amp;quot;Family&amp;quot; Shows (exploring the representations of family, past and present)&lt;br /&gt;
&lt;br /&gt;
Brian, Peter &amp;amp; Tyler - Need for Speed&lt;br /&gt;
&lt;br /&gt;
Michelle Fatkin and Chelsea Campbell - &amp;quot;Mean Girls&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Tom Froh and Peter Maxwell - &amp;quot;16 and Pregnant&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Nick De Santis and Nam Pham- &amp;quot;127 Hours&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Chris Flannelly and Grace Woo - &amp;quot;Freedom Writers&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Lucas Mann and Marie-Anne Hellinckx - Film Review &amp;quot;Ma vie en rose&amp;quot; to address issues of homophobia.&lt;br /&gt;
&lt;br /&gt;
Stephanie Malloy and Jon Schmidt-&amp;quot;My Sister&#039;s Keeper&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 951 Media Study Guide Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
xx&lt;br /&gt;
&lt;br /&gt;
Adam Deboer and Alvin Lui - The Dark Knight&lt;br /&gt;
&lt;br /&gt;
Kelly Skehill and Kat Ast - &amp;quot;Thirteen&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Ashley MacKenzie and Alex Thureau - &amp;quot;One Week&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Wendy Sigaty and Haley Lucas - &amp;quot;Avatar&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Kady Huhn &amp;amp; Hannah Yu- &amp;quot;Into the Wild&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Fay Sterne &amp;amp; Brittaney Boone - &amp;quot;The Office&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Rachel Fales &amp;amp; Jennifer Visser - &amp;quot;Wall-E&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Yik Wah Penner &amp;amp; Chris Howey - &amp;quot;Little Ms. Sunshine&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Lance Peters &amp;amp; Al McKillop - &#039;Lord of the Rings&#039; (I know, it&#039;s a little ambitious.)&lt;br /&gt;
&lt;br /&gt;
Ashley Bayles &amp;amp; Danny Nann - &amp;quot;The Simpsons&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Jenn O, Jenn M, Sarah K - &amp;quot;Schindler&#039;s List&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Alexander McKechnie - Mythology and Popular Music&lt;br /&gt;
&lt;br /&gt;
Mark Brown - &amp;quot;Bright Star&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Sarah James and Lillian Ryan - &amp;quot;Food Inc.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Michael Bui &amp;amp; Jennifer Neff - Outsourced&lt;br /&gt;
&lt;br /&gt;
== BAA Course Planning Section ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The direct link to the example BAA is:&#039;&#039;&#039; &amp;lt;br&amp;gt;&lt;br /&gt;
http://www.bced.gov.bc.ca/greenschools/sustcoursecontent.htm&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the BAA Course here:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 BA/A Topics&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Brian, Peter &amp;amp; Tyler - GAME ON! Video Game Play as Text: Critical Reading for Gamers     &lt;br /&gt;
&lt;br /&gt;
Dianna Stashuk and Adam Alvaro - Media and Canadian Identity&lt;br /&gt;
&lt;br /&gt;
Melissa Evans and Shaun Beach - Youth and advertising--This course will explore the industry of advertising, focusing specifically on how advertisers target youth through TV commercials, product placement, and endorsements. There will also be some discussion on advertisement law and various opportunities to critically analyse advertisements made in the industry and in the classroom. Students will be able to create their own advertisements based on what they have learned about the laws and techniques used in the industry.&lt;br /&gt;
&lt;br /&gt;
Michelle Fatkin and Chelsea Campbell - Acquiring Wisdom through Media&lt;br /&gt;
&lt;br /&gt;
In this course, we want students to understand that media is not simply entertainment. Rather, we want them to see that they can acquire wisdom through observing the actions and consequences of others in TV/film, and through analyzing the subtleties of messages in advertisements, print, and other forms. &lt;br /&gt;
&lt;br /&gt;
Taha and Kara - Apocalypse in Media&lt;br /&gt;
&lt;br /&gt;
Stef and Jess aka...Jeff - Seeing with your ears: An introduction to media through music&lt;br /&gt;
&lt;br /&gt;
This course looks at the relationship between music and the media by analysing historical and political events effects on music.  It focuses on the power of music and it&#039;s affect on the media.  We will also look at the power of the media and it&#039;s control over the message of popular music.  By focusing on a timeline one can easily see the changes in music and it&#039;s message due to events occurring all over the world.&lt;br /&gt;
&lt;br /&gt;
Nick De Santis and Nam Pham - &amp;quot;Add me as a Friend&amp;quot;: Deconstructing Social Media&lt;br /&gt;
       &lt;br /&gt;
&lt;br /&gt;
This course will explore the current trends in social media and how they have influenced our society. In particular, we will examine Facebook and Twitter, the two most popular forms of this media. The focus of this course will be to educate students on the benefits and dangers of using social media and to critically analyze the prevalence of social media in today’s society. By the end of this course, each student will be able to use social media to their maximum positive benefit.&lt;br /&gt;
&lt;br /&gt;
Thomas Froh and Peter Maxwell - &amp;quot;The Man&amp;quot; Behind the Message&lt;br /&gt;
&lt;br /&gt;
This course will work towards answering the question of whether there is a person or organization controlling the messages we receive in the media, and if so, who or what are they and to what end?  Specifically, the course will examine large television corporations and whether or not they work to shape popular perspective in news broadcasts, television programming, etc.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Paul and Rhonda - Music Videos and Pop Culture&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course will explore the question; Are music videos a product of pop culture or pop culture and product of music videos? The course will critically analyse the key media literacy aspects of production, analysis and audience. Due to the sometimes sensitive content of music videos it is important for students to deconstruct the specifics behind the media consumption, production and regulation.&lt;br /&gt;
&lt;br /&gt;
  &lt;br /&gt;
&lt;br /&gt;
Rupinder and Parmjeet: Attitude is everything!! Aquiring positive attitude through media.&lt;br /&gt;
&lt;br /&gt;
This course will focus on developing positive attitude through media productions, such as film, television, print etc. We want students to show how to use media&#039;s positive side to develop good attitude habits. &lt;br /&gt;
&lt;br /&gt;
Michael &amp;amp; John - &amp;quot;Mickey Wants You” – How Disney Won the War &lt;br /&gt;
&lt;br /&gt;
In this course, students will analyse and identify historical examples of Disney products to better understand bias, impact, and opinions.  This course has been designed with the target of engaging students in history and its contexts with products of Disney media. Students will learn and gain skills in the ability to think critically, detect biases, and learn to read and develop media products for use in their own lives.  &lt;br /&gt;
      &lt;br /&gt;
Chris and Grace - Multiculturalism in the Media&lt;br /&gt;
&lt;br /&gt;
Marie-Anne and Lucas - Francophone cinema&lt;br /&gt;
                    &lt;br /&gt;
This course has been designed to encourage students to have a better appreciation for Francophone cinema, to help them examine and identify the values and cultural differences in films and have a better understanding of Francophone culture. They will be able to apply critical thinking to film analyses and appreciations. A collaborative and safe atmosphere will be provided to foster creative expression in film production and media representation.  &lt;br /&gt;
      &lt;br /&gt;
&#039;&#039;&#039;Section 951 BA/A Topics&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Kelly Skehill and Kat Ast - &amp;quot;Media: The Inside Scoop&amp;quot;&lt;br /&gt;
&lt;br /&gt;
This course will expose students to the positive and negative influences media has on people.  It will have students analyze Social Networking, Advertising, Hollywood Movies, Documentaries and Music.  The goal is for students to gain the critical analysis and information skills necessary to become intelligent, competent consumers and creators of media messages (Considine, 2003).   &lt;br /&gt;
&lt;br /&gt;
Adam Deboer and Alvin Lui - Music, Culture, and Technology&lt;br /&gt;
&lt;br /&gt;
Ashley MacKenzie and Alex Thureau - Reality Television Production: This course will introduce students to the medium of television. Students will learn the pre-production, production and post-production steps required to produce their own reality television episode. Students will leave the course with the ability to objectively analyze television media.   &lt;br /&gt;
&lt;br /&gt;
Kady Huhn &amp;amp; Hannah Yu-Media &amp;amp; Identity-This course will explore the ways in which personal identity is constructed and mediated through media and will analyze how popular culture such as film, music, television and print media impact identity and behaviour. It will also look at the ways in which social media has impacted identity construction online and focus on the implications this has on the safety of social networking.&lt;br /&gt;
      &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Wendy Sigaty &amp;amp; Haley Lucas - Social Values in Media Through History&#039;&#039;&#039;&lt;br /&gt;
Students will use various media (Print, Television, Film, Music, etc) to examine how our social values (Race Relations, Relationships, Gender Roles, Sexuality, Religion, Family, Lifestyle, etc) have changed from biblical times to the present.    &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Rachel Fales &amp;amp; Jennifer Visser - &#039;&#039;Film Studies- An Analysis of Superheroes&#039;&#039;&#039;&#039;&#039; - This course intends to analyze Superheroes in films. This course will chronologically follow Superheroes as they have been adapted from comic books (ie. Superman 1978) to Hollywood Blockbusters and the idea of sequels, exploring a variety of topics during each film. Students will question genre, originality, race, gender, sexuality, public vs. private (dual) identities, villains vs. victims, technology and remediation of Superhero films. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Michael Bui &amp;amp; Jennifer Neff - Sociology and the Media 11/12&#039;&#039;&#039; -  This course examines culture and the construction of identity through shifts in media.  Trends in visual media, advancements in technology and social media will be looked at under the lens of sociology. Students will identify the ways media can influence the creation and disintegration of stereotypes.  Students will analyze different perceptions represented through these mediums of technology and how this adds to the development of new youth culture. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analyzing Modern Animated Satire 11/12&#039;&#039;&#039; (Fay Sterne &amp;amp; Brittaney Boone) - Students will take a critical look at &#039;&#039;The Simpsons&#039;&#039;, &#039;&#039;Family Guy&#039;&#039;, and &#039;&#039;South Park&#039;&#039; as satirical representations of modern North American society.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Graham Haigh &amp;amp; Dean Morris&#039;&#039;&#039; Teaching Media through the examination of Political Campaigns. Students will evaluate, analyze, political media. Students will also create their own commercial, poster, National address, attack add, or some other media presentation relating to the study of politics.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ashley Bayles &amp;amp; Danny Nann - Media &amp;amp; Popular Culture&#039;&#039;&#039;&lt;br /&gt;
- This course will examine the way in which media has an impact on cultural production and vice versa. What is popular culture? What role does the media have on the production of popular culture? Is popular culture an authentic representation of our cultural values as a society, or is it impacted by the media and if so, how? We will look into how the social and culture environment is formed and what role it has on media and vice versa. This course will examine popular culture as a concept on its own and through its representation in different forms of media. &lt;br /&gt;
&lt;br /&gt;
Yik Wah Penner &amp;amp; Chris Howey - Manufacturing Identity in the Media: This course will examine the ways in which media creates identities which are often shaped by stereotype. Our goal will be to explore the social and cultural relevance of these produced identities in the day to day lives of students.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lance Peters &amp;amp; Al McKillop - Using current media to access classic literature&#039;&#039;&#039;&lt;br /&gt;
We plan to look at various media, with a particular focus on using contemporary media such as podcasting, film, games, graphic novels, wikis, etc. to access &#039;classic&#039; literature such as Shakespeare, Melville, Dickens, Tolkien and others.&lt;br /&gt;
&lt;br /&gt;
Mark Brown and Alex McKechnie - Popular Music Studies&lt;br /&gt;
This course looks at the images, text, and music of popular songs and videos, and the relationships and meanings found therein. Students will develop appreciation, as well as, analytical and critical thinking skills to help them navigate through the multiple images, values, and meanings found within popular music and music videos&lt;br /&gt;
&lt;br /&gt;
 &lt;br /&gt;
Lillian Ryan &amp;amp; Sarah James (documentary film studies)&lt;br /&gt;
&lt;br /&gt;
Sat, Arshbir, Alysha and Manjot (Media influences across disciplines)&lt;br /&gt;
&lt;br /&gt;
== PSA Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;952 Planning: &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Time = 30 to 60 seconds&lt;br /&gt;
Theme = Unique to Group&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;951 Planning: &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Time = 30 to 60 seconds&lt;br /&gt;
Theme = Unique to Group&lt;br /&gt;
&lt;br /&gt;
The Scaffolders-Brittaney Boone, Jennifer Visser, Kady Huhn, Yik Penner, Chris Howey, Faye Sterne&lt;br /&gt;
&lt;br /&gt;
High-Def (HD): Mark, Alvin, Rachel, Jennifer N, Michael, Adam   [http://youtu.be/9u3Rhw9jdiE Cyber-bullying PSA]&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2010&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy.  Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding.  In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement.  The course provides a survey of media studies and new media with an emphasis on media education and literacy.  Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum.  Hence, this course emphasizes ethical, legal, and theoretical aspects and the design of curriculum and courses for teaching media education or media studies and for integrating media literacy across the curriculum. [Link to the EDCP 481 Resource page http://m1.cust.educ.ubc.ca:16080/tsedgrad/?page_id=366]. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Student Planning Space&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== Textbook Curriculum Planning Section ==&lt;br /&gt;
&lt;br /&gt;
Download the Media Studies 11-12 Textbook written by EDCP 481 students: http://m1.cust.educ.ubc.ca:16080/tsedgrad/?page_id=366&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Table of Contents&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;1. Who/What are The Media?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Who / What is a Journalist? (Paul Korczyk &amp;amp; Sara Newham)&amp;lt;br&amp;gt;&lt;br /&gt;
Web 2.0 (Matthew Palmer &amp;amp; Stasia Siscoe)&amp;lt;br&amp;gt; &lt;br /&gt;
Social Networking and the Media (Esther Yong &amp;amp; Gideon Lin)&amp;lt;br&amp;gt; &lt;br /&gt;
Teen Age, Teen Ad (Shelagh &amp;amp; Sean)&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;2. News or Entertainment&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Blurring Line Between Television News and Entertainment (Herleen Malli &amp;amp; Jagroop Nagra)&amp;lt;br&amp;gt; &lt;br /&gt;
Celebrity Culture (Magda Misiak &amp;amp; Jo-Anne McKee)&amp;lt;br&amp;gt; &lt;br /&gt;
The Prevalence of Violence in the Media (Cameron Vand&#039;Erkamps &amp;amp; Daljit Purewal)&amp;lt;br&amp;gt; &lt;br /&gt;
School on Television: Reality vs. Depiction (Greg Rushton &amp;amp; Sheryl Reinhardt)&amp;lt;br&amp;gt; &lt;br /&gt;
Fashion Trends and Media Representations (Balkiran Dusanj &amp;amp; Shirley Lal)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3. Bias and Perspective&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David Bron &amp;amp; Kari White)&amp;lt;br&amp;gt; &lt;br /&gt;
Editing: An Inquiry into Ideological Stance (David Mergens &amp;amp; Andrew Crawford)&amp;lt;br&amp;gt;&lt;br /&gt;
The use of Propaganda in Modern Society (Kiran Basi &amp;amp; Mike Byun)&amp;lt;br&amp;gt;&lt;br /&gt;
Storytelling and Media (Elle Kay &amp;amp; Rochelle Patten)&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;4. Culture and Technology&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Media Consumption in the Digital Age (Caleb Bouey &amp;amp; Gabrielle Rougeau)&amp;lt;br&amp;gt; &lt;br /&gt;
Technology and the Evolution of Music (JP Lancaster &amp;amp; Dorianna Chessa)&amp;lt;br&amp;gt; &lt;br /&gt;
Literature Adaptations and Interpretations in the Media (Sarah McNeil &amp;amp; Victoria Yip)&amp;lt;br&amp;gt; &lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary Yang &amp;amp; Liang You)&amp;lt;br&amp;gt; &lt;br /&gt;
Copyright in the Information Age (Ken Vimalesan &amp;amp; Jen Fehlauer)&amp;lt;br&amp;gt;&lt;br /&gt;
Appropriation and Art: Issues of Copyright in Image Production (Alex Reed &amp;amp; Fred Beitler)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a 4 page section of a textbook, which is being designed and written for grade 10-12 students):&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
e.g., Teen Age, Teen Ad (Shelagh &amp;amp; Sean)&lt;br /&gt;
Cable News (Bert &amp;amp; Ernie)&lt;br /&gt;
Web 2.0 (Stasia &amp;amp; Matthew)&lt;br /&gt;
Storytelling and Media (Rochelle and Elle)&lt;br /&gt;
Literature Adaptations and Interpretations in the Media (Victoria &amp;amp; Sarah)&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David &amp;amp; Kari)&lt;br /&gt;
Fashion Trends and Media Representations (Balkiran &amp;amp; Shirley)&lt;br /&gt;
Who/What is a Journalist? (Paul and Sara)&lt;br /&gt;
Celebrity Gossip as News (Magda and Jo-Anne)&lt;br /&gt;
Social Networking and the Media (Esther and Gideon)&lt;br /&gt;
Editing; An Inquiry into Ideological Stance (David and Andrew)&lt;br /&gt;
The blurring line between television news and entertainment (Herleen and Jag)&lt;br /&gt;
The prevelance of violence in the media (Cam and Dal)&lt;br /&gt;
Technology and the Evolution of Music (JP and Dorianna)&lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary and Liang)&lt;br /&gt;
The use of propaganda in modern society (Kiran and Mike)&lt;br /&gt;
Media Consumption in the Digital Age (Caleb and Gabby)&lt;br /&gt;
School on Television: Reality vs. Depiction (Greg and Sheryl)&lt;br /&gt;
Copyright in the Information Age (Ken and Jen)&lt;br /&gt;
Appropriation and Art: Issues of copyright in image production (Alex and Fred)&lt;br /&gt;
&lt;br /&gt;
Here are a couple possible ways to break down the book with some (wild) guesses about where each topic might fit. Thoughts? (Thanks Jen-- awesome work!)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;1. Who/What are The Media?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Who/What is a Journalist? (Paul and Sara)&amp;lt;br&amp;gt;&lt;br /&gt;
The blurring line between television news and entertainment (Herleen and Jag) &amp;lt;br&amp;gt;&lt;br /&gt;
Celebrity Gossip as News (Magda and Jo-Anne) &amp;lt;br&amp;gt;&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David &amp;amp; Kari) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;2. Who/What is Represented?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Editing: An Inquiry into Ideological Stance (David and Andrew)&amp;lt;br&amp;gt;&lt;br /&gt;
The use of propaganda in modern society (Kiran and Mike)&amp;lt;br&amp;gt;&lt;br /&gt;
School on Television: Reality vs. Depiction (Greg and Sheryl)&amp;lt;br&amp;gt; &lt;br /&gt;
The prevalence of violence in the media (Cam and Dal) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3. Web 2.0&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Web 2.0 (Stasia &amp;amp; Matthew) &amp;lt;br&amp;gt;&lt;br /&gt;
Social Networking and the Media (Esther and Gideon) &amp;lt;br&amp;gt;&lt;br /&gt;
Copyright in the Information Age (Ken and Jen)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;4. The Evolution of Culture&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Technology and the Evolution of Music (JP and Dorianna)&amp;lt;br&amp;gt; &lt;br /&gt;
Storytelling and Media (Rochelle and Leanna) &amp;lt;br&amp;gt;&lt;br /&gt;
Film Adaptations of &#039;&#039;Alice&#039;s Adventures in Wonderland&#039;&#039; (Victoria &amp;amp; Sarah) &amp;lt;br&amp;gt;&lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary and Liang) &amp;lt;br&amp;gt;&lt;br /&gt;
Appropriation and Art: Issues of copyright in image production (Alex and Fred)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;5. Economics of Technology&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Teen Age, Teen Ad (Shelagh &amp;amp; Sean) &amp;lt;br&amp;gt;&lt;br /&gt;
Fashion Trends and Media Representations (Balkiran &amp;amp; Shirley)&amp;lt;br&amp;gt;&lt;br /&gt;
Media Consumption in the Digital Age (Caleb and Gabby) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;B&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;1. Who/What are The Media?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Who/What is a Journalist? (Paul and Sara)&amp;lt;br&amp;gt;&lt;br /&gt;
Web 2.0 (Stasia &amp;amp; Matthew) &amp;lt;br&amp;gt;&lt;br /&gt;
Social Networking and the Media (Esther and Gideon) &amp;lt;br&amp;gt;&lt;br /&gt;
Teen Age, Teen Ad (Shelagh &amp;amp; Sean) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;2. News or Entertainment&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The blurring line between television news and entertainment (Herleen and Jag) &amp;lt;br&amp;gt;&lt;br /&gt;
Celebrity Gossip as News (Magda and Jo-Anne) &amp;lt;br&amp;gt;&lt;br /&gt;
The prevalence of violence in the media (Cam and Dal) &amp;lt;br&amp;gt;&lt;br /&gt;
School on Television: Reality vs. Depiction (Greg and Sheryl) &amp;lt;br&amp;gt;&lt;br /&gt;
Fashion Trends and Media Representations (Balkiran &amp;amp; Shirley)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3. Bias and Perspective&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David &amp;amp; Kari) &amp;lt;br&amp;gt;&lt;br /&gt;
Editing: An Inquiry into Ideological Stance (David and Andrew)&amp;lt;br&amp;gt;&lt;br /&gt;
The use of propaganda in modern society (Kiran and Mike)&amp;lt;br&amp;gt;&lt;br /&gt;
Storytelling and Media (Elle &amp;amp; Rochelle) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;4. Culture and Technology&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Media Consumption in the Digital Age (Caleb and Gabby) &amp;lt;br&amp;gt;&lt;br /&gt;
Technology and the Evolution of Music (JP and Dorianna) &amp;lt;br&amp;gt;&lt;br /&gt;
Literature Adaptations and Interpretations in the Media (Victoria &amp;amp; Sarah) &amp;lt;br&amp;gt;&lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary and Liang) &amp;lt;br&amp;gt;&lt;br /&gt;
Copyright in the Information Age (Ken and Jen)&amp;lt;br&amp;gt;&lt;br /&gt;
Appropriation and Art: Issues of copyright in image production (Alex and Fred)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== BAA Course Planning Section ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Media and Advertising 11&#039;&#039;&#039;(Ken and Jen)&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
This course will prepare students to deconstruct and understand how media impact their lives and decisions. Students will learn and apply the concepts of audience, purpose and argument through an analysis of advertising across various media.  Students will understand how advertising creates and appeals to cultural values which will prepare them to be informed and active citizens in a media-saturated world.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Identity, Pop Culture and Media 12&#039;&#039;&#039; (Rochelle and Leanna)&lt;br /&gt;
-portrayals of gender, age, race, sexuality, beauty, and wealth in Pop Culture and the Media and how these construct and affirm our beliefs and personal and corporate identity&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Societal and Cultural Values in Media 12&#039;&#039;&#039; (Gideon &amp;amp; Esther)&lt;br /&gt;
&amp;lt;br&amp;gt; An overview analysis of television, film, pop culture and advertising and how, within these mediums, certain societal and cultural values are propagated and reflected. It is important for students to be aware and analytical of what they view/listen to etc, in order to be critical of what values are being (re)presented by the media.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;From The Page to the Stage, and Beyond: Literary Adaptations in the Media&#039;&#039;&#039; (Victoria &amp;amp; Sarah)&lt;br /&gt;
&amp;lt;br&amp;gt;Increasingly, the first exposure that young people have to literature is through television, film, or Internet adaptations.  This course will help students understand the transformation that a work goes through as it travels from the page to another medium, and will explore adaptations of popular works for the stage, radio, television, film, and Internet.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Music and Technology 11/12&#039;&#039;&#039; (Greg and Sheryl)&lt;br /&gt;
This course will examine the ways in which technology has changed the way that music is created, perceived and consumed.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;History lives -An examination of historical events through film&amp;quot;&#039;&#039;&#039; (Mike and Kiran)&lt;br /&gt;
This course will consider various points in history through the medium of film. A careful examination of movies that deal with historical events will be analyzed with respect to the underlying message portrayed in the film. This course will consider the political and social aspects as well as the historical context and how it is portrayed by the media.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A Game Making Approach to Bioethics&#039;&#039;&#039; (Mary and Liang)&lt;br /&gt;
&amp;lt;br&amp;gt;This course is meant to consider the ethical issues associated with the studies of current science that incorporate biology and technology. With some knowledge on high school biology, students will develop a basic understanding of these science studies.  Through collecting science media, students will learn about the occurrence and the relevancy of these studies to their daily lives.  With some discussions, students will identify both ethical and unethical actions committed by stakeholders.  In addition, students will master the ability to come up with alternative solutions that are by definition more ethical to these studies.  Lastly, students will demonstrate their overall knowledge of bioethics by planning for a computer or video game that demands ethical decisions and administers consequences.  As well, the planning process requires the usage of multiple forms of technology.  Through the practices of this course, students are made to hold some responsibilities to the well-being of our world as a whole.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The Power of Media&#039;&#039;&#039; (David B and Kari)&lt;br /&gt;
&lt;br /&gt;
This course will challenge students to look at the way in which the media impacts society. Looking at different forms of media (ie. television, the radio, the internet, newspapers/magazines) the following issues will be addressed: how does the media shape reality, who is the targeted audience, the ability of technology to communicate, and the influence that the media has on everyday life. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The History of Communication Throughout the 20th Century&#039;&#039;&#039; (JP and Dorianna)&lt;br /&gt;
This course will examine the evolution of communication throughout the 20th century and how this process affected important historical events, eras and trends. Students will look at how various communication technologies, such as AM radio, television, and the internet, were employed during the century and what events/phenomenons they facilitated. Central themes to be studied will include war and conflict, popular culture, and globalization.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Music Media&#039;&#039;&#039; (David and Andrew)&lt;br /&gt;
Investigation of lyrical content with respect to audience. Investigation into lyrical content and political message. The study of the interaction between lyrical message and music video message.  This course will provide for students opportunities to observe aspects of social, political, and cultural history through the lens of instrumental music.  In regards to tonality, style, and timbre, the directions in which genres of music evolved heavily reflected the social conditions of eras; it is impossible, for example, to separate the violence associated wit the modern Civil Rights Movement from the sound of 1960s avant-garde jazz.  Students will analyze such connections in a variety of ways, such as by sampling various music selections that will be supplemented with pertaining historical contexts. &lt;br /&gt;
[[Category: Curriculum and Pedagogy]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Critical Media Studies in Film and Television&#039;&#039;&#039; (Alex and Fred)&lt;br /&gt;
This course will focus on pop culture film and television media of the 20th and 21st centuries.  Students will develop a critical awareness of how media messages are constructed in the world of film and television.  Students will make use of media literacy methodologies to deconstruct and critically analyze meaning in a series of film and television screenings.  Students will also read texts and view documentaries critiquing pop culture film and telesion.  The course will culminate in the students utilizing these critical skills to create their own critical documentary.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Intro to Media Studies&#039;&#039;&#039; (Matthew and Stasia)&lt;br /&gt;
This course will introduce students to the concept of media studies and what it entails - what is media, the history of media, the influence of media on society, the different forms of media, etc.  It will provide a foundation for future, more focused courses, and will establish the analytical skills necessary for students to navigate todays dynamic media landscape.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Media: Issues and Technology 12&#039;&#039;&#039; (Paul and Sara)&lt;br /&gt;
This course deals with media depictions of controversial issues facing the world today. Each issue will be looked at through one of television/film, radio, print, and internet. The technology aspect of the course covers media production, and students will gain experience working in each of the major forms of media. After analyzing issues, students will be asked to produce their own representations of those issues in a skills-based, technological approach.&lt;br /&gt;
&lt;br /&gt;
   &lt;br /&gt;
&amp;quot;Stereotypes in TV &amp;amp; Film: Changes Over Time&amp;quot; -Sarah K, Jenn O, Jenn M&lt;br /&gt;
&lt;br /&gt;
This course will examine the way that stereotypes are portrayed in TV and Film. It will look in depth at the changes in stereotypes as a reflection of society. Topics considered will include gender/sexuality, minorities, women and society in general.&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;External Resources&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
[http://www.pixton.com Pixton - &#039;Free&#039; Online Comic Maker]&lt;br /&gt;
      &lt;br /&gt;
&lt;br /&gt;
[[Category:EDCP]]&lt;/div&gt;</summary>
		<author><name>Stephenpetrina</name></author>
	</entry>
	<entry>
		<id>https://wiki.ubc.ca/index.php?title=Course:EDCP481&amp;diff=521016</id>
		<title>Course:EDCP481</title>
		<link rel="alternate" type="text/html" href="https://wiki.ubc.ca/index.php?title=Course:EDCP481&amp;diff=521016"/>
		<updated>2018-07-03T15:45:58Z</updated>

		<summary type="html">&lt;p&gt;Stephenpetrina: /* Email Section (Preferably Gmail) */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== &#039;&#039;&#039;Summer 2a 2018&#039;&#039;&#039; ==&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy. Media studies is a dynamic discipline tailored to exploring a range of concepts or techniques. In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement. Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy. Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum. Hence, this course balances practice with ethical, legal, and theoretical aspects and emphasizes the design of curriculum and courses for teaching media studies and for integrating media literacy across the curriculum. This year&#039;s section of EDCP 481 focuses on meaningful media by and for children and youth. All media productions add meaning but those providing deep meaning are necessarily unique.  [Link to the EDCP 481  Resource page http://blogs.ubc.ca/etec/courses-2/edcp-481/].&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Textbook (Media Study Guide) Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a section-- Media Study Guide-- of a textbook, which is being designed and written for grades K-3, 4-5, 6-7, 8-10 or 11-12 students) &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 Media Study Guide &#039;&#039;Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Group #1&lt;br /&gt;
Group #2&lt;br /&gt;
etc...&lt;br /&gt;
&lt;br /&gt;
== Activity Planning Section ==&lt;br /&gt;
Group #1&lt;br /&gt;
Group #2&lt;br /&gt;
etc...&lt;br /&gt;
&lt;br /&gt;
== Email Section (Preferably Gmail) ==&lt;br /&gt;
hwlmediatechno@gmail.com (course gmail)&lt;br /&gt;
my gmail address&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2017&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy. Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding. In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement. Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy. Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum. Hence, this course balances practice with ethical, legal, and theoretical aspects and emphasizes the design of curriculum and courses for teaching media studies and for integrating media literacy across the curriculum.  [Link to the EDCP 481  Resource page http://blogs.ubc.ca/etec/courses-2/edcp-481/].&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
== Textbook (Media Study Guide) Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a section-- Media Study Guide-- of a textbook, which is being designed and written for grades K-3, 4-5, 6-7, 8-10 or 11-12 students) &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 Media Study Guide &#039;&#039;Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2016&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy. Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding. In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement. Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy. Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum. Hence, this course balances practice with ethical, legal, and theoretical aspects and emphasizes the design of curriculum and courses for teaching media studies and for integrating media literacy across the curriculum.  [Link to the EDCP 481  Resource page http://blogs.ubc.ca/etec/courses-2/edcp-481/].&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Link to the EDCP 481 Textbook (Media Study Guides) co-authored by the  students  http://blogs.ubc.ca/etec/courses-2/edcp-481/&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Textbook (Media Study Guide) Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a section-- Media Study Guide-- of a textbook, which is being designed and written for grade 8-10 or 11-12 students):&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;2017 Guides&#039;&#039;&#039; &amp;lt;br&amp;gt;&lt;br /&gt;
Dawson, Sonya, Mark, Curtis: The Lorax&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 Media Study Guide Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
xx &amp;lt;br&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The Matrix - Brooke, David, Harrison, Jordan&lt;br /&gt;
&lt;br /&gt;
Harry Potter- Alysha, Sat, Arshbir, Manjot&lt;br /&gt;
&lt;br /&gt;
X-Men- Sam and Katia&lt;br /&gt;
&lt;br /&gt;
Interstellar: Mike, Stephen, Yoohoon, and Paul.&lt;br /&gt;
&lt;br /&gt;
Call of Duty Zombies: Hermano, Wells, Mikey, Mike&lt;br /&gt;
&lt;br /&gt;
Avatar: Vardip, Jeongbae&lt;br /&gt;
&lt;br /&gt;
== BAA Course Planning Section ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The direct link to the example BAA is:&#039;&#039;&#039; &amp;lt;br&amp;gt;&lt;br /&gt;
http://www.bced.gov.bc.ca/greenschools/sustcoursecontent.htm&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the BAA Course here:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 BA/A Topics&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The Business of Media - Brooke, Harrison, Jordan&lt;br /&gt;
&lt;br /&gt;
Who Controls the Media (11/12)- Sam Jeongbae, David E, Vardip &lt;br /&gt;
&lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Sat, Arshbir, Alysha &amp;amp; Manjot - Media influences across disciplines&lt;br /&gt;
&lt;br /&gt;
Katia, Stephen, Mike, and Paul: Publishing&lt;br /&gt;
&lt;br /&gt;
Hermano, Wells, Mikey, Mike: Theatre, Film and Media Studies&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2011&#039;&#039;&#039;==&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy.  Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding.  In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement.  Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy.  Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum.  Hence, this course emphasizes ethical, legal, and theoretical aspects and the design of curriculum and courses for teaching media education or media studies and for integrating media literacy across the curriculum.  [Link to the EDCP 481  Resource page http://m1.cust.educ.ubc.ca:16080/tsedgrad/?page_id=460].&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Link to the EDCP 481 Textbook (Media Study Guides) co-authored by the  students  http://blogs.ubc.ca/etec/courses-2/edcp-481/&#039;&#039;&#039;&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Student Planning Space&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== Textbook (Media Study Guide) Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a section-- Media Study Guide-- of a textbook, which is being designed and written for grade 8-10 or 11-12 students):&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 Media Study Guide Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
xx &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Dianna Stashuk and Adam Alvaro - &amp;quot;Lost&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Melissa Evans and Shaun Beach- &amp;quot;Family&amp;quot; Shows (exploring the representations of family, past and present)&lt;br /&gt;
&lt;br /&gt;
Brian, Peter &amp;amp; Tyler - Need for Speed&lt;br /&gt;
&lt;br /&gt;
Michelle Fatkin and Chelsea Campbell - &amp;quot;Mean Girls&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Tom Froh and Peter Maxwell - &amp;quot;16 and Pregnant&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Nick De Santis and Nam Pham- &amp;quot;127 Hours&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Chris Flannelly and Grace Woo - &amp;quot;Freedom Writers&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Lucas Mann and Marie-Anne Hellinckx - Film Review &amp;quot;Ma vie en rose&amp;quot; to address issues of homophobia.&lt;br /&gt;
&lt;br /&gt;
Stephanie Malloy and Jon Schmidt-&amp;quot;My Sister&#039;s Keeper&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 951 Media Study Guide Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
xx&lt;br /&gt;
&lt;br /&gt;
Adam Deboer and Alvin Lui - The Dark Knight&lt;br /&gt;
&lt;br /&gt;
Kelly Skehill and Kat Ast - &amp;quot;Thirteen&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Ashley MacKenzie and Alex Thureau - &amp;quot;One Week&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Wendy Sigaty and Haley Lucas - &amp;quot;Avatar&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Kady Huhn &amp;amp; Hannah Yu- &amp;quot;Into the Wild&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Fay Sterne &amp;amp; Brittaney Boone - &amp;quot;The Office&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Rachel Fales &amp;amp; Jennifer Visser - &amp;quot;Wall-E&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Yik Wah Penner &amp;amp; Chris Howey - &amp;quot;Little Ms. Sunshine&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Lance Peters &amp;amp; Al McKillop - &#039;Lord of the Rings&#039; (I know, it&#039;s a little ambitious.)&lt;br /&gt;
&lt;br /&gt;
Ashley Bayles &amp;amp; Danny Nann - &amp;quot;The Simpsons&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Jenn O, Jenn M, Sarah K - &amp;quot;Schindler&#039;s List&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Alexander McKechnie - Mythology and Popular Music&lt;br /&gt;
&lt;br /&gt;
Mark Brown - &amp;quot;Bright Star&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Sarah James and Lillian Ryan - &amp;quot;Food Inc.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Michael Bui &amp;amp; Jennifer Neff - Outsourced&lt;br /&gt;
&lt;br /&gt;
== BAA Course Planning Section ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The direct link to the example BAA is:&#039;&#039;&#039; &amp;lt;br&amp;gt;&lt;br /&gt;
http://www.bced.gov.bc.ca/greenschools/sustcoursecontent.htm&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the BAA Course here:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 BA/A Topics&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Brian, Peter &amp;amp; Tyler - GAME ON! Video Game Play as Text: Critical Reading for Gamers     &lt;br /&gt;
&lt;br /&gt;
Dianna Stashuk and Adam Alvaro - Media and Canadian Identity&lt;br /&gt;
&lt;br /&gt;
Melissa Evans and Shaun Beach - Youth and advertising--This course will explore the industry of advertising, focusing specifically on how advertisers target youth through TV commercials, product placement, and endorsements. There will also be some discussion on advertisement law and various opportunities to critically analyse advertisements made in the industry and in the classroom. Students will be able to create their own advertisements based on what they have learned about the laws and techniques used in the industry.&lt;br /&gt;
&lt;br /&gt;
Michelle Fatkin and Chelsea Campbell - Acquiring Wisdom through Media&lt;br /&gt;
&lt;br /&gt;
In this course, we want students to understand that media is not simply entertainment. Rather, we want them to see that they can acquire wisdom through observing the actions and consequences of others in TV/film, and through analyzing the subtleties of messages in advertisements, print, and other forms. &lt;br /&gt;
&lt;br /&gt;
Taha and Kara - Apocalypse in Media&lt;br /&gt;
&lt;br /&gt;
Stef and Jess aka...Jeff - Seeing with your ears: An introduction to media through music&lt;br /&gt;
&lt;br /&gt;
This course looks at the relationship between music and the media by analysing historical and political events effects on music.  It focuses on the power of music and it&#039;s affect on the media.  We will also look at the power of the media and it&#039;s control over the message of popular music.  By focusing on a timeline one can easily see the changes in music and it&#039;s message due to events occurring all over the world.&lt;br /&gt;
&lt;br /&gt;
Nick De Santis and Nam Pham - &amp;quot;Add me as a Friend&amp;quot;: Deconstructing Social Media&lt;br /&gt;
       &lt;br /&gt;
&lt;br /&gt;
This course will explore the current trends in social media and how they have influenced our society. In particular, we will examine Facebook and Twitter, the two most popular forms of this media. The focus of this course will be to educate students on the benefits and dangers of using social media and to critically analyze the prevalence of social media in today’s society. By the end of this course, each student will be able to use social media to their maximum positive benefit.&lt;br /&gt;
&lt;br /&gt;
Thomas Froh and Peter Maxwell - &amp;quot;The Man&amp;quot; Behind the Message&lt;br /&gt;
&lt;br /&gt;
This course will work towards answering the question of whether there is a person or organization controlling the messages we receive in the media, and if so, who or what are they and to what end?  Specifically, the course will examine large television corporations and whether or not they work to shape popular perspective in news broadcasts, television programming, etc.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Paul and Rhonda - Music Videos and Pop Culture&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course will explore the question; Are music videos a product of pop culture or pop culture and product of music videos? The course will critically analyse the key media literacy aspects of production, analysis and audience. Due to the sometimes sensitive content of music videos it is important for students to deconstruct the specifics behind the media consumption, production and regulation.&lt;br /&gt;
&lt;br /&gt;
  &lt;br /&gt;
&lt;br /&gt;
Rupinder and Parmjeet: Attitude is everything!! Aquiring positive attitude through media.&lt;br /&gt;
&lt;br /&gt;
This course will focus on developing positive attitude through media productions, such as film, television, print etc. We want students to show how to use media&#039;s positive side to develop good attitude habits. &lt;br /&gt;
&lt;br /&gt;
Michael &amp;amp; John - &amp;quot;Mickey Wants You” – How Disney Won the War &lt;br /&gt;
&lt;br /&gt;
In this course, students will analyse and identify historical examples of Disney products to better understand bias, impact, and opinions.  This course has been designed with the target of engaging students in history and its contexts with products of Disney media. Students will learn and gain skills in the ability to think critically, detect biases, and learn to read and develop media products for use in their own lives.  &lt;br /&gt;
      &lt;br /&gt;
Chris and Grace - Multiculturalism in the Media&lt;br /&gt;
&lt;br /&gt;
Marie-Anne and Lucas - Francophone cinema&lt;br /&gt;
                    &lt;br /&gt;
This course has been designed to encourage students to have a better appreciation for Francophone cinema, to help them examine and identify the values and cultural differences in films and have a better understanding of Francophone culture. They will be able to apply critical thinking to film analyses and appreciations. A collaborative and safe atmosphere will be provided to foster creative expression in film production and media representation.  &lt;br /&gt;
      &lt;br /&gt;
&#039;&#039;&#039;Section 951 BA/A Topics&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Kelly Skehill and Kat Ast - &amp;quot;Media: The Inside Scoop&amp;quot;&lt;br /&gt;
&lt;br /&gt;
This course will expose students to the positive and negative influences media has on people.  It will have students analyze Social Networking, Advertising, Hollywood Movies, Documentaries and Music.  The goal is for students to gain the critical analysis and information skills necessary to become intelligent, competent consumers and creators of media messages (Considine, 2003).   &lt;br /&gt;
&lt;br /&gt;
Adam Deboer and Alvin Lui - Music, Culture, and Technology&lt;br /&gt;
&lt;br /&gt;
Ashley MacKenzie and Alex Thureau - Reality Television Production: This course will introduce students to the medium of television. Students will learn the pre-production, production and post-production steps required to produce their own reality television episode. Students will leave the course with the ability to objectively analyze television media.   &lt;br /&gt;
&lt;br /&gt;
Kady Huhn &amp;amp; Hannah Yu-Media &amp;amp; Identity-This course will explore the ways in which personal identity is constructed and mediated through media and will analyze how popular culture such as film, music, television and print media impact identity and behaviour. It will also look at the ways in which social media has impacted identity construction online and focus on the implications this has on the safety of social networking.&lt;br /&gt;
      &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Wendy Sigaty &amp;amp; Haley Lucas - Social Values in Media Through History&#039;&#039;&#039;&lt;br /&gt;
Students will use various media (Print, Television, Film, Music, etc) to examine how our social values (Race Relations, Relationships, Gender Roles, Sexuality, Religion, Family, Lifestyle, etc) have changed from biblical times to the present.    &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Rachel Fales &amp;amp; Jennifer Visser - &#039;&#039;Film Studies- An Analysis of Superheroes&#039;&#039;&#039;&#039;&#039; - This course intends to analyze Superheroes in films. This course will chronologically follow Superheroes as they have been adapted from comic books (ie. Superman 1978) to Hollywood Blockbusters and the idea of sequels, exploring a variety of topics during each film. Students will question genre, originality, race, gender, sexuality, public vs. private (dual) identities, villains vs. victims, technology and remediation of Superhero films. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Michael Bui &amp;amp; Jennifer Neff - Sociology and the Media 11/12&#039;&#039;&#039; -  This course examines culture and the construction of identity through shifts in media.  Trends in visual media, advancements in technology and social media will be looked at under the lens of sociology. Students will identify the ways media can influence the creation and disintegration of stereotypes.  Students will analyze different perceptions represented through these mediums of technology and how this adds to the development of new youth culture. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analyzing Modern Animated Satire 11/12&#039;&#039;&#039; (Fay Sterne &amp;amp; Brittaney Boone) - Students will take a critical look at &#039;&#039;The Simpsons&#039;&#039;, &#039;&#039;Family Guy&#039;&#039;, and &#039;&#039;South Park&#039;&#039; as satirical representations of modern North American society.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Graham Haigh &amp;amp; Dean Morris&#039;&#039;&#039; Teaching Media through the examination of Political Campaigns. Students will evaluate, analyze, political media. Students will also create their own commercial, poster, National address, attack add, or some other media presentation relating to the study of politics.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ashley Bayles &amp;amp; Danny Nann - Media &amp;amp; Popular Culture&#039;&#039;&#039;&lt;br /&gt;
- This course will examine the way in which media has an impact on cultural production and vice versa. What is popular culture? What role does the media have on the production of popular culture? Is popular culture an authentic representation of our cultural values as a society, or is it impacted by the media and if so, how? We will look into how the social and culture environment is formed and what role it has on media and vice versa. This course will examine popular culture as a concept on its own and through its representation in different forms of media. &lt;br /&gt;
&lt;br /&gt;
Yik Wah Penner &amp;amp; Chris Howey - Manufacturing Identity in the Media: This course will examine the ways in which media creates identities which are often shaped by stereotype. Our goal will be to explore the social and cultural relevance of these produced identities in the day to day lives of students.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lance Peters &amp;amp; Al McKillop - Using current media to access classic literature&#039;&#039;&#039;&lt;br /&gt;
We plan to look at various media, with a particular focus on using contemporary media such as podcasting, film, games, graphic novels, wikis, etc. to access &#039;classic&#039; literature such as Shakespeare, Melville, Dickens, Tolkien and others.&lt;br /&gt;
&lt;br /&gt;
Mark Brown and Alex McKechnie - Popular Music Studies&lt;br /&gt;
This course looks at the images, text, and music of popular songs and videos, and the relationships and meanings found therein. Students will develop appreciation, as well as, analytical and critical thinking skills to help them navigate through the multiple images, values, and meanings found within popular music and music videos&lt;br /&gt;
&lt;br /&gt;
 &lt;br /&gt;
Lillian Ryan &amp;amp; Sarah James (documentary film studies)&lt;br /&gt;
&lt;br /&gt;
Sat, Arshbir, Alysha and Manjot (Media influences across disciplines)&lt;br /&gt;
&lt;br /&gt;
== PSA Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;952 Planning: &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Time = 30 to 60 seconds&lt;br /&gt;
Theme = Unique to Group&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;951 Planning: &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Time = 30 to 60 seconds&lt;br /&gt;
Theme = Unique to Group&lt;br /&gt;
&lt;br /&gt;
The Scaffolders-Brittaney Boone, Jennifer Visser, Kady Huhn, Yik Penner, Chris Howey, Faye Sterne&lt;br /&gt;
&lt;br /&gt;
High-Def (HD): Mark, Alvin, Rachel, Jennifer N, Michael, Adam   [http://youtu.be/9u3Rhw9jdiE Cyber-bullying PSA]&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2010&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy.  Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding.  In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement.  The course provides a survey of media studies and new media with an emphasis on media education and literacy.  Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum.  Hence, this course emphasizes ethical, legal, and theoretical aspects and the design of curriculum and courses for teaching media education or media studies and for integrating media literacy across the curriculum. [Link to the EDCP 481 Resource page http://m1.cust.educ.ubc.ca:16080/tsedgrad/?page_id=366]. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Student Planning Space&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== Textbook Curriculum Planning Section ==&lt;br /&gt;
&lt;br /&gt;
Download the Media Studies 11-12 Textbook written by EDCP 481 students: http://m1.cust.educ.ubc.ca:16080/tsedgrad/?page_id=366&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Table of Contents&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;1. Who/What are The Media?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Who / What is a Journalist? (Paul Korczyk &amp;amp; Sara Newham)&amp;lt;br&amp;gt;&lt;br /&gt;
Web 2.0 (Matthew Palmer &amp;amp; Stasia Siscoe)&amp;lt;br&amp;gt; &lt;br /&gt;
Social Networking and the Media (Esther Yong &amp;amp; Gideon Lin)&amp;lt;br&amp;gt; &lt;br /&gt;
Teen Age, Teen Ad (Shelagh &amp;amp; Sean)&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;2. News or Entertainment&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Blurring Line Between Television News and Entertainment (Herleen Malli &amp;amp; Jagroop Nagra)&amp;lt;br&amp;gt; &lt;br /&gt;
Celebrity Culture (Magda Misiak &amp;amp; Jo-Anne McKee)&amp;lt;br&amp;gt; &lt;br /&gt;
The Prevalence of Violence in the Media (Cameron Vand&#039;Erkamps &amp;amp; Daljit Purewal)&amp;lt;br&amp;gt; &lt;br /&gt;
School on Television: Reality vs. Depiction (Greg Rushton &amp;amp; Sheryl Reinhardt)&amp;lt;br&amp;gt; &lt;br /&gt;
Fashion Trends and Media Representations (Balkiran Dusanj &amp;amp; Shirley Lal)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3. Bias and Perspective&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David Bron &amp;amp; Kari White)&amp;lt;br&amp;gt; &lt;br /&gt;
Editing: An Inquiry into Ideological Stance (David Mergens &amp;amp; Andrew Crawford)&amp;lt;br&amp;gt;&lt;br /&gt;
The use of Propaganda in Modern Society (Kiran Basi &amp;amp; Mike Byun)&amp;lt;br&amp;gt;&lt;br /&gt;
Storytelling and Media (Elle Kay &amp;amp; Rochelle Patten)&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;4. Culture and Technology&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Media Consumption in the Digital Age (Caleb Bouey &amp;amp; Gabrielle Rougeau)&amp;lt;br&amp;gt; &lt;br /&gt;
Technology and the Evolution of Music (JP Lancaster &amp;amp; Dorianna Chessa)&amp;lt;br&amp;gt; &lt;br /&gt;
Literature Adaptations and Interpretations in the Media (Sarah McNeil &amp;amp; Victoria Yip)&amp;lt;br&amp;gt; &lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary Yang &amp;amp; Liang You)&amp;lt;br&amp;gt; &lt;br /&gt;
Copyright in the Information Age (Ken Vimalesan &amp;amp; Jen Fehlauer)&amp;lt;br&amp;gt;&lt;br /&gt;
Appropriation and Art: Issues of Copyright in Image Production (Alex Reed &amp;amp; Fred Beitler)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a 4 page section of a textbook, which is being designed and written for grade 10-12 students):&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
e.g., Teen Age, Teen Ad (Shelagh &amp;amp; Sean)&lt;br /&gt;
Cable News (Bert &amp;amp; Ernie)&lt;br /&gt;
Web 2.0 (Stasia &amp;amp; Matthew)&lt;br /&gt;
Storytelling and Media (Rochelle and Elle)&lt;br /&gt;
Literature Adaptations and Interpretations in the Media (Victoria &amp;amp; Sarah)&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David &amp;amp; Kari)&lt;br /&gt;
Fashion Trends and Media Representations (Balkiran &amp;amp; Shirley)&lt;br /&gt;
Who/What is a Journalist? (Paul and Sara)&lt;br /&gt;
Celebrity Gossip as News (Magda and Jo-Anne)&lt;br /&gt;
Social Networking and the Media (Esther and Gideon)&lt;br /&gt;
Editing; An Inquiry into Ideological Stance (David and Andrew)&lt;br /&gt;
The blurring line between television news and entertainment (Herleen and Jag)&lt;br /&gt;
The prevelance of violence in the media (Cam and Dal)&lt;br /&gt;
Technology and the Evolution of Music (JP and Dorianna)&lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary and Liang)&lt;br /&gt;
The use of propaganda in modern society (Kiran and Mike)&lt;br /&gt;
Media Consumption in the Digital Age (Caleb and Gabby)&lt;br /&gt;
School on Television: Reality vs. Depiction (Greg and Sheryl)&lt;br /&gt;
Copyright in the Information Age (Ken and Jen)&lt;br /&gt;
Appropriation and Art: Issues of copyright in image production (Alex and Fred)&lt;br /&gt;
&lt;br /&gt;
Here are a couple possible ways to break down the book with some (wild) guesses about where each topic might fit. Thoughts? (Thanks Jen-- awesome work!)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;1. Who/What are The Media?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Who/What is a Journalist? (Paul and Sara)&amp;lt;br&amp;gt;&lt;br /&gt;
The blurring line between television news and entertainment (Herleen and Jag) &amp;lt;br&amp;gt;&lt;br /&gt;
Celebrity Gossip as News (Magda and Jo-Anne) &amp;lt;br&amp;gt;&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David &amp;amp; Kari) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;2. Who/What is Represented?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Editing: An Inquiry into Ideological Stance (David and Andrew)&amp;lt;br&amp;gt;&lt;br /&gt;
The use of propaganda in modern society (Kiran and Mike)&amp;lt;br&amp;gt;&lt;br /&gt;
School on Television: Reality vs. Depiction (Greg and Sheryl)&amp;lt;br&amp;gt; &lt;br /&gt;
The prevalence of violence in the media (Cam and Dal) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3. Web 2.0&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Web 2.0 (Stasia &amp;amp; Matthew) &amp;lt;br&amp;gt;&lt;br /&gt;
Social Networking and the Media (Esther and Gideon) &amp;lt;br&amp;gt;&lt;br /&gt;
Copyright in the Information Age (Ken and Jen)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;4. The Evolution of Culture&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Technology and the Evolution of Music (JP and Dorianna)&amp;lt;br&amp;gt; &lt;br /&gt;
Storytelling and Media (Rochelle and Leanna) &amp;lt;br&amp;gt;&lt;br /&gt;
Film Adaptations of &#039;&#039;Alice&#039;s Adventures in Wonderland&#039;&#039; (Victoria &amp;amp; Sarah) &amp;lt;br&amp;gt;&lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary and Liang) &amp;lt;br&amp;gt;&lt;br /&gt;
Appropriation and Art: Issues of copyright in image production (Alex and Fred)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;5. Economics of Technology&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Teen Age, Teen Ad (Shelagh &amp;amp; Sean) &amp;lt;br&amp;gt;&lt;br /&gt;
Fashion Trends and Media Representations (Balkiran &amp;amp; Shirley)&amp;lt;br&amp;gt;&lt;br /&gt;
Media Consumption in the Digital Age (Caleb and Gabby) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;B&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;1. Who/What are The Media?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Who/What is a Journalist? (Paul and Sara)&amp;lt;br&amp;gt;&lt;br /&gt;
Web 2.0 (Stasia &amp;amp; Matthew) &amp;lt;br&amp;gt;&lt;br /&gt;
Social Networking and the Media (Esther and Gideon) &amp;lt;br&amp;gt;&lt;br /&gt;
Teen Age, Teen Ad (Shelagh &amp;amp; Sean) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;2. News or Entertainment&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The blurring line between television news and entertainment (Herleen and Jag) &amp;lt;br&amp;gt;&lt;br /&gt;
Celebrity Gossip as News (Magda and Jo-Anne) &amp;lt;br&amp;gt;&lt;br /&gt;
The prevalence of violence in the media (Cam and Dal) &amp;lt;br&amp;gt;&lt;br /&gt;
School on Television: Reality vs. Depiction (Greg and Sheryl) &amp;lt;br&amp;gt;&lt;br /&gt;
Fashion Trends and Media Representations (Balkiran &amp;amp; Shirley)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3. Bias and Perspective&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David &amp;amp; Kari) &amp;lt;br&amp;gt;&lt;br /&gt;
Editing: An Inquiry into Ideological Stance (David and Andrew)&amp;lt;br&amp;gt;&lt;br /&gt;
The use of propaganda in modern society (Kiran and Mike)&amp;lt;br&amp;gt;&lt;br /&gt;
Storytelling and Media (Elle &amp;amp; Rochelle) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;4. Culture and Technology&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Media Consumption in the Digital Age (Caleb and Gabby) &amp;lt;br&amp;gt;&lt;br /&gt;
Technology and the Evolution of Music (JP and Dorianna) &amp;lt;br&amp;gt;&lt;br /&gt;
Literature Adaptations and Interpretations in the Media (Victoria &amp;amp; Sarah) &amp;lt;br&amp;gt;&lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary and Liang) &amp;lt;br&amp;gt;&lt;br /&gt;
Copyright in the Information Age (Ken and Jen)&amp;lt;br&amp;gt;&lt;br /&gt;
Appropriation and Art: Issues of copyright in image production (Alex and Fred)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== BAA Course Planning Section ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Media and Advertising 11&#039;&#039;&#039;(Ken and Jen)&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
This course will prepare students to deconstruct and understand how media impact their lives and decisions. Students will learn and apply the concepts of audience, purpose and argument through an analysis of advertising across various media.  Students will understand how advertising creates and appeals to cultural values which will prepare them to be informed and active citizens in a media-saturated world.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Identity, Pop Culture and Media 12&#039;&#039;&#039; (Rochelle and Leanna)&lt;br /&gt;
-portrayals of gender, age, race, sexuality, beauty, and wealth in Pop Culture and the Media and how these construct and affirm our beliefs and personal and corporate identity&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Societal and Cultural Values in Media 12&#039;&#039;&#039; (Gideon &amp;amp; Esther)&lt;br /&gt;
&amp;lt;br&amp;gt; An overview analysis of television, film, pop culture and advertising and how, within these mediums, certain societal and cultural values are propagated and reflected. It is important for students to be aware and analytical of what they view/listen to etc, in order to be critical of what values are being (re)presented by the media.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;From The Page to the Stage, and Beyond: Literary Adaptations in the Media&#039;&#039;&#039; (Victoria &amp;amp; Sarah)&lt;br /&gt;
&amp;lt;br&amp;gt;Increasingly, the first exposure that young people have to literature is through television, film, or Internet adaptations.  This course will help students understand the transformation that a work goes through as it travels from the page to another medium, and will explore adaptations of popular works for the stage, radio, television, film, and Internet.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Music and Technology 11/12&#039;&#039;&#039; (Greg and Sheryl)&lt;br /&gt;
This course will examine the ways in which technology has changed the way that music is created, perceived and consumed.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;History lives -An examination of historical events through film&amp;quot;&#039;&#039;&#039; (Mike and Kiran)&lt;br /&gt;
This course will consider various points in history through the medium of film. A careful examination of movies that deal with historical events will be analyzed with respect to the underlying message portrayed in the film. This course will consider the political and social aspects as well as the historical context and how it is portrayed by the media.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A Game Making Approach to Bioethics&#039;&#039;&#039; (Mary and Liang)&lt;br /&gt;
&amp;lt;br&amp;gt;This course is meant to consider the ethical issues associated with the studies of current science that incorporate biology and technology. With some knowledge on high school biology, students will develop a basic understanding of these science studies.  Through collecting science media, students will learn about the occurrence and the relevancy of these studies to their daily lives.  With some discussions, students will identify both ethical and unethical actions committed by stakeholders.  In addition, students will master the ability to come up with alternative solutions that are by definition more ethical to these studies.  Lastly, students will demonstrate their overall knowledge of bioethics by planning for a computer or video game that demands ethical decisions and administers consequences.  As well, the planning process requires the usage of multiple forms of technology.  Through the practices of this course, students are made to hold some responsibilities to the well-being of our world as a whole.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The Power of Media&#039;&#039;&#039; (David B and Kari)&lt;br /&gt;
&lt;br /&gt;
This course will challenge students to look at the way in which the media impacts society. Looking at different forms of media (ie. television, the radio, the internet, newspapers/magazines) the following issues will be addressed: how does the media shape reality, who is the targeted audience, the ability of technology to communicate, and the influence that the media has on everyday life. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The History of Communication Throughout the 20th Century&#039;&#039;&#039; (JP and Dorianna)&lt;br /&gt;
This course will examine the evolution of communication throughout the 20th century and how this process affected important historical events, eras and trends. Students will look at how various communication technologies, such as AM radio, television, and the internet, were employed during the century and what events/phenomenons they facilitated. Central themes to be studied will include war and conflict, popular culture, and globalization.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Music Media&#039;&#039;&#039; (David and Andrew)&lt;br /&gt;
Investigation of lyrical content with respect to audience. Investigation into lyrical content and political message. The study of the interaction between lyrical message and music video message.  This course will provide for students opportunities to observe aspects of social, political, and cultural history through the lens of instrumental music.  In regards to tonality, style, and timbre, the directions in which genres of music evolved heavily reflected the social conditions of eras; it is impossible, for example, to separate the violence associated wit the modern Civil Rights Movement from the sound of 1960s avant-garde jazz.  Students will analyze such connections in a variety of ways, such as by sampling various music selections that will be supplemented with pertaining historical contexts. &lt;br /&gt;
[[Category: Curriculum and Pedagogy]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Critical Media Studies in Film and Television&#039;&#039;&#039; (Alex and Fred)&lt;br /&gt;
This course will focus on pop culture film and television media of the 20th and 21st centuries.  Students will develop a critical awareness of how media messages are constructed in the world of film and television.  Students will make use of media literacy methodologies to deconstruct and critically analyze meaning in a series of film and television screenings.  Students will also read texts and view documentaries critiquing pop culture film and telesion.  The course will culminate in the students utilizing these critical skills to create their own critical documentary.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Intro to Media Studies&#039;&#039;&#039; (Matthew and Stasia)&lt;br /&gt;
This course will introduce students to the concept of media studies and what it entails - what is media, the history of media, the influence of media on society, the different forms of media, etc.  It will provide a foundation for future, more focused courses, and will establish the analytical skills necessary for students to navigate todays dynamic media landscape.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Media: Issues and Technology 12&#039;&#039;&#039; (Paul and Sara)&lt;br /&gt;
This course deals with media depictions of controversial issues facing the world today. Each issue will be looked at through one of television/film, radio, print, and internet. The technology aspect of the course covers media production, and students will gain experience working in each of the major forms of media. After analyzing issues, students will be asked to produce their own representations of those issues in a skills-based, technological approach.&lt;br /&gt;
&lt;br /&gt;
   &lt;br /&gt;
&amp;quot;Stereotypes in TV &amp;amp; Film: Changes Over Time&amp;quot; -Sarah K, Jenn O, Jenn M&lt;br /&gt;
&lt;br /&gt;
This course will examine the way that stereotypes are portrayed in TV and Film. It will look in depth at the changes in stereotypes as a reflection of society. Topics considered will include gender/sexuality, minorities, women and society in general.&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;External Resources&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
[http://www.pixton.com Pixton - &#039;Free&#039; Online Comic Maker]&lt;br /&gt;
      &lt;br /&gt;
&lt;br /&gt;
[[Category:EDCP]]&lt;/div&gt;</summary>
		<author><name>Stephenpetrina</name></author>
	</entry>
	<entry>
		<id>https://wiki.ubc.ca/index.php?title=Course:EDCP481&amp;diff=521014</id>
		<title>Course:EDCP481</title>
		<link rel="alternate" type="text/html" href="https://wiki.ubc.ca/index.php?title=Course:EDCP481&amp;diff=521014"/>
		<updated>2018-07-03T04:29:02Z</updated>

		<summary type="html">&lt;p&gt;Stephenpetrina: /* Activity Planning Section */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== &#039;&#039;&#039;Summer 2a 2018&#039;&#039;&#039; ==&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy. Media studies is a dynamic discipline tailored to exploring a range of concepts or techniques. In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement. Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy. Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum. Hence, this course balances practice with ethical, legal, and theoretical aspects and emphasizes the design of curriculum and courses for teaching media studies and for integrating media literacy across the curriculum. This year&#039;s section of EDCP 481 focuses on meaningful media by and for children and youth. All media productions add meaning but those providing deep meaning are necessarily unique.  [Link to the EDCP 481  Resource page http://blogs.ubc.ca/etec/courses-2/edcp-481/].&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Textbook (Media Study Guide) Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a section-- Media Study Guide-- of a textbook, which is being designed and written for grades K-3, 4-5, 6-7, 8-10 or 11-12 students) &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 Media Study Guide &#039;&#039;Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Group #1&lt;br /&gt;
Group #2&lt;br /&gt;
etc...&lt;br /&gt;
&lt;br /&gt;
== Activity Planning Section ==&lt;br /&gt;
Group #1&lt;br /&gt;
Group #2&lt;br /&gt;
etc...&lt;br /&gt;
&lt;br /&gt;
== Email Section (Preferably Gmail) ==&lt;br /&gt;
hwlmediatechno@gmail.com (course gmail)&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2017&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy. Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding. In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement. Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy. Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum. Hence, this course balances practice with ethical, legal, and theoretical aspects and emphasizes the design of curriculum and courses for teaching media studies and for integrating media literacy across the curriculum.  [Link to the EDCP 481  Resource page http://blogs.ubc.ca/etec/courses-2/edcp-481/].&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
== Textbook (Media Study Guide) Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a section-- Media Study Guide-- of a textbook, which is being designed and written for grades K-3, 4-5, 6-7, 8-10 or 11-12 students) &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 Media Study Guide &#039;&#039;Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2016&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy. Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding. In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement. Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy. Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum. Hence, this course balances practice with ethical, legal, and theoretical aspects and emphasizes the design of curriculum and courses for teaching media studies and for integrating media literacy across the curriculum.  [Link to the EDCP 481  Resource page http://blogs.ubc.ca/etec/courses-2/edcp-481/].&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Link to the EDCP 481 Textbook (Media Study Guides) co-authored by the  students  http://blogs.ubc.ca/etec/courses-2/edcp-481/&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Textbook (Media Study Guide) Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a section-- Media Study Guide-- of a textbook, which is being designed and written for grade 8-10 or 11-12 students):&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;2017 Guides&#039;&#039;&#039; &amp;lt;br&amp;gt;&lt;br /&gt;
Dawson, Sonya, Mark, Curtis: The Lorax&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 Media Study Guide Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
xx &amp;lt;br&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The Matrix - Brooke, David, Harrison, Jordan&lt;br /&gt;
&lt;br /&gt;
Harry Potter- Alysha, Sat, Arshbir, Manjot&lt;br /&gt;
&lt;br /&gt;
X-Men- Sam and Katia&lt;br /&gt;
&lt;br /&gt;
Interstellar: Mike, Stephen, Yoohoon, and Paul.&lt;br /&gt;
&lt;br /&gt;
Call of Duty Zombies: Hermano, Wells, Mikey, Mike&lt;br /&gt;
&lt;br /&gt;
Avatar: Vardip, Jeongbae&lt;br /&gt;
&lt;br /&gt;
== BAA Course Planning Section ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The direct link to the example BAA is:&#039;&#039;&#039; &amp;lt;br&amp;gt;&lt;br /&gt;
http://www.bced.gov.bc.ca/greenschools/sustcoursecontent.htm&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the BAA Course here:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 BA/A Topics&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The Business of Media - Brooke, Harrison, Jordan&lt;br /&gt;
&lt;br /&gt;
Who Controls the Media (11/12)- Sam Jeongbae, David E, Vardip &lt;br /&gt;
&lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Sat, Arshbir, Alysha &amp;amp; Manjot - Media influences across disciplines&lt;br /&gt;
&lt;br /&gt;
Katia, Stephen, Mike, and Paul: Publishing&lt;br /&gt;
&lt;br /&gt;
Hermano, Wells, Mikey, Mike: Theatre, Film and Media Studies&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2011&#039;&#039;&#039;==&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy.  Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding.  In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement.  Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy.  Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum.  Hence, this course emphasizes ethical, legal, and theoretical aspects and the design of curriculum and courses for teaching media education or media studies and for integrating media literacy across the curriculum.  [Link to the EDCP 481  Resource page http://m1.cust.educ.ubc.ca:16080/tsedgrad/?page_id=460].&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Link to the EDCP 481 Textbook (Media Study Guides) co-authored by the  students  http://blogs.ubc.ca/etec/courses-2/edcp-481/&#039;&#039;&#039;&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Student Planning Space&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== Textbook (Media Study Guide) Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a section-- Media Study Guide-- of a textbook, which is being designed and written for grade 8-10 or 11-12 students):&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 Media Study Guide Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
xx &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Dianna Stashuk and Adam Alvaro - &amp;quot;Lost&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Melissa Evans and Shaun Beach- &amp;quot;Family&amp;quot; Shows (exploring the representations of family, past and present)&lt;br /&gt;
&lt;br /&gt;
Brian, Peter &amp;amp; Tyler - Need for Speed&lt;br /&gt;
&lt;br /&gt;
Michelle Fatkin and Chelsea Campbell - &amp;quot;Mean Girls&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Tom Froh and Peter Maxwell - &amp;quot;16 and Pregnant&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Nick De Santis and Nam Pham- &amp;quot;127 Hours&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Chris Flannelly and Grace Woo - &amp;quot;Freedom Writers&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Lucas Mann and Marie-Anne Hellinckx - Film Review &amp;quot;Ma vie en rose&amp;quot; to address issues of homophobia.&lt;br /&gt;
&lt;br /&gt;
Stephanie Malloy and Jon Schmidt-&amp;quot;My Sister&#039;s Keeper&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 951 Media Study Guide Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
xx&lt;br /&gt;
&lt;br /&gt;
Adam Deboer and Alvin Lui - The Dark Knight&lt;br /&gt;
&lt;br /&gt;
Kelly Skehill and Kat Ast - &amp;quot;Thirteen&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Ashley MacKenzie and Alex Thureau - &amp;quot;One Week&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Wendy Sigaty and Haley Lucas - &amp;quot;Avatar&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Kady Huhn &amp;amp; Hannah Yu- &amp;quot;Into the Wild&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Fay Sterne &amp;amp; Brittaney Boone - &amp;quot;The Office&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Rachel Fales &amp;amp; Jennifer Visser - &amp;quot;Wall-E&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Yik Wah Penner &amp;amp; Chris Howey - &amp;quot;Little Ms. Sunshine&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Lance Peters &amp;amp; Al McKillop - &#039;Lord of the Rings&#039; (I know, it&#039;s a little ambitious.)&lt;br /&gt;
&lt;br /&gt;
Ashley Bayles &amp;amp; Danny Nann - &amp;quot;The Simpsons&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Jenn O, Jenn M, Sarah K - &amp;quot;Schindler&#039;s List&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Alexander McKechnie - Mythology and Popular Music&lt;br /&gt;
&lt;br /&gt;
Mark Brown - &amp;quot;Bright Star&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Sarah James and Lillian Ryan - &amp;quot;Food Inc.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Michael Bui &amp;amp; Jennifer Neff - Outsourced&lt;br /&gt;
&lt;br /&gt;
== BAA Course Planning Section ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The direct link to the example BAA is:&#039;&#039;&#039; &amp;lt;br&amp;gt;&lt;br /&gt;
http://www.bced.gov.bc.ca/greenschools/sustcoursecontent.htm&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the BAA Course here:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 BA/A Topics&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Brian, Peter &amp;amp; Tyler - GAME ON! Video Game Play as Text: Critical Reading for Gamers     &lt;br /&gt;
&lt;br /&gt;
Dianna Stashuk and Adam Alvaro - Media and Canadian Identity&lt;br /&gt;
&lt;br /&gt;
Melissa Evans and Shaun Beach - Youth and advertising--This course will explore the industry of advertising, focusing specifically on how advertisers target youth through TV commercials, product placement, and endorsements. There will also be some discussion on advertisement law and various opportunities to critically analyse advertisements made in the industry and in the classroom. Students will be able to create their own advertisements based on what they have learned about the laws and techniques used in the industry.&lt;br /&gt;
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Michelle Fatkin and Chelsea Campbell - Acquiring Wisdom through Media&lt;br /&gt;
&lt;br /&gt;
In this course, we want students to understand that media is not simply entertainment. Rather, we want them to see that they can acquire wisdom through observing the actions and consequences of others in TV/film, and through analyzing the subtleties of messages in advertisements, print, and other forms. &lt;br /&gt;
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Taha and Kara - Apocalypse in Media&lt;br /&gt;
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Stef and Jess aka...Jeff - Seeing with your ears: An introduction to media through music&lt;br /&gt;
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This course looks at the relationship between music and the media by analysing historical and political events effects on music.  It focuses on the power of music and it&#039;s affect on the media.  We will also look at the power of the media and it&#039;s control over the message of popular music.  By focusing on a timeline one can easily see the changes in music and it&#039;s message due to events occurring all over the world.&lt;br /&gt;
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Nick De Santis and Nam Pham - &amp;quot;Add me as a Friend&amp;quot;: Deconstructing Social Media&lt;br /&gt;
       &lt;br /&gt;
&lt;br /&gt;
This course will explore the current trends in social media and how they have influenced our society. In particular, we will examine Facebook and Twitter, the two most popular forms of this media. The focus of this course will be to educate students on the benefits and dangers of using social media and to critically analyze the prevalence of social media in today’s society. By the end of this course, each student will be able to use social media to their maximum positive benefit.&lt;br /&gt;
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Thomas Froh and Peter Maxwell - &amp;quot;The Man&amp;quot; Behind the Message&lt;br /&gt;
&lt;br /&gt;
This course will work towards answering the question of whether there is a person or organization controlling the messages we receive in the media, and if so, who or what are they and to what end?  Specifically, the course will examine large television corporations and whether or not they work to shape popular perspective in news broadcasts, television programming, etc.&lt;br /&gt;
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Paul and Rhonda - Music Videos and Pop Culture&lt;br /&gt;
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This course will explore the question; Are music videos a product of pop culture or pop culture and product of music videos? The course will critically analyse the key media literacy aspects of production, analysis and audience. Due to the sometimes sensitive content of music videos it is important for students to deconstruct the specifics behind the media consumption, production and regulation.&lt;br /&gt;
&lt;br /&gt;
  &lt;br /&gt;
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Rupinder and Parmjeet: Attitude is everything!! Aquiring positive attitude through media.&lt;br /&gt;
&lt;br /&gt;
This course will focus on developing positive attitude through media productions, such as film, television, print etc. We want students to show how to use media&#039;s positive side to develop good attitude habits. &lt;br /&gt;
&lt;br /&gt;
Michael &amp;amp; John - &amp;quot;Mickey Wants You” – How Disney Won the War &lt;br /&gt;
&lt;br /&gt;
In this course, students will analyse and identify historical examples of Disney products to better understand bias, impact, and opinions.  This course has been designed with the target of engaging students in history and its contexts with products of Disney media. Students will learn and gain skills in the ability to think critically, detect biases, and learn to read and develop media products for use in their own lives.  &lt;br /&gt;
      &lt;br /&gt;
Chris and Grace - Multiculturalism in the Media&lt;br /&gt;
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Marie-Anne and Lucas - Francophone cinema&lt;br /&gt;
                    &lt;br /&gt;
This course has been designed to encourage students to have a better appreciation for Francophone cinema, to help them examine and identify the values and cultural differences in films and have a better understanding of Francophone culture. They will be able to apply critical thinking to film analyses and appreciations. A collaborative and safe atmosphere will be provided to foster creative expression in film production and media representation.  &lt;br /&gt;
      &lt;br /&gt;
&#039;&#039;&#039;Section 951 BA/A Topics&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
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Kelly Skehill and Kat Ast - &amp;quot;Media: The Inside Scoop&amp;quot;&lt;br /&gt;
&lt;br /&gt;
This course will expose students to the positive and negative influences media has on people.  It will have students analyze Social Networking, Advertising, Hollywood Movies, Documentaries and Music.  The goal is for students to gain the critical analysis and information skills necessary to become intelligent, competent consumers and creators of media messages (Considine, 2003).   &lt;br /&gt;
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Adam Deboer and Alvin Lui - Music, Culture, and Technology&lt;br /&gt;
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Ashley MacKenzie and Alex Thureau - Reality Television Production: This course will introduce students to the medium of television. Students will learn the pre-production, production and post-production steps required to produce their own reality television episode. Students will leave the course with the ability to objectively analyze television media.   &lt;br /&gt;
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Kady Huhn &amp;amp; Hannah Yu-Media &amp;amp; Identity-This course will explore the ways in which personal identity is constructed and mediated through media and will analyze how popular culture such as film, music, television and print media impact identity and behaviour. It will also look at the ways in which social media has impacted identity construction online and focus on the implications this has on the safety of social networking.&lt;br /&gt;
      &lt;br /&gt;
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&#039;&#039;&#039;Wendy Sigaty &amp;amp; Haley Lucas - Social Values in Media Through History&#039;&#039;&#039;&lt;br /&gt;
Students will use various media (Print, Television, Film, Music, etc) to examine how our social values (Race Relations, Relationships, Gender Roles, Sexuality, Religion, Family, Lifestyle, etc) have changed from biblical times to the present.    &lt;br /&gt;
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&#039;&#039;&#039;Rachel Fales &amp;amp; Jennifer Visser - &#039;&#039;Film Studies- An Analysis of Superheroes&#039;&#039;&#039;&#039;&#039; - This course intends to analyze Superheroes in films. This course will chronologically follow Superheroes as they have been adapted from comic books (ie. Superman 1978) to Hollywood Blockbusters and the idea of sequels, exploring a variety of topics during each film. Students will question genre, originality, race, gender, sexuality, public vs. private (dual) identities, villains vs. victims, technology and remediation of Superhero films. &lt;br /&gt;
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&#039;&#039;&#039;Michael Bui &amp;amp; Jennifer Neff - Sociology and the Media 11/12&#039;&#039;&#039; -  This course examines culture and the construction of identity through shifts in media.  Trends in visual media, advancements in technology and social media will be looked at under the lens of sociology. Students will identify the ways media can influence the creation and disintegration of stereotypes.  Students will analyze different perceptions represented through these mediums of technology and how this adds to the development of new youth culture. &lt;br /&gt;
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&#039;&#039;&#039;Analyzing Modern Animated Satire 11/12&#039;&#039;&#039; (Fay Sterne &amp;amp; Brittaney Boone) - Students will take a critical look at &#039;&#039;The Simpsons&#039;&#039;, &#039;&#039;Family Guy&#039;&#039;, and &#039;&#039;South Park&#039;&#039; as satirical representations of modern North American society.&lt;br /&gt;
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&#039;&#039;&#039;Graham Haigh &amp;amp; Dean Morris&#039;&#039;&#039; Teaching Media through the examination of Political Campaigns. Students will evaluate, analyze, political media. Students will also create their own commercial, poster, National address, attack add, or some other media presentation relating to the study of politics.&lt;br /&gt;
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&#039;&#039;&#039;Ashley Bayles &amp;amp; Danny Nann - Media &amp;amp; Popular Culture&#039;&#039;&#039;&lt;br /&gt;
- This course will examine the way in which media has an impact on cultural production and vice versa. What is popular culture? What role does the media have on the production of popular culture? Is popular culture an authentic representation of our cultural values as a society, or is it impacted by the media and if so, how? We will look into how the social and culture environment is formed and what role it has on media and vice versa. This course will examine popular culture as a concept on its own and through its representation in different forms of media. &lt;br /&gt;
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Yik Wah Penner &amp;amp; Chris Howey - Manufacturing Identity in the Media: This course will examine the ways in which media creates identities which are often shaped by stereotype. Our goal will be to explore the social and cultural relevance of these produced identities in the day to day lives of students.&lt;br /&gt;
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&#039;&#039;&#039;Lance Peters &amp;amp; Al McKillop - Using current media to access classic literature&#039;&#039;&#039;&lt;br /&gt;
We plan to look at various media, with a particular focus on using contemporary media such as podcasting, film, games, graphic novels, wikis, etc. to access &#039;classic&#039; literature such as Shakespeare, Melville, Dickens, Tolkien and others.&lt;br /&gt;
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Mark Brown and Alex McKechnie - Popular Music Studies&lt;br /&gt;
This course looks at the images, text, and music of popular songs and videos, and the relationships and meanings found therein. Students will develop appreciation, as well as, analytical and critical thinking skills to help them navigate through the multiple images, values, and meanings found within popular music and music videos&lt;br /&gt;
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 &lt;br /&gt;
Lillian Ryan &amp;amp; Sarah James (documentary film studies)&lt;br /&gt;
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Sat, Arshbir, Alysha and Manjot (Media influences across disciplines)&lt;br /&gt;
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== PSA Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;952 Planning: &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Time = 30 to 60 seconds&lt;br /&gt;
Theme = Unique to Group&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;951 Planning: &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Time = 30 to 60 seconds&lt;br /&gt;
Theme = Unique to Group&lt;br /&gt;
&lt;br /&gt;
The Scaffolders-Brittaney Boone, Jennifer Visser, Kady Huhn, Yik Penner, Chris Howey, Faye Sterne&lt;br /&gt;
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High-Def (HD): Mark, Alvin, Rachel, Jennifer N, Michael, Adam   [http://youtu.be/9u3Rhw9jdiE Cyber-bullying PSA]&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2010&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy.  Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding.  In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement.  The course provides a survey of media studies and new media with an emphasis on media education and literacy.  Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum.  Hence, this course emphasizes ethical, legal, and theoretical aspects and the design of curriculum and courses for teaching media education or media studies and for integrating media literacy across the curriculum. [Link to the EDCP 481 Resource page http://m1.cust.educ.ubc.ca:16080/tsedgrad/?page_id=366]. &lt;br /&gt;
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&#039;&#039;&#039;Student Planning Space&#039;&#039;&#039;&lt;br /&gt;
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== Textbook Curriculum Planning Section ==&lt;br /&gt;
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Download the Media Studies 11-12 Textbook written by EDCP 481 students: http://m1.cust.educ.ubc.ca:16080/tsedgrad/?page_id=366&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Table of Contents&#039;&#039;&#039;&lt;br /&gt;
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&#039;&#039;&#039;1. Who/What are The Media?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Who / What is a Journalist? (Paul Korczyk &amp;amp; Sara Newham)&amp;lt;br&amp;gt;&lt;br /&gt;
Web 2.0 (Matthew Palmer &amp;amp; Stasia Siscoe)&amp;lt;br&amp;gt; &lt;br /&gt;
Social Networking and the Media (Esther Yong &amp;amp; Gideon Lin)&amp;lt;br&amp;gt; &lt;br /&gt;
Teen Age, Teen Ad (Shelagh &amp;amp; Sean)&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;2. News or Entertainment&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Blurring Line Between Television News and Entertainment (Herleen Malli &amp;amp; Jagroop Nagra)&amp;lt;br&amp;gt; &lt;br /&gt;
Celebrity Culture (Magda Misiak &amp;amp; Jo-Anne McKee)&amp;lt;br&amp;gt; &lt;br /&gt;
The Prevalence of Violence in the Media (Cameron Vand&#039;Erkamps &amp;amp; Daljit Purewal)&amp;lt;br&amp;gt; &lt;br /&gt;
School on Television: Reality vs. Depiction (Greg Rushton &amp;amp; Sheryl Reinhardt)&amp;lt;br&amp;gt; &lt;br /&gt;
Fashion Trends and Media Representations (Balkiran Dusanj &amp;amp; Shirley Lal)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3. Bias and Perspective&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David Bron &amp;amp; Kari White)&amp;lt;br&amp;gt; &lt;br /&gt;
Editing: An Inquiry into Ideological Stance (David Mergens &amp;amp; Andrew Crawford)&amp;lt;br&amp;gt;&lt;br /&gt;
The use of Propaganda in Modern Society (Kiran Basi &amp;amp; Mike Byun)&amp;lt;br&amp;gt;&lt;br /&gt;
Storytelling and Media (Elle Kay &amp;amp; Rochelle Patten)&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;4. Culture and Technology&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Media Consumption in the Digital Age (Caleb Bouey &amp;amp; Gabrielle Rougeau)&amp;lt;br&amp;gt; &lt;br /&gt;
Technology and the Evolution of Music (JP Lancaster &amp;amp; Dorianna Chessa)&amp;lt;br&amp;gt; &lt;br /&gt;
Literature Adaptations and Interpretations in the Media (Sarah McNeil &amp;amp; Victoria Yip)&amp;lt;br&amp;gt; &lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary Yang &amp;amp; Liang You)&amp;lt;br&amp;gt; &lt;br /&gt;
Copyright in the Information Age (Ken Vimalesan &amp;amp; Jen Fehlauer)&amp;lt;br&amp;gt;&lt;br /&gt;
Appropriation and Art: Issues of Copyright in Image Production (Alex Reed &amp;amp; Fred Beitler)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a 4 page section of a textbook, which is being designed and written for grade 10-12 students):&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
e.g., Teen Age, Teen Ad (Shelagh &amp;amp; Sean)&lt;br /&gt;
Cable News (Bert &amp;amp; Ernie)&lt;br /&gt;
Web 2.0 (Stasia &amp;amp; Matthew)&lt;br /&gt;
Storytelling and Media (Rochelle and Elle)&lt;br /&gt;
Literature Adaptations and Interpretations in the Media (Victoria &amp;amp; Sarah)&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David &amp;amp; Kari)&lt;br /&gt;
Fashion Trends and Media Representations (Balkiran &amp;amp; Shirley)&lt;br /&gt;
Who/What is a Journalist? (Paul and Sara)&lt;br /&gt;
Celebrity Gossip as News (Magda and Jo-Anne)&lt;br /&gt;
Social Networking and the Media (Esther and Gideon)&lt;br /&gt;
Editing; An Inquiry into Ideological Stance (David and Andrew)&lt;br /&gt;
The blurring line between television news and entertainment (Herleen and Jag)&lt;br /&gt;
The prevelance of violence in the media (Cam and Dal)&lt;br /&gt;
Technology and the Evolution of Music (JP and Dorianna)&lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary and Liang)&lt;br /&gt;
The use of propaganda in modern society (Kiran and Mike)&lt;br /&gt;
Media Consumption in the Digital Age (Caleb and Gabby)&lt;br /&gt;
School on Television: Reality vs. Depiction (Greg and Sheryl)&lt;br /&gt;
Copyright in the Information Age (Ken and Jen)&lt;br /&gt;
Appropriation and Art: Issues of copyright in image production (Alex and Fred)&lt;br /&gt;
&lt;br /&gt;
Here are a couple possible ways to break down the book with some (wild) guesses about where each topic might fit. Thoughts? (Thanks Jen-- awesome work!)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;1. Who/What are The Media?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Who/What is a Journalist? (Paul and Sara)&amp;lt;br&amp;gt;&lt;br /&gt;
The blurring line between television news and entertainment (Herleen and Jag) &amp;lt;br&amp;gt;&lt;br /&gt;
Celebrity Gossip as News (Magda and Jo-Anne) &amp;lt;br&amp;gt;&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David &amp;amp; Kari) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;2. Who/What is Represented?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Editing: An Inquiry into Ideological Stance (David and Andrew)&amp;lt;br&amp;gt;&lt;br /&gt;
The use of propaganda in modern society (Kiran and Mike)&amp;lt;br&amp;gt;&lt;br /&gt;
School on Television: Reality vs. Depiction (Greg and Sheryl)&amp;lt;br&amp;gt; &lt;br /&gt;
The prevalence of violence in the media (Cam and Dal) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3. Web 2.0&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Web 2.0 (Stasia &amp;amp; Matthew) &amp;lt;br&amp;gt;&lt;br /&gt;
Social Networking and the Media (Esther and Gideon) &amp;lt;br&amp;gt;&lt;br /&gt;
Copyright in the Information Age (Ken and Jen)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;4. The Evolution of Culture&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Technology and the Evolution of Music (JP and Dorianna)&amp;lt;br&amp;gt; &lt;br /&gt;
Storytelling and Media (Rochelle and Leanna) &amp;lt;br&amp;gt;&lt;br /&gt;
Film Adaptations of &#039;&#039;Alice&#039;s Adventures in Wonderland&#039;&#039; (Victoria &amp;amp; Sarah) &amp;lt;br&amp;gt;&lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary and Liang) &amp;lt;br&amp;gt;&lt;br /&gt;
Appropriation and Art: Issues of copyright in image production (Alex and Fred)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;5. Economics of Technology&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Teen Age, Teen Ad (Shelagh &amp;amp; Sean) &amp;lt;br&amp;gt;&lt;br /&gt;
Fashion Trends and Media Representations (Balkiran &amp;amp; Shirley)&amp;lt;br&amp;gt;&lt;br /&gt;
Media Consumption in the Digital Age (Caleb and Gabby) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;B&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;1. Who/What are The Media?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Who/What is a Journalist? (Paul and Sara)&amp;lt;br&amp;gt;&lt;br /&gt;
Web 2.0 (Stasia &amp;amp; Matthew) &amp;lt;br&amp;gt;&lt;br /&gt;
Social Networking and the Media (Esther and Gideon) &amp;lt;br&amp;gt;&lt;br /&gt;
Teen Age, Teen Ad (Shelagh &amp;amp; Sean) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;2. News or Entertainment&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The blurring line between television news and entertainment (Herleen and Jag) &amp;lt;br&amp;gt;&lt;br /&gt;
Celebrity Gossip as News (Magda and Jo-Anne) &amp;lt;br&amp;gt;&lt;br /&gt;
The prevalence of violence in the media (Cam and Dal) &amp;lt;br&amp;gt;&lt;br /&gt;
School on Television: Reality vs. Depiction (Greg and Sheryl) &amp;lt;br&amp;gt;&lt;br /&gt;
Fashion Trends and Media Representations (Balkiran &amp;amp; Shirley)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3. Bias and Perspective&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David &amp;amp; Kari) &amp;lt;br&amp;gt;&lt;br /&gt;
Editing: An Inquiry into Ideological Stance (David and Andrew)&amp;lt;br&amp;gt;&lt;br /&gt;
The use of propaganda in modern society (Kiran and Mike)&amp;lt;br&amp;gt;&lt;br /&gt;
Storytelling and Media (Elle &amp;amp; Rochelle) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;4. Culture and Technology&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Media Consumption in the Digital Age (Caleb and Gabby) &amp;lt;br&amp;gt;&lt;br /&gt;
Technology and the Evolution of Music (JP and Dorianna) &amp;lt;br&amp;gt;&lt;br /&gt;
Literature Adaptations and Interpretations in the Media (Victoria &amp;amp; Sarah) &amp;lt;br&amp;gt;&lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary and Liang) &amp;lt;br&amp;gt;&lt;br /&gt;
Copyright in the Information Age (Ken and Jen)&amp;lt;br&amp;gt;&lt;br /&gt;
Appropriation and Art: Issues of copyright in image production (Alex and Fred)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== BAA Course Planning Section ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Media and Advertising 11&#039;&#039;&#039;(Ken and Jen)&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
This course will prepare students to deconstruct and understand how media impact their lives and decisions. Students will learn and apply the concepts of audience, purpose and argument through an analysis of advertising across various media.  Students will understand how advertising creates and appeals to cultural values which will prepare them to be informed and active citizens in a media-saturated world.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Identity, Pop Culture and Media 12&#039;&#039;&#039; (Rochelle and Leanna)&lt;br /&gt;
-portrayals of gender, age, race, sexuality, beauty, and wealth in Pop Culture and the Media and how these construct and affirm our beliefs and personal and corporate identity&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Societal and Cultural Values in Media 12&#039;&#039;&#039; (Gideon &amp;amp; Esther)&lt;br /&gt;
&amp;lt;br&amp;gt; An overview analysis of television, film, pop culture and advertising and how, within these mediums, certain societal and cultural values are propagated and reflected. It is important for students to be aware and analytical of what they view/listen to etc, in order to be critical of what values are being (re)presented by the media.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;From The Page to the Stage, and Beyond: Literary Adaptations in the Media&#039;&#039;&#039; (Victoria &amp;amp; Sarah)&lt;br /&gt;
&amp;lt;br&amp;gt;Increasingly, the first exposure that young people have to literature is through television, film, or Internet adaptations.  This course will help students understand the transformation that a work goes through as it travels from the page to another medium, and will explore adaptations of popular works for the stage, radio, television, film, and Internet.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Music and Technology 11/12&#039;&#039;&#039; (Greg and Sheryl)&lt;br /&gt;
This course will examine the ways in which technology has changed the way that music is created, perceived and consumed.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;History lives -An examination of historical events through film&amp;quot;&#039;&#039;&#039; (Mike and Kiran)&lt;br /&gt;
This course will consider various points in history through the medium of film. A careful examination of movies that deal with historical events will be analyzed with respect to the underlying message portrayed in the film. This course will consider the political and social aspects as well as the historical context and how it is portrayed by the media.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A Game Making Approach to Bioethics&#039;&#039;&#039; (Mary and Liang)&lt;br /&gt;
&amp;lt;br&amp;gt;This course is meant to consider the ethical issues associated with the studies of current science that incorporate biology and technology. With some knowledge on high school biology, students will develop a basic understanding of these science studies.  Through collecting science media, students will learn about the occurrence and the relevancy of these studies to their daily lives.  With some discussions, students will identify both ethical and unethical actions committed by stakeholders.  In addition, students will master the ability to come up with alternative solutions that are by definition more ethical to these studies.  Lastly, students will demonstrate their overall knowledge of bioethics by planning for a computer or video game that demands ethical decisions and administers consequences.  As well, the planning process requires the usage of multiple forms of technology.  Through the practices of this course, students are made to hold some responsibilities to the well-being of our world as a whole.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The Power of Media&#039;&#039;&#039; (David B and Kari)&lt;br /&gt;
&lt;br /&gt;
This course will challenge students to look at the way in which the media impacts society. Looking at different forms of media (ie. television, the radio, the internet, newspapers/magazines) the following issues will be addressed: how does the media shape reality, who is the targeted audience, the ability of technology to communicate, and the influence that the media has on everyday life. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The History of Communication Throughout the 20th Century&#039;&#039;&#039; (JP and Dorianna)&lt;br /&gt;
This course will examine the evolution of communication throughout the 20th century and how this process affected important historical events, eras and trends. Students will look at how various communication technologies, such as AM radio, television, and the internet, were employed during the century and what events/phenomenons they facilitated. Central themes to be studied will include war and conflict, popular culture, and globalization.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Music Media&#039;&#039;&#039; (David and Andrew)&lt;br /&gt;
Investigation of lyrical content with respect to audience. Investigation into lyrical content and political message. The study of the interaction between lyrical message and music video message.  This course will provide for students opportunities to observe aspects of social, political, and cultural history through the lens of instrumental music.  In regards to tonality, style, and timbre, the directions in which genres of music evolved heavily reflected the social conditions of eras; it is impossible, for example, to separate the violence associated wit the modern Civil Rights Movement from the sound of 1960s avant-garde jazz.  Students will analyze such connections in a variety of ways, such as by sampling various music selections that will be supplemented with pertaining historical contexts. &lt;br /&gt;
[[Category: Curriculum and Pedagogy]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Critical Media Studies in Film and Television&#039;&#039;&#039; (Alex and Fred)&lt;br /&gt;
This course will focus on pop culture film and television media of the 20th and 21st centuries.  Students will develop a critical awareness of how media messages are constructed in the world of film and television.  Students will make use of media literacy methodologies to deconstruct and critically analyze meaning in a series of film and television screenings.  Students will also read texts and view documentaries critiquing pop culture film and telesion.  The course will culminate in the students utilizing these critical skills to create their own critical documentary.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Intro to Media Studies&#039;&#039;&#039; (Matthew and Stasia)&lt;br /&gt;
This course will introduce students to the concept of media studies and what it entails - what is media, the history of media, the influence of media on society, the different forms of media, etc.  It will provide a foundation for future, more focused courses, and will establish the analytical skills necessary for students to navigate todays dynamic media landscape.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Media: Issues and Technology 12&#039;&#039;&#039; (Paul and Sara)&lt;br /&gt;
This course deals with media depictions of controversial issues facing the world today. Each issue will be looked at through one of television/film, radio, print, and internet. The technology aspect of the course covers media production, and students will gain experience working in each of the major forms of media. After analyzing issues, students will be asked to produce their own representations of those issues in a skills-based, technological approach.&lt;br /&gt;
&lt;br /&gt;
   &lt;br /&gt;
&amp;quot;Stereotypes in TV &amp;amp; Film: Changes Over Time&amp;quot; -Sarah K, Jenn O, Jenn M&lt;br /&gt;
&lt;br /&gt;
This course will examine the way that stereotypes are portrayed in TV and Film. It will look in depth at the changes in stereotypes as a reflection of society. Topics considered will include gender/sexuality, minorities, women and society in general.&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;External Resources&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
[http://www.pixton.com Pixton - &#039;Free&#039; Online Comic Maker]&lt;br /&gt;
      &lt;br /&gt;
&lt;br /&gt;
[[Category:EDCP]]&lt;/div&gt;</summary>
		<author><name>Stephenpetrina</name></author>
	</entry>
	<entry>
		<id>https://wiki.ubc.ca/index.php?title=Course:EDCP481&amp;diff=521013</id>
		<title>Course:EDCP481</title>
		<link rel="alternate" type="text/html" href="https://wiki.ubc.ca/index.php?title=Course:EDCP481&amp;diff=521013"/>
		<updated>2018-07-03T04:28:28Z</updated>

		<summary type="html">&lt;p&gt;Stephenpetrina: /* Textbook (Media Study Guide) Planning Section */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== &#039;&#039;&#039;Summer 2a 2018&#039;&#039;&#039; ==&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy. Media studies is a dynamic discipline tailored to exploring a range of concepts or techniques. In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement. Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy. Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum. Hence, this course balances practice with ethical, legal, and theoretical aspects and emphasizes the design of curriculum and courses for teaching media studies and for integrating media literacy across the curriculum. This year&#039;s section of EDCP 481 focuses on meaningful media by and for children and youth. All media productions add meaning but those providing deep meaning are necessarily unique.  [Link to the EDCP 481  Resource page http://blogs.ubc.ca/etec/courses-2/edcp-481/].&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Textbook (Media Study Guide) Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a section-- Media Study Guide-- of a textbook, which is being designed and written for grades K-3, 4-5, 6-7, 8-10 or 11-12 students) &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 Media Study Guide &#039;&#039;Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Group #1&lt;br /&gt;
Group #2&lt;br /&gt;
etc...&lt;br /&gt;
&lt;br /&gt;
== Activity Planning Section ==&lt;br /&gt;
&lt;br /&gt;
== Email Section (Preferably Gmail) ==&lt;br /&gt;
hwlmediatechno@gmail.com (course gmail)&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2017&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy. Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding. In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement. Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy. Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum. Hence, this course balances practice with ethical, legal, and theoretical aspects and emphasizes the design of curriculum and courses for teaching media studies and for integrating media literacy across the curriculum.  [Link to the EDCP 481  Resource page http://blogs.ubc.ca/etec/courses-2/edcp-481/].&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
== Textbook (Media Study Guide) Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a section-- Media Study Guide-- of a textbook, which is being designed and written for grades K-3, 4-5, 6-7, 8-10 or 11-12 students) &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 Media Study Guide &#039;&#039;Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2016&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy. Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding. In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement. Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy. Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum. Hence, this course balances practice with ethical, legal, and theoretical aspects and emphasizes the design of curriculum and courses for teaching media studies and for integrating media literacy across the curriculum.  [Link to the EDCP 481  Resource page http://blogs.ubc.ca/etec/courses-2/edcp-481/].&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Link to the EDCP 481 Textbook (Media Study Guides) co-authored by the  students  http://blogs.ubc.ca/etec/courses-2/edcp-481/&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Textbook (Media Study Guide) Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a section-- Media Study Guide-- of a textbook, which is being designed and written for grade 8-10 or 11-12 students):&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;2017 Guides&#039;&#039;&#039; &amp;lt;br&amp;gt;&lt;br /&gt;
Dawson, Sonya, Mark, Curtis: The Lorax&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 Media Study Guide Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
xx &amp;lt;br&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The Matrix - Brooke, David, Harrison, Jordan&lt;br /&gt;
&lt;br /&gt;
Harry Potter- Alysha, Sat, Arshbir, Manjot&lt;br /&gt;
&lt;br /&gt;
X-Men- Sam and Katia&lt;br /&gt;
&lt;br /&gt;
Interstellar: Mike, Stephen, Yoohoon, and Paul.&lt;br /&gt;
&lt;br /&gt;
Call of Duty Zombies: Hermano, Wells, Mikey, Mike&lt;br /&gt;
&lt;br /&gt;
Avatar: Vardip, Jeongbae&lt;br /&gt;
&lt;br /&gt;
== BAA Course Planning Section ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The direct link to the example BAA is:&#039;&#039;&#039; &amp;lt;br&amp;gt;&lt;br /&gt;
http://www.bced.gov.bc.ca/greenschools/sustcoursecontent.htm&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the BAA Course here:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 BA/A Topics&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The Business of Media - Brooke, Harrison, Jordan&lt;br /&gt;
&lt;br /&gt;
Who Controls the Media (11/12)- Sam Jeongbae, David E, Vardip &lt;br /&gt;
&lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Sat, Arshbir, Alysha &amp;amp; Manjot - Media influences across disciplines&lt;br /&gt;
&lt;br /&gt;
Katia, Stephen, Mike, and Paul: Publishing&lt;br /&gt;
&lt;br /&gt;
Hermano, Wells, Mikey, Mike: Theatre, Film and Media Studies&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2011&#039;&#039;&#039;==&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy.  Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding.  In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement.  Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy.  Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum.  Hence, this course emphasizes ethical, legal, and theoretical aspects and the design of curriculum and courses for teaching media education or media studies and for integrating media literacy across the curriculum.  [Link to the EDCP 481  Resource page http://m1.cust.educ.ubc.ca:16080/tsedgrad/?page_id=460].&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Link to the EDCP 481 Textbook (Media Study Guides) co-authored by the  students  http://blogs.ubc.ca/etec/courses-2/edcp-481/&#039;&#039;&#039;&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Student Planning Space&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== Textbook (Media Study Guide) Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a section-- Media Study Guide-- of a textbook, which is being designed and written for grade 8-10 or 11-12 students):&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 Media Study Guide Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
xx &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Dianna Stashuk and Adam Alvaro - &amp;quot;Lost&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Melissa Evans and Shaun Beach- &amp;quot;Family&amp;quot; Shows (exploring the representations of family, past and present)&lt;br /&gt;
&lt;br /&gt;
Brian, Peter &amp;amp; Tyler - Need for Speed&lt;br /&gt;
&lt;br /&gt;
Michelle Fatkin and Chelsea Campbell - &amp;quot;Mean Girls&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Tom Froh and Peter Maxwell - &amp;quot;16 and Pregnant&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Nick De Santis and Nam Pham- &amp;quot;127 Hours&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Chris Flannelly and Grace Woo - &amp;quot;Freedom Writers&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Lucas Mann and Marie-Anne Hellinckx - Film Review &amp;quot;Ma vie en rose&amp;quot; to address issues of homophobia.&lt;br /&gt;
&lt;br /&gt;
Stephanie Malloy and Jon Schmidt-&amp;quot;My Sister&#039;s Keeper&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 951 Media Study Guide Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
xx&lt;br /&gt;
&lt;br /&gt;
Adam Deboer and Alvin Lui - The Dark Knight&lt;br /&gt;
&lt;br /&gt;
Kelly Skehill and Kat Ast - &amp;quot;Thirteen&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Ashley MacKenzie and Alex Thureau - &amp;quot;One Week&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Wendy Sigaty and Haley Lucas - &amp;quot;Avatar&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Kady Huhn &amp;amp; Hannah Yu- &amp;quot;Into the Wild&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Fay Sterne &amp;amp; Brittaney Boone - &amp;quot;The Office&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Rachel Fales &amp;amp; Jennifer Visser - &amp;quot;Wall-E&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Yik Wah Penner &amp;amp; Chris Howey - &amp;quot;Little Ms. Sunshine&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Lance Peters &amp;amp; Al McKillop - &#039;Lord of the Rings&#039; (I know, it&#039;s a little ambitious.)&lt;br /&gt;
&lt;br /&gt;
Ashley Bayles &amp;amp; Danny Nann - &amp;quot;The Simpsons&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Jenn O, Jenn M, Sarah K - &amp;quot;Schindler&#039;s List&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Alexander McKechnie - Mythology and Popular Music&lt;br /&gt;
&lt;br /&gt;
Mark Brown - &amp;quot;Bright Star&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Sarah James and Lillian Ryan - &amp;quot;Food Inc.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Michael Bui &amp;amp; Jennifer Neff - Outsourced&lt;br /&gt;
&lt;br /&gt;
== BAA Course Planning Section ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The direct link to the example BAA is:&#039;&#039;&#039; &amp;lt;br&amp;gt;&lt;br /&gt;
http://www.bced.gov.bc.ca/greenschools/sustcoursecontent.htm&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the BAA Course here:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 BA/A Topics&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Brian, Peter &amp;amp; Tyler - GAME ON! Video Game Play as Text: Critical Reading for Gamers     &lt;br /&gt;
&lt;br /&gt;
Dianna Stashuk and Adam Alvaro - Media and Canadian Identity&lt;br /&gt;
&lt;br /&gt;
Melissa Evans and Shaun Beach - Youth and advertising--This course will explore the industry of advertising, focusing specifically on how advertisers target youth through TV commercials, product placement, and endorsements. There will also be some discussion on advertisement law and various opportunities to critically analyse advertisements made in the industry and in the classroom. Students will be able to create their own advertisements based on what they have learned about the laws and techniques used in the industry.&lt;br /&gt;
&lt;br /&gt;
Michelle Fatkin and Chelsea Campbell - Acquiring Wisdom through Media&lt;br /&gt;
&lt;br /&gt;
In this course, we want students to understand that media is not simply entertainment. Rather, we want them to see that they can acquire wisdom through observing the actions and consequences of others in TV/film, and through analyzing the subtleties of messages in advertisements, print, and other forms. &lt;br /&gt;
&lt;br /&gt;
Taha and Kara - Apocalypse in Media&lt;br /&gt;
&lt;br /&gt;
Stef and Jess aka...Jeff - Seeing with your ears: An introduction to media through music&lt;br /&gt;
&lt;br /&gt;
This course looks at the relationship between music and the media by analysing historical and political events effects on music.  It focuses on the power of music and it&#039;s affect on the media.  We will also look at the power of the media and it&#039;s control over the message of popular music.  By focusing on a timeline one can easily see the changes in music and it&#039;s message due to events occurring all over the world.&lt;br /&gt;
&lt;br /&gt;
Nick De Santis and Nam Pham - &amp;quot;Add me as a Friend&amp;quot;: Deconstructing Social Media&lt;br /&gt;
       &lt;br /&gt;
&lt;br /&gt;
This course will explore the current trends in social media and how they have influenced our society. In particular, we will examine Facebook and Twitter, the two most popular forms of this media. The focus of this course will be to educate students on the benefits and dangers of using social media and to critically analyze the prevalence of social media in today’s society. By the end of this course, each student will be able to use social media to their maximum positive benefit.&lt;br /&gt;
&lt;br /&gt;
Thomas Froh and Peter Maxwell - &amp;quot;The Man&amp;quot; Behind the Message&lt;br /&gt;
&lt;br /&gt;
This course will work towards answering the question of whether there is a person or organization controlling the messages we receive in the media, and if so, who or what are they and to what end?  Specifically, the course will examine large television corporations and whether or not they work to shape popular perspective in news broadcasts, television programming, etc.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Paul and Rhonda - Music Videos and Pop Culture&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course will explore the question; Are music videos a product of pop culture or pop culture and product of music videos? The course will critically analyse the key media literacy aspects of production, analysis and audience. Due to the sometimes sensitive content of music videos it is important for students to deconstruct the specifics behind the media consumption, production and regulation.&lt;br /&gt;
&lt;br /&gt;
  &lt;br /&gt;
&lt;br /&gt;
Rupinder and Parmjeet: Attitude is everything!! Aquiring positive attitude through media.&lt;br /&gt;
&lt;br /&gt;
This course will focus on developing positive attitude through media productions, such as film, television, print etc. We want students to show how to use media&#039;s positive side to develop good attitude habits. &lt;br /&gt;
&lt;br /&gt;
Michael &amp;amp; John - &amp;quot;Mickey Wants You” – How Disney Won the War &lt;br /&gt;
&lt;br /&gt;
In this course, students will analyse and identify historical examples of Disney products to better understand bias, impact, and opinions.  This course has been designed with the target of engaging students in history and its contexts with products of Disney media. Students will learn and gain skills in the ability to think critically, detect biases, and learn to read and develop media products for use in their own lives.  &lt;br /&gt;
      &lt;br /&gt;
Chris and Grace - Multiculturalism in the Media&lt;br /&gt;
&lt;br /&gt;
Marie-Anne and Lucas - Francophone cinema&lt;br /&gt;
                    &lt;br /&gt;
This course has been designed to encourage students to have a better appreciation for Francophone cinema, to help them examine and identify the values and cultural differences in films and have a better understanding of Francophone culture. They will be able to apply critical thinking to film analyses and appreciations. A collaborative and safe atmosphere will be provided to foster creative expression in film production and media representation.  &lt;br /&gt;
      &lt;br /&gt;
&#039;&#039;&#039;Section 951 BA/A Topics&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Kelly Skehill and Kat Ast - &amp;quot;Media: The Inside Scoop&amp;quot;&lt;br /&gt;
&lt;br /&gt;
This course will expose students to the positive and negative influences media has on people.  It will have students analyze Social Networking, Advertising, Hollywood Movies, Documentaries and Music.  The goal is for students to gain the critical analysis and information skills necessary to become intelligent, competent consumers and creators of media messages (Considine, 2003).   &lt;br /&gt;
&lt;br /&gt;
Adam Deboer and Alvin Lui - Music, Culture, and Technology&lt;br /&gt;
&lt;br /&gt;
Ashley MacKenzie and Alex Thureau - Reality Television Production: This course will introduce students to the medium of television. Students will learn the pre-production, production and post-production steps required to produce their own reality television episode. Students will leave the course with the ability to objectively analyze television media.   &lt;br /&gt;
&lt;br /&gt;
Kady Huhn &amp;amp; Hannah Yu-Media &amp;amp; Identity-This course will explore the ways in which personal identity is constructed and mediated through media and will analyze how popular culture such as film, music, television and print media impact identity and behaviour. It will also look at the ways in which social media has impacted identity construction online and focus on the implications this has on the safety of social networking.&lt;br /&gt;
      &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Wendy Sigaty &amp;amp; Haley Lucas - Social Values in Media Through History&#039;&#039;&#039;&lt;br /&gt;
Students will use various media (Print, Television, Film, Music, etc) to examine how our social values (Race Relations, Relationships, Gender Roles, Sexuality, Religion, Family, Lifestyle, etc) have changed from biblical times to the present.    &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Rachel Fales &amp;amp; Jennifer Visser - &#039;&#039;Film Studies- An Analysis of Superheroes&#039;&#039;&#039;&#039;&#039; - This course intends to analyze Superheroes in films. This course will chronologically follow Superheroes as they have been adapted from comic books (ie. Superman 1978) to Hollywood Blockbusters and the idea of sequels, exploring a variety of topics during each film. Students will question genre, originality, race, gender, sexuality, public vs. private (dual) identities, villains vs. victims, technology and remediation of Superhero films. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Michael Bui &amp;amp; Jennifer Neff - Sociology and the Media 11/12&#039;&#039;&#039; -  This course examines culture and the construction of identity through shifts in media.  Trends in visual media, advancements in technology and social media will be looked at under the lens of sociology. Students will identify the ways media can influence the creation and disintegration of stereotypes.  Students will analyze different perceptions represented through these mediums of technology and how this adds to the development of new youth culture. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analyzing Modern Animated Satire 11/12&#039;&#039;&#039; (Fay Sterne &amp;amp; Brittaney Boone) - Students will take a critical look at &#039;&#039;The Simpsons&#039;&#039;, &#039;&#039;Family Guy&#039;&#039;, and &#039;&#039;South Park&#039;&#039; as satirical representations of modern North American society.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Graham Haigh &amp;amp; Dean Morris&#039;&#039;&#039; Teaching Media through the examination of Political Campaigns. Students will evaluate, analyze, political media. Students will also create their own commercial, poster, National address, attack add, or some other media presentation relating to the study of politics.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ashley Bayles &amp;amp; Danny Nann - Media &amp;amp; Popular Culture&#039;&#039;&#039;&lt;br /&gt;
- This course will examine the way in which media has an impact on cultural production and vice versa. What is popular culture? What role does the media have on the production of popular culture? Is popular culture an authentic representation of our cultural values as a society, or is it impacted by the media and if so, how? We will look into how the social and culture environment is formed and what role it has on media and vice versa. This course will examine popular culture as a concept on its own and through its representation in different forms of media. &lt;br /&gt;
&lt;br /&gt;
Yik Wah Penner &amp;amp; Chris Howey - Manufacturing Identity in the Media: This course will examine the ways in which media creates identities which are often shaped by stereotype. Our goal will be to explore the social and cultural relevance of these produced identities in the day to day lives of students.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lance Peters &amp;amp; Al McKillop - Using current media to access classic literature&#039;&#039;&#039;&lt;br /&gt;
We plan to look at various media, with a particular focus on using contemporary media such as podcasting, film, games, graphic novels, wikis, etc. to access &#039;classic&#039; literature such as Shakespeare, Melville, Dickens, Tolkien and others.&lt;br /&gt;
&lt;br /&gt;
Mark Brown and Alex McKechnie - Popular Music Studies&lt;br /&gt;
This course looks at the images, text, and music of popular songs and videos, and the relationships and meanings found therein. Students will develop appreciation, as well as, analytical and critical thinking skills to help them navigate through the multiple images, values, and meanings found within popular music and music videos&lt;br /&gt;
&lt;br /&gt;
 &lt;br /&gt;
Lillian Ryan &amp;amp; Sarah James (documentary film studies)&lt;br /&gt;
&lt;br /&gt;
Sat, Arshbir, Alysha and Manjot (Media influences across disciplines)&lt;br /&gt;
&lt;br /&gt;
== PSA Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;952 Planning: &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Time = 30 to 60 seconds&lt;br /&gt;
Theme = Unique to Group&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;951 Planning: &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Time = 30 to 60 seconds&lt;br /&gt;
Theme = Unique to Group&lt;br /&gt;
&lt;br /&gt;
The Scaffolders-Brittaney Boone, Jennifer Visser, Kady Huhn, Yik Penner, Chris Howey, Faye Sterne&lt;br /&gt;
&lt;br /&gt;
High-Def (HD): Mark, Alvin, Rachel, Jennifer N, Michael, Adam   [http://youtu.be/9u3Rhw9jdiE Cyber-bullying PSA]&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2010&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy.  Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding.  In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement.  The course provides a survey of media studies and new media with an emphasis on media education and literacy.  Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum.  Hence, this course emphasizes ethical, legal, and theoretical aspects and the design of curriculum and courses for teaching media education or media studies and for integrating media literacy across the curriculum. [Link to the EDCP 481 Resource page http://m1.cust.educ.ubc.ca:16080/tsedgrad/?page_id=366]. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Student Planning Space&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== Textbook Curriculum Planning Section ==&lt;br /&gt;
&lt;br /&gt;
Download the Media Studies 11-12 Textbook written by EDCP 481 students: http://m1.cust.educ.ubc.ca:16080/tsedgrad/?page_id=366&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Table of Contents&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;1. Who/What are The Media?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Who / What is a Journalist? (Paul Korczyk &amp;amp; Sara Newham)&amp;lt;br&amp;gt;&lt;br /&gt;
Web 2.0 (Matthew Palmer &amp;amp; Stasia Siscoe)&amp;lt;br&amp;gt; &lt;br /&gt;
Social Networking and the Media (Esther Yong &amp;amp; Gideon Lin)&amp;lt;br&amp;gt; &lt;br /&gt;
Teen Age, Teen Ad (Shelagh &amp;amp; Sean)&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;2. News or Entertainment&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Blurring Line Between Television News and Entertainment (Herleen Malli &amp;amp; Jagroop Nagra)&amp;lt;br&amp;gt; &lt;br /&gt;
Celebrity Culture (Magda Misiak &amp;amp; Jo-Anne McKee)&amp;lt;br&amp;gt; &lt;br /&gt;
The Prevalence of Violence in the Media (Cameron Vand&#039;Erkamps &amp;amp; Daljit Purewal)&amp;lt;br&amp;gt; &lt;br /&gt;
School on Television: Reality vs. Depiction (Greg Rushton &amp;amp; Sheryl Reinhardt)&amp;lt;br&amp;gt; &lt;br /&gt;
Fashion Trends and Media Representations (Balkiran Dusanj &amp;amp; Shirley Lal)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3. Bias and Perspective&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David Bron &amp;amp; Kari White)&amp;lt;br&amp;gt; &lt;br /&gt;
Editing: An Inquiry into Ideological Stance (David Mergens &amp;amp; Andrew Crawford)&amp;lt;br&amp;gt;&lt;br /&gt;
The use of Propaganda in Modern Society (Kiran Basi &amp;amp; Mike Byun)&amp;lt;br&amp;gt;&lt;br /&gt;
Storytelling and Media (Elle Kay &amp;amp; Rochelle Patten)&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;4. Culture and Technology&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Media Consumption in the Digital Age (Caleb Bouey &amp;amp; Gabrielle Rougeau)&amp;lt;br&amp;gt; &lt;br /&gt;
Technology and the Evolution of Music (JP Lancaster &amp;amp; Dorianna Chessa)&amp;lt;br&amp;gt; &lt;br /&gt;
Literature Adaptations and Interpretations in the Media (Sarah McNeil &amp;amp; Victoria Yip)&amp;lt;br&amp;gt; &lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary Yang &amp;amp; Liang You)&amp;lt;br&amp;gt; &lt;br /&gt;
Copyright in the Information Age (Ken Vimalesan &amp;amp; Jen Fehlauer)&amp;lt;br&amp;gt;&lt;br /&gt;
Appropriation and Art: Issues of Copyright in Image Production (Alex Reed &amp;amp; Fred Beitler)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a 4 page section of a textbook, which is being designed and written for grade 10-12 students):&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
e.g., Teen Age, Teen Ad (Shelagh &amp;amp; Sean)&lt;br /&gt;
Cable News (Bert &amp;amp; Ernie)&lt;br /&gt;
Web 2.0 (Stasia &amp;amp; Matthew)&lt;br /&gt;
Storytelling and Media (Rochelle and Elle)&lt;br /&gt;
Literature Adaptations and Interpretations in the Media (Victoria &amp;amp; Sarah)&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David &amp;amp; Kari)&lt;br /&gt;
Fashion Trends and Media Representations (Balkiran &amp;amp; Shirley)&lt;br /&gt;
Who/What is a Journalist? (Paul and Sara)&lt;br /&gt;
Celebrity Gossip as News (Magda and Jo-Anne)&lt;br /&gt;
Social Networking and the Media (Esther and Gideon)&lt;br /&gt;
Editing; An Inquiry into Ideological Stance (David and Andrew)&lt;br /&gt;
The blurring line between television news and entertainment (Herleen and Jag)&lt;br /&gt;
The prevelance of violence in the media (Cam and Dal)&lt;br /&gt;
Technology and the Evolution of Music (JP and Dorianna)&lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary and Liang)&lt;br /&gt;
The use of propaganda in modern society (Kiran and Mike)&lt;br /&gt;
Media Consumption in the Digital Age (Caleb and Gabby)&lt;br /&gt;
School on Television: Reality vs. Depiction (Greg and Sheryl)&lt;br /&gt;
Copyright in the Information Age (Ken and Jen)&lt;br /&gt;
Appropriation and Art: Issues of copyright in image production (Alex and Fred)&lt;br /&gt;
&lt;br /&gt;
Here are a couple possible ways to break down the book with some (wild) guesses about where each topic might fit. Thoughts? (Thanks Jen-- awesome work!)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;1. Who/What are The Media?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Who/What is a Journalist? (Paul and Sara)&amp;lt;br&amp;gt;&lt;br /&gt;
The blurring line between television news and entertainment (Herleen and Jag) &amp;lt;br&amp;gt;&lt;br /&gt;
Celebrity Gossip as News (Magda and Jo-Anne) &amp;lt;br&amp;gt;&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David &amp;amp; Kari) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;2. Who/What is Represented?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Editing: An Inquiry into Ideological Stance (David and Andrew)&amp;lt;br&amp;gt;&lt;br /&gt;
The use of propaganda in modern society (Kiran and Mike)&amp;lt;br&amp;gt;&lt;br /&gt;
School on Television: Reality vs. Depiction (Greg and Sheryl)&amp;lt;br&amp;gt; &lt;br /&gt;
The prevalence of violence in the media (Cam and Dal) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3. Web 2.0&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Web 2.0 (Stasia &amp;amp; Matthew) &amp;lt;br&amp;gt;&lt;br /&gt;
Social Networking and the Media (Esther and Gideon) &amp;lt;br&amp;gt;&lt;br /&gt;
Copyright in the Information Age (Ken and Jen)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;4. The Evolution of Culture&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Technology and the Evolution of Music (JP and Dorianna)&amp;lt;br&amp;gt; &lt;br /&gt;
Storytelling and Media (Rochelle and Leanna) &amp;lt;br&amp;gt;&lt;br /&gt;
Film Adaptations of &#039;&#039;Alice&#039;s Adventures in Wonderland&#039;&#039; (Victoria &amp;amp; Sarah) &amp;lt;br&amp;gt;&lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary and Liang) &amp;lt;br&amp;gt;&lt;br /&gt;
Appropriation and Art: Issues of copyright in image production (Alex and Fred)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;5. Economics of Technology&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Teen Age, Teen Ad (Shelagh &amp;amp; Sean) &amp;lt;br&amp;gt;&lt;br /&gt;
Fashion Trends and Media Representations (Balkiran &amp;amp; Shirley)&amp;lt;br&amp;gt;&lt;br /&gt;
Media Consumption in the Digital Age (Caleb and Gabby) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;B&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;1. Who/What are The Media?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Who/What is a Journalist? (Paul and Sara)&amp;lt;br&amp;gt;&lt;br /&gt;
Web 2.0 (Stasia &amp;amp; Matthew) &amp;lt;br&amp;gt;&lt;br /&gt;
Social Networking and the Media (Esther and Gideon) &amp;lt;br&amp;gt;&lt;br /&gt;
Teen Age, Teen Ad (Shelagh &amp;amp; Sean) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;2. News or Entertainment&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The blurring line between television news and entertainment (Herleen and Jag) &amp;lt;br&amp;gt;&lt;br /&gt;
Celebrity Gossip as News (Magda and Jo-Anne) &amp;lt;br&amp;gt;&lt;br /&gt;
The prevalence of violence in the media (Cam and Dal) &amp;lt;br&amp;gt;&lt;br /&gt;
School on Television: Reality vs. Depiction (Greg and Sheryl) &amp;lt;br&amp;gt;&lt;br /&gt;
Fashion Trends and Media Representations (Balkiran &amp;amp; Shirley)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3. Bias and Perspective&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David &amp;amp; Kari) &amp;lt;br&amp;gt;&lt;br /&gt;
Editing: An Inquiry into Ideological Stance (David and Andrew)&amp;lt;br&amp;gt;&lt;br /&gt;
The use of propaganda in modern society (Kiran and Mike)&amp;lt;br&amp;gt;&lt;br /&gt;
Storytelling and Media (Elle &amp;amp; Rochelle) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;4. Culture and Technology&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Media Consumption in the Digital Age (Caleb and Gabby) &amp;lt;br&amp;gt;&lt;br /&gt;
Technology and the Evolution of Music (JP and Dorianna) &amp;lt;br&amp;gt;&lt;br /&gt;
Literature Adaptations and Interpretations in the Media (Victoria &amp;amp; Sarah) &amp;lt;br&amp;gt;&lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary and Liang) &amp;lt;br&amp;gt;&lt;br /&gt;
Copyright in the Information Age (Ken and Jen)&amp;lt;br&amp;gt;&lt;br /&gt;
Appropriation and Art: Issues of copyright in image production (Alex and Fred)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== BAA Course Planning Section ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Media and Advertising 11&#039;&#039;&#039;(Ken and Jen)&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
This course will prepare students to deconstruct and understand how media impact their lives and decisions. Students will learn and apply the concepts of audience, purpose and argument through an analysis of advertising across various media.  Students will understand how advertising creates and appeals to cultural values which will prepare them to be informed and active citizens in a media-saturated world.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Identity, Pop Culture and Media 12&#039;&#039;&#039; (Rochelle and Leanna)&lt;br /&gt;
-portrayals of gender, age, race, sexuality, beauty, and wealth in Pop Culture and the Media and how these construct and affirm our beliefs and personal and corporate identity&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Societal and Cultural Values in Media 12&#039;&#039;&#039; (Gideon &amp;amp; Esther)&lt;br /&gt;
&amp;lt;br&amp;gt; An overview analysis of television, film, pop culture and advertising and how, within these mediums, certain societal and cultural values are propagated and reflected. It is important for students to be aware and analytical of what they view/listen to etc, in order to be critical of what values are being (re)presented by the media.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;From The Page to the Stage, and Beyond: Literary Adaptations in the Media&#039;&#039;&#039; (Victoria &amp;amp; Sarah)&lt;br /&gt;
&amp;lt;br&amp;gt;Increasingly, the first exposure that young people have to literature is through television, film, or Internet adaptations.  This course will help students understand the transformation that a work goes through as it travels from the page to another medium, and will explore adaptations of popular works for the stage, radio, television, film, and Internet.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Music and Technology 11/12&#039;&#039;&#039; (Greg and Sheryl)&lt;br /&gt;
This course will examine the ways in which technology has changed the way that music is created, perceived and consumed.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;History lives -An examination of historical events through film&amp;quot;&#039;&#039;&#039; (Mike and Kiran)&lt;br /&gt;
This course will consider various points in history through the medium of film. A careful examination of movies that deal with historical events will be analyzed with respect to the underlying message portrayed in the film. This course will consider the political and social aspects as well as the historical context and how it is portrayed by the media.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A Game Making Approach to Bioethics&#039;&#039;&#039; (Mary and Liang)&lt;br /&gt;
&amp;lt;br&amp;gt;This course is meant to consider the ethical issues associated with the studies of current science that incorporate biology and technology. With some knowledge on high school biology, students will develop a basic understanding of these science studies.  Through collecting science media, students will learn about the occurrence and the relevancy of these studies to their daily lives.  With some discussions, students will identify both ethical and unethical actions committed by stakeholders.  In addition, students will master the ability to come up with alternative solutions that are by definition more ethical to these studies.  Lastly, students will demonstrate their overall knowledge of bioethics by planning for a computer or video game that demands ethical decisions and administers consequences.  As well, the planning process requires the usage of multiple forms of technology.  Through the practices of this course, students are made to hold some responsibilities to the well-being of our world as a whole.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The Power of Media&#039;&#039;&#039; (David B and Kari)&lt;br /&gt;
&lt;br /&gt;
This course will challenge students to look at the way in which the media impacts society. Looking at different forms of media (ie. television, the radio, the internet, newspapers/magazines) the following issues will be addressed: how does the media shape reality, who is the targeted audience, the ability of technology to communicate, and the influence that the media has on everyday life. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The History of Communication Throughout the 20th Century&#039;&#039;&#039; (JP and Dorianna)&lt;br /&gt;
This course will examine the evolution of communication throughout the 20th century and how this process affected important historical events, eras and trends. Students will look at how various communication technologies, such as AM radio, television, and the internet, were employed during the century and what events/phenomenons they facilitated. Central themes to be studied will include war and conflict, popular culture, and globalization.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Music Media&#039;&#039;&#039; (David and Andrew)&lt;br /&gt;
Investigation of lyrical content with respect to audience. Investigation into lyrical content and political message. The study of the interaction between lyrical message and music video message.  This course will provide for students opportunities to observe aspects of social, political, and cultural history through the lens of instrumental music.  In regards to tonality, style, and timbre, the directions in which genres of music evolved heavily reflected the social conditions of eras; it is impossible, for example, to separate the violence associated wit the modern Civil Rights Movement from the sound of 1960s avant-garde jazz.  Students will analyze such connections in a variety of ways, such as by sampling various music selections that will be supplemented with pertaining historical contexts. &lt;br /&gt;
[[Category: Curriculum and Pedagogy]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Critical Media Studies in Film and Television&#039;&#039;&#039; (Alex and Fred)&lt;br /&gt;
This course will focus on pop culture film and television media of the 20th and 21st centuries.  Students will develop a critical awareness of how media messages are constructed in the world of film and television.  Students will make use of media literacy methodologies to deconstruct and critically analyze meaning in a series of film and television screenings.  Students will also read texts and view documentaries critiquing pop culture film and telesion.  The course will culminate in the students utilizing these critical skills to create their own critical documentary.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Intro to Media Studies&#039;&#039;&#039; (Matthew and Stasia)&lt;br /&gt;
This course will introduce students to the concept of media studies and what it entails - what is media, the history of media, the influence of media on society, the different forms of media, etc.  It will provide a foundation for future, more focused courses, and will establish the analytical skills necessary for students to navigate todays dynamic media landscape.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Media: Issues and Technology 12&#039;&#039;&#039; (Paul and Sara)&lt;br /&gt;
This course deals with media depictions of controversial issues facing the world today. Each issue will be looked at through one of television/film, radio, print, and internet. The technology aspect of the course covers media production, and students will gain experience working in each of the major forms of media. After analyzing issues, students will be asked to produce their own representations of those issues in a skills-based, technological approach.&lt;br /&gt;
&lt;br /&gt;
   &lt;br /&gt;
&amp;quot;Stereotypes in TV &amp;amp; Film: Changes Over Time&amp;quot; -Sarah K, Jenn O, Jenn M&lt;br /&gt;
&lt;br /&gt;
This course will examine the way that stereotypes are portrayed in TV and Film. It will look in depth at the changes in stereotypes as a reflection of society. Topics considered will include gender/sexuality, minorities, women and society in general.&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;External Resources&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
[http://www.pixton.com Pixton - &#039;Free&#039; Online Comic Maker]&lt;br /&gt;
      &lt;br /&gt;
&lt;br /&gt;
[[Category:EDCP]]&lt;/div&gt;</summary>
		<author><name>Stephenpetrina</name></author>
	</entry>
	<entry>
		<id>https://wiki.ubc.ca/index.php?title=Course:EDCP481&amp;diff=521012</id>
		<title>Course:EDCP481</title>
		<link rel="alternate" type="text/html" href="https://wiki.ubc.ca/index.php?title=Course:EDCP481&amp;diff=521012"/>
		<updated>2018-07-03T03:55:01Z</updated>

		<summary type="html">&lt;p&gt;Stephenpetrina: /* Textbook (Media Study Guide) Planning Section */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== &#039;&#039;&#039;Summer 2a 2018&#039;&#039;&#039; ==&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy. Media studies is a dynamic discipline tailored to exploring a range of concepts or techniques. In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement. Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy. Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum. Hence, this course balances practice with ethical, legal, and theoretical aspects and emphasizes the design of curriculum and courses for teaching media studies and for integrating media literacy across the curriculum. This year&#039;s section of EDCP 481 focuses on meaningful media by and for children and youth. All media productions add meaning but those providing deep meaning are necessarily unique.  [Link to the EDCP 481  Resource page http://blogs.ubc.ca/etec/courses-2/edcp-481/].&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Textbook (Media Study Guide) Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a section-- Media Study Guide-- of a textbook, which is being designed and written for grades K-3, 4-5, 6-7, 8-10 or 11-12 students) &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 Media Study Guide &#039;&#039;Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Group #1&lt;br /&gt;
Group #2&lt;br /&gt;
etc...&lt;br /&gt;
&lt;br /&gt;
== Email Section (Preferably Gmail) ==&lt;br /&gt;
hwlmediatechno@gmail.com (course gmail)&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2017&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy. Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding. In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement. Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy. Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum. Hence, this course balances practice with ethical, legal, and theoretical aspects and emphasizes the design of curriculum and courses for teaching media studies and for integrating media literacy across the curriculum.  [Link to the EDCP 481  Resource page http://blogs.ubc.ca/etec/courses-2/edcp-481/].&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
== Textbook (Media Study Guide) Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a section-- Media Study Guide-- of a textbook, which is being designed and written for grades K-3, 4-5, 6-7, 8-10 or 11-12 students) &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 Media Study Guide &#039;&#039;Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2016&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy. Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding. In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement. Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy. Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum. Hence, this course balances practice with ethical, legal, and theoretical aspects and emphasizes the design of curriculum and courses for teaching media studies and for integrating media literacy across the curriculum.  [Link to the EDCP 481  Resource page http://blogs.ubc.ca/etec/courses-2/edcp-481/].&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Link to the EDCP 481 Textbook (Media Study Guides) co-authored by the  students  http://blogs.ubc.ca/etec/courses-2/edcp-481/&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Textbook (Media Study Guide) Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a section-- Media Study Guide-- of a textbook, which is being designed and written for grade 8-10 or 11-12 students):&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;2017 Guides&#039;&#039;&#039; &amp;lt;br&amp;gt;&lt;br /&gt;
Dawson, Sonya, Mark, Curtis: The Lorax&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 Media Study Guide Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
xx &amp;lt;br&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The Matrix - Brooke, David, Harrison, Jordan&lt;br /&gt;
&lt;br /&gt;
Harry Potter- Alysha, Sat, Arshbir, Manjot&lt;br /&gt;
&lt;br /&gt;
X-Men- Sam and Katia&lt;br /&gt;
&lt;br /&gt;
Interstellar: Mike, Stephen, Yoohoon, and Paul.&lt;br /&gt;
&lt;br /&gt;
Call of Duty Zombies: Hermano, Wells, Mikey, Mike&lt;br /&gt;
&lt;br /&gt;
Avatar: Vardip, Jeongbae&lt;br /&gt;
&lt;br /&gt;
== BAA Course Planning Section ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The direct link to the example BAA is:&#039;&#039;&#039; &amp;lt;br&amp;gt;&lt;br /&gt;
http://www.bced.gov.bc.ca/greenschools/sustcoursecontent.htm&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the BAA Course here:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 BA/A Topics&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The Business of Media - Brooke, Harrison, Jordan&lt;br /&gt;
&lt;br /&gt;
Who Controls the Media (11/12)- Sam Jeongbae, David E, Vardip &lt;br /&gt;
&lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Sat, Arshbir, Alysha &amp;amp; Manjot - Media influences across disciplines&lt;br /&gt;
&lt;br /&gt;
Katia, Stephen, Mike, and Paul: Publishing&lt;br /&gt;
&lt;br /&gt;
Hermano, Wells, Mikey, Mike: Theatre, Film and Media Studies&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2011&#039;&#039;&#039;==&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy.  Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding.  In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement.  Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy.  Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum.  Hence, this course emphasizes ethical, legal, and theoretical aspects and the design of curriculum and courses for teaching media education or media studies and for integrating media literacy across the curriculum.  [Link to the EDCP 481  Resource page http://m1.cust.educ.ubc.ca:16080/tsedgrad/?page_id=460].&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Link to the EDCP 481 Textbook (Media Study Guides) co-authored by the  students  http://blogs.ubc.ca/etec/courses-2/edcp-481/&#039;&#039;&#039;&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Student Planning Space&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== Textbook (Media Study Guide) Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a section-- Media Study Guide-- of a textbook, which is being designed and written for grade 8-10 or 11-12 students):&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 Media Study Guide Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
xx &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Dianna Stashuk and Adam Alvaro - &amp;quot;Lost&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Melissa Evans and Shaun Beach- &amp;quot;Family&amp;quot; Shows (exploring the representations of family, past and present)&lt;br /&gt;
&lt;br /&gt;
Brian, Peter &amp;amp; Tyler - Need for Speed&lt;br /&gt;
&lt;br /&gt;
Michelle Fatkin and Chelsea Campbell - &amp;quot;Mean Girls&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Tom Froh and Peter Maxwell - &amp;quot;16 and Pregnant&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Nick De Santis and Nam Pham- &amp;quot;127 Hours&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Chris Flannelly and Grace Woo - &amp;quot;Freedom Writers&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Lucas Mann and Marie-Anne Hellinckx - Film Review &amp;quot;Ma vie en rose&amp;quot; to address issues of homophobia.&lt;br /&gt;
&lt;br /&gt;
Stephanie Malloy and Jon Schmidt-&amp;quot;My Sister&#039;s Keeper&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 951 Media Study Guide Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
xx&lt;br /&gt;
&lt;br /&gt;
Adam Deboer and Alvin Lui - The Dark Knight&lt;br /&gt;
&lt;br /&gt;
Kelly Skehill and Kat Ast - &amp;quot;Thirteen&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Ashley MacKenzie and Alex Thureau - &amp;quot;One Week&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Wendy Sigaty and Haley Lucas - &amp;quot;Avatar&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Kady Huhn &amp;amp; Hannah Yu- &amp;quot;Into the Wild&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Fay Sterne &amp;amp; Brittaney Boone - &amp;quot;The Office&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Rachel Fales &amp;amp; Jennifer Visser - &amp;quot;Wall-E&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Yik Wah Penner &amp;amp; Chris Howey - &amp;quot;Little Ms. Sunshine&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Lance Peters &amp;amp; Al McKillop - &#039;Lord of the Rings&#039; (I know, it&#039;s a little ambitious.)&lt;br /&gt;
&lt;br /&gt;
Ashley Bayles &amp;amp; Danny Nann - &amp;quot;The Simpsons&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Jenn O, Jenn M, Sarah K - &amp;quot;Schindler&#039;s List&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Alexander McKechnie - Mythology and Popular Music&lt;br /&gt;
&lt;br /&gt;
Mark Brown - &amp;quot;Bright Star&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Sarah James and Lillian Ryan - &amp;quot;Food Inc.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Michael Bui &amp;amp; Jennifer Neff - Outsourced&lt;br /&gt;
&lt;br /&gt;
== BAA Course Planning Section ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The direct link to the example BAA is:&#039;&#039;&#039; &amp;lt;br&amp;gt;&lt;br /&gt;
http://www.bced.gov.bc.ca/greenschools/sustcoursecontent.htm&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the BAA Course here:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 BA/A Topics&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Brian, Peter &amp;amp; Tyler - GAME ON! Video Game Play as Text: Critical Reading for Gamers     &lt;br /&gt;
&lt;br /&gt;
Dianna Stashuk and Adam Alvaro - Media and Canadian Identity&lt;br /&gt;
&lt;br /&gt;
Melissa Evans and Shaun Beach - Youth and advertising--This course will explore the industry of advertising, focusing specifically on how advertisers target youth through TV commercials, product placement, and endorsements. There will also be some discussion on advertisement law and various opportunities to critically analyse advertisements made in the industry and in the classroom. Students will be able to create their own advertisements based on what they have learned about the laws and techniques used in the industry.&lt;br /&gt;
&lt;br /&gt;
Michelle Fatkin and Chelsea Campbell - Acquiring Wisdom through Media&lt;br /&gt;
&lt;br /&gt;
In this course, we want students to understand that media is not simply entertainment. Rather, we want them to see that they can acquire wisdom through observing the actions and consequences of others in TV/film, and through analyzing the subtleties of messages in advertisements, print, and other forms. &lt;br /&gt;
&lt;br /&gt;
Taha and Kara - Apocalypse in Media&lt;br /&gt;
&lt;br /&gt;
Stef and Jess aka...Jeff - Seeing with your ears: An introduction to media through music&lt;br /&gt;
&lt;br /&gt;
This course looks at the relationship between music and the media by analysing historical and political events effects on music.  It focuses on the power of music and it&#039;s affect on the media.  We will also look at the power of the media and it&#039;s control over the message of popular music.  By focusing on a timeline one can easily see the changes in music and it&#039;s message due to events occurring all over the world.&lt;br /&gt;
&lt;br /&gt;
Nick De Santis and Nam Pham - &amp;quot;Add me as a Friend&amp;quot;: Deconstructing Social Media&lt;br /&gt;
       &lt;br /&gt;
&lt;br /&gt;
This course will explore the current trends in social media and how they have influenced our society. In particular, we will examine Facebook and Twitter, the two most popular forms of this media. The focus of this course will be to educate students on the benefits and dangers of using social media and to critically analyze the prevalence of social media in today’s society. By the end of this course, each student will be able to use social media to their maximum positive benefit.&lt;br /&gt;
&lt;br /&gt;
Thomas Froh and Peter Maxwell - &amp;quot;The Man&amp;quot; Behind the Message&lt;br /&gt;
&lt;br /&gt;
This course will work towards answering the question of whether there is a person or organization controlling the messages we receive in the media, and if so, who or what are they and to what end?  Specifically, the course will examine large television corporations and whether or not they work to shape popular perspective in news broadcasts, television programming, etc.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Paul and Rhonda - Music Videos and Pop Culture&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course will explore the question; Are music videos a product of pop culture or pop culture and product of music videos? The course will critically analyse the key media literacy aspects of production, analysis and audience. Due to the sometimes sensitive content of music videos it is important for students to deconstruct the specifics behind the media consumption, production and regulation.&lt;br /&gt;
&lt;br /&gt;
  &lt;br /&gt;
&lt;br /&gt;
Rupinder and Parmjeet: Attitude is everything!! Aquiring positive attitude through media.&lt;br /&gt;
&lt;br /&gt;
This course will focus on developing positive attitude through media productions, such as film, television, print etc. We want students to show how to use media&#039;s positive side to develop good attitude habits. &lt;br /&gt;
&lt;br /&gt;
Michael &amp;amp; John - &amp;quot;Mickey Wants You” – How Disney Won the War &lt;br /&gt;
&lt;br /&gt;
In this course, students will analyse and identify historical examples of Disney products to better understand bias, impact, and opinions.  This course has been designed with the target of engaging students in history and its contexts with products of Disney media. Students will learn and gain skills in the ability to think critically, detect biases, and learn to read and develop media products for use in their own lives.  &lt;br /&gt;
      &lt;br /&gt;
Chris and Grace - Multiculturalism in the Media&lt;br /&gt;
&lt;br /&gt;
Marie-Anne and Lucas - Francophone cinema&lt;br /&gt;
                    &lt;br /&gt;
This course has been designed to encourage students to have a better appreciation for Francophone cinema, to help them examine and identify the values and cultural differences in films and have a better understanding of Francophone culture. They will be able to apply critical thinking to film analyses and appreciations. A collaborative and safe atmosphere will be provided to foster creative expression in film production and media representation.  &lt;br /&gt;
      &lt;br /&gt;
&#039;&#039;&#039;Section 951 BA/A Topics&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Kelly Skehill and Kat Ast - &amp;quot;Media: The Inside Scoop&amp;quot;&lt;br /&gt;
&lt;br /&gt;
This course will expose students to the positive and negative influences media has on people.  It will have students analyze Social Networking, Advertising, Hollywood Movies, Documentaries and Music.  The goal is for students to gain the critical analysis and information skills necessary to become intelligent, competent consumers and creators of media messages (Considine, 2003).   &lt;br /&gt;
&lt;br /&gt;
Adam Deboer and Alvin Lui - Music, Culture, and Technology&lt;br /&gt;
&lt;br /&gt;
Ashley MacKenzie and Alex Thureau - Reality Television Production: This course will introduce students to the medium of television. Students will learn the pre-production, production and post-production steps required to produce their own reality television episode. Students will leave the course with the ability to objectively analyze television media.   &lt;br /&gt;
&lt;br /&gt;
Kady Huhn &amp;amp; Hannah Yu-Media &amp;amp; Identity-This course will explore the ways in which personal identity is constructed and mediated through media and will analyze how popular culture such as film, music, television and print media impact identity and behaviour. It will also look at the ways in which social media has impacted identity construction online and focus on the implications this has on the safety of social networking.&lt;br /&gt;
      &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Wendy Sigaty &amp;amp; Haley Lucas - Social Values in Media Through History&#039;&#039;&#039;&lt;br /&gt;
Students will use various media (Print, Television, Film, Music, etc) to examine how our social values (Race Relations, Relationships, Gender Roles, Sexuality, Religion, Family, Lifestyle, etc) have changed from biblical times to the present.    &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Rachel Fales &amp;amp; Jennifer Visser - &#039;&#039;Film Studies- An Analysis of Superheroes&#039;&#039;&#039;&#039;&#039; - This course intends to analyze Superheroes in films. This course will chronologically follow Superheroes as they have been adapted from comic books (ie. Superman 1978) to Hollywood Blockbusters and the idea of sequels, exploring a variety of topics during each film. Students will question genre, originality, race, gender, sexuality, public vs. private (dual) identities, villains vs. victims, technology and remediation of Superhero films. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Michael Bui &amp;amp; Jennifer Neff - Sociology and the Media 11/12&#039;&#039;&#039; -  This course examines culture and the construction of identity through shifts in media.  Trends in visual media, advancements in technology and social media will be looked at under the lens of sociology. Students will identify the ways media can influence the creation and disintegration of stereotypes.  Students will analyze different perceptions represented through these mediums of technology and how this adds to the development of new youth culture. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analyzing Modern Animated Satire 11/12&#039;&#039;&#039; (Fay Sterne &amp;amp; Brittaney Boone) - Students will take a critical look at &#039;&#039;The Simpsons&#039;&#039;, &#039;&#039;Family Guy&#039;&#039;, and &#039;&#039;South Park&#039;&#039; as satirical representations of modern North American society.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Graham Haigh &amp;amp; Dean Morris&#039;&#039;&#039; Teaching Media through the examination of Political Campaigns. Students will evaluate, analyze, political media. Students will also create their own commercial, poster, National address, attack add, or some other media presentation relating to the study of politics.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ashley Bayles &amp;amp; Danny Nann - Media &amp;amp; Popular Culture&#039;&#039;&#039;&lt;br /&gt;
- This course will examine the way in which media has an impact on cultural production and vice versa. What is popular culture? What role does the media have on the production of popular culture? Is popular culture an authentic representation of our cultural values as a society, or is it impacted by the media and if so, how? We will look into how the social and culture environment is formed and what role it has on media and vice versa. This course will examine popular culture as a concept on its own and through its representation in different forms of media. &lt;br /&gt;
&lt;br /&gt;
Yik Wah Penner &amp;amp; Chris Howey - Manufacturing Identity in the Media: This course will examine the ways in which media creates identities which are often shaped by stereotype. Our goal will be to explore the social and cultural relevance of these produced identities in the day to day lives of students.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lance Peters &amp;amp; Al McKillop - Using current media to access classic literature&#039;&#039;&#039;&lt;br /&gt;
We plan to look at various media, with a particular focus on using contemporary media such as podcasting, film, games, graphic novels, wikis, etc. to access &#039;classic&#039; literature such as Shakespeare, Melville, Dickens, Tolkien and others.&lt;br /&gt;
&lt;br /&gt;
Mark Brown and Alex McKechnie - Popular Music Studies&lt;br /&gt;
This course looks at the images, text, and music of popular songs and videos, and the relationships and meanings found therein. Students will develop appreciation, as well as, analytical and critical thinking skills to help them navigate through the multiple images, values, and meanings found within popular music and music videos&lt;br /&gt;
&lt;br /&gt;
 &lt;br /&gt;
Lillian Ryan &amp;amp; Sarah James (documentary film studies)&lt;br /&gt;
&lt;br /&gt;
Sat, Arshbir, Alysha and Manjot (Media influences across disciplines)&lt;br /&gt;
&lt;br /&gt;
== PSA Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;952 Planning: &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Time = 30 to 60 seconds&lt;br /&gt;
Theme = Unique to Group&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;951 Planning: &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Time = 30 to 60 seconds&lt;br /&gt;
Theme = Unique to Group&lt;br /&gt;
&lt;br /&gt;
The Scaffolders-Brittaney Boone, Jennifer Visser, Kady Huhn, Yik Penner, Chris Howey, Faye Sterne&lt;br /&gt;
&lt;br /&gt;
High-Def (HD): Mark, Alvin, Rachel, Jennifer N, Michael, Adam   [http://youtu.be/9u3Rhw9jdiE Cyber-bullying PSA]&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2010&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy.  Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding.  In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement.  The course provides a survey of media studies and new media with an emphasis on media education and literacy.  Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum.  Hence, this course emphasizes ethical, legal, and theoretical aspects and the design of curriculum and courses for teaching media education or media studies and for integrating media literacy across the curriculum. [Link to the EDCP 481 Resource page http://m1.cust.educ.ubc.ca:16080/tsedgrad/?page_id=366]. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Student Planning Space&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== Textbook Curriculum Planning Section ==&lt;br /&gt;
&lt;br /&gt;
Download the Media Studies 11-12 Textbook written by EDCP 481 students: http://m1.cust.educ.ubc.ca:16080/tsedgrad/?page_id=366&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Table of Contents&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;1. Who/What are The Media?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Who / What is a Journalist? (Paul Korczyk &amp;amp; Sara Newham)&amp;lt;br&amp;gt;&lt;br /&gt;
Web 2.0 (Matthew Palmer &amp;amp; Stasia Siscoe)&amp;lt;br&amp;gt; &lt;br /&gt;
Social Networking and the Media (Esther Yong &amp;amp; Gideon Lin)&amp;lt;br&amp;gt; &lt;br /&gt;
Teen Age, Teen Ad (Shelagh &amp;amp; Sean)&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;2. News or Entertainment&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Blurring Line Between Television News and Entertainment (Herleen Malli &amp;amp; Jagroop Nagra)&amp;lt;br&amp;gt; &lt;br /&gt;
Celebrity Culture (Magda Misiak &amp;amp; Jo-Anne McKee)&amp;lt;br&amp;gt; &lt;br /&gt;
The Prevalence of Violence in the Media (Cameron Vand&#039;Erkamps &amp;amp; Daljit Purewal)&amp;lt;br&amp;gt; &lt;br /&gt;
School on Television: Reality vs. Depiction (Greg Rushton &amp;amp; Sheryl Reinhardt)&amp;lt;br&amp;gt; &lt;br /&gt;
Fashion Trends and Media Representations (Balkiran Dusanj &amp;amp; Shirley Lal)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3. Bias and Perspective&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David Bron &amp;amp; Kari White)&amp;lt;br&amp;gt; &lt;br /&gt;
Editing: An Inquiry into Ideological Stance (David Mergens &amp;amp; Andrew Crawford)&amp;lt;br&amp;gt;&lt;br /&gt;
The use of Propaganda in Modern Society (Kiran Basi &amp;amp; Mike Byun)&amp;lt;br&amp;gt;&lt;br /&gt;
Storytelling and Media (Elle Kay &amp;amp; Rochelle Patten)&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;4. Culture and Technology&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Media Consumption in the Digital Age (Caleb Bouey &amp;amp; Gabrielle Rougeau)&amp;lt;br&amp;gt; &lt;br /&gt;
Technology and the Evolution of Music (JP Lancaster &amp;amp; Dorianna Chessa)&amp;lt;br&amp;gt; &lt;br /&gt;
Literature Adaptations and Interpretations in the Media (Sarah McNeil &amp;amp; Victoria Yip)&amp;lt;br&amp;gt; &lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary Yang &amp;amp; Liang You)&amp;lt;br&amp;gt; &lt;br /&gt;
Copyright in the Information Age (Ken Vimalesan &amp;amp; Jen Fehlauer)&amp;lt;br&amp;gt;&lt;br /&gt;
Appropriation and Art: Issues of Copyright in Image Production (Alex Reed &amp;amp; Fred Beitler)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a 4 page section of a textbook, which is being designed and written for grade 10-12 students):&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
e.g., Teen Age, Teen Ad (Shelagh &amp;amp; Sean)&lt;br /&gt;
Cable News (Bert &amp;amp; Ernie)&lt;br /&gt;
Web 2.0 (Stasia &amp;amp; Matthew)&lt;br /&gt;
Storytelling and Media (Rochelle and Elle)&lt;br /&gt;
Literature Adaptations and Interpretations in the Media (Victoria &amp;amp; Sarah)&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David &amp;amp; Kari)&lt;br /&gt;
Fashion Trends and Media Representations (Balkiran &amp;amp; Shirley)&lt;br /&gt;
Who/What is a Journalist? (Paul and Sara)&lt;br /&gt;
Celebrity Gossip as News (Magda and Jo-Anne)&lt;br /&gt;
Social Networking and the Media (Esther and Gideon)&lt;br /&gt;
Editing; An Inquiry into Ideological Stance (David and Andrew)&lt;br /&gt;
The blurring line between television news and entertainment (Herleen and Jag)&lt;br /&gt;
The prevelance of violence in the media (Cam and Dal)&lt;br /&gt;
Technology and the Evolution of Music (JP and Dorianna)&lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary and Liang)&lt;br /&gt;
The use of propaganda in modern society (Kiran and Mike)&lt;br /&gt;
Media Consumption in the Digital Age (Caleb and Gabby)&lt;br /&gt;
School on Television: Reality vs. Depiction (Greg and Sheryl)&lt;br /&gt;
Copyright in the Information Age (Ken and Jen)&lt;br /&gt;
Appropriation and Art: Issues of copyright in image production (Alex and Fred)&lt;br /&gt;
&lt;br /&gt;
Here are a couple possible ways to break down the book with some (wild) guesses about where each topic might fit. Thoughts? (Thanks Jen-- awesome work!)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;1. Who/What are The Media?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Who/What is a Journalist? (Paul and Sara)&amp;lt;br&amp;gt;&lt;br /&gt;
The blurring line between television news and entertainment (Herleen and Jag) &amp;lt;br&amp;gt;&lt;br /&gt;
Celebrity Gossip as News (Magda and Jo-Anne) &amp;lt;br&amp;gt;&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David &amp;amp; Kari) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;2. Who/What is Represented?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Editing: An Inquiry into Ideological Stance (David and Andrew)&amp;lt;br&amp;gt;&lt;br /&gt;
The use of propaganda in modern society (Kiran and Mike)&amp;lt;br&amp;gt;&lt;br /&gt;
School on Television: Reality vs. Depiction (Greg and Sheryl)&amp;lt;br&amp;gt; &lt;br /&gt;
The prevalence of violence in the media (Cam and Dal) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3. Web 2.0&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Web 2.0 (Stasia &amp;amp; Matthew) &amp;lt;br&amp;gt;&lt;br /&gt;
Social Networking and the Media (Esther and Gideon) &amp;lt;br&amp;gt;&lt;br /&gt;
Copyright in the Information Age (Ken and Jen)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;4. The Evolution of Culture&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Technology and the Evolution of Music (JP and Dorianna)&amp;lt;br&amp;gt; &lt;br /&gt;
Storytelling and Media (Rochelle and Leanna) &amp;lt;br&amp;gt;&lt;br /&gt;
Film Adaptations of &#039;&#039;Alice&#039;s Adventures in Wonderland&#039;&#039; (Victoria &amp;amp; Sarah) &amp;lt;br&amp;gt;&lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary and Liang) &amp;lt;br&amp;gt;&lt;br /&gt;
Appropriation and Art: Issues of copyright in image production (Alex and Fred)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;5. Economics of Technology&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Teen Age, Teen Ad (Shelagh &amp;amp; Sean) &amp;lt;br&amp;gt;&lt;br /&gt;
Fashion Trends and Media Representations (Balkiran &amp;amp; Shirley)&amp;lt;br&amp;gt;&lt;br /&gt;
Media Consumption in the Digital Age (Caleb and Gabby) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;B&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;1. Who/What are The Media?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Who/What is a Journalist? (Paul and Sara)&amp;lt;br&amp;gt;&lt;br /&gt;
Web 2.0 (Stasia &amp;amp; Matthew) &amp;lt;br&amp;gt;&lt;br /&gt;
Social Networking and the Media (Esther and Gideon) &amp;lt;br&amp;gt;&lt;br /&gt;
Teen Age, Teen Ad (Shelagh &amp;amp; Sean) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;2. News or Entertainment&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The blurring line between television news and entertainment (Herleen and Jag) &amp;lt;br&amp;gt;&lt;br /&gt;
Celebrity Gossip as News (Magda and Jo-Anne) &amp;lt;br&amp;gt;&lt;br /&gt;
The prevalence of violence in the media (Cam and Dal) &amp;lt;br&amp;gt;&lt;br /&gt;
School on Television: Reality vs. Depiction (Greg and Sheryl) &amp;lt;br&amp;gt;&lt;br /&gt;
Fashion Trends and Media Representations (Balkiran &amp;amp; Shirley)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3. Bias and Perspective&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David &amp;amp; Kari) &amp;lt;br&amp;gt;&lt;br /&gt;
Editing: An Inquiry into Ideological Stance (David and Andrew)&amp;lt;br&amp;gt;&lt;br /&gt;
The use of propaganda in modern society (Kiran and Mike)&amp;lt;br&amp;gt;&lt;br /&gt;
Storytelling and Media (Elle &amp;amp; Rochelle) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;4. Culture and Technology&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Media Consumption in the Digital Age (Caleb and Gabby) &amp;lt;br&amp;gt;&lt;br /&gt;
Technology and the Evolution of Music (JP and Dorianna) &amp;lt;br&amp;gt;&lt;br /&gt;
Literature Adaptations and Interpretations in the Media (Victoria &amp;amp; Sarah) &amp;lt;br&amp;gt;&lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary and Liang) &amp;lt;br&amp;gt;&lt;br /&gt;
Copyright in the Information Age (Ken and Jen)&amp;lt;br&amp;gt;&lt;br /&gt;
Appropriation and Art: Issues of copyright in image production (Alex and Fred)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== BAA Course Planning Section ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Media and Advertising 11&#039;&#039;&#039;(Ken and Jen)&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
This course will prepare students to deconstruct and understand how media impact their lives and decisions. Students will learn and apply the concepts of audience, purpose and argument through an analysis of advertising across various media.  Students will understand how advertising creates and appeals to cultural values which will prepare them to be informed and active citizens in a media-saturated world.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Identity, Pop Culture and Media 12&#039;&#039;&#039; (Rochelle and Leanna)&lt;br /&gt;
-portrayals of gender, age, race, sexuality, beauty, and wealth in Pop Culture and the Media and how these construct and affirm our beliefs and personal and corporate identity&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Societal and Cultural Values in Media 12&#039;&#039;&#039; (Gideon &amp;amp; Esther)&lt;br /&gt;
&amp;lt;br&amp;gt; An overview analysis of television, film, pop culture and advertising and how, within these mediums, certain societal and cultural values are propagated and reflected. It is important for students to be aware and analytical of what they view/listen to etc, in order to be critical of what values are being (re)presented by the media.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;From The Page to the Stage, and Beyond: Literary Adaptations in the Media&#039;&#039;&#039; (Victoria &amp;amp; Sarah)&lt;br /&gt;
&amp;lt;br&amp;gt;Increasingly, the first exposure that young people have to literature is through television, film, or Internet adaptations.  This course will help students understand the transformation that a work goes through as it travels from the page to another medium, and will explore adaptations of popular works for the stage, radio, television, film, and Internet.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Music and Technology 11/12&#039;&#039;&#039; (Greg and Sheryl)&lt;br /&gt;
This course will examine the ways in which technology has changed the way that music is created, perceived and consumed.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;History lives -An examination of historical events through film&amp;quot;&#039;&#039;&#039; (Mike and Kiran)&lt;br /&gt;
This course will consider various points in history through the medium of film. A careful examination of movies that deal with historical events will be analyzed with respect to the underlying message portrayed in the film. This course will consider the political and social aspects as well as the historical context and how it is portrayed by the media.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A Game Making Approach to Bioethics&#039;&#039;&#039; (Mary and Liang)&lt;br /&gt;
&amp;lt;br&amp;gt;This course is meant to consider the ethical issues associated with the studies of current science that incorporate biology and technology. With some knowledge on high school biology, students will develop a basic understanding of these science studies.  Through collecting science media, students will learn about the occurrence and the relevancy of these studies to their daily lives.  With some discussions, students will identify both ethical and unethical actions committed by stakeholders.  In addition, students will master the ability to come up with alternative solutions that are by definition more ethical to these studies.  Lastly, students will demonstrate their overall knowledge of bioethics by planning for a computer or video game that demands ethical decisions and administers consequences.  As well, the planning process requires the usage of multiple forms of technology.  Through the practices of this course, students are made to hold some responsibilities to the well-being of our world as a whole.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The Power of Media&#039;&#039;&#039; (David B and Kari)&lt;br /&gt;
&lt;br /&gt;
This course will challenge students to look at the way in which the media impacts society. Looking at different forms of media (ie. television, the radio, the internet, newspapers/magazines) the following issues will be addressed: how does the media shape reality, who is the targeted audience, the ability of technology to communicate, and the influence that the media has on everyday life. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The History of Communication Throughout the 20th Century&#039;&#039;&#039; (JP and Dorianna)&lt;br /&gt;
This course will examine the evolution of communication throughout the 20th century and how this process affected important historical events, eras and trends. Students will look at how various communication technologies, such as AM radio, television, and the internet, were employed during the century and what events/phenomenons they facilitated. Central themes to be studied will include war and conflict, popular culture, and globalization.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Music Media&#039;&#039;&#039; (David and Andrew)&lt;br /&gt;
Investigation of lyrical content with respect to audience. Investigation into lyrical content and political message. The study of the interaction between lyrical message and music video message.  This course will provide for students opportunities to observe aspects of social, political, and cultural history through the lens of instrumental music.  In regards to tonality, style, and timbre, the directions in which genres of music evolved heavily reflected the social conditions of eras; it is impossible, for example, to separate the violence associated wit the modern Civil Rights Movement from the sound of 1960s avant-garde jazz.  Students will analyze such connections in a variety of ways, such as by sampling various music selections that will be supplemented with pertaining historical contexts. &lt;br /&gt;
[[Category: Curriculum and Pedagogy]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Critical Media Studies in Film and Television&#039;&#039;&#039; (Alex and Fred)&lt;br /&gt;
This course will focus on pop culture film and television media of the 20th and 21st centuries.  Students will develop a critical awareness of how media messages are constructed in the world of film and television.  Students will make use of media literacy methodologies to deconstruct and critically analyze meaning in a series of film and television screenings.  Students will also read texts and view documentaries critiquing pop culture film and telesion.  The course will culminate in the students utilizing these critical skills to create their own critical documentary.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Intro to Media Studies&#039;&#039;&#039; (Matthew and Stasia)&lt;br /&gt;
This course will introduce students to the concept of media studies and what it entails - what is media, the history of media, the influence of media on society, the different forms of media, etc.  It will provide a foundation for future, more focused courses, and will establish the analytical skills necessary for students to navigate todays dynamic media landscape.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Media: Issues and Technology 12&#039;&#039;&#039; (Paul and Sara)&lt;br /&gt;
This course deals with media depictions of controversial issues facing the world today. Each issue will be looked at through one of television/film, radio, print, and internet. The technology aspect of the course covers media production, and students will gain experience working in each of the major forms of media. After analyzing issues, students will be asked to produce their own representations of those issues in a skills-based, technological approach.&lt;br /&gt;
&lt;br /&gt;
   &lt;br /&gt;
&amp;quot;Stereotypes in TV &amp;amp; Film: Changes Over Time&amp;quot; -Sarah K, Jenn O, Jenn M&lt;br /&gt;
&lt;br /&gt;
This course will examine the way that stereotypes are portrayed in TV and Film. It will look in depth at the changes in stereotypes as a reflection of society. Topics considered will include gender/sexuality, minorities, women and society in general.&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;External Resources&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
[http://www.pixton.com Pixton - &#039;Free&#039; Online Comic Maker]&lt;br /&gt;
      &lt;br /&gt;
&lt;br /&gt;
[[Category:EDCP]]&lt;/div&gt;</summary>
		<author><name>Stephenpetrina</name></author>
	</entry>
	<entry>
		<id>https://wiki.ubc.ca/index.php?title=Course:EDCP481&amp;diff=521011</id>
		<title>Course:EDCP481</title>
		<link rel="alternate" type="text/html" href="https://wiki.ubc.ca/index.php?title=Course:EDCP481&amp;diff=521011"/>
		<updated>2018-07-03T03:52:06Z</updated>

		<summary type="html">&lt;p&gt;Stephenpetrina: /* Textbook (Media Study Guide) Planning Section */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== &#039;&#039;&#039;Summer 2a 2018&#039;&#039;&#039; ==&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy. Media studies is a dynamic discipline tailored to exploring a range of concepts or techniques. In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement. Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy. Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum. Hence, this course balances practice with ethical, legal, and theoretical aspects and emphasizes the design of curriculum and courses for teaching media studies and for integrating media literacy across the curriculum. This year&#039;s section of EDCP 481 focuses on meaningful media by and for children and youth. All media productions add meaning but those providing deep meaning are necessarily unique.  [Link to the EDCP 481  Resource page http://blogs.ubc.ca/etec/courses-2/edcp-481/].&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Textbook (Media Study Guide) Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a section-- Media Study Guide-- of a textbook, which is being designed and written for grades K-3, 4-5, 6-7, 8-10 or 11-12 students) &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 Media Study Guide &#039;&#039;Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Group #1&lt;br /&gt;
Group #2&lt;br /&gt;
etc...&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2017&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy. Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding. In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement. Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy. Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum. Hence, this course balances practice with ethical, legal, and theoretical aspects and emphasizes the design of curriculum and courses for teaching media studies and for integrating media literacy across the curriculum.  [Link to the EDCP 481  Resource page http://blogs.ubc.ca/etec/courses-2/edcp-481/].&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
== Textbook (Media Study Guide) Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a section-- Media Study Guide-- of a textbook, which is being designed and written for grades K-3, 4-5, 6-7, 8-10 or 11-12 students) &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 Media Study Guide &#039;&#039;Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2016&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy. Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding. In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement. Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy. Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum. Hence, this course balances practice with ethical, legal, and theoretical aspects and emphasizes the design of curriculum and courses for teaching media studies and for integrating media literacy across the curriculum.  [Link to the EDCP 481  Resource page http://blogs.ubc.ca/etec/courses-2/edcp-481/].&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Link to the EDCP 481 Textbook (Media Study Guides) co-authored by the  students  http://blogs.ubc.ca/etec/courses-2/edcp-481/&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Textbook (Media Study Guide) Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a section-- Media Study Guide-- of a textbook, which is being designed and written for grade 8-10 or 11-12 students):&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;2017 Guides&#039;&#039;&#039; &amp;lt;br&amp;gt;&lt;br /&gt;
Dawson, Sonya, Mark, Curtis: The Lorax&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 Media Study Guide Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
xx &amp;lt;br&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The Matrix - Brooke, David, Harrison, Jordan&lt;br /&gt;
&lt;br /&gt;
Harry Potter- Alysha, Sat, Arshbir, Manjot&lt;br /&gt;
&lt;br /&gt;
X-Men- Sam and Katia&lt;br /&gt;
&lt;br /&gt;
Interstellar: Mike, Stephen, Yoohoon, and Paul.&lt;br /&gt;
&lt;br /&gt;
Call of Duty Zombies: Hermano, Wells, Mikey, Mike&lt;br /&gt;
&lt;br /&gt;
Avatar: Vardip, Jeongbae&lt;br /&gt;
&lt;br /&gt;
== BAA Course Planning Section ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The direct link to the example BAA is:&#039;&#039;&#039; &amp;lt;br&amp;gt;&lt;br /&gt;
http://www.bced.gov.bc.ca/greenschools/sustcoursecontent.htm&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the BAA Course here:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 BA/A Topics&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The Business of Media - Brooke, Harrison, Jordan&lt;br /&gt;
&lt;br /&gt;
Who Controls the Media (11/12)- Sam Jeongbae, David E, Vardip &lt;br /&gt;
&lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Sat, Arshbir, Alysha &amp;amp; Manjot - Media influences across disciplines&lt;br /&gt;
&lt;br /&gt;
Katia, Stephen, Mike, and Paul: Publishing&lt;br /&gt;
&lt;br /&gt;
Hermano, Wells, Mikey, Mike: Theatre, Film and Media Studies&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2011&#039;&#039;&#039;==&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy.  Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding.  In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement.  Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy.  Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum.  Hence, this course emphasizes ethical, legal, and theoretical aspects and the design of curriculum and courses for teaching media education or media studies and for integrating media literacy across the curriculum.  [Link to the EDCP 481  Resource page http://m1.cust.educ.ubc.ca:16080/tsedgrad/?page_id=460].&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Link to the EDCP 481 Textbook (Media Study Guides) co-authored by the  students  http://blogs.ubc.ca/etec/courses-2/edcp-481/&#039;&#039;&#039;&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Student Planning Space&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== Textbook (Media Study Guide) Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a section-- Media Study Guide-- of a textbook, which is being designed and written for grade 8-10 or 11-12 students):&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 Media Study Guide Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
xx &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Dianna Stashuk and Adam Alvaro - &amp;quot;Lost&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Melissa Evans and Shaun Beach- &amp;quot;Family&amp;quot; Shows (exploring the representations of family, past and present)&lt;br /&gt;
&lt;br /&gt;
Brian, Peter &amp;amp; Tyler - Need for Speed&lt;br /&gt;
&lt;br /&gt;
Michelle Fatkin and Chelsea Campbell - &amp;quot;Mean Girls&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Tom Froh and Peter Maxwell - &amp;quot;16 and Pregnant&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Nick De Santis and Nam Pham- &amp;quot;127 Hours&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Chris Flannelly and Grace Woo - &amp;quot;Freedom Writers&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Lucas Mann and Marie-Anne Hellinckx - Film Review &amp;quot;Ma vie en rose&amp;quot; to address issues of homophobia.&lt;br /&gt;
&lt;br /&gt;
Stephanie Malloy and Jon Schmidt-&amp;quot;My Sister&#039;s Keeper&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 951 Media Study Guide Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
xx&lt;br /&gt;
&lt;br /&gt;
Adam Deboer and Alvin Lui - The Dark Knight&lt;br /&gt;
&lt;br /&gt;
Kelly Skehill and Kat Ast - &amp;quot;Thirteen&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Ashley MacKenzie and Alex Thureau - &amp;quot;One Week&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Wendy Sigaty and Haley Lucas - &amp;quot;Avatar&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Kady Huhn &amp;amp; Hannah Yu- &amp;quot;Into the Wild&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Fay Sterne &amp;amp; Brittaney Boone - &amp;quot;The Office&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Rachel Fales &amp;amp; Jennifer Visser - &amp;quot;Wall-E&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Yik Wah Penner &amp;amp; Chris Howey - &amp;quot;Little Ms. Sunshine&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Lance Peters &amp;amp; Al McKillop - &#039;Lord of the Rings&#039; (I know, it&#039;s a little ambitious.)&lt;br /&gt;
&lt;br /&gt;
Ashley Bayles &amp;amp; Danny Nann - &amp;quot;The Simpsons&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Jenn O, Jenn M, Sarah K - &amp;quot;Schindler&#039;s List&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Alexander McKechnie - Mythology and Popular Music&lt;br /&gt;
&lt;br /&gt;
Mark Brown - &amp;quot;Bright Star&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Sarah James and Lillian Ryan - &amp;quot;Food Inc.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Michael Bui &amp;amp; Jennifer Neff - Outsourced&lt;br /&gt;
&lt;br /&gt;
== BAA Course Planning Section ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The direct link to the example BAA is:&#039;&#039;&#039; &amp;lt;br&amp;gt;&lt;br /&gt;
http://www.bced.gov.bc.ca/greenschools/sustcoursecontent.htm&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the BAA Course here:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 BA/A Topics&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Brian, Peter &amp;amp; Tyler - GAME ON! Video Game Play as Text: Critical Reading for Gamers     &lt;br /&gt;
&lt;br /&gt;
Dianna Stashuk and Adam Alvaro - Media and Canadian Identity&lt;br /&gt;
&lt;br /&gt;
Melissa Evans and Shaun Beach - Youth and advertising--This course will explore the industry of advertising, focusing specifically on how advertisers target youth through TV commercials, product placement, and endorsements. There will also be some discussion on advertisement law and various opportunities to critically analyse advertisements made in the industry and in the classroom. Students will be able to create their own advertisements based on what they have learned about the laws and techniques used in the industry.&lt;br /&gt;
&lt;br /&gt;
Michelle Fatkin and Chelsea Campbell - Acquiring Wisdom through Media&lt;br /&gt;
&lt;br /&gt;
In this course, we want students to understand that media is not simply entertainment. Rather, we want them to see that they can acquire wisdom through observing the actions and consequences of others in TV/film, and through analyzing the subtleties of messages in advertisements, print, and other forms. &lt;br /&gt;
&lt;br /&gt;
Taha and Kara - Apocalypse in Media&lt;br /&gt;
&lt;br /&gt;
Stef and Jess aka...Jeff - Seeing with your ears: An introduction to media through music&lt;br /&gt;
&lt;br /&gt;
This course looks at the relationship between music and the media by analysing historical and political events effects on music.  It focuses on the power of music and it&#039;s affect on the media.  We will also look at the power of the media and it&#039;s control over the message of popular music.  By focusing on a timeline one can easily see the changes in music and it&#039;s message due to events occurring all over the world.&lt;br /&gt;
&lt;br /&gt;
Nick De Santis and Nam Pham - &amp;quot;Add me as a Friend&amp;quot;: Deconstructing Social Media&lt;br /&gt;
       &lt;br /&gt;
&lt;br /&gt;
This course will explore the current trends in social media and how they have influenced our society. In particular, we will examine Facebook and Twitter, the two most popular forms of this media. The focus of this course will be to educate students on the benefits and dangers of using social media and to critically analyze the prevalence of social media in today’s society. By the end of this course, each student will be able to use social media to their maximum positive benefit.&lt;br /&gt;
&lt;br /&gt;
Thomas Froh and Peter Maxwell - &amp;quot;The Man&amp;quot; Behind the Message&lt;br /&gt;
&lt;br /&gt;
This course will work towards answering the question of whether there is a person or organization controlling the messages we receive in the media, and if so, who or what are they and to what end?  Specifically, the course will examine large television corporations and whether or not they work to shape popular perspective in news broadcasts, television programming, etc.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Paul and Rhonda - Music Videos and Pop Culture&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course will explore the question; Are music videos a product of pop culture or pop culture and product of music videos? The course will critically analyse the key media literacy aspects of production, analysis and audience. Due to the sometimes sensitive content of music videos it is important for students to deconstruct the specifics behind the media consumption, production and regulation.&lt;br /&gt;
&lt;br /&gt;
  &lt;br /&gt;
&lt;br /&gt;
Rupinder and Parmjeet: Attitude is everything!! Aquiring positive attitude through media.&lt;br /&gt;
&lt;br /&gt;
This course will focus on developing positive attitude through media productions, such as film, television, print etc. We want students to show how to use media&#039;s positive side to develop good attitude habits. &lt;br /&gt;
&lt;br /&gt;
Michael &amp;amp; John - &amp;quot;Mickey Wants You” – How Disney Won the War &lt;br /&gt;
&lt;br /&gt;
In this course, students will analyse and identify historical examples of Disney products to better understand bias, impact, and opinions.  This course has been designed with the target of engaging students in history and its contexts with products of Disney media. Students will learn and gain skills in the ability to think critically, detect biases, and learn to read and develop media products for use in their own lives.  &lt;br /&gt;
      &lt;br /&gt;
Chris and Grace - Multiculturalism in the Media&lt;br /&gt;
&lt;br /&gt;
Marie-Anne and Lucas - Francophone cinema&lt;br /&gt;
                    &lt;br /&gt;
This course has been designed to encourage students to have a better appreciation for Francophone cinema, to help them examine and identify the values and cultural differences in films and have a better understanding of Francophone culture. They will be able to apply critical thinking to film analyses and appreciations. A collaborative and safe atmosphere will be provided to foster creative expression in film production and media representation.  &lt;br /&gt;
      &lt;br /&gt;
&#039;&#039;&#039;Section 951 BA/A Topics&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Kelly Skehill and Kat Ast - &amp;quot;Media: The Inside Scoop&amp;quot;&lt;br /&gt;
&lt;br /&gt;
This course will expose students to the positive and negative influences media has on people.  It will have students analyze Social Networking, Advertising, Hollywood Movies, Documentaries and Music.  The goal is for students to gain the critical analysis and information skills necessary to become intelligent, competent consumers and creators of media messages (Considine, 2003).   &lt;br /&gt;
&lt;br /&gt;
Adam Deboer and Alvin Lui - Music, Culture, and Technology&lt;br /&gt;
&lt;br /&gt;
Ashley MacKenzie and Alex Thureau - Reality Television Production: This course will introduce students to the medium of television. Students will learn the pre-production, production and post-production steps required to produce their own reality television episode. Students will leave the course with the ability to objectively analyze television media.   &lt;br /&gt;
&lt;br /&gt;
Kady Huhn &amp;amp; Hannah Yu-Media &amp;amp; Identity-This course will explore the ways in which personal identity is constructed and mediated through media and will analyze how popular culture such as film, music, television and print media impact identity and behaviour. It will also look at the ways in which social media has impacted identity construction online and focus on the implications this has on the safety of social networking.&lt;br /&gt;
      &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Wendy Sigaty &amp;amp; Haley Lucas - Social Values in Media Through History&#039;&#039;&#039;&lt;br /&gt;
Students will use various media (Print, Television, Film, Music, etc) to examine how our social values (Race Relations, Relationships, Gender Roles, Sexuality, Religion, Family, Lifestyle, etc) have changed from biblical times to the present.    &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Rachel Fales &amp;amp; Jennifer Visser - &#039;&#039;Film Studies- An Analysis of Superheroes&#039;&#039;&#039;&#039;&#039; - This course intends to analyze Superheroes in films. This course will chronologically follow Superheroes as they have been adapted from comic books (ie. Superman 1978) to Hollywood Blockbusters and the idea of sequels, exploring a variety of topics during each film. Students will question genre, originality, race, gender, sexuality, public vs. private (dual) identities, villains vs. victims, technology and remediation of Superhero films. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Michael Bui &amp;amp; Jennifer Neff - Sociology and the Media 11/12&#039;&#039;&#039; -  This course examines culture and the construction of identity through shifts in media.  Trends in visual media, advancements in technology and social media will be looked at under the lens of sociology. Students will identify the ways media can influence the creation and disintegration of stereotypes.  Students will analyze different perceptions represented through these mediums of technology and how this adds to the development of new youth culture. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analyzing Modern Animated Satire 11/12&#039;&#039;&#039; (Fay Sterne &amp;amp; Brittaney Boone) - Students will take a critical look at &#039;&#039;The Simpsons&#039;&#039;, &#039;&#039;Family Guy&#039;&#039;, and &#039;&#039;South Park&#039;&#039; as satirical representations of modern North American society.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Graham Haigh &amp;amp; Dean Morris&#039;&#039;&#039; Teaching Media through the examination of Political Campaigns. Students will evaluate, analyze, political media. Students will also create their own commercial, poster, National address, attack add, or some other media presentation relating to the study of politics.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ashley Bayles &amp;amp; Danny Nann - Media &amp;amp; Popular Culture&#039;&#039;&#039;&lt;br /&gt;
- This course will examine the way in which media has an impact on cultural production and vice versa. What is popular culture? What role does the media have on the production of popular culture? Is popular culture an authentic representation of our cultural values as a society, or is it impacted by the media and if so, how? We will look into how the social and culture environment is formed and what role it has on media and vice versa. This course will examine popular culture as a concept on its own and through its representation in different forms of media. &lt;br /&gt;
&lt;br /&gt;
Yik Wah Penner &amp;amp; Chris Howey - Manufacturing Identity in the Media: This course will examine the ways in which media creates identities which are often shaped by stereotype. Our goal will be to explore the social and cultural relevance of these produced identities in the day to day lives of students.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lance Peters &amp;amp; Al McKillop - Using current media to access classic literature&#039;&#039;&#039;&lt;br /&gt;
We plan to look at various media, with a particular focus on using contemporary media such as podcasting, film, games, graphic novels, wikis, etc. to access &#039;classic&#039; literature such as Shakespeare, Melville, Dickens, Tolkien and others.&lt;br /&gt;
&lt;br /&gt;
Mark Brown and Alex McKechnie - Popular Music Studies&lt;br /&gt;
This course looks at the images, text, and music of popular songs and videos, and the relationships and meanings found therein. Students will develop appreciation, as well as, analytical and critical thinking skills to help them navigate through the multiple images, values, and meanings found within popular music and music videos&lt;br /&gt;
&lt;br /&gt;
 &lt;br /&gt;
Lillian Ryan &amp;amp; Sarah James (documentary film studies)&lt;br /&gt;
&lt;br /&gt;
Sat, Arshbir, Alysha and Manjot (Media influences across disciplines)&lt;br /&gt;
&lt;br /&gt;
== PSA Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;952 Planning: &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Time = 30 to 60 seconds&lt;br /&gt;
Theme = Unique to Group&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;951 Planning: &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Time = 30 to 60 seconds&lt;br /&gt;
Theme = Unique to Group&lt;br /&gt;
&lt;br /&gt;
The Scaffolders-Brittaney Boone, Jennifer Visser, Kady Huhn, Yik Penner, Chris Howey, Faye Sterne&lt;br /&gt;
&lt;br /&gt;
High-Def (HD): Mark, Alvin, Rachel, Jennifer N, Michael, Adam   [http://youtu.be/9u3Rhw9jdiE Cyber-bullying PSA]&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2010&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy.  Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding.  In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement.  The course provides a survey of media studies and new media with an emphasis on media education and literacy.  Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum.  Hence, this course emphasizes ethical, legal, and theoretical aspects and the design of curriculum and courses for teaching media education or media studies and for integrating media literacy across the curriculum. [Link to the EDCP 481 Resource page http://m1.cust.educ.ubc.ca:16080/tsedgrad/?page_id=366]. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Student Planning Space&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== Textbook Curriculum Planning Section ==&lt;br /&gt;
&lt;br /&gt;
Download the Media Studies 11-12 Textbook written by EDCP 481 students: http://m1.cust.educ.ubc.ca:16080/tsedgrad/?page_id=366&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Table of Contents&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;1. Who/What are The Media?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Who / What is a Journalist? (Paul Korczyk &amp;amp; Sara Newham)&amp;lt;br&amp;gt;&lt;br /&gt;
Web 2.0 (Matthew Palmer &amp;amp; Stasia Siscoe)&amp;lt;br&amp;gt; &lt;br /&gt;
Social Networking and the Media (Esther Yong &amp;amp; Gideon Lin)&amp;lt;br&amp;gt; &lt;br /&gt;
Teen Age, Teen Ad (Shelagh &amp;amp; Sean)&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;2. News or Entertainment&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Blurring Line Between Television News and Entertainment (Herleen Malli &amp;amp; Jagroop Nagra)&amp;lt;br&amp;gt; &lt;br /&gt;
Celebrity Culture (Magda Misiak &amp;amp; Jo-Anne McKee)&amp;lt;br&amp;gt; &lt;br /&gt;
The Prevalence of Violence in the Media (Cameron Vand&#039;Erkamps &amp;amp; Daljit Purewal)&amp;lt;br&amp;gt; &lt;br /&gt;
School on Television: Reality vs. Depiction (Greg Rushton &amp;amp; Sheryl Reinhardt)&amp;lt;br&amp;gt; &lt;br /&gt;
Fashion Trends and Media Representations (Balkiran Dusanj &amp;amp; Shirley Lal)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3. Bias and Perspective&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David Bron &amp;amp; Kari White)&amp;lt;br&amp;gt; &lt;br /&gt;
Editing: An Inquiry into Ideological Stance (David Mergens &amp;amp; Andrew Crawford)&amp;lt;br&amp;gt;&lt;br /&gt;
The use of Propaganda in Modern Society (Kiran Basi &amp;amp; Mike Byun)&amp;lt;br&amp;gt;&lt;br /&gt;
Storytelling and Media (Elle Kay &amp;amp; Rochelle Patten)&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;4. Culture and Technology&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Media Consumption in the Digital Age (Caleb Bouey &amp;amp; Gabrielle Rougeau)&amp;lt;br&amp;gt; &lt;br /&gt;
Technology and the Evolution of Music (JP Lancaster &amp;amp; Dorianna Chessa)&amp;lt;br&amp;gt; &lt;br /&gt;
Literature Adaptations and Interpretations in the Media (Sarah McNeil &amp;amp; Victoria Yip)&amp;lt;br&amp;gt; &lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary Yang &amp;amp; Liang You)&amp;lt;br&amp;gt; &lt;br /&gt;
Copyright in the Information Age (Ken Vimalesan &amp;amp; Jen Fehlauer)&amp;lt;br&amp;gt;&lt;br /&gt;
Appropriation and Art: Issues of Copyright in Image Production (Alex Reed &amp;amp; Fred Beitler)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a 4 page section of a textbook, which is being designed and written for grade 10-12 students):&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
e.g., Teen Age, Teen Ad (Shelagh &amp;amp; Sean)&lt;br /&gt;
Cable News (Bert &amp;amp; Ernie)&lt;br /&gt;
Web 2.0 (Stasia &amp;amp; Matthew)&lt;br /&gt;
Storytelling and Media (Rochelle and Elle)&lt;br /&gt;
Literature Adaptations and Interpretations in the Media (Victoria &amp;amp; Sarah)&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David &amp;amp; Kari)&lt;br /&gt;
Fashion Trends and Media Representations (Balkiran &amp;amp; Shirley)&lt;br /&gt;
Who/What is a Journalist? (Paul and Sara)&lt;br /&gt;
Celebrity Gossip as News (Magda and Jo-Anne)&lt;br /&gt;
Social Networking and the Media (Esther and Gideon)&lt;br /&gt;
Editing; An Inquiry into Ideological Stance (David and Andrew)&lt;br /&gt;
The blurring line between television news and entertainment (Herleen and Jag)&lt;br /&gt;
The prevelance of violence in the media (Cam and Dal)&lt;br /&gt;
Technology and the Evolution of Music (JP and Dorianna)&lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary and Liang)&lt;br /&gt;
The use of propaganda in modern society (Kiran and Mike)&lt;br /&gt;
Media Consumption in the Digital Age (Caleb and Gabby)&lt;br /&gt;
School on Television: Reality vs. Depiction (Greg and Sheryl)&lt;br /&gt;
Copyright in the Information Age (Ken and Jen)&lt;br /&gt;
Appropriation and Art: Issues of copyright in image production (Alex and Fred)&lt;br /&gt;
&lt;br /&gt;
Here are a couple possible ways to break down the book with some (wild) guesses about where each topic might fit. Thoughts? (Thanks Jen-- awesome work!)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;1. Who/What are The Media?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Who/What is a Journalist? (Paul and Sara)&amp;lt;br&amp;gt;&lt;br /&gt;
The blurring line between television news and entertainment (Herleen and Jag) &amp;lt;br&amp;gt;&lt;br /&gt;
Celebrity Gossip as News (Magda and Jo-Anne) &amp;lt;br&amp;gt;&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David &amp;amp; Kari) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;2. Who/What is Represented?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Editing: An Inquiry into Ideological Stance (David and Andrew)&amp;lt;br&amp;gt;&lt;br /&gt;
The use of propaganda in modern society (Kiran and Mike)&amp;lt;br&amp;gt;&lt;br /&gt;
School on Television: Reality vs. Depiction (Greg and Sheryl)&amp;lt;br&amp;gt; &lt;br /&gt;
The prevalence of violence in the media (Cam and Dal) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3. Web 2.0&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Web 2.0 (Stasia &amp;amp; Matthew) &amp;lt;br&amp;gt;&lt;br /&gt;
Social Networking and the Media (Esther and Gideon) &amp;lt;br&amp;gt;&lt;br /&gt;
Copyright in the Information Age (Ken and Jen)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;4. The Evolution of Culture&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Technology and the Evolution of Music (JP and Dorianna)&amp;lt;br&amp;gt; &lt;br /&gt;
Storytelling and Media (Rochelle and Leanna) &amp;lt;br&amp;gt;&lt;br /&gt;
Film Adaptations of &#039;&#039;Alice&#039;s Adventures in Wonderland&#039;&#039; (Victoria &amp;amp; Sarah) &amp;lt;br&amp;gt;&lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary and Liang) &amp;lt;br&amp;gt;&lt;br /&gt;
Appropriation and Art: Issues of copyright in image production (Alex and Fred)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;5. Economics of Technology&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Teen Age, Teen Ad (Shelagh &amp;amp; Sean) &amp;lt;br&amp;gt;&lt;br /&gt;
Fashion Trends and Media Representations (Balkiran &amp;amp; Shirley)&amp;lt;br&amp;gt;&lt;br /&gt;
Media Consumption in the Digital Age (Caleb and Gabby) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;B&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;1. Who/What are The Media?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Who/What is a Journalist? (Paul and Sara)&amp;lt;br&amp;gt;&lt;br /&gt;
Web 2.0 (Stasia &amp;amp; Matthew) &amp;lt;br&amp;gt;&lt;br /&gt;
Social Networking and the Media (Esther and Gideon) &amp;lt;br&amp;gt;&lt;br /&gt;
Teen Age, Teen Ad (Shelagh &amp;amp; Sean) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;2. News or Entertainment&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The blurring line between television news and entertainment (Herleen and Jag) &amp;lt;br&amp;gt;&lt;br /&gt;
Celebrity Gossip as News (Magda and Jo-Anne) &amp;lt;br&amp;gt;&lt;br /&gt;
The prevalence of violence in the media (Cam and Dal) &amp;lt;br&amp;gt;&lt;br /&gt;
School on Television: Reality vs. Depiction (Greg and Sheryl) &amp;lt;br&amp;gt;&lt;br /&gt;
Fashion Trends and Media Representations (Balkiran &amp;amp; Shirley)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3. Bias and Perspective&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David &amp;amp; Kari) &amp;lt;br&amp;gt;&lt;br /&gt;
Editing: An Inquiry into Ideological Stance (David and Andrew)&amp;lt;br&amp;gt;&lt;br /&gt;
The use of propaganda in modern society (Kiran and Mike)&amp;lt;br&amp;gt;&lt;br /&gt;
Storytelling and Media (Elle &amp;amp; Rochelle) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;4. Culture and Technology&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Media Consumption in the Digital Age (Caleb and Gabby) &amp;lt;br&amp;gt;&lt;br /&gt;
Technology and the Evolution of Music (JP and Dorianna) &amp;lt;br&amp;gt;&lt;br /&gt;
Literature Adaptations and Interpretations in the Media (Victoria &amp;amp; Sarah) &amp;lt;br&amp;gt;&lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary and Liang) &amp;lt;br&amp;gt;&lt;br /&gt;
Copyright in the Information Age (Ken and Jen)&amp;lt;br&amp;gt;&lt;br /&gt;
Appropriation and Art: Issues of copyright in image production (Alex and Fred)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== BAA Course Planning Section ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Media and Advertising 11&#039;&#039;&#039;(Ken and Jen)&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
This course will prepare students to deconstruct and understand how media impact their lives and decisions. Students will learn and apply the concepts of audience, purpose and argument through an analysis of advertising across various media.  Students will understand how advertising creates and appeals to cultural values which will prepare them to be informed and active citizens in a media-saturated world.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Identity, Pop Culture and Media 12&#039;&#039;&#039; (Rochelle and Leanna)&lt;br /&gt;
-portrayals of gender, age, race, sexuality, beauty, and wealth in Pop Culture and the Media and how these construct and affirm our beliefs and personal and corporate identity&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Societal and Cultural Values in Media 12&#039;&#039;&#039; (Gideon &amp;amp; Esther)&lt;br /&gt;
&amp;lt;br&amp;gt; An overview analysis of television, film, pop culture and advertising and how, within these mediums, certain societal and cultural values are propagated and reflected. It is important for students to be aware and analytical of what they view/listen to etc, in order to be critical of what values are being (re)presented by the media.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;From The Page to the Stage, and Beyond: Literary Adaptations in the Media&#039;&#039;&#039; (Victoria &amp;amp; Sarah)&lt;br /&gt;
&amp;lt;br&amp;gt;Increasingly, the first exposure that young people have to literature is through television, film, or Internet adaptations.  This course will help students understand the transformation that a work goes through as it travels from the page to another medium, and will explore adaptations of popular works for the stage, radio, television, film, and Internet.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Music and Technology 11/12&#039;&#039;&#039; (Greg and Sheryl)&lt;br /&gt;
This course will examine the ways in which technology has changed the way that music is created, perceived and consumed.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;History lives -An examination of historical events through film&amp;quot;&#039;&#039;&#039; (Mike and Kiran)&lt;br /&gt;
This course will consider various points in history through the medium of film. A careful examination of movies that deal with historical events will be analyzed with respect to the underlying message portrayed in the film. This course will consider the political and social aspects as well as the historical context and how it is portrayed by the media.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A Game Making Approach to Bioethics&#039;&#039;&#039; (Mary and Liang)&lt;br /&gt;
&amp;lt;br&amp;gt;This course is meant to consider the ethical issues associated with the studies of current science that incorporate biology and technology. With some knowledge on high school biology, students will develop a basic understanding of these science studies.  Through collecting science media, students will learn about the occurrence and the relevancy of these studies to their daily lives.  With some discussions, students will identify both ethical and unethical actions committed by stakeholders.  In addition, students will master the ability to come up with alternative solutions that are by definition more ethical to these studies.  Lastly, students will demonstrate their overall knowledge of bioethics by planning for a computer or video game that demands ethical decisions and administers consequences.  As well, the planning process requires the usage of multiple forms of technology.  Through the practices of this course, students are made to hold some responsibilities to the well-being of our world as a whole.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The Power of Media&#039;&#039;&#039; (David B and Kari)&lt;br /&gt;
&lt;br /&gt;
This course will challenge students to look at the way in which the media impacts society. Looking at different forms of media (ie. television, the radio, the internet, newspapers/magazines) the following issues will be addressed: how does the media shape reality, who is the targeted audience, the ability of technology to communicate, and the influence that the media has on everyday life. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The History of Communication Throughout the 20th Century&#039;&#039;&#039; (JP and Dorianna)&lt;br /&gt;
This course will examine the evolution of communication throughout the 20th century and how this process affected important historical events, eras and trends. Students will look at how various communication technologies, such as AM radio, television, and the internet, were employed during the century and what events/phenomenons they facilitated. Central themes to be studied will include war and conflict, popular culture, and globalization.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Music Media&#039;&#039;&#039; (David and Andrew)&lt;br /&gt;
Investigation of lyrical content with respect to audience. Investigation into lyrical content and political message. The study of the interaction between lyrical message and music video message.  This course will provide for students opportunities to observe aspects of social, political, and cultural history through the lens of instrumental music.  In regards to tonality, style, and timbre, the directions in which genres of music evolved heavily reflected the social conditions of eras; it is impossible, for example, to separate the violence associated wit the modern Civil Rights Movement from the sound of 1960s avant-garde jazz.  Students will analyze such connections in a variety of ways, such as by sampling various music selections that will be supplemented with pertaining historical contexts. &lt;br /&gt;
[[Category: Curriculum and Pedagogy]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Critical Media Studies in Film and Television&#039;&#039;&#039; (Alex and Fred)&lt;br /&gt;
This course will focus on pop culture film and television media of the 20th and 21st centuries.  Students will develop a critical awareness of how media messages are constructed in the world of film and television.  Students will make use of media literacy methodologies to deconstruct and critically analyze meaning in a series of film and television screenings.  Students will also read texts and view documentaries critiquing pop culture film and telesion.  The course will culminate in the students utilizing these critical skills to create their own critical documentary.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Intro to Media Studies&#039;&#039;&#039; (Matthew and Stasia)&lt;br /&gt;
This course will introduce students to the concept of media studies and what it entails - what is media, the history of media, the influence of media on society, the different forms of media, etc.  It will provide a foundation for future, more focused courses, and will establish the analytical skills necessary for students to navigate todays dynamic media landscape.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Media: Issues and Technology 12&#039;&#039;&#039; (Paul and Sara)&lt;br /&gt;
This course deals with media depictions of controversial issues facing the world today. Each issue will be looked at through one of television/film, radio, print, and internet. The technology aspect of the course covers media production, and students will gain experience working in each of the major forms of media. After analyzing issues, students will be asked to produce their own representations of those issues in a skills-based, technological approach.&lt;br /&gt;
&lt;br /&gt;
   &lt;br /&gt;
&amp;quot;Stereotypes in TV &amp;amp; Film: Changes Over Time&amp;quot; -Sarah K, Jenn O, Jenn M&lt;br /&gt;
&lt;br /&gt;
This course will examine the way that stereotypes are portrayed in TV and Film. It will look in depth at the changes in stereotypes as a reflection of society. Topics considered will include gender/sexuality, minorities, women and society in general.&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;External Resources&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
[http://www.pixton.com Pixton - &#039;Free&#039; Online Comic Maker]&lt;br /&gt;
      &lt;br /&gt;
&lt;br /&gt;
[[Category:EDCP]]&lt;/div&gt;</summary>
		<author><name>Stephenpetrina</name></author>
	</entry>
	<entry>
		<id>https://wiki.ubc.ca/index.php?title=Course:EDCP481&amp;diff=521010</id>
		<title>Course:EDCP481</title>
		<link rel="alternate" type="text/html" href="https://wiki.ubc.ca/index.php?title=Course:EDCP481&amp;diff=521010"/>
		<updated>2018-07-03T03:51:23Z</updated>

		<summary type="html">&lt;p&gt;Stephenpetrina: /* Media Studies (Across the Curriculum) */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== &#039;&#039;&#039;Summer 2a 2018&#039;&#039;&#039; ==&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy. Media studies is a dynamic discipline tailored to exploring a range of concepts or techniques. In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement. Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy. Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum. Hence, this course balances practice with ethical, legal, and theoretical aspects and emphasizes the design of curriculum and courses for teaching media studies and for integrating media literacy across the curriculum. This year&#039;s section of EDCP 481 focuses on meaningful media by and for children and youth. All media productions add meaning but those providing deep meaning are necessarily unique.  [Link to the EDCP 481  Resource page http://blogs.ubc.ca/etec/courses-2/edcp-481/].&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Textbook (Media Study Guide) Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a section-- Media Study Guide-- of a textbook, which is being designed and written for grades K-3, 4-5, 6-7, 8-10 or 11-12 students) &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 Media Study Guide &#039;&#039;Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2017&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy. Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding. In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement. Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy. Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum. Hence, this course balances practice with ethical, legal, and theoretical aspects and emphasizes the design of curriculum and courses for teaching media studies and for integrating media literacy across the curriculum.  [Link to the EDCP 481  Resource page http://blogs.ubc.ca/etec/courses-2/edcp-481/].&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
== Textbook (Media Study Guide) Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a section-- Media Study Guide-- of a textbook, which is being designed and written for grades K-3, 4-5, 6-7, 8-10 or 11-12 students) &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 Media Study Guide &#039;&#039;Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2016&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy. Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding. In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement. Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy. Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum. Hence, this course balances practice with ethical, legal, and theoretical aspects and emphasizes the design of curriculum and courses for teaching media studies and for integrating media literacy across the curriculum.  [Link to the EDCP 481  Resource page http://blogs.ubc.ca/etec/courses-2/edcp-481/].&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Link to the EDCP 481 Textbook (Media Study Guides) co-authored by the  students  http://blogs.ubc.ca/etec/courses-2/edcp-481/&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Textbook (Media Study Guide) Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a section-- Media Study Guide-- of a textbook, which is being designed and written for grade 8-10 or 11-12 students):&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;2017 Guides&#039;&#039;&#039; &amp;lt;br&amp;gt;&lt;br /&gt;
Dawson, Sonya, Mark, Curtis: The Lorax&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 Media Study Guide Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
xx &amp;lt;br&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The Matrix - Brooke, David, Harrison, Jordan&lt;br /&gt;
&lt;br /&gt;
Harry Potter- Alysha, Sat, Arshbir, Manjot&lt;br /&gt;
&lt;br /&gt;
X-Men- Sam and Katia&lt;br /&gt;
&lt;br /&gt;
Interstellar: Mike, Stephen, Yoohoon, and Paul.&lt;br /&gt;
&lt;br /&gt;
Call of Duty Zombies: Hermano, Wells, Mikey, Mike&lt;br /&gt;
&lt;br /&gt;
Avatar: Vardip, Jeongbae&lt;br /&gt;
&lt;br /&gt;
== BAA Course Planning Section ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The direct link to the example BAA is:&#039;&#039;&#039; &amp;lt;br&amp;gt;&lt;br /&gt;
http://www.bced.gov.bc.ca/greenschools/sustcoursecontent.htm&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the BAA Course here:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 BA/A Topics&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The Business of Media - Brooke, Harrison, Jordan&lt;br /&gt;
&lt;br /&gt;
Who Controls the Media (11/12)- Sam Jeongbae, David E, Vardip &lt;br /&gt;
&lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Sat, Arshbir, Alysha &amp;amp; Manjot - Media influences across disciplines&lt;br /&gt;
&lt;br /&gt;
Katia, Stephen, Mike, and Paul: Publishing&lt;br /&gt;
&lt;br /&gt;
Hermano, Wells, Mikey, Mike: Theatre, Film and Media Studies&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2011&#039;&#039;&#039;==&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy.  Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding.  In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement.  Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy.  Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum.  Hence, this course emphasizes ethical, legal, and theoretical aspects and the design of curriculum and courses for teaching media education or media studies and for integrating media literacy across the curriculum.  [Link to the EDCP 481  Resource page http://m1.cust.educ.ubc.ca:16080/tsedgrad/?page_id=460].&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Link to the EDCP 481 Textbook (Media Study Guides) co-authored by the  students  http://blogs.ubc.ca/etec/courses-2/edcp-481/&#039;&#039;&#039;&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Student Planning Space&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== Textbook (Media Study Guide) Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a section-- Media Study Guide-- of a textbook, which is being designed and written for grade 8-10 or 11-12 students):&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 Media Study Guide Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
xx &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Dianna Stashuk and Adam Alvaro - &amp;quot;Lost&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Melissa Evans and Shaun Beach- &amp;quot;Family&amp;quot; Shows (exploring the representations of family, past and present)&lt;br /&gt;
&lt;br /&gt;
Brian, Peter &amp;amp; Tyler - Need for Speed&lt;br /&gt;
&lt;br /&gt;
Michelle Fatkin and Chelsea Campbell - &amp;quot;Mean Girls&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Tom Froh and Peter Maxwell - &amp;quot;16 and Pregnant&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Nick De Santis and Nam Pham- &amp;quot;127 Hours&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Chris Flannelly and Grace Woo - &amp;quot;Freedom Writers&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Lucas Mann and Marie-Anne Hellinckx - Film Review &amp;quot;Ma vie en rose&amp;quot; to address issues of homophobia.&lt;br /&gt;
&lt;br /&gt;
Stephanie Malloy and Jon Schmidt-&amp;quot;My Sister&#039;s Keeper&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 951 Media Study Guide Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
xx&lt;br /&gt;
&lt;br /&gt;
Adam Deboer and Alvin Lui - The Dark Knight&lt;br /&gt;
&lt;br /&gt;
Kelly Skehill and Kat Ast - &amp;quot;Thirteen&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Ashley MacKenzie and Alex Thureau - &amp;quot;One Week&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Wendy Sigaty and Haley Lucas - &amp;quot;Avatar&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Kady Huhn &amp;amp; Hannah Yu- &amp;quot;Into the Wild&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Fay Sterne &amp;amp; Brittaney Boone - &amp;quot;The Office&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Rachel Fales &amp;amp; Jennifer Visser - &amp;quot;Wall-E&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Yik Wah Penner &amp;amp; Chris Howey - &amp;quot;Little Ms. Sunshine&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Lance Peters &amp;amp; Al McKillop - &#039;Lord of the Rings&#039; (I know, it&#039;s a little ambitious.)&lt;br /&gt;
&lt;br /&gt;
Ashley Bayles &amp;amp; Danny Nann - &amp;quot;The Simpsons&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Jenn O, Jenn M, Sarah K - &amp;quot;Schindler&#039;s List&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Alexander McKechnie - Mythology and Popular Music&lt;br /&gt;
&lt;br /&gt;
Mark Brown - &amp;quot;Bright Star&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Sarah James and Lillian Ryan - &amp;quot;Food Inc.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Michael Bui &amp;amp; Jennifer Neff - Outsourced&lt;br /&gt;
&lt;br /&gt;
== BAA Course Planning Section ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The direct link to the example BAA is:&#039;&#039;&#039; &amp;lt;br&amp;gt;&lt;br /&gt;
http://www.bced.gov.bc.ca/greenschools/sustcoursecontent.htm&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the BAA Course here:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 BA/A Topics&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Brian, Peter &amp;amp; Tyler - GAME ON! Video Game Play as Text: Critical Reading for Gamers     &lt;br /&gt;
&lt;br /&gt;
Dianna Stashuk and Adam Alvaro - Media and Canadian Identity&lt;br /&gt;
&lt;br /&gt;
Melissa Evans and Shaun Beach - Youth and advertising--This course will explore the industry of advertising, focusing specifically on how advertisers target youth through TV commercials, product placement, and endorsements. There will also be some discussion on advertisement law and various opportunities to critically analyse advertisements made in the industry and in the classroom. Students will be able to create their own advertisements based on what they have learned about the laws and techniques used in the industry.&lt;br /&gt;
&lt;br /&gt;
Michelle Fatkin and Chelsea Campbell - Acquiring Wisdom through Media&lt;br /&gt;
&lt;br /&gt;
In this course, we want students to understand that media is not simply entertainment. Rather, we want them to see that they can acquire wisdom through observing the actions and consequences of others in TV/film, and through analyzing the subtleties of messages in advertisements, print, and other forms. &lt;br /&gt;
&lt;br /&gt;
Taha and Kara - Apocalypse in Media&lt;br /&gt;
&lt;br /&gt;
Stef and Jess aka...Jeff - Seeing with your ears: An introduction to media through music&lt;br /&gt;
&lt;br /&gt;
This course looks at the relationship between music and the media by analysing historical and political events effects on music.  It focuses on the power of music and it&#039;s affect on the media.  We will also look at the power of the media and it&#039;s control over the message of popular music.  By focusing on a timeline one can easily see the changes in music and it&#039;s message due to events occurring all over the world.&lt;br /&gt;
&lt;br /&gt;
Nick De Santis and Nam Pham - &amp;quot;Add me as a Friend&amp;quot;: Deconstructing Social Media&lt;br /&gt;
       &lt;br /&gt;
&lt;br /&gt;
This course will explore the current trends in social media and how they have influenced our society. In particular, we will examine Facebook and Twitter, the two most popular forms of this media. The focus of this course will be to educate students on the benefits and dangers of using social media and to critically analyze the prevalence of social media in today’s society. By the end of this course, each student will be able to use social media to their maximum positive benefit.&lt;br /&gt;
&lt;br /&gt;
Thomas Froh and Peter Maxwell - &amp;quot;The Man&amp;quot; Behind the Message&lt;br /&gt;
&lt;br /&gt;
This course will work towards answering the question of whether there is a person or organization controlling the messages we receive in the media, and if so, who or what are they and to what end?  Specifically, the course will examine large television corporations and whether or not they work to shape popular perspective in news broadcasts, television programming, etc.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Paul and Rhonda - Music Videos and Pop Culture&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course will explore the question; Are music videos a product of pop culture or pop culture and product of music videos? The course will critically analyse the key media literacy aspects of production, analysis and audience. Due to the sometimes sensitive content of music videos it is important for students to deconstruct the specifics behind the media consumption, production and regulation.&lt;br /&gt;
&lt;br /&gt;
  &lt;br /&gt;
&lt;br /&gt;
Rupinder and Parmjeet: Attitude is everything!! Aquiring positive attitude through media.&lt;br /&gt;
&lt;br /&gt;
This course will focus on developing positive attitude through media productions, such as film, television, print etc. We want students to show how to use media&#039;s positive side to develop good attitude habits. &lt;br /&gt;
&lt;br /&gt;
Michael &amp;amp; John - &amp;quot;Mickey Wants You” – How Disney Won the War &lt;br /&gt;
&lt;br /&gt;
In this course, students will analyse and identify historical examples of Disney products to better understand bias, impact, and opinions.  This course has been designed with the target of engaging students in history and its contexts with products of Disney media. Students will learn and gain skills in the ability to think critically, detect biases, and learn to read and develop media products for use in their own lives.  &lt;br /&gt;
      &lt;br /&gt;
Chris and Grace - Multiculturalism in the Media&lt;br /&gt;
&lt;br /&gt;
Marie-Anne and Lucas - Francophone cinema&lt;br /&gt;
                    &lt;br /&gt;
This course has been designed to encourage students to have a better appreciation for Francophone cinema, to help them examine and identify the values and cultural differences in films and have a better understanding of Francophone culture. They will be able to apply critical thinking to film analyses and appreciations. A collaborative and safe atmosphere will be provided to foster creative expression in film production and media representation.  &lt;br /&gt;
      &lt;br /&gt;
&#039;&#039;&#039;Section 951 BA/A Topics&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Kelly Skehill and Kat Ast - &amp;quot;Media: The Inside Scoop&amp;quot;&lt;br /&gt;
&lt;br /&gt;
This course will expose students to the positive and negative influences media has on people.  It will have students analyze Social Networking, Advertising, Hollywood Movies, Documentaries and Music.  The goal is for students to gain the critical analysis and information skills necessary to become intelligent, competent consumers and creators of media messages (Considine, 2003).   &lt;br /&gt;
&lt;br /&gt;
Adam Deboer and Alvin Lui - Music, Culture, and Technology&lt;br /&gt;
&lt;br /&gt;
Ashley MacKenzie and Alex Thureau - Reality Television Production: This course will introduce students to the medium of television. Students will learn the pre-production, production and post-production steps required to produce their own reality television episode. Students will leave the course with the ability to objectively analyze television media.   &lt;br /&gt;
&lt;br /&gt;
Kady Huhn &amp;amp; Hannah Yu-Media &amp;amp; Identity-This course will explore the ways in which personal identity is constructed and mediated through media and will analyze how popular culture such as film, music, television and print media impact identity and behaviour. It will also look at the ways in which social media has impacted identity construction online and focus on the implications this has on the safety of social networking.&lt;br /&gt;
      &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Wendy Sigaty &amp;amp; Haley Lucas - Social Values in Media Through History&#039;&#039;&#039;&lt;br /&gt;
Students will use various media (Print, Television, Film, Music, etc) to examine how our social values (Race Relations, Relationships, Gender Roles, Sexuality, Religion, Family, Lifestyle, etc) have changed from biblical times to the present.    &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Rachel Fales &amp;amp; Jennifer Visser - &#039;&#039;Film Studies- An Analysis of Superheroes&#039;&#039;&#039;&#039;&#039; - This course intends to analyze Superheroes in films. This course will chronologically follow Superheroes as they have been adapted from comic books (ie. Superman 1978) to Hollywood Blockbusters and the idea of sequels, exploring a variety of topics during each film. Students will question genre, originality, race, gender, sexuality, public vs. private (dual) identities, villains vs. victims, technology and remediation of Superhero films. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Michael Bui &amp;amp; Jennifer Neff - Sociology and the Media 11/12&#039;&#039;&#039; -  This course examines culture and the construction of identity through shifts in media.  Trends in visual media, advancements in technology and social media will be looked at under the lens of sociology. Students will identify the ways media can influence the creation and disintegration of stereotypes.  Students will analyze different perceptions represented through these mediums of technology and how this adds to the development of new youth culture. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analyzing Modern Animated Satire 11/12&#039;&#039;&#039; (Fay Sterne &amp;amp; Brittaney Boone) - Students will take a critical look at &#039;&#039;The Simpsons&#039;&#039;, &#039;&#039;Family Guy&#039;&#039;, and &#039;&#039;South Park&#039;&#039; as satirical representations of modern North American society.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Graham Haigh &amp;amp; Dean Morris&#039;&#039;&#039; Teaching Media through the examination of Political Campaigns. Students will evaluate, analyze, political media. Students will also create their own commercial, poster, National address, attack add, or some other media presentation relating to the study of politics.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ashley Bayles &amp;amp; Danny Nann - Media &amp;amp; Popular Culture&#039;&#039;&#039;&lt;br /&gt;
- This course will examine the way in which media has an impact on cultural production and vice versa. What is popular culture? What role does the media have on the production of popular culture? Is popular culture an authentic representation of our cultural values as a society, or is it impacted by the media and if so, how? We will look into how the social and culture environment is formed and what role it has on media and vice versa. This course will examine popular culture as a concept on its own and through its representation in different forms of media. &lt;br /&gt;
&lt;br /&gt;
Yik Wah Penner &amp;amp; Chris Howey - Manufacturing Identity in the Media: This course will examine the ways in which media creates identities which are often shaped by stereotype. Our goal will be to explore the social and cultural relevance of these produced identities in the day to day lives of students.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lance Peters &amp;amp; Al McKillop - Using current media to access classic literature&#039;&#039;&#039;&lt;br /&gt;
We plan to look at various media, with a particular focus on using contemporary media such as podcasting, film, games, graphic novels, wikis, etc. to access &#039;classic&#039; literature such as Shakespeare, Melville, Dickens, Tolkien and others.&lt;br /&gt;
&lt;br /&gt;
Mark Brown and Alex McKechnie - Popular Music Studies&lt;br /&gt;
This course looks at the images, text, and music of popular songs and videos, and the relationships and meanings found therein. Students will develop appreciation, as well as, analytical and critical thinking skills to help them navigate through the multiple images, values, and meanings found within popular music and music videos&lt;br /&gt;
&lt;br /&gt;
 &lt;br /&gt;
Lillian Ryan &amp;amp; Sarah James (documentary film studies)&lt;br /&gt;
&lt;br /&gt;
Sat, Arshbir, Alysha and Manjot (Media influences across disciplines)&lt;br /&gt;
&lt;br /&gt;
== PSA Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;952 Planning: &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Time = 30 to 60 seconds&lt;br /&gt;
Theme = Unique to Group&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;951 Planning: &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Time = 30 to 60 seconds&lt;br /&gt;
Theme = Unique to Group&lt;br /&gt;
&lt;br /&gt;
The Scaffolders-Brittaney Boone, Jennifer Visser, Kady Huhn, Yik Penner, Chris Howey, Faye Sterne&lt;br /&gt;
&lt;br /&gt;
High-Def (HD): Mark, Alvin, Rachel, Jennifer N, Michael, Adam   [http://youtu.be/9u3Rhw9jdiE Cyber-bullying PSA]&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2010&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy.  Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding.  In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement.  The course provides a survey of media studies and new media with an emphasis on media education and literacy.  Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum.  Hence, this course emphasizes ethical, legal, and theoretical aspects and the design of curriculum and courses for teaching media education or media studies and for integrating media literacy across the curriculum. [Link to the EDCP 481 Resource page http://m1.cust.educ.ubc.ca:16080/tsedgrad/?page_id=366]. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Student Planning Space&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== Textbook Curriculum Planning Section ==&lt;br /&gt;
&lt;br /&gt;
Download the Media Studies 11-12 Textbook written by EDCP 481 students: http://m1.cust.educ.ubc.ca:16080/tsedgrad/?page_id=366&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Table of Contents&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;1. Who/What are The Media?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Who / What is a Journalist? (Paul Korczyk &amp;amp; Sara Newham)&amp;lt;br&amp;gt;&lt;br /&gt;
Web 2.0 (Matthew Palmer &amp;amp; Stasia Siscoe)&amp;lt;br&amp;gt; &lt;br /&gt;
Social Networking and the Media (Esther Yong &amp;amp; Gideon Lin)&amp;lt;br&amp;gt; &lt;br /&gt;
Teen Age, Teen Ad (Shelagh &amp;amp; Sean)&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;2. News or Entertainment&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Blurring Line Between Television News and Entertainment (Herleen Malli &amp;amp; Jagroop Nagra)&amp;lt;br&amp;gt; &lt;br /&gt;
Celebrity Culture (Magda Misiak &amp;amp; Jo-Anne McKee)&amp;lt;br&amp;gt; &lt;br /&gt;
The Prevalence of Violence in the Media (Cameron Vand&#039;Erkamps &amp;amp; Daljit Purewal)&amp;lt;br&amp;gt; &lt;br /&gt;
School on Television: Reality vs. Depiction (Greg Rushton &amp;amp; Sheryl Reinhardt)&amp;lt;br&amp;gt; &lt;br /&gt;
Fashion Trends and Media Representations (Balkiran Dusanj &amp;amp; Shirley Lal)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3. Bias and Perspective&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David Bron &amp;amp; Kari White)&amp;lt;br&amp;gt; &lt;br /&gt;
Editing: An Inquiry into Ideological Stance (David Mergens &amp;amp; Andrew Crawford)&amp;lt;br&amp;gt;&lt;br /&gt;
The use of Propaganda in Modern Society (Kiran Basi &amp;amp; Mike Byun)&amp;lt;br&amp;gt;&lt;br /&gt;
Storytelling and Media (Elle Kay &amp;amp; Rochelle Patten)&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;4. Culture and Technology&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Media Consumption in the Digital Age (Caleb Bouey &amp;amp; Gabrielle Rougeau)&amp;lt;br&amp;gt; &lt;br /&gt;
Technology and the Evolution of Music (JP Lancaster &amp;amp; Dorianna Chessa)&amp;lt;br&amp;gt; &lt;br /&gt;
Literature Adaptations and Interpretations in the Media (Sarah McNeil &amp;amp; Victoria Yip)&amp;lt;br&amp;gt; &lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary Yang &amp;amp; Liang You)&amp;lt;br&amp;gt; &lt;br /&gt;
Copyright in the Information Age (Ken Vimalesan &amp;amp; Jen Fehlauer)&amp;lt;br&amp;gt;&lt;br /&gt;
Appropriation and Art: Issues of Copyright in Image Production (Alex Reed &amp;amp; Fred Beitler)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a 4 page section of a textbook, which is being designed and written for grade 10-12 students):&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
e.g., Teen Age, Teen Ad (Shelagh &amp;amp; Sean)&lt;br /&gt;
Cable News (Bert &amp;amp; Ernie)&lt;br /&gt;
Web 2.0 (Stasia &amp;amp; Matthew)&lt;br /&gt;
Storytelling and Media (Rochelle and Elle)&lt;br /&gt;
Literature Adaptations and Interpretations in the Media (Victoria &amp;amp; Sarah)&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David &amp;amp; Kari)&lt;br /&gt;
Fashion Trends and Media Representations (Balkiran &amp;amp; Shirley)&lt;br /&gt;
Who/What is a Journalist? (Paul and Sara)&lt;br /&gt;
Celebrity Gossip as News (Magda and Jo-Anne)&lt;br /&gt;
Social Networking and the Media (Esther and Gideon)&lt;br /&gt;
Editing; An Inquiry into Ideological Stance (David and Andrew)&lt;br /&gt;
The blurring line between television news and entertainment (Herleen and Jag)&lt;br /&gt;
The prevelance of violence in the media (Cam and Dal)&lt;br /&gt;
Technology and the Evolution of Music (JP and Dorianna)&lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary and Liang)&lt;br /&gt;
The use of propaganda in modern society (Kiran and Mike)&lt;br /&gt;
Media Consumption in the Digital Age (Caleb and Gabby)&lt;br /&gt;
School on Television: Reality vs. Depiction (Greg and Sheryl)&lt;br /&gt;
Copyright in the Information Age (Ken and Jen)&lt;br /&gt;
Appropriation and Art: Issues of copyright in image production (Alex and Fred)&lt;br /&gt;
&lt;br /&gt;
Here are a couple possible ways to break down the book with some (wild) guesses about where each topic might fit. Thoughts? (Thanks Jen-- awesome work!)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;1. Who/What are The Media?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Who/What is a Journalist? (Paul and Sara)&amp;lt;br&amp;gt;&lt;br /&gt;
The blurring line between television news and entertainment (Herleen and Jag) &amp;lt;br&amp;gt;&lt;br /&gt;
Celebrity Gossip as News (Magda and Jo-Anne) &amp;lt;br&amp;gt;&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David &amp;amp; Kari) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;2. Who/What is Represented?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Editing: An Inquiry into Ideological Stance (David and Andrew)&amp;lt;br&amp;gt;&lt;br /&gt;
The use of propaganda in modern society (Kiran and Mike)&amp;lt;br&amp;gt;&lt;br /&gt;
School on Television: Reality vs. Depiction (Greg and Sheryl)&amp;lt;br&amp;gt; &lt;br /&gt;
The prevalence of violence in the media (Cam and Dal) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3. Web 2.0&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Web 2.0 (Stasia &amp;amp; Matthew) &amp;lt;br&amp;gt;&lt;br /&gt;
Social Networking and the Media (Esther and Gideon) &amp;lt;br&amp;gt;&lt;br /&gt;
Copyright in the Information Age (Ken and Jen)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;4. The Evolution of Culture&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Technology and the Evolution of Music (JP and Dorianna)&amp;lt;br&amp;gt; &lt;br /&gt;
Storytelling and Media (Rochelle and Leanna) &amp;lt;br&amp;gt;&lt;br /&gt;
Film Adaptations of &#039;&#039;Alice&#039;s Adventures in Wonderland&#039;&#039; (Victoria &amp;amp; Sarah) &amp;lt;br&amp;gt;&lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary and Liang) &amp;lt;br&amp;gt;&lt;br /&gt;
Appropriation and Art: Issues of copyright in image production (Alex and Fred)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;5. Economics of Technology&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Teen Age, Teen Ad (Shelagh &amp;amp; Sean) &amp;lt;br&amp;gt;&lt;br /&gt;
Fashion Trends and Media Representations (Balkiran &amp;amp; Shirley)&amp;lt;br&amp;gt;&lt;br /&gt;
Media Consumption in the Digital Age (Caleb and Gabby) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;B&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;1. Who/What are The Media?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Who/What is a Journalist? (Paul and Sara)&amp;lt;br&amp;gt;&lt;br /&gt;
Web 2.0 (Stasia &amp;amp; Matthew) &amp;lt;br&amp;gt;&lt;br /&gt;
Social Networking and the Media (Esther and Gideon) &amp;lt;br&amp;gt;&lt;br /&gt;
Teen Age, Teen Ad (Shelagh &amp;amp; Sean) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;2. News or Entertainment&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The blurring line between television news and entertainment (Herleen and Jag) &amp;lt;br&amp;gt;&lt;br /&gt;
Celebrity Gossip as News (Magda and Jo-Anne) &amp;lt;br&amp;gt;&lt;br /&gt;
The prevalence of violence in the media (Cam and Dal) &amp;lt;br&amp;gt;&lt;br /&gt;
School on Television: Reality vs. Depiction (Greg and Sheryl) &amp;lt;br&amp;gt;&lt;br /&gt;
Fashion Trends and Media Representations (Balkiran &amp;amp; Shirley)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3. Bias and Perspective&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David &amp;amp; Kari) &amp;lt;br&amp;gt;&lt;br /&gt;
Editing: An Inquiry into Ideological Stance (David and Andrew)&amp;lt;br&amp;gt;&lt;br /&gt;
The use of propaganda in modern society (Kiran and Mike)&amp;lt;br&amp;gt;&lt;br /&gt;
Storytelling and Media (Elle &amp;amp; Rochelle) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;4. Culture and Technology&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Media Consumption in the Digital Age (Caleb and Gabby) &amp;lt;br&amp;gt;&lt;br /&gt;
Technology and the Evolution of Music (JP and Dorianna) &amp;lt;br&amp;gt;&lt;br /&gt;
Literature Adaptations and Interpretations in the Media (Victoria &amp;amp; Sarah) &amp;lt;br&amp;gt;&lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary and Liang) &amp;lt;br&amp;gt;&lt;br /&gt;
Copyright in the Information Age (Ken and Jen)&amp;lt;br&amp;gt;&lt;br /&gt;
Appropriation and Art: Issues of copyright in image production (Alex and Fred)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== BAA Course Planning Section ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Media and Advertising 11&#039;&#039;&#039;(Ken and Jen)&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
This course will prepare students to deconstruct and understand how media impact their lives and decisions. Students will learn and apply the concepts of audience, purpose and argument through an analysis of advertising across various media.  Students will understand how advertising creates and appeals to cultural values which will prepare them to be informed and active citizens in a media-saturated world.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Identity, Pop Culture and Media 12&#039;&#039;&#039; (Rochelle and Leanna)&lt;br /&gt;
-portrayals of gender, age, race, sexuality, beauty, and wealth in Pop Culture and the Media and how these construct and affirm our beliefs and personal and corporate identity&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Societal and Cultural Values in Media 12&#039;&#039;&#039; (Gideon &amp;amp; Esther)&lt;br /&gt;
&amp;lt;br&amp;gt; An overview analysis of television, film, pop culture and advertising and how, within these mediums, certain societal and cultural values are propagated and reflected. It is important for students to be aware and analytical of what they view/listen to etc, in order to be critical of what values are being (re)presented by the media.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;From The Page to the Stage, and Beyond: Literary Adaptations in the Media&#039;&#039;&#039; (Victoria &amp;amp; Sarah)&lt;br /&gt;
&amp;lt;br&amp;gt;Increasingly, the first exposure that young people have to literature is through television, film, or Internet adaptations.  This course will help students understand the transformation that a work goes through as it travels from the page to another medium, and will explore adaptations of popular works for the stage, radio, television, film, and Internet.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Music and Technology 11/12&#039;&#039;&#039; (Greg and Sheryl)&lt;br /&gt;
This course will examine the ways in which technology has changed the way that music is created, perceived and consumed.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;History lives -An examination of historical events through film&amp;quot;&#039;&#039;&#039; (Mike and Kiran)&lt;br /&gt;
This course will consider various points in history through the medium of film. A careful examination of movies that deal with historical events will be analyzed with respect to the underlying message portrayed in the film. This course will consider the political and social aspects as well as the historical context and how it is portrayed by the media.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A Game Making Approach to Bioethics&#039;&#039;&#039; (Mary and Liang)&lt;br /&gt;
&amp;lt;br&amp;gt;This course is meant to consider the ethical issues associated with the studies of current science that incorporate biology and technology. With some knowledge on high school biology, students will develop a basic understanding of these science studies.  Through collecting science media, students will learn about the occurrence and the relevancy of these studies to their daily lives.  With some discussions, students will identify both ethical and unethical actions committed by stakeholders.  In addition, students will master the ability to come up with alternative solutions that are by definition more ethical to these studies.  Lastly, students will demonstrate their overall knowledge of bioethics by planning for a computer or video game that demands ethical decisions and administers consequences.  As well, the planning process requires the usage of multiple forms of technology.  Through the practices of this course, students are made to hold some responsibilities to the well-being of our world as a whole.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The Power of Media&#039;&#039;&#039; (David B and Kari)&lt;br /&gt;
&lt;br /&gt;
This course will challenge students to look at the way in which the media impacts society. Looking at different forms of media (ie. television, the radio, the internet, newspapers/magazines) the following issues will be addressed: how does the media shape reality, who is the targeted audience, the ability of technology to communicate, and the influence that the media has on everyday life. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The History of Communication Throughout the 20th Century&#039;&#039;&#039; (JP and Dorianna)&lt;br /&gt;
This course will examine the evolution of communication throughout the 20th century and how this process affected important historical events, eras and trends. Students will look at how various communication technologies, such as AM radio, television, and the internet, were employed during the century and what events/phenomenons they facilitated. Central themes to be studied will include war and conflict, popular culture, and globalization.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Music Media&#039;&#039;&#039; (David and Andrew)&lt;br /&gt;
Investigation of lyrical content with respect to audience. Investigation into lyrical content and political message. The study of the interaction between lyrical message and music video message.  This course will provide for students opportunities to observe aspects of social, political, and cultural history through the lens of instrumental music.  In regards to tonality, style, and timbre, the directions in which genres of music evolved heavily reflected the social conditions of eras; it is impossible, for example, to separate the violence associated wit the modern Civil Rights Movement from the sound of 1960s avant-garde jazz.  Students will analyze such connections in a variety of ways, such as by sampling various music selections that will be supplemented with pertaining historical contexts. &lt;br /&gt;
[[Category: Curriculum and Pedagogy]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Critical Media Studies in Film and Television&#039;&#039;&#039; (Alex and Fred)&lt;br /&gt;
This course will focus on pop culture film and television media of the 20th and 21st centuries.  Students will develop a critical awareness of how media messages are constructed in the world of film and television.  Students will make use of media literacy methodologies to deconstruct and critically analyze meaning in a series of film and television screenings.  Students will also read texts and view documentaries critiquing pop culture film and telesion.  The course will culminate in the students utilizing these critical skills to create their own critical documentary.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Intro to Media Studies&#039;&#039;&#039; (Matthew and Stasia)&lt;br /&gt;
This course will introduce students to the concept of media studies and what it entails - what is media, the history of media, the influence of media on society, the different forms of media, etc.  It will provide a foundation for future, more focused courses, and will establish the analytical skills necessary for students to navigate todays dynamic media landscape.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Media: Issues and Technology 12&#039;&#039;&#039; (Paul and Sara)&lt;br /&gt;
This course deals with media depictions of controversial issues facing the world today. Each issue will be looked at through one of television/film, radio, print, and internet. The technology aspect of the course covers media production, and students will gain experience working in each of the major forms of media. After analyzing issues, students will be asked to produce their own representations of those issues in a skills-based, technological approach.&lt;br /&gt;
&lt;br /&gt;
   &lt;br /&gt;
&amp;quot;Stereotypes in TV &amp;amp; Film: Changes Over Time&amp;quot; -Sarah K, Jenn O, Jenn M&lt;br /&gt;
&lt;br /&gt;
This course will examine the way that stereotypes are portrayed in TV and Film. It will look in depth at the changes in stereotypes as a reflection of society. Topics considered will include gender/sexuality, minorities, women and society in general.&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;External Resources&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
[http://www.pixton.com Pixton - &#039;Free&#039; Online Comic Maker]&lt;br /&gt;
      &lt;br /&gt;
&lt;br /&gt;
[[Category:EDCP]]&lt;/div&gt;</summary>
		<author><name>Stephenpetrina</name></author>
	</entry>
	<entry>
		<id>https://wiki.ubc.ca/index.php?title=Course:EDCP481&amp;diff=521009</id>
		<title>Course:EDCP481</title>
		<link rel="alternate" type="text/html" href="https://wiki.ubc.ca/index.php?title=Course:EDCP481&amp;diff=521009"/>
		<updated>2018-07-03T03:49:59Z</updated>

		<summary type="html">&lt;p&gt;Stephenpetrina: /* Textbook (Media Study Guide) Planning Section */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== &#039;&#039;&#039;Summer 2a 2018&#039;&#039;&#039; ==&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy. Media studies is a dynamic discipline tailored to exploring a range of concepts or techniques. In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement. Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy. Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum. Hence, this course balances practice with ethical, legal, and theoretical aspects and emphasizes the design of curriculum and courses for teaching media studies and for integrating media literacy across the curriculum. This year&#039;s section of EDCP 481 focuses on meaningful media by and for children and youth. All media productions add meaning but those providing deep meaning are necessarily unique.  [Link to the EDCP 481  Resource page http://blogs.ubc.ca/etec/courses-2/edcp-481/].&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2017&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy. Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding. In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement. Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy. Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum. Hence, this course balances practice with ethical, legal, and theoretical aspects and emphasizes the design of curriculum and courses for teaching media studies and for integrating media literacy across the curriculum.  [Link to the EDCP 481  Resource page http://blogs.ubc.ca/etec/courses-2/edcp-481/].&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
== Textbook (Media Study Guide) Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a section-- Media Study Guide-- of a textbook, which is being designed and written for grades K-3, 4-5, 6-7, 8-10 or 11-12 students) &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 Media Study Guide &#039;&#039;Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2016&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy. Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding. In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement. Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy. Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum. Hence, this course balances practice with ethical, legal, and theoretical aspects and emphasizes the design of curriculum and courses for teaching media studies and for integrating media literacy across the curriculum.  [Link to the EDCP 481  Resource page http://blogs.ubc.ca/etec/courses-2/edcp-481/].&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Link to the EDCP 481 Textbook (Media Study Guides) co-authored by the  students  http://blogs.ubc.ca/etec/courses-2/edcp-481/&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Textbook (Media Study Guide) Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a section-- Media Study Guide-- of a textbook, which is being designed and written for grade 8-10 or 11-12 students):&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;2017 Guides&#039;&#039;&#039; &amp;lt;br&amp;gt;&lt;br /&gt;
Dawson, Sonya, Mark, Curtis: The Lorax&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 Media Study Guide Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
xx &amp;lt;br&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The Matrix - Brooke, David, Harrison, Jordan&lt;br /&gt;
&lt;br /&gt;
Harry Potter- Alysha, Sat, Arshbir, Manjot&lt;br /&gt;
&lt;br /&gt;
X-Men- Sam and Katia&lt;br /&gt;
&lt;br /&gt;
Interstellar: Mike, Stephen, Yoohoon, and Paul.&lt;br /&gt;
&lt;br /&gt;
Call of Duty Zombies: Hermano, Wells, Mikey, Mike&lt;br /&gt;
&lt;br /&gt;
Avatar: Vardip, Jeongbae&lt;br /&gt;
&lt;br /&gt;
== BAA Course Planning Section ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The direct link to the example BAA is:&#039;&#039;&#039; &amp;lt;br&amp;gt;&lt;br /&gt;
http://www.bced.gov.bc.ca/greenschools/sustcoursecontent.htm&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the BAA Course here:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 BA/A Topics&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The Business of Media - Brooke, Harrison, Jordan&lt;br /&gt;
&lt;br /&gt;
Who Controls the Media (11/12)- Sam Jeongbae, David E, Vardip &lt;br /&gt;
&lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Sat, Arshbir, Alysha &amp;amp; Manjot - Media influences across disciplines&lt;br /&gt;
&lt;br /&gt;
Katia, Stephen, Mike, and Paul: Publishing&lt;br /&gt;
&lt;br /&gt;
Hermano, Wells, Mikey, Mike: Theatre, Film and Media Studies&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2011&#039;&#039;&#039;==&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy.  Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding.  In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement.  Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy.  Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum.  Hence, this course emphasizes ethical, legal, and theoretical aspects and the design of curriculum and courses for teaching media education or media studies and for integrating media literacy across the curriculum.  [Link to the EDCP 481  Resource page http://m1.cust.educ.ubc.ca:16080/tsedgrad/?page_id=460].&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Link to the EDCP 481 Textbook (Media Study Guides) co-authored by the  students  http://blogs.ubc.ca/etec/courses-2/edcp-481/&#039;&#039;&#039;&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Student Planning Space&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== Textbook (Media Study Guide) Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a section-- Media Study Guide-- of a textbook, which is being designed and written for grade 8-10 or 11-12 students):&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 Media Study Guide Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
xx &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Dianna Stashuk and Adam Alvaro - &amp;quot;Lost&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Melissa Evans and Shaun Beach- &amp;quot;Family&amp;quot; Shows (exploring the representations of family, past and present)&lt;br /&gt;
&lt;br /&gt;
Brian, Peter &amp;amp; Tyler - Need for Speed&lt;br /&gt;
&lt;br /&gt;
Michelle Fatkin and Chelsea Campbell - &amp;quot;Mean Girls&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Tom Froh and Peter Maxwell - &amp;quot;16 and Pregnant&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Nick De Santis and Nam Pham- &amp;quot;127 Hours&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Chris Flannelly and Grace Woo - &amp;quot;Freedom Writers&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Lucas Mann and Marie-Anne Hellinckx - Film Review &amp;quot;Ma vie en rose&amp;quot; to address issues of homophobia.&lt;br /&gt;
&lt;br /&gt;
Stephanie Malloy and Jon Schmidt-&amp;quot;My Sister&#039;s Keeper&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 951 Media Study Guide Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
xx&lt;br /&gt;
&lt;br /&gt;
Adam Deboer and Alvin Lui - The Dark Knight&lt;br /&gt;
&lt;br /&gt;
Kelly Skehill and Kat Ast - &amp;quot;Thirteen&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Ashley MacKenzie and Alex Thureau - &amp;quot;One Week&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Wendy Sigaty and Haley Lucas - &amp;quot;Avatar&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Kady Huhn &amp;amp; Hannah Yu- &amp;quot;Into the Wild&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Fay Sterne &amp;amp; Brittaney Boone - &amp;quot;The Office&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Rachel Fales &amp;amp; Jennifer Visser - &amp;quot;Wall-E&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Yik Wah Penner &amp;amp; Chris Howey - &amp;quot;Little Ms. Sunshine&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Lance Peters &amp;amp; Al McKillop - &#039;Lord of the Rings&#039; (I know, it&#039;s a little ambitious.)&lt;br /&gt;
&lt;br /&gt;
Ashley Bayles &amp;amp; Danny Nann - &amp;quot;The Simpsons&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Jenn O, Jenn M, Sarah K - &amp;quot;Schindler&#039;s List&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Alexander McKechnie - Mythology and Popular Music&lt;br /&gt;
&lt;br /&gt;
Mark Brown - &amp;quot;Bright Star&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Sarah James and Lillian Ryan - &amp;quot;Food Inc.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Michael Bui &amp;amp; Jennifer Neff - Outsourced&lt;br /&gt;
&lt;br /&gt;
== BAA Course Planning Section ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The direct link to the example BAA is:&#039;&#039;&#039; &amp;lt;br&amp;gt;&lt;br /&gt;
http://www.bced.gov.bc.ca/greenschools/sustcoursecontent.htm&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the BAA Course here:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 BA/A Topics&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Brian, Peter &amp;amp; Tyler - GAME ON! Video Game Play as Text: Critical Reading for Gamers     &lt;br /&gt;
&lt;br /&gt;
Dianna Stashuk and Adam Alvaro - Media and Canadian Identity&lt;br /&gt;
&lt;br /&gt;
Melissa Evans and Shaun Beach - Youth and advertising--This course will explore the industry of advertising, focusing specifically on how advertisers target youth through TV commercials, product placement, and endorsements. There will also be some discussion on advertisement law and various opportunities to critically analyse advertisements made in the industry and in the classroom. Students will be able to create their own advertisements based on what they have learned about the laws and techniques used in the industry.&lt;br /&gt;
&lt;br /&gt;
Michelle Fatkin and Chelsea Campbell - Acquiring Wisdom through Media&lt;br /&gt;
&lt;br /&gt;
In this course, we want students to understand that media is not simply entertainment. Rather, we want them to see that they can acquire wisdom through observing the actions and consequences of others in TV/film, and through analyzing the subtleties of messages in advertisements, print, and other forms. &lt;br /&gt;
&lt;br /&gt;
Taha and Kara - Apocalypse in Media&lt;br /&gt;
&lt;br /&gt;
Stef and Jess aka...Jeff - Seeing with your ears: An introduction to media through music&lt;br /&gt;
&lt;br /&gt;
This course looks at the relationship between music and the media by analysing historical and political events effects on music.  It focuses on the power of music and it&#039;s affect on the media.  We will also look at the power of the media and it&#039;s control over the message of popular music.  By focusing on a timeline one can easily see the changes in music and it&#039;s message due to events occurring all over the world.&lt;br /&gt;
&lt;br /&gt;
Nick De Santis and Nam Pham - &amp;quot;Add me as a Friend&amp;quot;: Deconstructing Social Media&lt;br /&gt;
       &lt;br /&gt;
&lt;br /&gt;
This course will explore the current trends in social media and how they have influenced our society. In particular, we will examine Facebook and Twitter, the two most popular forms of this media. The focus of this course will be to educate students on the benefits and dangers of using social media and to critically analyze the prevalence of social media in today’s society. By the end of this course, each student will be able to use social media to their maximum positive benefit.&lt;br /&gt;
&lt;br /&gt;
Thomas Froh and Peter Maxwell - &amp;quot;The Man&amp;quot; Behind the Message&lt;br /&gt;
&lt;br /&gt;
This course will work towards answering the question of whether there is a person or organization controlling the messages we receive in the media, and if so, who or what are they and to what end?  Specifically, the course will examine large television corporations and whether or not they work to shape popular perspective in news broadcasts, television programming, etc.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Paul and Rhonda - Music Videos and Pop Culture&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course will explore the question; Are music videos a product of pop culture or pop culture and product of music videos? The course will critically analyse the key media literacy aspects of production, analysis and audience. Due to the sometimes sensitive content of music videos it is important for students to deconstruct the specifics behind the media consumption, production and regulation.&lt;br /&gt;
&lt;br /&gt;
  &lt;br /&gt;
&lt;br /&gt;
Rupinder and Parmjeet: Attitude is everything!! Aquiring positive attitude through media.&lt;br /&gt;
&lt;br /&gt;
This course will focus on developing positive attitude through media productions, such as film, television, print etc. We want students to show how to use media&#039;s positive side to develop good attitude habits. &lt;br /&gt;
&lt;br /&gt;
Michael &amp;amp; John - &amp;quot;Mickey Wants You” – How Disney Won the War &lt;br /&gt;
&lt;br /&gt;
In this course, students will analyse and identify historical examples of Disney products to better understand bias, impact, and opinions.  This course has been designed with the target of engaging students in history and its contexts with products of Disney media. Students will learn and gain skills in the ability to think critically, detect biases, and learn to read and develop media products for use in their own lives.  &lt;br /&gt;
      &lt;br /&gt;
Chris and Grace - Multiculturalism in the Media&lt;br /&gt;
&lt;br /&gt;
Marie-Anne and Lucas - Francophone cinema&lt;br /&gt;
                    &lt;br /&gt;
This course has been designed to encourage students to have a better appreciation for Francophone cinema, to help them examine and identify the values and cultural differences in films and have a better understanding of Francophone culture. They will be able to apply critical thinking to film analyses and appreciations. A collaborative and safe atmosphere will be provided to foster creative expression in film production and media representation.  &lt;br /&gt;
      &lt;br /&gt;
&#039;&#039;&#039;Section 951 BA/A Topics&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Kelly Skehill and Kat Ast - &amp;quot;Media: The Inside Scoop&amp;quot;&lt;br /&gt;
&lt;br /&gt;
This course will expose students to the positive and negative influences media has on people.  It will have students analyze Social Networking, Advertising, Hollywood Movies, Documentaries and Music.  The goal is for students to gain the critical analysis and information skills necessary to become intelligent, competent consumers and creators of media messages (Considine, 2003).   &lt;br /&gt;
&lt;br /&gt;
Adam Deboer and Alvin Lui - Music, Culture, and Technology&lt;br /&gt;
&lt;br /&gt;
Ashley MacKenzie and Alex Thureau - Reality Television Production: This course will introduce students to the medium of television. Students will learn the pre-production, production and post-production steps required to produce their own reality television episode. Students will leave the course with the ability to objectively analyze television media.   &lt;br /&gt;
&lt;br /&gt;
Kady Huhn &amp;amp; Hannah Yu-Media &amp;amp; Identity-This course will explore the ways in which personal identity is constructed and mediated through media and will analyze how popular culture such as film, music, television and print media impact identity and behaviour. It will also look at the ways in which social media has impacted identity construction online and focus on the implications this has on the safety of social networking.&lt;br /&gt;
      &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Wendy Sigaty &amp;amp; Haley Lucas - Social Values in Media Through History&#039;&#039;&#039;&lt;br /&gt;
Students will use various media (Print, Television, Film, Music, etc) to examine how our social values (Race Relations, Relationships, Gender Roles, Sexuality, Religion, Family, Lifestyle, etc) have changed from biblical times to the present.    &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Rachel Fales &amp;amp; Jennifer Visser - &#039;&#039;Film Studies- An Analysis of Superheroes&#039;&#039;&#039;&#039;&#039; - This course intends to analyze Superheroes in films. This course will chronologically follow Superheroes as they have been adapted from comic books (ie. Superman 1978) to Hollywood Blockbusters and the idea of sequels, exploring a variety of topics during each film. Students will question genre, originality, race, gender, sexuality, public vs. private (dual) identities, villains vs. victims, technology and remediation of Superhero films. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Michael Bui &amp;amp; Jennifer Neff - Sociology and the Media 11/12&#039;&#039;&#039; -  This course examines culture and the construction of identity through shifts in media.  Trends in visual media, advancements in technology and social media will be looked at under the lens of sociology. Students will identify the ways media can influence the creation and disintegration of stereotypes.  Students will analyze different perceptions represented through these mediums of technology and how this adds to the development of new youth culture. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analyzing Modern Animated Satire 11/12&#039;&#039;&#039; (Fay Sterne &amp;amp; Brittaney Boone) - Students will take a critical look at &#039;&#039;The Simpsons&#039;&#039;, &#039;&#039;Family Guy&#039;&#039;, and &#039;&#039;South Park&#039;&#039; as satirical representations of modern North American society.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Graham Haigh &amp;amp; Dean Morris&#039;&#039;&#039; Teaching Media through the examination of Political Campaigns. Students will evaluate, analyze, political media. Students will also create their own commercial, poster, National address, attack add, or some other media presentation relating to the study of politics.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ashley Bayles &amp;amp; Danny Nann - Media &amp;amp; Popular Culture&#039;&#039;&#039;&lt;br /&gt;
- This course will examine the way in which media has an impact on cultural production and vice versa. What is popular culture? What role does the media have on the production of popular culture? Is popular culture an authentic representation of our cultural values as a society, or is it impacted by the media and if so, how? We will look into how the social and culture environment is formed and what role it has on media and vice versa. This course will examine popular culture as a concept on its own and through its representation in different forms of media. &lt;br /&gt;
&lt;br /&gt;
Yik Wah Penner &amp;amp; Chris Howey - Manufacturing Identity in the Media: This course will examine the ways in which media creates identities which are often shaped by stereotype. Our goal will be to explore the social and cultural relevance of these produced identities in the day to day lives of students.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lance Peters &amp;amp; Al McKillop - Using current media to access classic literature&#039;&#039;&#039;&lt;br /&gt;
We plan to look at various media, with a particular focus on using contemporary media such as podcasting, film, games, graphic novels, wikis, etc. to access &#039;classic&#039; literature such as Shakespeare, Melville, Dickens, Tolkien and others.&lt;br /&gt;
&lt;br /&gt;
Mark Brown and Alex McKechnie - Popular Music Studies&lt;br /&gt;
This course looks at the images, text, and music of popular songs and videos, and the relationships and meanings found therein. Students will develop appreciation, as well as, analytical and critical thinking skills to help them navigate through the multiple images, values, and meanings found within popular music and music videos&lt;br /&gt;
&lt;br /&gt;
 &lt;br /&gt;
Lillian Ryan &amp;amp; Sarah James (documentary film studies)&lt;br /&gt;
&lt;br /&gt;
Sat, Arshbir, Alysha and Manjot (Media influences across disciplines)&lt;br /&gt;
&lt;br /&gt;
== PSA Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;952 Planning: &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Time = 30 to 60 seconds&lt;br /&gt;
Theme = Unique to Group&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;951 Planning: &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Time = 30 to 60 seconds&lt;br /&gt;
Theme = Unique to Group&lt;br /&gt;
&lt;br /&gt;
The Scaffolders-Brittaney Boone, Jennifer Visser, Kady Huhn, Yik Penner, Chris Howey, Faye Sterne&lt;br /&gt;
&lt;br /&gt;
High-Def (HD): Mark, Alvin, Rachel, Jennifer N, Michael, Adam   [http://youtu.be/9u3Rhw9jdiE Cyber-bullying PSA]&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2010&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy.  Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding.  In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement.  The course provides a survey of media studies and new media with an emphasis on media education and literacy.  Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum.  Hence, this course emphasizes ethical, legal, and theoretical aspects and the design of curriculum and courses for teaching media education or media studies and for integrating media literacy across the curriculum. [Link to the EDCP 481 Resource page http://m1.cust.educ.ubc.ca:16080/tsedgrad/?page_id=366]. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Student Planning Space&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== Textbook Curriculum Planning Section ==&lt;br /&gt;
&lt;br /&gt;
Download the Media Studies 11-12 Textbook written by EDCP 481 students: http://m1.cust.educ.ubc.ca:16080/tsedgrad/?page_id=366&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Table of Contents&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;1. Who/What are The Media?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Who / What is a Journalist? (Paul Korczyk &amp;amp; Sara Newham)&amp;lt;br&amp;gt;&lt;br /&gt;
Web 2.0 (Matthew Palmer &amp;amp; Stasia Siscoe)&amp;lt;br&amp;gt; &lt;br /&gt;
Social Networking and the Media (Esther Yong &amp;amp; Gideon Lin)&amp;lt;br&amp;gt; &lt;br /&gt;
Teen Age, Teen Ad (Shelagh &amp;amp; Sean)&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;2. News or Entertainment&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Blurring Line Between Television News and Entertainment (Herleen Malli &amp;amp; Jagroop Nagra)&amp;lt;br&amp;gt; &lt;br /&gt;
Celebrity Culture (Magda Misiak &amp;amp; Jo-Anne McKee)&amp;lt;br&amp;gt; &lt;br /&gt;
The Prevalence of Violence in the Media (Cameron Vand&#039;Erkamps &amp;amp; Daljit Purewal)&amp;lt;br&amp;gt; &lt;br /&gt;
School on Television: Reality vs. Depiction (Greg Rushton &amp;amp; Sheryl Reinhardt)&amp;lt;br&amp;gt; &lt;br /&gt;
Fashion Trends and Media Representations (Balkiran Dusanj &amp;amp; Shirley Lal)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3. Bias and Perspective&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David Bron &amp;amp; Kari White)&amp;lt;br&amp;gt; &lt;br /&gt;
Editing: An Inquiry into Ideological Stance (David Mergens &amp;amp; Andrew Crawford)&amp;lt;br&amp;gt;&lt;br /&gt;
The use of Propaganda in Modern Society (Kiran Basi &amp;amp; Mike Byun)&amp;lt;br&amp;gt;&lt;br /&gt;
Storytelling and Media (Elle Kay &amp;amp; Rochelle Patten)&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;4. Culture and Technology&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Media Consumption in the Digital Age (Caleb Bouey &amp;amp; Gabrielle Rougeau)&amp;lt;br&amp;gt; &lt;br /&gt;
Technology and the Evolution of Music (JP Lancaster &amp;amp; Dorianna Chessa)&amp;lt;br&amp;gt; &lt;br /&gt;
Literature Adaptations and Interpretations in the Media (Sarah McNeil &amp;amp; Victoria Yip)&amp;lt;br&amp;gt; &lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary Yang &amp;amp; Liang You)&amp;lt;br&amp;gt; &lt;br /&gt;
Copyright in the Information Age (Ken Vimalesan &amp;amp; Jen Fehlauer)&amp;lt;br&amp;gt;&lt;br /&gt;
Appropriation and Art: Issues of Copyright in Image Production (Alex Reed &amp;amp; Fred Beitler)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a 4 page section of a textbook, which is being designed and written for grade 10-12 students):&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
e.g., Teen Age, Teen Ad (Shelagh &amp;amp; Sean)&lt;br /&gt;
Cable News (Bert &amp;amp; Ernie)&lt;br /&gt;
Web 2.0 (Stasia &amp;amp; Matthew)&lt;br /&gt;
Storytelling and Media (Rochelle and Elle)&lt;br /&gt;
Literature Adaptations and Interpretations in the Media (Victoria &amp;amp; Sarah)&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David &amp;amp; Kari)&lt;br /&gt;
Fashion Trends and Media Representations (Balkiran &amp;amp; Shirley)&lt;br /&gt;
Who/What is a Journalist? (Paul and Sara)&lt;br /&gt;
Celebrity Gossip as News (Magda and Jo-Anne)&lt;br /&gt;
Social Networking and the Media (Esther and Gideon)&lt;br /&gt;
Editing; An Inquiry into Ideological Stance (David and Andrew)&lt;br /&gt;
The blurring line between television news and entertainment (Herleen and Jag)&lt;br /&gt;
The prevelance of violence in the media (Cam and Dal)&lt;br /&gt;
Technology and the Evolution of Music (JP and Dorianna)&lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary and Liang)&lt;br /&gt;
The use of propaganda in modern society (Kiran and Mike)&lt;br /&gt;
Media Consumption in the Digital Age (Caleb and Gabby)&lt;br /&gt;
School on Television: Reality vs. Depiction (Greg and Sheryl)&lt;br /&gt;
Copyright in the Information Age (Ken and Jen)&lt;br /&gt;
Appropriation and Art: Issues of copyright in image production (Alex and Fred)&lt;br /&gt;
&lt;br /&gt;
Here are a couple possible ways to break down the book with some (wild) guesses about where each topic might fit. Thoughts? (Thanks Jen-- awesome work!)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;1. Who/What are The Media?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Who/What is a Journalist? (Paul and Sara)&amp;lt;br&amp;gt;&lt;br /&gt;
The blurring line between television news and entertainment (Herleen and Jag) &amp;lt;br&amp;gt;&lt;br /&gt;
Celebrity Gossip as News (Magda and Jo-Anne) &amp;lt;br&amp;gt;&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David &amp;amp; Kari) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;2. Who/What is Represented?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Editing: An Inquiry into Ideological Stance (David and Andrew)&amp;lt;br&amp;gt;&lt;br /&gt;
The use of propaganda in modern society (Kiran and Mike)&amp;lt;br&amp;gt;&lt;br /&gt;
School on Television: Reality vs. Depiction (Greg and Sheryl)&amp;lt;br&amp;gt; &lt;br /&gt;
The prevalence of violence in the media (Cam and Dal) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3. Web 2.0&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Web 2.0 (Stasia &amp;amp; Matthew) &amp;lt;br&amp;gt;&lt;br /&gt;
Social Networking and the Media (Esther and Gideon) &amp;lt;br&amp;gt;&lt;br /&gt;
Copyright in the Information Age (Ken and Jen)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;4. The Evolution of Culture&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Technology and the Evolution of Music (JP and Dorianna)&amp;lt;br&amp;gt; &lt;br /&gt;
Storytelling and Media (Rochelle and Leanna) &amp;lt;br&amp;gt;&lt;br /&gt;
Film Adaptations of &#039;&#039;Alice&#039;s Adventures in Wonderland&#039;&#039; (Victoria &amp;amp; Sarah) &amp;lt;br&amp;gt;&lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary and Liang) &amp;lt;br&amp;gt;&lt;br /&gt;
Appropriation and Art: Issues of copyright in image production (Alex and Fred)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;5. Economics of Technology&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Teen Age, Teen Ad (Shelagh &amp;amp; Sean) &amp;lt;br&amp;gt;&lt;br /&gt;
Fashion Trends and Media Representations (Balkiran &amp;amp; Shirley)&amp;lt;br&amp;gt;&lt;br /&gt;
Media Consumption in the Digital Age (Caleb and Gabby) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;B&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;1. Who/What are The Media?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Who/What is a Journalist? (Paul and Sara)&amp;lt;br&amp;gt;&lt;br /&gt;
Web 2.0 (Stasia &amp;amp; Matthew) &amp;lt;br&amp;gt;&lt;br /&gt;
Social Networking and the Media (Esther and Gideon) &amp;lt;br&amp;gt;&lt;br /&gt;
Teen Age, Teen Ad (Shelagh &amp;amp; Sean) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;2. News or Entertainment&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The blurring line between television news and entertainment (Herleen and Jag) &amp;lt;br&amp;gt;&lt;br /&gt;
Celebrity Gossip as News (Magda and Jo-Anne) &amp;lt;br&amp;gt;&lt;br /&gt;
The prevalence of violence in the media (Cam and Dal) &amp;lt;br&amp;gt;&lt;br /&gt;
School on Television: Reality vs. Depiction (Greg and Sheryl) &amp;lt;br&amp;gt;&lt;br /&gt;
Fashion Trends and Media Representations (Balkiran &amp;amp; Shirley)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3. Bias and Perspective&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David &amp;amp; Kari) &amp;lt;br&amp;gt;&lt;br /&gt;
Editing: An Inquiry into Ideological Stance (David and Andrew)&amp;lt;br&amp;gt;&lt;br /&gt;
The use of propaganda in modern society (Kiran and Mike)&amp;lt;br&amp;gt;&lt;br /&gt;
Storytelling and Media (Elle &amp;amp; Rochelle) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;4. Culture and Technology&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Media Consumption in the Digital Age (Caleb and Gabby) &amp;lt;br&amp;gt;&lt;br /&gt;
Technology and the Evolution of Music (JP and Dorianna) &amp;lt;br&amp;gt;&lt;br /&gt;
Literature Adaptations and Interpretations in the Media (Victoria &amp;amp; Sarah) &amp;lt;br&amp;gt;&lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary and Liang) &amp;lt;br&amp;gt;&lt;br /&gt;
Copyright in the Information Age (Ken and Jen)&amp;lt;br&amp;gt;&lt;br /&gt;
Appropriation and Art: Issues of copyright in image production (Alex and Fred)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== BAA Course Planning Section ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Media and Advertising 11&#039;&#039;&#039;(Ken and Jen)&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
This course will prepare students to deconstruct and understand how media impact their lives and decisions. Students will learn and apply the concepts of audience, purpose and argument through an analysis of advertising across various media.  Students will understand how advertising creates and appeals to cultural values which will prepare them to be informed and active citizens in a media-saturated world.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Identity, Pop Culture and Media 12&#039;&#039;&#039; (Rochelle and Leanna)&lt;br /&gt;
-portrayals of gender, age, race, sexuality, beauty, and wealth in Pop Culture and the Media and how these construct and affirm our beliefs and personal and corporate identity&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Societal and Cultural Values in Media 12&#039;&#039;&#039; (Gideon &amp;amp; Esther)&lt;br /&gt;
&amp;lt;br&amp;gt; An overview analysis of television, film, pop culture and advertising and how, within these mediums, certain societal and cultural values are propagated and reflected. It is important for students to be aware and analytical of what they view/listen to etc, in order to be critical of what values are being (re)presented by the media.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;From The Page to the Stage, and Beyond: Literary Adaptations in the Media&#039;&#039;&#039; (Victoria &amp;amp; Sarah)&lt;br /&gt;
&amp;lt;br&amp;gt;Increasingly, the first exposure that young people have to literature is through television, film, or Internet adaptations.  This course will help students understand the transformation that a work goes through as it travels from the page to another medium, and will explore adaptations of popular works for the stage, radio, television, film, and Internet.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Music and Technology 11/12&#039;&#039;&#039; (Greg and Sheryl)&lt;br /&gt;
This course will examine the ways in which technology has changed the way that music is created, perceived and consumed.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;History lives -An examination of historical events through film&amp;quot;&#039;&#039;&#039; (Mike and Kiran)&lt;br /&gt;
This course will consider various points in history through the medium of film. A careful examination of movies that deal with historical events will be analyzed with respect to the underlying message portrayed in the film. This course will consider the political and social aspects as well as the historical context and how it is portrayed by the media.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A Game Making Approach to Bioethics&#039;&#039;&#039; (Mary and Liang)&lt;br /&gt;
&amp;lt;br&amp;gt;This course is meant to consider the ethical issues associated with the studies of current science that incorporate biology and technology. With some knowledge on high school biology, students will develop a basic understanding of these science studies.  Through collecting science media, students will learn about the occurrence and the relevancy of these studies to their daily lives.  With some discussions, students will identify both ethical and unethical actions committed by stakeholders.  In addition, students will master the ability to come up with alternative solutions that are by definition more ethical to these studies.  Lastly, students will demonstrate their overall knowledge of bioethics by planning for a computer or video game that demands ethical decisions and administers consequences.  As well, the planning process requires the usage of multiple forms of technology.  Through the practices of this course, students are made to hold some responsibilities to the well-being of our world as a whole.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The Power of Media&#039;&#039;&#039; (David B and Kari)&lt;br /&gt;
&lt;br /&gt;
This course will challenge students to look at the way in which the media impacts society. Looking at different forms of media (ie. television, the radio, the internet, newspapers/magazines) the following issues will be addressed: how does the media shape reality, who is the targeted audience, the ability of technology to communicate, and the influence that the media has on everyday life. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The History of Communication Throughout the 20th Century&#039;&#039;&#039; (JP and Dorianna)&lt;br /&gt;
This course will examine the evolution of communication throughout the 20th century and how this process affected important historical events, eras and trends. Students will look at how various communication technologies, such as AM radio, television, and the internet, were employed during the century and what events/phenomenons they facilitated. Central themes to be studied will include war and conflict, popular culture, and globalization.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Music Media&#039;&#039;&#039; (David and Andrew)&lt;br /&gt;
Investigation of lyrical content with respect to audience. Investigation into lyrical content and political message. The study of the interaction between lyrical message and music video message.  This course will provide for students opportunities to observe aspects of social, political, and cultural history through the lens of instrumental music.  In regards to tonality, style, and timbre, the directions in which genres of music evolved heavily reflected the social conditions of eras; it is impossible, for example, to separate the violence associated wit the modern Civil Rights Movement from the sound of 1960s avant-garde jazz.  Students will analyze such connections in a variety of ways, such as by sampling various music selections that will be supplemented with pertaining historical contexts. &lt;br /&gt;
[[Category: Curriculum and Pedagogy]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Critical Media Studies in Film and Television&#039;&#039;&#039; (Alex and Fred)&lt;br /&gt;
This course will focus on pop culture film and television media of the 20th and 21st centuries.  Students will develop a critical awareness of how media messages are constructed in the world of film and television.  Students will make use of media literacy methodologies to deconstruct and critically analyze meaning in a series of film and television screenings.  Students will also read texts and view documentaries critiquing pop culture film and telesion.  The course will culminate in the students utilizing these critical skills to create their own critical documentary.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Intro to Media Studies&#039;&#039;&#039; (Matthew and Stasia)&lt;br /&gt;
This course will introduce students to the concept of media studies and what it entails - what is media, the history of media, the influence of media on society, the different forms of media, etc.  It will provide a foundation for future, more focused courses, and will establish the analytical skills necessary for students to navigate todays dynamic media landscape.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Media: Issues and Technology 12&#039;&#039;&#039; (Paul and Sara)&lt;br /&gt;
This course deals with media depictions of controversial issues facing the world today. Each issue will be looked at through one of television/film, radio, print, and internet. The technology aspect of the course covers media production, and students will gain experience working in each of the major forms of media. After analyzing issues, students will be asked to produce their own representations of those issues in a skills-based, technological approach.&lt;br /&gt;
&lt;br /&gt;
   &lt;br /&gt;
&amp;quot;Stereotypes in TV &amp;amp; Film: Changes Over Time&amp;quot; -Sarah K, Jenn O, Jenn M&lt;br /&gt;
&lt;br /&gt;
This course will examine the way that stereotypes are portrayed in TV and Film. It will look in depth at the changes in stereotypes as a reflection of society. Topics considered will include gender/sexuality, minorities, women and society in general.&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;External Resources&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
[http://www.pixton.com Pixton - &#039;Free&#039; Online Comic Maker]&lt;br /&gt;
      &lt;br /&gt;
&lt;br /&gt;
[[Category:EDCP]]&lt;/div&gt;</summary>
		<author><name>Stephenpetrina</name></author>
	</entry>
	<entry>
		<id>https://wiki.ubc.ca/index.php?title=Course:EDCP481&amp;diff=521008</id>
		<title>Course:EDCP481</title>
		<link rel="alternate" type="text/html" href="https://wiki.ubc.ca/index.php?title=Course:EDCP481&amp;diff=521008"/>
		<updated>2018-07-03T03:48:31Z</updated>

		<summary type="html">&lt;p&gt;Stephenpetrina: /* Media Studies (Across the Curriculum) */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== &#039;&#039;&#039;Summer 2a 2018&#039;&#039;&#039; ==&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy. Media studies is a dynamic discipline tailored to exploring a range of concepts or techniques. In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement. Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy. Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum. Hence, this course balances practice with ethical, legal, and theoretical aspects and emphasizes the design of curriculum and courses for teaching media studies and for integrating media literacy across the curriculum. This year&#039;s section of EDCP 481 focuses on meaningful media by and for children and youth. All media productions add meaning but those providing deep meaning are necessarily unique.  [Link to the EDCP 481  Resource page http://blogs.ubc.ca/etec/courses-2/edcp-481/].&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2017&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy. Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding. In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement. Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy. Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum. Hence, this course balances practice with ethical, legal, and theoretical aspects and emphasizes the design of curriculum and courses for teaching media studies and for integrating media literacy across the curriculum.  [Link to the EDCP 481  Resource page http://blogs.ubc.ca/etec/courses-2/edcp-481/].&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
== Textbook (Media Study Guide) Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a section-- Media Study Guide-- of a textbook, which is being designed and written for grade 8-10 or 11-12 students) &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 Media Study Guide &#039;&#039;Animation&#039;&#039; Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Michelle, Melissa &amp;amp; Linda - INSIDE OUT&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Zootopia&amp;quot;&lt;br /&gt;
Alex, Christa, Christabel&lt;br /&gt;
&lt;br /&gt;
Cars - Mike&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Much Ado About Nothing&amp;quot; Taylor Tuson&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Wire Cutter&amp;quot;- Marshal, Derek, Gavin&lt;br /&gt;
&lt;br /&gt;
&amp;quot;The Legend of Zelda&amp;quot; - Steph Martyniuk&lt;br /&gt;
&lt;br /&gt;
&amp;quot;The Little Mermaid&amp;quot; - Grant, Nancy, Ali&lt;br /&gt;
&lt;br /&gt;
&amp;quot;The Lord of the Rings&amp;quot; - Anton, Liam- feat Jared&lt;br /&gt;
&lt;br /&gt;
&amp;quot;The Sweater&amp;quot; - Chris&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Finding Dory&amp;quot; - Christian Won, Kim Mui, Amanjot Sangha&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2016&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy. Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding. In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement. Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy. Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum. Hence, this course balances practice with ethical, legal, and theoretical aspects and emphasizes the design of curriculum and courses for teaching media studies and for integrating media literacy across the curriculum.  [Link to the EDCP 481  Resource page http://blogs.ubc.ca/etec/courses-2/edcp-481/].&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Link to the EDCP 481 Textbook (Media Study Guides) co-authored by the  students  http://blogs.ubc.ca/etec/courses-2/edcp-481/&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Textbook (Media Study Guide) Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a section-- Media Study Guide-- of a textbook, which is being designed and written for grade 8-10 or 11-12 students):&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;2017 Guides&#039;&#039;&#039; &amp;lt;br&amp;gt;&lt;br /&gt;
Dawson, Sonya, Mark, Curtis: The Lorax&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 Media Study Guide Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
xx &amp;lt;br&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The Matrix - Brooke, David, Harrison, Jordan&lt;br /&gt;
&lt;br /&gt;
Harry Potter- Alysha, Sat, Arshbir, Manjot&lt;br /&gt;
&lt;br /&gt;
X-Men- Sam and Katia&lt;br /&gt;
&lt;br /&gt;
Interstellar: Mike, Stephen, Yoohoon, and Paul.&lt;br /&gt;
&lt;br /&gt;
Call of Duty Zombies: Hermano, Wells, Mikey, Mike&lt;br /&gt;
&lt;br /&gt;
Avatar: Vardip, Jeongbae&lt;br /&gt;
&lt;br /&gt;
== BAA Course Planning Section ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The direct link to the example BAA is:&#039;&#039;&#039; &amp;lt;br&amp;gt;&lt;br /&gt;
http://www.bced.gov.bc.ca/greenschools/sustcoursecontent.htm&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the BAA Course here:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 BA/A Topics&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The Business of Media - Brooke, Harrison, Jordan&lt;br /&gt;
&lt;br /&gt;
Who Controls the Media (11/12)- Sam Jeongbae, David E, Vardip &lt;br /&gt;
&lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Sat, Arshbir, Alysha &amp;amp; Manjot - Media influences across disciplines&lt;br /&gt;
&lt;br /&gt;
Katia, Stephen, Mike, and Paul: Publishing&lt;br /&gt;
&lt;br /&gt;
Hermano, Wells, Mikey, Mike: Theatre, Film and Media Studies&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2011&#039;&#039;&#039;==&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy.  Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding.  In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement.  Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy.  Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum.  Hence, this course emphasizes ethical, legal, and theoretical aspects and the design of curriculum and courses for teaching media education or media studies and for integrating media literacy across the curriculum.  [Link to the EDCP 481  Resource page http://m1.cust.educ.ubc.ca:16080/tsedgrad/?page_id=460].&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Link to the EDCP 481 Textbook (Media Study Guides) co-authored by the  students  http://blogs.ubc.ca/etec/courses-2/edcp-481/&#039;&#039;&#039;&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Student Planning Space&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== Textbook (Media Study Guide) Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a section-- Media Study Guide-- of a textbook, which is being designed and written for grade 8-10 or 11-12 students):&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 Media Study Guide Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
xx &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Dianna Stashuk and Adam Alvaro - &amp;quot;Lost&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Melissa Evans and Shaun Beach- &amp;quot;Family&amp;quot; Shows (exploring the representations of family, past and present)&lt;br /&gt;
&lt;br /&gt;
Brian, Peter &amp;amp; Tyler - Need for Speed&lt;br /&gt;
&lt;br /&gt;
Michelle Fatkin and Chelsea Campbell - &amp;quot;Mean Girls&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Tom Froh and Peter Maxwell - &amp;quot;16 and Pregnant&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Nick De Santis and Nam Pham- &amp;quot;127 Hours&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Chris Flannelly and Grace Woo - &amp;quot;Freedom Writers&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Lucas Mann and Marie-Anne Hellinckx - Film Review &amp;quot;Ma vie en rose&amp;quot; to address issues of homophobia.&lt;br /&gt;
&lt;br /&gt;
Stephanie Malloy and Jon Schmidt-&amp;quot;My Sister&#039;s Keeper&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 951 Media Study Guide Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
xx&lt;br /&gt;
&lt;br /&gt;
Adam Deboer and Alvin Lui - The Dark Knight&lt;br /&gt;
&lt;br /&gt;
Kelly Skehill and Kat Ast - &amp;quot;Thirteen&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Ashley MacKenzie and Alex Thureau - &amp;quot;One Week&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Wendy Sigaty and Haley Lucas - &amp;quot;Avatar&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Kady Huhn &amp;amp; Hannah Yu- &amp;quot;Into the Wild&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Fay Sterne &amp;amp; Brittaney Boone - &amp;quot;The Office&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Rachel Fales &amp;amp; Jennifer Visser - &amp;quot;Wall-E&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Yik Wah Penner &amp;amp; Chris Howey - &amp;quot;Little Ms. Sunshine&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Lance Peters &amp;amp; Al McKillop - &#039;Lord of the Rings&#039; (I know, it&#039;s a little ambitious.)&lt;br /&gt;
&lt;br /&gt;
Ashley Bayles &amp;amp; Danny Nann - &amp;quot;The Simpsons&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Jenn O, Jenn M, Sarah K - &amp;quot;Schindler&#039;s List&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Alexander McKechnie - Mythology and Popular Music&lt;br /&gt;
&lt;br /&gt;
Mark Brown - &amp;quot;Bright Star&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Sarah James and Lillian Ryan - &amp;quot;Food Inc.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Michael Bui &amp;amp; Jennifer Neff - Outsourced&lt;br /&gt;
&lt;br /&gt;
== BAA Course Planning Section ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The direct link to the example BAA is:&#039;&#039;&#039; &amp;lt;br&amp;gt;&lt;br /&gt;
http://www.bced.gov.bc.ca/greenschools/sustcoursecontent.htm&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the BAA Course here:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 BA/A Topics&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Brian, Peter &amp;amp; Tyler - GAME ON! Video Game Play as Text: Critical Reading for Gamers     &lt;br /&gt;
&lt;br /&gt;
Dianna Stashuk and Adam Alvaro - Media and Canadian Identity&lt;br /&gt;
&lt;br /&gt;
Melissa Evans and Shaun Beach - Youth and advertising--This course will explore the industry of advertising, focusing specifically on how advertisers target youth through TV commercials, product placement, and endorsements. There will also be some discussion on advertisement law and various opportunities to critically analyse advertisements made in the industry and in the classroom. Students will be able to create their own advertisements based on what they have learned about the laws and techniques used in the industry.&lt;br /&gt;
&lt;br /&gt;
Michelle Fatkin and Chelsea Campbell - Acquiring Wisdom through Media&lt;br /&gt;
&lt;br /&gt;
In this course, we want students to understand that media is not simply entertainment. Rather, we want them to see that they can acquire wisdom through observing the actions and consequences of others in TV/film, and through analyzing the subtleties of messages in advertisements, print, and other forms. &lt;br /&gt;
&lt;br /&gt;
Taha and Kara - Apocalypse in Media&lt;br /&gt;
&lt;br /&gt;
Stef and Jess aka...Jeff - Seeing with your ears: An introduction to media through music&lt;br /&gt;
&lt;br /&gt;
This course looks at the relationship between music and the media by analysing historical and political events effects on music.  It focuses on the power of music and it&#039;s affect on the media.  We will also look at the power of the media and it&#039;s control over the message of popular music.  By focusing on a timeline one can easily see the changes in music and it&#039;s message due to events occurring all over the world.&lt;br /&gt;
&lt;br /&gt;
Nick De Santis and Nam Pham - &amp;quot;Add me as a Friend&amp;quot;: Deconstructing Social Media&lt;br /&gt;
       &lt;br /&gt;
&lt;br /&gt;
This course will explore the current trends in social media and how they have influenced our society. In particular, we will examine Facebook and Twitter, the two most popular forms of this media. The focus of this course will be to educate students on the benefits and dangers of using social media and to critically analyze the prevalence of social media in today’s society. By the end of this course, each student will be able to use social media to their maximum positive benefit.&lt;br /&gt;
&lt;br /&gt;
Thomas Froh and Peter Maxwell - &amp;quot;The Man&amp;quot; Behind the Message&lt;br /&gt;
&lt;br /&gt;
This course will work towards answering the question of whether there is a person or organization controlling the messages we receive in the media, and if so, who or what are they and to what end?  Specifically, the course will examine large television corporations and whether or not they work to shape popular perspective in news broadcasts, television programming, etc.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Paul and Rhonda - Music Videos and Pop Culture&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course will explore the question; Are music videos a product of pop culture or pop culture and product of music videos? The course will critically analyse the key media literacy aspects of production, analysis and audience. Due to the sometimes sensitive content of music videos it is important for students to deconstruct the specifics behind the media consumption, production and regulation.&lt;br /&gt;
&lt;br /&gt;
  &lt;br /&gt;
&lt;br /&gt;
Rupinder and Parmjeet: Attitude is everything!! Aquiring positive attitude through media.&lt;br /&gt;
&lt;br /&gt;
This course will focus on developing positive attitude through media productions, such as film, television, print etc. We want students to show how to use media&#039;s positive side to develop good attitude habits. &lt;br /&gt;
&lt;br /&gt;
Michael &amp;amp; John - &amp;quot;Mickey Wants You” – How Disney Won the War &lt;br /&gt;
&lt;br /&gt;
In this course, students will analyse and identify historical examples of Disney products to better understand bias, impact, and opinions.  This course has been designed with the target of engaging students in history and its contexts with products of Disney media. Students will learn and gain skills in the ability to think critically, detect biases, and learn to read and develop media products for use in their own lives.  &lt;br /&gt;
      &lt;br /&gt;
Chris and Grace - Multiculturalism in the Media&lt;br /&gt;
&lt;br /&gt;
Marie-Anne and Lucas - Francophone cinema&lt;br /&gt;
                    &lt;br /&gt;
This course has been designed to encourage students to have a better appreciation for Francophone cinema, to help them examine and identify the values and cultural differences in films and have a better understanding of Francophone culture. They will be able to apply critical thinking to film analyses and appreciations. A collaborative and safe atmosphere will be provided to foster creative expression in film production and media representation.  &lt;br /&gt;
      &lt;br /&gt;
&#039;&#039;&#039;Section 951 BA/A Topics&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Kelly Skehill and Kat Ast - &amp;quot;Media: The Inside Scoop&amp;quot;&lt;br /&gt;
&lt;br /&gt;
This course will expose students to the positive and negative influences media has on people.  It will have students analyze Social Networking, Advertising, Hollywood Movies, Documentaries and Music.  The goal is for students to gain the critical analysis and information skills necessary to become intelligent, competent consumers and creators of media messages (Considine, 2003).   &lt;br /&gt;
&lt;br /&gt;
Adam Deboer and Alvin Lui - Music, Culture, and Technology&lt;br /&gt;
&lt;br /&gt;
Ashley MacKenzie and Alex Thureau - Reality Television Production: This course will introduce students to the medium of television. Students will learn the pre-production, production and post-production steps required to produce their own reality television episode. Students will leave the course with the ability to objectively analyze television media.   &lt;br /&gt;
&lt;br /&gt;
Kady Huhn &amp;amp; Hannah Yu-Media &amp;amp; Identity-This course will explore the ways in which personal identity is constructed and mediated through media and will analyze how popular culture such as film, music, television and print media impact identity and behaviour. It will also look at the ways in which social media has impacted identity construction online and focus on the implications this has on the safety of social networking.&lt;br /&gt;
      &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Wendy Sigaty &amp;amp; Haley Lucas - Social Values in Media Through History&#039;&#039;&#039;&lt;br /&gt;
Students will use various media (Print, Television, Film, Music, etc) to examine how our social values (Race Relations, Relationships, Gender Roles, Sexuality, Religion, Family, Lifestyle, etc) have changed from biblical times to the present.    &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Rachel Fales &amp;amp; Jennifer Visser - &#039;&#039;Film Studies- An Analysis of Superheroes&#039;&#039;&#039;&#039;&#039; - This course intends to analyze Superheroes in films. This course will chronologically follow Superheroes as they have been adapted from comic books (ie. Superman 1978) to Hollywood Blockbusters and the idea of sequels, exploring a variety of topics during each film. Students will question genre, originality, race, gender, sexuality, public vs. private (dual) identities, villains vs. victims, technology and remediation of Superhero films. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Michael Bui &amp;amp; Jennifer Neff - Sociology and the Media 11/12&#039;&#039;&#039; -  This course examines culture and the construction of identity through shifts in media.  Trends in visual media, advancements in technology and social media will be looked at under the lens of sociology. Students will identify the ways media can influence the creation and disintegration of stereotypes.  Students will analyze different perceptions represented through these mediums of technology and how this adds to the development of new youth culture. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analyzing Modern Animated Satire 11/12&#039;&#039;&#039; (Fay Sterne &amp;amp; Brittaney Boone) - Students will take a critical look at &#039;&#039;The Simpsons&#039;&#039;, &#039;&#039;Family Guy&#039;&#039;, and &#039;&#039;South Park&#039;&#039; as satirical representations of modern North American society.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Graham Haigh &amp;amp; Dean Morris&#039;&#039;&#039; Teaching Media through the examination of Political Campaigns. Students will evaluate, analyze, political media. Students will also create their own commercial, poster, National address, attack add, or some other media presentation relating to the study of politics.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ashley Bayles &amp;amp; Danny Nann - Media &amp;amp; Popular Culture&#039;&#039;&#039;&lt;br /&gt;
- This course will examine the way in which media has an impact on cultural production and vice versa. What is popular culture? What role does the media have on the production of popular culture? Is popular culture an authentic representation of our cultural values as a society, or is it impacted by the media and if so, how? We will look into how the social and culture environment is formed and what role it has on media and vice versa. This course will examine popular culture as a concept on its own and through its representation in different forms of media. &lt;br /&gt;
&lt;br /&gt;
Yik Wah Penner &amp;amp; Chris Howey - Manufacturing Identity in the Media: This course will examine the ways in which media creates identities which are often shaped by stereotype. Our goal will be to explore the social and cultural relevance of these produced identities in the day to day lives of students.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lance Peters &amp;amp; Al McKillop - Using current media to access classic literature&#039;&#039;&#039;&lt;br /&gt;
We plan to look at various media, with a particular focus on using contemporary media such as podcasting, film, games, graphic novels, wikis, etc. to access &#039;classic&#039; literature such as Shakespeare, Melville, Dickens, Tolkien and others.&lt;br /&gt;
&lt;br /&gt;
Mark Brown and Alex McKechnie - Popular Music Studies&lt;br /&gt;
This course looks at the images, text, and music of popular songs and videos, and the relationships and meanings found therein. Students will develop appreciation, as well as, analytical and critical thinking skills to help them navigate through the multiple images, values, and meanings found within popular music and music videos&lt;br /&gt;
&lt;br /&gt;
 &lt;br /&gt;
Lillian Ryan &amp;amp; Sarah James (documentary film studies)&lt;br /&gt;
&lt;br /&gt;
Sat, Arshbir, Alysha and Manjot (Media influences across disciplines)&lt;br /&gt;
&lt;br /&gt;
== PSA Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;952 Planning: &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Time = 30 to 60 seconds&lt;br /&gt;
Theme = Unique to Group&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;951 Planning: &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Time = 30 to 60 seconds&lt;br /&gt;
Theme = Unique to Group&lt;br /&gt;
&lt;br /&gt;
The Scaffolders-Brittaney Boone, Jennifer Visser, Kady Huhn, Yik Penner, Chris Howey, Faye Sterne&lt;br /&gt;
&lt;br /&gt;
High-Def (HD): Mark, Alvin, Rachel, Jennifer N, Michael, Adam   [http://youtu.be/9u3Rhw9jdiE Cyber-bullying PSA]&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2010&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy.  Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding.  In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement.  The course provides a survey of media studies and new media with an emphasis on media education and literacy.  Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum.  Hence, this course emphasizes ethical, legal, and theoretical aspects and the design of curriculum and courses for teaching media education or media studies and for integrating media literacy across the curriculum. [Link to the EDCP 481 Resource page http://m1.cust.educ.ubc.ca:16080/tsedgrad/?page_id=366]. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Student Planning Space&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== Textbook Curriculum Planning Section ==&lt;br /&gt;
&lt;br /&gt;
Download the Media Studies 11-12 Textbook written by EDCP 481 students: http://m1.cust.educ.ubc.ca:16080/tsedgrad/?page_id=366&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Table of Contents&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;1. Who/What are The Media?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Who / What is a Journalist? (Paul Korczyk &amp;amp; Sara Newham)&amp;lt;br&amp;gt;&lt;br /&gt;
Web 2.0 (Matthew Palmer &amp;amp; Stasia Siscoe)&amp;lt;br&amp;gt; &lt;br /&gt;
Social Networking and the Media (Esther Yong &amp;amp; Gideon Lin)&amp;lt;br&amp;gt; &lt;br /&gt;
Teen Age, Teen Ad (Shelagh &amp;amp; Sean)&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;2. News or Entertainment&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Blurring Line Between Television News and Entertainment (Herleen Malli &amp;amp; Jagroop Nagra)&amp;lt;br&amp;gt; &lt;br /&gt;
Celebrity Culture (Magda Misiak &amp;amp; Jo-Anne McKee)&amp;lt;br&amp;gt; &lt;br /&gt;
The Prevalence of Violence in the Media (Cameron Vand&#039;Erkamps &amp;amp; Daljit Purewal)&amp;lt;br&amp;gt; &lt;br /&gt;
School on Television: Reality vs. Depiction (Greg Rushton &amp;amp; Sheryl Reinhardt)&amp;lt;br&amp;gt; &lt;br /&gt;
Fashion Trends and Media Representations (Balkiran Dusanj &amp;amp; Shirley Lal)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3. Bias and Perspective&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David Bron &amp;amp; Kari White)&amp;lt;br&amp;gt; &lt;br /&gt;
Editing: An Inquiry into Ideological Stance (David Mergens &amp;amp; Andrew Crawford)&amp;lt;br&amp;gt;&lt;br /&gt;
The use of Propaganda in Modern Society (Kiran Basi &amp;amp; Mike Byun)&amp;lt;br&amp;gt;&lt;br /&gt;
Storytelling and Media (Elle Kay &amp;amp; Rochelle Patten)&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;4. Culture and Technology&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Media Consumption in the Digital Age (Caleb Bouey &amp;amp; Gabrielle Rougeau)&amp;lt;br&amp;gt; &lt;br /&gt;
Technology and the Evolution of Music (JP Lancaster &amp;amp; Dorianna Chessa)&amp;lt;br&amp;gt; &lt;br /&gt;
Literature Adaptations and Interpretations in the Media (Sarah McNeil &amp;amp; Victoria Yip)&amp;lt;br&amp;gt; &lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary Yang &amp;amp; Liang You)&amp;lt;br&amp;gt; &lt;br /&gt;
Copyright in the Information Age (Ken Vimalesan &amp;amp; Jen Fehlauer)&amp;lt;br&amp;gt;&lt;br /&gt;
Appropriation and Art: Issues of Copyright in Image Production (Alex Reed &amp;amp; Fred Beitler)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a 4 page section of a textbook, which is being designed and written for grade 10-12 students):&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
e.g., Teen Age, Teen Ad (Shelagh &amp;amp; Sean)&lt;br /&gt;
Cable News (Bert &amp;amp; Ernie)&lt;br /&gt;
Web 2.0 (Stasia &amp;amp; Matthew)&lt;br /&gt;
Storytelling and Media (Rochelle and Elle)&lt;br /&gt;
Literature Adaptations and Interpretations in the Media (Victoria &amp;amp; Sarah)&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David &amp;amp; Kari)&lt;br /&gt;
Fashion Trends and Media Representations (Balkiran &amp;amp; Shirley)&lt;br /&gt;
Who/What is a Journalist? (Paul and Sara)&lt;br /&gt;
Celebrity Gossip as News (Magda and Jo-Anne)&lt;br /&gt;
Social Networking and the Media (Esther and Gideon)&lt;br /&gt;
Editing; An Inquiry into Ideological Stance (David and Andrew)&lt;br /&gt;
The blurring line between television news and entertainment (Herleen and Jag)&lt;br /&gt;
The prevelance of violence in the media (Cam and Dal)&lt;br /&gt;
Technology and the Evolution of Music (JP and Dorianna)&lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary and Liang)&lt;br /&gt;
The use of propaganda in modern society (Kiran and Mike)&lt;br /&gt;
Media Consumption in the Digital Age (Caleb and Gabby)&lt;br /&gt;
School on Television: Reality vs. Depiction (Greg and Sheryl)&lt;br /&gt;
Copyright in the Information Age (Ken and Jen)&lt;br /&gt;
Appropriation and Art: Issues of copyright in image production (Alex and Fred)&lt;br /&gt;
&lt;br /&gt;
Here are a couple possible ways to break down the book with some (wild) guesses about where each topic might fit. Thoughts? (Thanks Jen-- awesome work!)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;1. Who/What are The Media?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Who/What is a Journalist? (Paul and Sara)&amp;lt;br&amp;gt;&lt;br /&gt;
The blurring line between television news and entertainment (Herleen and Jag) &amp;lt;br&amp;gt;&lt;br /&gt;
Celebrity Gossip as News (Magda and Jo-Anne) &amp;lt;br&amp;gt;&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David &amp;amp; Kari) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;2. Who/What is Represented?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Editing: An Inquiry into Ideological Stance (David and Andrew)&amp;lt;br&amp;gt;&lt;br /&gt;
The use of propaganda in modern society (Kiran and Mike)&amp;lt;br&amp;gt;&lt;br /&gt;
School on Television: Reality vs. Depiction (Greg and Sheryl)&amp;lt;br&amp;gt; &lt;br /&gt;
The prevalence of violence in the media (Cam and Dal) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3. Web 2.0&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Web 2.0 (Stasia &amp;amp; Matthew) &amp;lt;br&amp;gt;&lt;br /&gt;
Social Networking and the Media (Esther and Gideon) &amp;lt;br&amp;gt;&lt;br /&gt;
Copyright in the Information Age (Ken and Jen)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;4. The Evolution of Culture&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Technology and the Evolution of Music (JP and Dorianna)&amp;lt;br&amp;gt; &lt;br /&gt;
Storytelling and Media (Rochelle and Leanna) &amp;lt;br&amp;gt;&lt;br /&gt;
Film Adaptations of &#039;&#039;Alice&#039;s Adventures in Wonderland&#039;&#039; (Victoria &amp;amp; Sarah) &amp;lt;br&amp;gt;&lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary and Liang) &amp;lt;br&amp;gt;&lt;br /&gt;
Appropriation and Art: Issues of copyright in image production (Alex and Fred)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;5. Economics of Technology&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Teen Age, Teen Ad (Shelagh &amp;amp; Sean) &amp;lt;br&amp;gt;&lt;br /&gt;
Fashion Trends and Media Representations (Balkiran &amp;amp; Shirley)&amp;lt;br&amp;gt;&lt;br /&gt;
Media Consumption in the Digital Age (Caleb and Gabby) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;B&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;1. Who/What are The Media?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Who/What is a Journalist? (Paul and Sara)&amp;lt;br&amp;gt;&lt;br /&gt;
Web 2.0 (Stasia &amp;amp; Matthew) &amp;lt;br&amp;gt;&lt;br /&gt;
Social Networking and the Media (Esther and Gideon) &amp;lt;br&amp;gt;&lt;br /&gt;
Teen Age, Teen Ad (Shelagh &amp;amp; Sean) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;2. News or Entertainment&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The blurring line between television news and entertainment (Herleen and Jag) &amp;lt;br&amp;gt;&lt;br /&gt;
Celebrity Gossip as News (Magda and Jo-Anne) &amp;lt;br&amp;gt;&lt;br /&gt;
The prevalence of violence in the media (Cam and Dal) &amp;lt;br&amp;gt;&lt;br /&gt;
School on Television: Reality vs. Depiction (Greg and Sheryl) &amp;lt;br&amp;gt;&lt;br /&gt;
Fashion Trends and Media Representations (Balkiran &amp;amp; Shirley)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3. Bias and Perspective&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David &amp;amp; Kari) &amp;lt;br&amp;gt;&lt;br /&gt;
Editing: An Inquiry into Ideological Stance (David and Andrew)&amp;lt;br&amp;gt;&lt;br /&gt;
The use of propaganda in modern society (Kiran and Mike)&amp;lt;br&amp;gt;&lt;br /&gt;
Storytelling and Media (Elle &amp;amp; Rochelle) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;4. Culture and Technology&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Media Consumption in the Digital Age (Caleb and Gabby) &amp;lt;br&amp;gt;&lt;br /&gt;
Technology and the Evolution of Music (JP and Dorianna) &amp;lt;br&amp;gt;&lt;br /&gt;
Literature Adaptations and Interpretations in the Media (Victoria &amp;amp; Sarah) &amp;lt;br&amp;gt;&lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary and Liang) &amp;lt;br&amp;gt;&lt;br /&gt;
Copyright in the Information Age (Ken and Jen)&amp;lt;br&amp;gt;&lt;br /&gt;
Appropriation and Art: Issues of copyright in image production (Alex and Fred)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== BAA Course Planning Section ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Media and Advertising 11&#039;&#039;&#039;(Ken and Jen)&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
This course will prepare students to deconstruct and understand how media impact their lives and decisions. Students will learn and apply the concepts of audience, purpose and argument through an analysis of advertising across various media.  Students will understand how advertising creates and appeals to cultural values which will prepare them to be informed and active citizens in a media-saturated world.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Identity, Pop Culture and Media 12&#039;&#039;&#039; (Rochelle and Leanna)&lt;br /&gt;
-portrayals of gender, age, race, sexuality, beauty, and wealth in Pop Culture and the Media and how these construct and affirm our beliefs and personal and corporate identity&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Societal and Cultural Values in Media 12&#039;&#039;&#039; (Gideon &amp;amp; Esther)&lt;br /&gt;
&amp;lt;br&amp;gt; An overview analysis of television, film, pop culture and advertising and how, within these mediums, certain societal and cultural values are propagated and reflected. It is important for students to be aware and analytical of what they view/listen to etc, in order to be critical of what values are being (re)presented by the media.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;From The Page to the Stage, and Beyond: Literary Adaptations in the Media&#039;&#039;&#039; (Victoria &amp;amp; Sarah)&lt;br /&gt;
&amp;lt;br&amp;gt;Increasingly, the first exposure that young people have to literature is through television, film, or Internet adaptations.  This course will help students understand the transformation that a work goes through as it travels from the page to another medium, and will explore adaptations of popular works for the stage, radio, television, film, and Internet.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Music and Technology 11/12&#039;&#039;&#039; (Greg and Sheryl)&lt;br /&gt;
This course will examine the ways in which technology has changed the way that music is created, perceived and consumed.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;History lives -An examination of historical events through film&amp;quot;&#039;&#039;&#039; (Mike and Kiran)&lt;br /&gt;
This course will consider various points in history through the medium of film. A careful examination of movies that deal with historical events will be analyzed with respect to the underlying message portrayed in the film. This course will consider the political and social aspects as well as the historical context and how it is portrayed by the media.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A Game Making Approach to Bioethics&#039;&#039;&#039; (Mary and Liang)&lt;br /&gt;
&amp;lt;br&amp;gt;This course is meant to consider the ethical issues associated with the studies of current science that incorporate biology and technology. With some knowledge on high school biology, students will develop a basic understanding of these science studies.  Through collecting science media, students will learn about the occurrence and the relevancy of these studies to their daily lives.  With some discussions, students will identify both ethical and unethical actions committed by stakeholders.  In addition, students will master the ability to come up with alternative solutions that are by definition more ethical to these studies.  Lastly, students will demonstrate their overall knowledge of bioethics by planning for a computer or video game that demands ethical decisions and administers consequences.  As well, the planning process requires the usage of multiple forms of technology.  Through the practices of this course, students are made to hold some responsibilities to the well-being of our world as a whole.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The Power of Media&#039;&#039;&#039; (David B and Kari)&lt;br /&gt;
&lt;br /&gt;
This course will challenge students to look at the way in which the media impacts society. Looking at different forms of media (ie. television, the radio, the internet, newspapers/magazines) the following issues will be addressed: how does the media shape reality, who is the targeted audience, the ability of technology to communicate, and the influence that the media has on everyday life. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The History of Communication Throughout the 20th Century&#039;&#039;&#039; (JP and Dorianna)&lt;br /&gt;
This course will examine the evolution of communication throughout the 20th century and how this process affected important historical events, eras and trends. Students will look at how various communication technologies, such as AM radio, television, and the internet, were employed during the century and what events/phenomenons they facilitated. Central themes to be studied will include war and conflict, popular culture, and globalization.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Music Media&#039;&#039;&#039; (David and Andrew)&lt;br /&gt;
Investigation of lyrical content with respect to audience. Investigation into lyrical content and political message. The study of the interaction between lyrical message and music video message.  This course will provide for students opportunities to observe aspects of social, political, and cultural history through the lens of instrumental music.  In regards to tonality, style, and timbre, the directions in which genres of music evolved heavily reflected the social conditions of eras; it is impossible, for example, to separate the violence associated wit the modern Civil Rights Movement from the sound of 1960s avant-garde jazz.  Students will analyze such connections in a variety of ways, such as by sampling various music selections that will be supplemented with pertaining historical contexts. &lt;br /&gt;
[[Category: Curriculum and Pedagogy]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Critical Media Studies in Film and Television&#039;&#039;&#039; (Alex and Fred)&lt;br /&gt;
This course will focus on pop culture film and television media of the 20th and 21st centuries.  Students will develop a critical awareness of how media messages are constructed in the world of film and television.  Students will make use of media literacy methodologies to deconstruct and critically analyze meaning in a series of film and television screenings.  Students will also read texts and view documentaries critiquing pop culture film and telesion.  The course will culminate in the students utilizing these critical skills to create their own critical documentary.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Intro to Media Studies&#039;&#039;&#039; (Matthew and Stasia)&lt;br /&gt;
This course will introduce students to the concept of media studies and what it entails - what is media, the history of media, the influence of media on society, the different forms of media, etc.  It will provide a foundation for future, more focused courses, and will establish the analytical skills necessary for students to navigate todays dynamic media landscape.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Media: Issues and Technology 12&#039;&#039;&#039; (Paul and Sara)&lt;br /&gt;
This course deals with media depictions of controversial issues facing the world today. Each issue will be looked at through one of television/film, radio, print, and internet. The technology aspect of the course covers media production, and students will gain experience working in each of the major forms of media. After analyzing issues, students will be asked to produce their own representations of those issues in a skills-based, technological approach.&lt;br /&gt;
&lt;br /&gt;
   &lt;br /&gt;
&amp;quot;Stereotypes in TV &amp;amp; Film: Changes Over Time&amp;quot; -Sarah K, Jenn O, Jenn M&lt;br /&gt;
&lt;br /&gt;
This course will examine the way that stereotypes are portrayed in TV and Film. It will look in depth at the changes in stereotypes as a reflection of society. Topics considered will include gender/sexuality, minorities, women and society in general.&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;External Resources&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
[http://www.pixton.com Pixton - &#039;Free&#039; Online Comic Maker]&lt;br /&gt;
      &lt;br /&gt;
&lt;br /&gt;
[[Category:EDCP]]&lt;/div&gt;</summary>
		<author><name>Stephenpetrina</name></author>
	</entry>
	<entry>
		<id>https://wiki.ubc.ca/index.php?title=Course:EDCP481&amp;diff=521007</id>
		<title>Course:EDCP481</title>
		<link rel="alternate" type="text/html" href="https://wiki.ubc.ca/index.php?title=Course:EDCP481&amp;diff=521007"/>
		<updated>2018-07-03T03:47:53Z</updated>

		<summary type="html">&lt;p&gt;Stephenpetrina: /* Summer 2a 2018 */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== &#039;&#039;&#039;Summer 2a 2018&#039;&#039;&#039; ==&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy. Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding. In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement. Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy. Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum. Hence, this course balances practice with ethical, legal, and theoretical aspects and emphasizes the design of curriculum and courses for teaching media studies and for integrating media literacy across the curriculum.  [Link to the EDCP 481  Resource page http://blogs.ubc.ca/etec/courses-2/edcp-481/].&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2017&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy. Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding. In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement. Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy. Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum. Hence, this course balances practice with ethical, legal, and theoretical aspects and emphasizes the design of curriculum and courses for teaching media studies and for integrating media literacy across the curriculum.  [Link to the EDCP 481  Resource page http://blogs.ubc.ca/etec/courses-2/edcp-481/].&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
== Textbook (Media Study Guide) Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a section-- Media Study Guide-- of a textbook, which is being designed and written for grade 8-10 or 11-12 students) &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 Media Study Guide &#039;&#039;Animation&#039;&#039; Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Michelle, Melissa &amp;amp; Linda - INSIDE OUT&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Zootopia&amp;quot;&lt;br /&gt;
Alex, Christa, Christabel&lt;br /&gt;
&lt;br /&gt;
Cars - Mike&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Much Ado About Nothing&amp;quot; Taylor Tuson&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Wire Cutter&amp;quot;- Marshal, Derek, Gavin&lt;br /&gt;
&lt;br /&gt;
&amp;quot;The Legend of Zelda&amp;quot; - Steph Martyniuk&lt;br /&gt;
&lt;br /&gt;
&amp;quot;The Little Mermaid&amp;quot; - Grant, Nancy, Ali&lt;br /&gt;
&lt;br /&gt;
&amp;quot;The Lord of the Rings&amp;quot; - Anton, Liam- feat Jared&lt;br /&gt;
&lt;br /&gt;
&amp;quot;The Sweater&amp;quot; - Chris&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Finding Dory&amp;quot; - Christian Won, Kim Mui, Amanjot Sangha&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2016&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy. Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding. In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement. Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy. Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum. Hence, this course balances practice with ethical, legal, and theoretical aspects and emphasizes the design of curriculum and courses for teaching media studies and for integrating media literacy across the curriculum.  [Link to the EDCP 481  Resource page http://blogs.ubc.ca/etec/courses-2/edcp-481/].&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Link to the EDCP 481 Textbook (Media Study Guides) co-authored by the  students  http://blogs.ubc.ca/etec/courses-2/edcp-481/&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Textbook (Media Study Guide) Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a section-- Media Study Guide-- of a textbook, which is being designed and written for grade 8-10 or 11-12 students):&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;2017 Guides&#039;&#039;&#039; &amp;lt;br&amp;gt;&lt;br /&gt;
Dawson, Sonya, Mark, Curtis: The Lorax&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 Media Study Guide Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
xx &amp;lt;br&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The Matrix - Brooke, David, Harrison, Jordan&lt;br /&gt;
&lt;br /&gt;
Harry Potter- Alysha, Sat, Arshbir, Manjot&lt;br /&gt;
&lt;br /&gt;
X-Men- Sam and Katia&lt;br /&gt;
&lt;br /&gt;
Interstellar: Mike, Stephen, Yoohoon, and Paul.&lt;br /&gt;
&lt;br /&gt;
Call of Duty Zombies: Hermano, Wells, Mikey, Mike&lt;br /&gt;
&lt;br /&gt;
Avatar: Vardip, Jeongbae&lt;br /&gt;
&lt;br /&gt;
== BAA Course Planning Section ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The direct link to the example BAA is:&#039;&#039;&#039; &amp;lt;br&amp;gt;&lt;br /&gt;
http://www.bced.gov.bc.ca/greenschools/sustcoursecontent.htm&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the BAA Course here:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 BA/A Topics&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The Business of Media - Brooke, Harrison, Jordan&lt;br /&gt;
&lt;br /&gt;
Who Controls the Media (11/12)- Sam Jeongbae, David E, Vardip &lt;br /&gt;
&lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Sat, Arshbir, Alysha &amp;amp; Manjot - Media influences across disciplines&lt;br /&gt;
&lt;br /&gt;
Katia, Stephen, Mike, and Paul: Publishing&lt;br /&gt;
&lt;br /&gt;
Hermano, Wells, Mikey, Mike: Theatre, Film and Media Studies&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2011&#039;&#039;&#039;==&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy.  Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding.  In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement.  Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy.  Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum.  Hence, this course emphasizes ethical, legal, and theoretical aspects and the design of curriculum and courses for teaching media education or media studies and for integrating media literacy across the curriculum.  [Link to the EDCP 481  Resource page http://m1.cust.educ.ubc.ca:16080/tsedgrad/?page_id=460].&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Link to the EDCP 481 Textbook (Media Study Guides) co-authored by the  students  http://blogs.ubc.ca/etec/courses-2/edcp-481/&#039;&#039;&#039;&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Student Planning Space&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== Textbook (Media Study Guide) Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a section-- Media Study Guide-- of a textbook, which is being designed and written for grade 8-10 or 11-12 students):&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 Media Study Guide Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
xx &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Dianna Stashuk and Adam Alvaro - &amp;quot;Lost&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Melissa Evans and Shaun Beach- &amp;quot;Family&amp;quot; Shows (exploring the representations of family, past and present)&lt;br /&gt;
&lt;br /&gt;
Brian, Peter &amp;amp; Tyler - Need for Speed&lt;br /&gt;
&lt;br /&gt;
Michelle Fatkin and Chelsea Campbell - &amp;quot;Mean Girls&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Tom Froh and Peter Maxwell - &amp;quot;16 and Pregnant&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Nick De Santis and Nam Pham- &amp;quot;127 Hours&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Chris Flannelly and Grace Woo - &amp;quot;Freedom Writers&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Lucas Mann and Marie-Anne Hellinckx - Film Review &amp;quot;Ma vie en rose&amp;quot; to address issues of homophobia.&lt;br /&gt;
&lt;br /&gt;
Stephanie Malloy and Jon Schmidt-&amp;quot;My Sister&#039;s Keeper&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 951 Media Study Guide Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
xx&lt;br /&gt;
&lt;br /&gt;
Adam Deboer and Alvin Lui - The Dark Knight&lt;br /&gt;
&lt;br /&gt;
Kelly Skehill and Kat Ast - &amp;quot;Thirteen&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Ashley MacKenzie and Alex Thureau - &amp;quot;One Week&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Wendy Sigaty and Haley Lucas - &amp;quot;Avatar&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Kady Huhn &amp;amp; Hannah Yu- &amp;quot;Into the Wild&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Fay Sterne &amp;amp; Brittaney Boone - &amp;quot;The Office&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Rachel Fales &amp;amp; Jennifer Visser - &amp;quot;Wall-E&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Yik Wah Penner &amp;amp; Chris Howey - &amp;quot;Little Ms. Sunshine&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Lance Peters &amp;amp; Al McKillop - &#039;Lord of the Rings&#039; (I know, it&#039;s a little ambitious.)&lt;br /&gt;
&lt;br /&gt;
Ashley Bayles &amp;amp; Danny Nann - &amp;quot;The Simpsons&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Jenn O, Jenn M, Sarah K - &amp;quot;Schindler&#039;s List&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Alexander McKechnie - Mythology and Popular Music&lt;br /&gt;
&lt;br /&gt;
Mark Brown - &amp;quot;Bright Star&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Sarah James and Lillian Ryan - &amp;quot;Food Inc.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Michael Bui &amp;amp; Jennifer Neff - Outsourced&lt;br /&gt;
&lt;br /&gt;
== BAA Course Planning Section ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The direct link to the example BAA is:&#039;&#039;&#039; &amp;lt;br&amp;gt;&lt;br /&gt;
http://www.bced.gov.bc.ca/greenschools/sustcoursecontent.htm&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the BAA Course here:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 BA/A Topics&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Brian, Peter &amp;amp; Tyler - GAME ON! Video Game Play as Text: Critical Reading for Gamers     &lt;br /&gt;
&lt;br /&gt;
Dianna Stashuk and Adam Alvaro - Media and Canadian Identity&lt;br /&gt;
&lt;br /&gt;
Melissa Evans and Shaun Beach - Youth and advertising--This course will explore the industry of advertising, focusing specifically on how advertisers target youth through TV commercials, product placement, and endorsements. There will also be some discussion on advertisement law and various opportunities to critically analyse advertisements made in the industry and in the classroom. Students will be able to create their own advertisements based on what they have learned about the laws and techniques used in the industry.&lt;br /&gt;
&lt;br /&gt;
Michelle Fatkin and Chelsea Campbell - Acquiring Wisdom through Media&lt;br /&gt;
&lt;br /&gt;
In this course, we want students to understand that media is not simply entertainment. Rather, we want them to see that they can acquire wisdom through observing the actions and consequences of others in TV/film, and through analyzing the subtleties of messages in advertisements, print, and other forms. &lt;br /&gt;
&lt;br /&gt;
Taha and Kara - Apocalypse in Media&lt;br /&gt;
&lt;br /&gt;
Stef and Jess aka...Jeff - Seeing with your ears: An introduction to media through music&lt;br /&gt;
&lt;br /&gt;
This course looks at the relationship between music and the media by analysing historical and political events effects on music.  It focuses on the power of music and it&#039;s affect on the media.  We will also look at the power of the media and it&#039;s control over the message of popular music.  By focusing on a timeline one can easily see the changes in music and it&#039;s message due to events occurring all over the world.&lt;br /&gt;
&lt;br /&gt;
Nick De Santis and Nam Pham - &amp;quot;Add me as a Friend&amp;quot;: Deconstructing Social Media&lt;br /&gt;
       &lt;br /&gt;
&lt;br /&gt;
This course will explore the current trends in social media and how they have influenced our society. In particular, we will examine Facebook and Twitter, the two most popular forms of this media. The focus of this course will be to educate students on the benefits and dangers of using social media and to critically analyze the prevalence of social media in today’s society. By the end of this course, each student will be able to use social media to their maximum positive benefit.&lt;br /&gt;
&lt;br /&gt;
Thomas Froh and Peter Maxwell - &amp;quot;The Man&amp;quot; Behind the Message&lt;br /&gt;
&lt;br /&gt;
This course will work towards answering the question of whether there is a person or organization controlling the messages we receive in the media, and if so, who or what are they and to what end?  Specifically, the course will examine large television corporations and whether or not they work to shape popular perspective in news broadcasts, television programming, etc.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Paul and Rhonda - Music Videos and Pop Culture&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course will explore the question; Are music videos a product of pop culture or pop culture and product of music videos? The course will critically analyse the key media literacy aspects of production, analysis and audience. Due to the sometimes sensitive content of music videos it is important for students to deconstruct the specifics behind the media consumption, production and regulation.&lt;br /&gt;
&lt;br /&gt;
  &lt;br /&gt;
&lt;br /&gt;
Rupinder and Parmjeet: Attitude is everything!! Aquiring positive attitude through media.&lt;br /&gt;
&lt;br /&gt;
This course will focus on developing positive attitude through media productions, such as film, television, print etc. We want students to show how to use media&#039;s positive side to develop good attitude habits. &lt;br /&gt;
&lt;br /&gt;
Michael &amp;amp; John - &amp;quot;Mickey Wants You” – How Disney Won the War &lt;br /&gt;
&lt;br /&gt;
In this course, students will analyse and identify historical examples of Disney products to better understand bias, impact, and opinions.  This course has been designed with the target of engaging students in history and its contexts with products of Disney media. Students will learn and gain skills in the ability to think critically, detect biases, and learn to read and develop media products for use in their own lives.  &lt;br /&gt;
      &lt;br /&gt;
Chris and Grace - Multiculturalism in the Media&lt;br /&gt;
&lt;br /&gt;
Marie-Anne and Lucas - Francophone cinema&lt;br /&gt;
                    &lt;br /&gt;
This course has been designed to encourage students to have a better appreciation for Francophone cinema, to help them examine and identify the values and cultural differences in films and have a better understanding of Francophone culture. They will be able to apply critical thinking to film analyses and appreciations. A collaborative and safe atmosphere will be provided to foster creative expression in film production and media representation.  &lt;br /&gt;
      &lt;br /&gt;
&#039;&#039;&#039;Section 951 BA/A Topics&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Kelly Skehill and Kat Ast - &amp;quot;Media: The Inside Scoop&amp;quot;&lt;br /&gt;
&lt;br /&gt;
This course will expose students to the positive and negative influences media has on people.  It will have students analyze Social Networking, Advertising, Hollywood Movies, Documentaries and Music.  The goal is for students to gain the critical analysis and information skills necessary to become intelligent, competent consumers and creators of media messages (Considine, 2003).   &lt;br /&gt;
&lt;br /&gt;
Adam Deboer and Alvin Lui - Music, Culture, and Technology&lt;br /&gt;
&lt;br /&gt;
Ashley MacKenzie and Alex Thureau - Reality Television Production: This course will introduce students to the medium of television. Students will learn the pre-production, production and post-production steps required to produce their own reality television episode. Students will leave the course with the ability to objectively analyze television media.   &lt;br /&gt;
&lt;br /&gt;
Kady Huhn &amp;amp; Hannah Yu-Media &amp;amp; Identity-This course will explore the ways in which personal identity is constructed and mediated through media and will analyze how popular culture such as film, music, television and print media impact identity and behaviour. It will also look at the ways in which social media has impacted identity construction online and focus on the implications this has on the safety of social networking.&lt;br /&gt;
      &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Wendy Sigaty &amp;amp; Haley Lucas - Social Values in Media Through History&#039;&#039;&#039;&lt;br /&gt;
Students will use various media (Print, Television, Film, Music, etc) to examine how our social values (Race Relations, Relationships, Gender Roles, Sexuality, Religion, Family, Lifestyle, etc) have changed from biblical times to the present.    &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Rachel Fales &amp;amp; Jennifer Visser - &#039;&#039;Film Studies- An Analysis of Superheroes&#039;&#039;&#039;&#039;&#039; - This course intends to analyze Superheroes in films. This course will chronologically follow Superheroes as they have been adapted from comic books (ie. Superman 1978) to Hollywood Blockbusters and the idea of sequels, exploring a variety of topics during each film. Students will question genre, originality, race, gender, sexuality, public vs. private (dual) identities, villains vs. victims, technology and remediation of Superhero films. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Michael Bui &amp;amp; Jennifer Neff - Sociology and the Media 11/12&#039;&#039;&#039; -  This course examines culture and the construction of identity through shifts in media.  Trends in visual media, advancements in technology and social media will be looked at under the lens of sociology. Students will identify the ways media can influence the creation and disintegration of stereotypes.  Students will analyze different perceptions represented through these mediums of technology and how this adds to the development of new youth culture. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analyzing Modern Animated Satire 11/12&#039;&#039;&#039; (Fay Sterne &amp;amp; Brittaney Boone) - Students will take a critical look at &#039;&#039;The Simpsons&#039;&#039;, &#039;&#039;Family Guy&#039;&#039;, and &#039;&#039;South Park&#039;&#039; as satirical representations of modern North American society.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Graham Haigh &amp;amp; Dean Morris&#039;&#039;&#039; Teaching Media through the examination of Political Campaigns. Students will evaluate, analyze, political media. Students will also create their own commercial, poster, National address, attack add, or some other media presentation relating to the study of politics.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ashley Bayles &amp;amp; Danny Nann - Media &amp;amp; Popular Culture&#039;&#039;&#039;&lt;br /&gt;
- This course will examine the way in which media has an impact on cultural production and vice versa. What is popular culture? What role does the media have on the production of popular culture? Is popular culture an authentic representation of our cultural values as a society, or is it impacted by the media and if so, how? We will look into how the social and culture environment is formed and what role it has on media and vice versa. This course will examine popular culture as a concept on its own and through its representation in different forms of media. &lt;br /&gt;
&lt;br /&gt;
Yik Wah Penner &amp;amp; Chris Howey - Manufacturing Identity in the Media: This course will examine the ways in which media creates identities which are often shaped by stereotype. Our goal will be to explore the social and cultural relevance of these produced identities in the day to day lives of students.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lance Peters &amp;amp; Al McKillop - Using current media to access classic literature&#039;&#039;&#039;&lt;br /&gt;
We plan to look at various media, with a particular focus on using contemporary media such as podcasting, film, games, graphic novels, wikis, etc. to access &#039;classic&#039; literature such as Shakespeare, Melville, Dickens, Tolkien and others.&lt;br /&gt;
&lt;br /&gt;
Mark Brown and Alex McKechnie - Popular Music Studies&lt;br /&gt;
This course looks at the images, text, and music of popular songs and videos, and the relationships and meanings found therein. Students will develop appreciation, as well as, analytical and critical thinking skills to help them navigate through the multiple images, values, and meanings found within popular music and music videos&lt;br /&gt;
&lt;br /&gt;
 &lt;br /&gt;
Lillian Ryan &amp;amp; Sarah James (documentary film studies)&lt;br /&gt;
&lt;br /&gt;
Sat, Arshbir, Alysha and Manjot (Media influences across disciplines)&lt;br /&gt;
&lt;br /&gt;
== PSA Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;952 Planning: &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Time = 30 to 60 seconds&lt;br /&gt;
Theme = Unique to Group&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;951 Planning: &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Time = 30 to 60 seconds&lt;br /&gt;
Theme = Unique to Group&lt;br /&gt;
&lt;br /&gt;
The Scaffolders-Brittaney Boone, Jennifer Visser, Kady Huhn, Yik Penner, Chris Howey, Faye Sterne&lt;br /&gt;
&lt;br /&gt;
High-Def (HD): Mark, Alvin, Rachel, Jennifer N, Michael, Adam   [http://youtu.be/9u3Rhw9jdiE Cyber-bullying PSA]&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2010&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy.  Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding.  In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement.  The course provides a survey of media studies and new media with an emphasis on media education and literacy.  Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum.  Hence, this course emphasizes ethical, legal, and theoretical aspects and the design of curriculum and courses for teaching media education or media studies and for integrating media literacy across the curriculum. [Link to the EDCP 481 Resource page http://m1.cust.educ.ubc.ca:16080/tsedgrad/?page_id=366]. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Student Planning Space&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== Textbook Curriculum Planning Section ==&lt;br /&gt;
&lt;br /&gt;
Download the Media Studies 11-12 Textbook written by EDCP 481 students: http://m1.cust.educ.ubc.ca:16080/tsedgrad/?page_id=366&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Table of Contents&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;1. Who/What are The Media?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Who / What is a Journalist? (Paul Korczyk &amp;amp; Sara Newham)&amp;lt;br&amp;gt;&lt;br /&gt;
Web 2.0 (Matthew Palmer &amp;amp; Stasia Siscoe)&amp;lt;br&amp;gt; &lt;br /&gt;
Social Networking and the Media (Esther Yong &amp;amp; Gideon Lin)&amp;lt;br&amp;gt; &lt;br /&gt;
Teen Age, Teen Ad (Shelagh &amp;amp; Sean)&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;2. News or Entertainment&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Blurring Line Between Television News and Entertainment (Herleen Malli &amp;amp; Jagroop Nagra)&amp;lt;br&amp;gt; &lt;br /&gt;
Celebrity Culture (Magda Misiak &amp;amp; Jo-Anne McKee)&amp;lt;br&amp;gt; &lt;br /&gt;
The Prevalence of Violence in the Media (Cameron Vand&#039;Erkamps &amp;amp; Daljit Purewal)&amp;lt;br&amp;gt; &lt;br /&gt;
School on Television: Reality vs. Depiction (Greg Rushton &amp;amp; Sheryl Reinhardt)&amp;lt;br&amp;gt; &lt;br /&gt;
Fashion Trends and Media Representations (Balkiran Dusanj &amp;amp; Shirley Lal)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3. Bias and Perspective&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David Bron &amp;amp; Kari White)&amp;lt;br&amp;gt; &lt;br /&gt;
Editing: An Inquiry into Ideological Stance (David Mergens &amp;amp; Andrew Crawford)&amp;lt;br&amp;gt;&lt;br /&gt;
The use of Propaganda in Modern Society (Kiran Basi &amp;amp; Mike Byun)&amp;lt;br&amp;gt;&lt;br /&gt;
Storytelling and Media (Elle Kay &amp;amp; Rochelle Patten)&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;4. Culture and Technology&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Media Consumption in the Digital Age (Caleb Bouey &amp;amp; Gabrielle Rougeau)&amp;lt;br&amp;gt; &lt;br /&gt;
Technology and the Evolution of Music (JP Lancaster &amp;amp; Dorianna Chessa)&amp;lt;br&amp;gt; &lt;br /&gt;
Literature Adaptations and Interpretations in the Media (Sarah McNeil &amp;amp; Victoria Yip)&amp;lt;br&amp;gt; &lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary Yang &amp;amp; Liang You)&amp;lt;br&amp;gt; &lt;br /&gt;
Copyright in the Information Age (Ken Vimalesan &amp;amp; Jen Fehlauer)&amp;lt;br&amp;gt;&lt;br /&gt;
Appropriation and Art: Issues of Copyright in Image Production (Alex Reed &amp;amp; Fred Beitler)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a 4 page section of a textbook, which is being designed and written for grade 10-12 students):&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
e.g., Teen Age, Teen Ad (Shelagh &amp;amp; Sean)&lt;br /&gt;
Cable News (Bert &amp;amp; Ernie)&lt;br /&gt;
Web 2.0 (Stasia &amp;amp; Matthew)&lt;br /&gt;
Storytelling and Media (Rochelle and Elle)&lt;br /&gt;
Literature Adaptations and Interpretations in the Media (Victoria &amp;amp; Sarah)&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David &amp;amp; Kari)&lt;br /&gt;
Fashion Trends and Media Representations (Balkiran &amp;amp; Shirley)&lt;br /&gt;
Who/What is a Journalist? (Paul and Sara)&lt;br /&gt;
Celebrity Gossip as News (Magda and Jo-Anne)&lt;br /&gt;
Social Networking and the Media (Esther and Gideon)&lt;br /&gt;
Editing; An Inquiry into Ideological Stance (David and Andrew)&lt;br /&gt;
The blurring line between television news and entertainment (Herleen and Jag)&lt;br /&gt;
The prevelance of violence in the media (Cam and Dal)&lt;br /&gt;
Technology and the Evolution of Music (JP and Dorianna)&lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary and Liang)&lt;br /&gt;
The use of propaganda in modern society (Kiran and Mike)&lt;br /&gt;
Media Consumption in the Digital Age (Caleb and Gabby)&lt;br /&gt;
School on Television: Reality vs. Depiction (Greg and Sheryl)&lt;br /&gt;
Copyright in the Information Age (Ken and Jen)&lt;br /&gt;
Appropriation and Art: Issues of copyright in image production (Alex and Fred)&lt;br /&gt;
&lt;br /&gt;
Here are a couple possible ways to break down the book with some (wild) guesses about where each topic might fit. Thoughts? (Thanks Jen-- awesome work!)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;1. Who/What are The Media?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Who/What is a Journalist? (Paul and Sara)&amp;lt;br&amp;gt;&lt;br /&gt;
The blurring line between television news and entertainment (Herleen and Jag) &amp;lt;br&amp;gt;&lt;br /&gt;
Celebrity Gossip as News (Magda and Jo-Anne) &amp;lt;br&amp;gt;&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David &amp;amp; Kari) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;2. Who/What is Represented?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Editing: An Inquiry into Ideological Stance (David and Andrew)&amp;lt;br&amp;gt;&lt;br /&gt;
The use of propaganda in modern society (Kiran and Mike)&amp;lt;br&amp;gt;&lt;br /&gt;
School on Television: Reality vs. Depiction (Greg and Sheryl)&amp;lt;br&amp;gt; &lt;br /&gt;
The prevalence of violence in the media (Cam and Dal) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3. Web 2.0&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Web 2.0 (Stasia &amp;amp; Matthew) &amp;lt;br&amp;gt;&lt;br /&gt;
Social Networking and the Media (Esther and Gideon) &amp;lt;br&amp;gt;&lt;br /&gt;
Copyright in the Information Age (Ken and Jen)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;4. The Evolution of Culture&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Technology and the Evolution of Music (JP and Dorianna)&amp;lt;br&amp;gt; &lt;br /&gt;
Storytelling and Media (Rochelle and Leanna) &amp;lt;br&amp;gt;&lt;br /&gt;
Film Adaptations of &#039;&#039;Alice&#039;s Adventures in Wonderland&#039;&#039; (Victoria &amp;amp; Sarah) &amp;lt;br&amp;gt;&lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary and Liang) &amp;lt;br&amp;gt;&lt;br /&gt;
Appropriation and Art: Issues of copyright in image production (Alex and Fred)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;5. Economics of Technology&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Teen Age, Teen Ad (Shelagh &amp;amp; Sean) &amp;lt;br&amp;gt;&lt;br /&gt;
Fashion Trends and Media Representations (Balkiran &amp;amp; Shirley)&amp;lt;br&amp;gt;&lt;br /&gt;
Media Consumption in the Digital Age (Caleb and Gabby) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;B&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;1. Who/What are The Media?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Who/What is a Journalist? (Paul and Sara)&amp;lt;br&amp;gt;&lt;br /&gt;
Web 2.0 (Stasia &amp;amp; Matthew) &amp;lt;br&amp;gt;&lt;br /&gt;
Social Networking and the Media (Esther and Gideon) &amp;lt;br&amp;gt;&lt;br /&gt;
Teen Age, Teen Ad (Shelagh &amp;amp; Sean) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;2. News or Entertainment&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The blurring line between television news and entertainment (Herleen and Jag) &amp;lt;br&amp;gt;&lt;br /&gt;
Celebrity Gossip as News (Magda and Jo-Anne) &amp;lt;br&amp;gt;&lt;br /&gt;
The prevalence of violence in the media (Cam and Dal) &amp;lt;br&amp;gt;&lt;br /&gt;
School on Television: Reality vs. Depiction (Greg and Sheryl) &amp;lt;br&amp;gt;&lt;br /&gt;
Fashion Trends and Media Representations (Balkiran &amp;amp; Shirley)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3. Bias and Perspective&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David &amp;amp; Kari) &amp;lt;br&amp;gt;&lt;br /&gt;
Editing: An Inquiry into Ideological Stance (David and Andrew)&amp;lt;br&amp;gt;&lt;br /&gt;
The use of propaganda in modern society (Kiran and Mike)&amp;lt;br&amp;gt;&lt;br /&gt;
Storytelling and Media (Elle &amp;amp; Rochelle) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;4. Culture and Technology&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Media Consumption in the Digital Age (Caleb and Gabby) &amp;lt;br&amp;gt;&lt;br /&gt;
Technology and the Evolution of Music (JP and Dorianna) &amp;lt;br&amp;gt;&lt;br /&gt;
Literature Adaptations and Interpretations in the Media (Victoria &amp;amp; Sarah) &amp;lt;br&amp;gt;&lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary and Liang) &amp;lt;br&amp;gt;&lt;br /&gt;
Copyright in the Information Age (Ken and Jen)&amp;lt;br&amp;gt;&lt;br /&gt;
Appropriation and Art: Issues of copyright in image production (Alex and Fred)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== BAA Course Planning Section ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Media and Advertising 11&#039;&#039;&#039;(Ken and Jen)&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
This course will prepare students to deconstruct and understand how media impact their lives and decisions. Students will learn and apply the concepts of audience, purpose and argument through an analysis of advertising across various media.  Students will understand how advertising creates and appeals to cultural values which will prepare them to be informed and active citizens in a media-saturated world.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Identity, Pop Culture and Media 12&#039;&#039;&#039; (Rochelle and Leanna)&lt;br /&gt;
-portrayals of gender, age, race, sexuality, beauty, and wealth in Pop Culture and the Media and how these construct and affirm our beliefs and personal and corporate identity&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Societal and Cultural Values in Media 12&#039;&#039;&#039; (Gideon &amp;amp; Esther)&lt;br /&gt;
&amp;lt;br&amp;gt; An overview analysis of television, film, pop culture and advertising and how, within these mediums, certain societal and cultural values are propagated and reflected. It is important for students to be aware and analytical of what they view/listen to etc, in order to be critical of what values are being (re)presented by the media.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;From The Page to the Stage, and Beyond: Literary Adaptations in the Media&#039;&#039;&#039; (Victoria &amp;amp; Sarah)&lt;br /&gt;
&amp;lt;br&amp;gt;Increasingly, the first exposure that young people have to literature is through television, film, or Internet adaptations.  This course will help students understand the transformation that a work goes through as it travels from the page to another medium, and will explore adaptations of popular works for the stage, radio, television, film, and Internet.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Music and Technology 11/12&#039;&#039;&#039; (Greg and Sheryl)&lt;br /&gt;
This course will examine the ways in which technology has changed the way that music is created, perceived and consumed.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;History lives -An examination of historical events through film&amp;quot;&#039;&#039;&#039; (Mike and Kiran)&lt;br /&gt;
This course will consider various points in history through the medium of film. A careful examination of movies that deal with historical events will be analyzed with respect to the underlying message portrayed in the film. This course will consider the political and social aspects as well as the historical context and how it is portrayed by the media.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A Game Making Approach to Bioethics&#039;&#039;&#039; (Mary and Liang)&lt;br /&gt;
&amp;lt;br&amp;gt;This course is meant to consider the ethical issues associated with the studies of current science that incorporate biology and technology. With some knowledge on high school biology, students will develop a basic understanding of these science studies.  Through collecting science media, students will learn about the occurrence and the relevancy of these studies to their daily lives.  With some discussions, students will identify both ethical and unethical actions committed by stakeholders.  In addition, students will master the ability to come up with alternative solutions that are by definition more ethical to these studies.  Lastly, students will demonstrate their overall knowledge of bioethics by planning for a computer or video game that demands ethical decisions and administers consequences.  As well, the planning process requires the usage of multiple forms of technology.  Through the practices of this course, students are made to hold some responsibilities to the well-being of our world as a whole.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The Power of Media&#039;&#039;&#039; (David B and Kari)&lt;br /&gt;
&lt;br /&gt;
This course will challenge students to look at the way in which the media impacts society. Looking at different forms of media (ie. television, the radio, the internet, newspapers/magazines) the following issues will be addressed: how does the media shape reality, who is the targeted audience, the ability of technology to communicate, and the influence that the media has on everyday life. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The History of Communication Throughout the 20th Century&#039;&#039;&#039; (JP and Dorianna)&lt;br /&gt;
This course will examine the evolution of communication throughout the 20th century and how this process affected important historical events, eras and trends. Students will look at how various communication technologies, such as AM radio, television, and the internet, were employed during the century and what events/phenomenons they facilitated. Central themes to be studied will include war and conflict, popular culture, and globalization.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Music Media&#039;&#039;&#039; (David and Andrew)&lt;br /&gt;
Investigation of lyrical content with respect to audience. Investigation into lyrical content and political message. The study of the interaction between lyrical message and music video message.  This course will provide for students opportunities to observe aspects of social, political, and cultural history through the lens of instrumental music.  In regards to tonality, style, and timbre, the directions in which genres of music evolved heavily reflected the social conditions of eras; it is impossible, for example, to separate the violence associated wit the modern Civil Rights Movement from the sound of 1960s avant-garde jazz.  Students will analyze such connections in a variety of ways, such as by sampling various music selections that will be supplemented with pertaining historical contexts. &lt;br /&gt;
[[Category: Curriculum and Pedagogy]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Critical Media Studies in Film and Television&#039;&#039;&#039; (Alex and Fred)&lt;br /&gt;
This course will focus on pop culture film and television media of the 20th and 21st centuries.  Students will develop a critical awareness of how media messages are constructed in the world of film and television.  Students will make use of media literacy methodologies to deconstruct and critically analyze meaning in a series of film and television screenings.  Students will also read texts and view documentaries critiquing pop culture film and telesion.  The course will culminate in the students utilizing these critical skills to create their own critical documentary.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Intro to Media Studies&#039;&#039;&#039; (Matthew and Stasia)&lt;br /&gt;
This course will introduce students to the concept of media studies and what it entails - what is media, the history of media, the influence of media on society, the different forms of media, etc.  It will provide a foundation for future, more focused courses, and will establish the analytical skills necessary for students to navigate todays dynamic media landscape.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Media: Issues and Technology 12&#039;&#039;&#039; (Paul and Sara)&lt;br /&gt;
This course deals with media depictions of controversial issues facing the world today. Each issue will be looked at through one of television/film, radio, print, and internet. The technology aspect of the course covers media production, and students will gain experience working in each of the major forms of media. After analyzing issues, students will be asked to produce their own representations of those issues in a skills-based, technological approach.&lt;br /&gt;
&lt;br /&gt;
   &lt;br /&gt;
&amp;quot;Stereotypes in TV &amp;amp; Film: Changes Over Time&amp;quot; -Sarah K, Jenn O, Jenn M&lt;br /&gt;
&lt;br /&gt;
This course will examine the way that stereotypes are portrayed in TV and Film. It will look in depth at the changes in stereotypes as a reflection of society. Topics considered will include gender/sexuality, minorities, women and society in general.&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;External Resources&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
[http://www.pixton.com Pixton - &#039;Free&#039; Online Comic Maker]&lt;br /&gt;
      &lt;br /&gt;
&lt;br /&gt;
[[Category:EDCP]]&lt;/div&gt;</summary>
		<author><name>Stephenpetrina</name></author>
	</entry>
	<entry>
		<id>https://wiki.ubc.ca/index.php?title=Course:EDCP481&amp;diff=521006</id>
		<title>Course:EDCP481</title>
		<link rel="alternate" type="text/html" href="https://wiki.ubc.ca/index.php?title=Course:EDCP481&amp;diff=521006"/>
		<updated>2018-07-03T03:47:00Z</updated>

		<summary type="html">&lt;p&gt;Stephenpetrina: /* Summer 2a 2017 */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== &#039;&#039;&#039;Summer 2a 2018&#039;&#039;&#039; ==&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2017&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy. Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding. In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement. Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy. Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum. Hence, this course balances practice with ethical, legal, and theoretical aspects and emphasizes the design of curriculum and courses for teaching media studies and for integrating media literacy across the curriculum.  [Link to the EDCP 481  Resource page http://blogs.ubc.ca/etec/courses-2/edcp-481/].&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
== Textbook (Media Study Guide) Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a section-- Media Study Guide-- of a textbook, which is being designed and written for grade 8-10 or 11-12 students) &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 Media Study Guide &#039;&#039;Animation&#039;&#039; Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Michelle, Melissa &amp;amp; Linda - INSIDE OUT&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Zootopia&amp;quot;&lt;br /&gt;
Alex, Christa, Christabel&lt;br /&gt;
&lt;br /&gt;
Cars - Mike&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Much Ado About Nothing&amp;quot; Taylor Tuson&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Wire Cutter&amp;quot;- Marshal, Derek, Gavin&lt;br /&gt;
&lt;br /&gt;
&amp;quot;The Legend of Zelda&amp;quot; - Steph Martyniuk&lt;br /&gt;
&lt;br /&gt;
&amp;quot;The Little Mermaid&amp;quot; - Grant, Nancy, Ali&lt;br /&gt;
&lt;br /&gt;
&amp;quot;The Lord of the Rings&amp;quot; - Anton, Liam- feat Jared&lt;br /&gt;
&lt;br /&gt;
&amp;quot;The Sweater&amp;quot; - Chris&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Finding Dory&amp;quot; - Christian Won, Kim Mui, Amanjot Sangha&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2016&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy. Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding. In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement. Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy. Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum. Hence, this course balances practice with ethical, legal, and theoretical aspects and emphasizes the design of curriculum and courses for teaching media studies and for integrating media literacy across the curriculum.  [Link to the EDCP 481  Resource page http://blogs.ubc.ca/etec/courses-2/edcp-481/].&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Link to the EDCP 481 Textbook (Media Study Guides) co-authored by the  students  http://blogs.ubc.ca/etec/courses-2/edcp-481/&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Textbook (Media Study Guide) Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a section-- Media Study Guide-- of a textbook, which is being designed and written for grade 8-10 or 11-12 students):&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;2017 Guides&#039;&#039;&#039; &amp;lt;br&amp;gt;&lt;br /&gt;
Dawson, Sonya, Mark, Curtis: The Lorax&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 Media Study Guide Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
xx &amp;lt;br&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The Matrix - Brooke, David, Harrison, Jordan&lt;br /&gt;
&lt;br /&gt;
Harry Potter- Alysha, Sat, Arshbir, Manjot&lt;br /&gt;
&lt;br /&gt;
X-Men- Sam and Katia&lt;br /&gt;
&lt;br /&gt;
Interstellar: Mike, Stephen, Yoohoon, and Paul.&lt;br /&gt;
&lt;br /&gt;
Call of Duty Zombies: Hermano, Wells, Mikey, Mike&lt;br /&gt;
&lt;br /&gt;
Avatar: Vardip, Jeongbae&lt;br /&gt;
&lt;br /&gt;
== BAA Course Planning Section ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The direct link to the example BAA is:&#039;&#039;&#039; &amp;lt;br&amp;gt;&lt;br /&gt;
http://www.bced.gov.bc.ca/greenschools/sustcoursecontent.htm&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the BAA Course here:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 BA/A Topics&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The Business of Media - Brooke, Harrison, Jordan&lt;br /&gt;
&lt;br /&gt;
Who Controls the Media (11/12)- Sam Jeongbae, David E, Vardip &lt;br /&gt;
&lt;br /&gt;
&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Sat, Arshbir, Alysha &amp;amp; Manjot - Media influences across disciplines&lt;br /&gt;
&lt;br /&gt;
Katia, Stephen, Mike, and Paul: Publishing&lt;br /&gt;
&lt;br /&gt;
Hermano, Wells, Mikey, Mike: Theatre, Film and Media Studies&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2011&#039;&#039;&#039;==&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy.  Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding.  In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement.  Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy.  Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum.  Hence, this course emphasizes ethical, legal, and theoretical aspects and the design of curriculum and courses for teaching media education or media studies and for integrating media literacy across the curriculum.  [Link to the EDCP 481  Resource page http://m1.cust.educ.ubc.ca:16080/tsedgrad/?page_id=460].&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Link to the EDCP 481 Textbook (Media Study Guides) co-authored by the  students  http://blogs.ubc.ca/etec/courses-2/edcp-481/&#039;&#039;&#039;&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Student Planning Space&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== Textbook (Media Study Guide) Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a section-- Media Study Guide-- of a textbook, which is being designed and written for grade 8-10 or 11-12 students):&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 Media Study Guide Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
xx &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Dianna Stashuk and Adam Alvaro - &amp;quot;Lost&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Melissa Evans and Shaun Beach- &amp;quot;Family&amp;quot; Shows (exploring the representations of family, past and present)&lt;br /&gt;
&lt;br /&gt;
Brian, Peter &amp;amp; Tyler - Need for Speed&lt;br /&gt;
&lt;br /&gt;
Michelle Fatkin and Chelsea Campbell - &amp;quot;Mean Girls&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Tom Froh and Peter Maxwell - &amp;quot;16 and Pregnant&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Nick De Santis and Nam Pham- &amp;quot;127 Hours&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Chris Flannelly and Grace Woo - &amp;quot;Freedom Writers&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Lucas Mann and Marie-Anne Hellinckx - Film Review &amp;quot;Ma vie en rose&amp;quot; to address issues of homophobia.&lt;br /&gt;
&lt;br /&gt;
Stephanie Malloy and Jon Schmidt-&amp;quot;My Sister&#039;s Keeper&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 951 Media Study Guide Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
xx&lt;br /&gt;
&lt;br /&gt;
Adam Deboer and Alvin Lui - The Dark Knight&lt;br /&gt;
&lt;br /&gt;
Kelly Skehill and Kat Ast - &amp;quot;Thirteen&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Ashley MacKenzie and Alex Thureau - &amp;quot;One Week&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Wendy Sigaty and Haley Lucas - &amp;quot;Avatar&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Kady Huhn &amp;amp; Hannah Yu- &amp;quot;Into the Wild&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Fay Sterne &amp;amp; Brittaney Boone - &amp;quot;The Office&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Rachel Fales &amp;amp; Jennifer Visser - &amp;quot;Wall-E&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Yik Wah Penner &amp;amp; Chris Howey - &amp;quot;Little Ms. Sunshine&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Lance Peters &amp;amp; Al McKillop - &#039;Lord of the Rings&#039; (I know, it&#039;s a little ambitious.)&lt;br /&gt;
&lt;br /&gt;
Ashley Bayles &amp;amp; Danny Nann - &amp;quot;The Simpsons&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Jenn O, Jenn M, Sarah K - &amp;quot;Schindler&#039;s List&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Alexander McKechnie - Mythology and Popular Music&lt;br /&gt;
&lt;br /&gt;
Mark Brown - &amp;quot;Bright Star&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Sarah James and Lillian Ryan - &amp;quot;Food Inc.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Michael Bui &amp;amp; Jennifer Neff - Outsourced&lt;br /&gt;
&lt;br /&gt;
== BAA Course Planning Section ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The direct link to the example BAA is:&#039;&#039;&#039; &amp;lt;br&amp;gt;&lt;br /&gt;
http://www.bced.gov.bc.ca/greenschools/sustcoursecontent.htm&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the BAA Course here:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 BA/A Topics&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Brian, Peter &amp;amp; Tyler - GAME ON! Video Game Play as Text: Critical Reading for Gamers     &lt;br /&gt;
&lt;br /&gt;
Dianna Stashuk and Adam Alvaro - Media and Canadian Identity&lt;br /&gt;
&lt;br /&gt;
Melissa Evans and Shaun Beach - Youth and advertising--This course will explore the industry of advertising, focusing specifically on how advertisers target youth through TV commercials, product placement, and endorsements. There will also be some discussion on advertisement law and various opportunities to critically analyse advertisements made in the industry and in the classroom. Students will be able to create their own advertisements based on what they have learned about the laws and techniques used in the industry.&lt;br /&gt;
&lt;br /&gt;
Michelle Fatkin and Chelsea Campbell - Acquiring Wisdom through Media&lt;br /&gt;
&lt;br /&gt;
In this course, we want students to understand that media is not simply entertainment. Rather, we want them to see that they can acquire wisdom through observing the actions and consequences of others in TV/film, and through analyzing the subtleties of messages in advertisements, print, and other forms. &lt;br /&gt;
&lt;br /&gt;
Taha and Kara - Apocalypse in Media&lt;br /&gt;
&lt;br /&gt;
Stef and Jess aka...Jeff - Seeing with your ears: An introduction to media through music&lt;br /&gt;
&lt;br /&gt;
This course looks at the relationship between music and the media by analysing historical and political events effects on music.  It focuses on the power of music and it&#039;s affect on the media.  We will also look at the power of the media and it&#039;s control over the message of popular music.  By focusing on a timeline one can easily see the changes in music and it&#039;s message due to events occurring all over the world.&lt;br /&gt;
&lt;br /&gt;
Nick De Santis and Nam Pham - &amp;quot;Add me as a Friend&amp;quot;: Deconstructing Social Media&lt;br /&gt;
       &lt;br /&gt;
&lt;br /&gt;
This course will explore the current trends in social media and how they have influenced our society. In particular, we will examine Facebook and Twitter, the two most popular forms of this media. The focus of this course will be to educate students on the benefits and dangers of using social media and to critically analyze the prevalence of social media in today’s society. By the end of this course, each student will be able to use social media to their maximum positive benefit.&lt;br /&gt;
&lt;br /&gt;
Thomas Froh and Peter Maxwell - &amp;quot;The Man&amp;quot; Behind the Message&lt;br /&gt;
&lt;br /&gt;
This course will work towards answering the question of whether there is a person or organization controlling the messages we receive in the media, and if so, who or what are they and to what end?  Specifically, the course will examine large television corporations and whether or not they work to shape popular perspective in news broadcasts, television programming, etc.&lt;br /&gt;
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&lt;br /&gt;
Paul and Rhonda - Music Videos and Pop Culture&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course will explore the question; Are music videos a product of pop culture or pop culture and product of music videos? The course will critically analyse the key media literacy aspects of production, analysis and audience. Due to the sometimes sensitive content of music videos it is important for students to deconstruct the specifics behind the media consumption, production and regulation.&lt;br /&gt;
&lt;br /&gt;
  &lt;br /&gt;
&lt;br /&gt;
Rupinder and Parmjeet: Attitude is everything!! Aquiring positive attitude through media.&lt;br /&gt;
&lt;br /&gt;
This course will focus on developing positive attitude through media productions, such as film, television, print etc. We want students to show how to use media&#039;s positive side to develop good attitude habits. &lt;br /&gt;
&lt;br /&gt;
Michael &amp;amp; John - &amp;quot;Mickey Wants You” – How Disney Won the War &lt;br /&gt;
&lt;br /&gt;
In this course, students will analyse and identify historical examples of Disney products to better understand bias, impact, and opinions.  This course has been designed with the target of engaging students in history and its contexts with products of Disney media. Students will learn and gain skills in the ability to think critically, detect biases, and learn to read and develop media products for use in their own lives.  &lt;br /&gt;
      &lt;br /&gt;
Chris and Grace - Multiculturalism in the Media&lt;br /&gt;
&lt;br /&gt;
Marie-Anne and Lucas - Francophone cinema&lt;br /&gt;
                    &lt;br /&gt;
This course has been designed to encourage students to have a better appreciation for Francophone cinema, to help them examine and identify the values and cultural differences in films and have a better understanding of Francophone culture. They will be able to apply critical thinking to film analyses and appreciations. A collaborative and safe atmosphere will be provided to foster creative expression in film production and media representation.  &lt;br /&gt;
      &lt;br /&gt;
&#039;&#039;&#039;Section 951 BA/A Topics&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Kelly Skehill and Kat Ast - &amp;quot;Media: The Inside Scoop&amp;quot;&lt;br /&gt;
&lt;br /&gt;
This course will expose students to the positive and negative influences media has on people.  It will have students analyze Social Networking, Advertising, Hollywood Movies, Documentaries and Music.  The goal is for students to gain the critical analysis and information skills necessary to become intelligent, competent consumers and creators of media messages (Considine, 2003).   &lt;br /&gt;
&lt;br /&gt;
Adam Deboer and Alvin Lui - Music, Culture, and Technology&lt;br /&gt;
&lt;br /&gt;
Ashley MacKenzie and Alex Thureau - Reality Television Production: This course will introduce students to the medium of television. Students will learn the pre-production, production and post-production steps required to produce their own reality television episode. Students will leave the course with the ability to objectively analyze television media.   &lt;br /&gt;
&lt;br /&gt;
Kady Huhn &amp;amp; Hannah Yu-Media &amp;amp; Identity-This course will explore the ways in which personal identity is constructed and mediated through media and will analyze how popular culture such as film, music, television and print media impact identity and behaviour. It will also look at the ways in which social media has impacted identity construction online and focus on the implications this has on the safety of social networking.&lt;br /&gt;
      &lt;br /&gt;
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&#039;&#039;&#039;Wendy Sigaty &amp;amp; Haley Lucas - Social Values in Media Through History&#039;&#039;&#039;&lt;br /&gt;
Students will use various media (Print, Television, Film, Music, etc) to examine how our social values (Race Relations, Relationships, Gender Roles, Sexuality, Religion, Family, Lifestyle, etc) have changed from biblical times to the present.    &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Rachel Fales &amp;amp; Jennifer Visser - &#039;&#039;Film Studies- An Analysis of Superheroes&#039;&#039;&#039;&#039;&#039; - This course intends to analyze Superheroes in films. This course will chronologically follow Superheroes as they have been adapted from comic books (ie. Superman 1978) to Hollywood Blockbusters and the idea of sequels, exploring a variety of topics during each film. Students will question genre, originality, race, gender, sexuality, public vs. private (dual) identities, villains vs. victims, technology and remediation of Superhero films. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Michael Bui &amp;amp; Jennifer Neff - Sociology and the Media 11/12&#039;&#039;&#039; -  This course examines culture and the construction of identity through shifts in media.  Trends in visual media, advancements in technology and social media will be looked at under the lens of sociology. Students will identify the ways media can influence the creation and disintegration of stereotypes.  Students will analyze different perceptions represented through these mediums of technology and how this adds to the development of new youth culture. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analyzing Modern Animated Satire 11/12&#039;&#039;&#039; (Fay Sterne &amp;amp; Brittaney Boone) - Students will take a critical look at &#039;&#039;The Simpsons&#039;&#039;, &#039;&#039;Family Guy&#039;&#039;, and &#039;&#039;South Park&#039;&#039; as satirical representations of modern North American society.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Graham Haigh &amp;amp; Dean Morris&#039;&#039;&#039; Teaching Media through the examination of Political Campaigns. Students will evaluate, analyze, political media. Students will also create their own commercial, poster, National address, attack add, or some other media presentation relating to the study of politics.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ashley Bayles &amp;amp; Danny Nann - Media &amp;amp; Popular Culture&#039;&#039;&#039;&lt;br /&gt;
- This course will examine the way in which media has an impact on cultural production and vice versa. What is popular culture? What role does the media have on the production of popular culture? Is popular culture an authentic representation of our cultural values as a society, or is it impacted by the media and if so, how? We will look into how the social and culture environment is formed and what role it has on media and vice versa. This course will examine popular culture as a concept on its own and through its representation in different forms of media. &lt;br /&gt;
&lt;br /&gt;
Yik Wah Penner &amp;amp; Chris Howey - Manufacturing Identity in the Media: This course will examine the ways in which media creates identities which are often shaped by stereotype. Our goal will be to explore the social and cultural relevance of these produced identities in the day to day lives of students.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lance Peters &amp;amp; Al McKillop - Using current media to access classic literature&#039;&#039;&#039;&lt;br /&gt;
We plan to look at various media, with a particular focus on using contemporary media such as podcasting, film, games, graphic novels, wikis, etc. to access &#039;classic&#039; literature such as Shakespeare, Melville, Dickens, Tolkien and others.&lt;br /&gt;
&lt;br /&gt;
Mark Brown and Alex McKechnie - Popular Music Studies&lt;br /&gt;
This course looks at the images, text, and music of popular songs and videos, and the relationships and meanings found therein. Students will develop appreciation, as well as, analytical and critical thinking skills to help them navigate through the multiple images, values, and meanings found within popular music and music videos&lt;br /&gt;
&lt;br /&gt;
 &lt;br /&gt;
Lillian Ryan &amp;amp; Sarah James (documentary film studies)&lt;br /&gt;
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Sat, Arshbir, Alysha and Manjot (Media influences across disciplines)&lt;br /&gt;
&lt;br /&gt;
== PSA Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;952 Planning: &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Time = 30 to 60 seconds&lt;br /&gt;
Theme = Unique to Group&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;951 Planning: &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Time = 30 to 60 seconds&lt;br /&gt;
Theme = Unique to Group&lt;br /&gt;
&lt;br /&gt;
The Scaffolders-Brittaney Boone, Jennifer Visser, Kady Huhn, Yik Penner, Chris Howey, Faye Sterne&lt;br /&gt;
&lt;br /&gt;
High-Def (HD): Mark, Alvin, Rachel, Jennifer N, Michael, Adam   [http://youtu.be/9u3Rhw9jdiE Cyber-bullying PSA]&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2010&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy.  Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding.  In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement.  The course provides a survey of media studies and new media with an emphasis on media education and literacy.  Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum.  Hence, this course emphasizes ethical, legal, and theoretical aspects and the design of curriculum and courses for teaching media education or media studies and for integrating media literacy across the curriculum. [Link to the EDCP 481 Resource page http://m1.cust.educ.ubc.ca:16080/tsedgrad/?page_id=366]. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Student Planning Space&#039;&#039;&#039;&lt;br /&gt;
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== Textbook Curriculum Planning Section ==&lt;br /&gt;
&lt;br /&gt;
Download the Media Studies 11-12 Textbook written by EDCP 481 students: http://m1.cust.educ.ubc.ca:16080/tsedgrad/?page_id=366&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Table of Contents&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;1. Who/What are The Media?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Who / What is a Journalist? (Paul Korczyk &amp;amp; Sara Newham)&amp;lt;br&amp;gt;&lt;br /&gt;
Web 2.0 (Matthew Palmer &amp;amp; Stasia Siscoe)&amp;lt;br&amp;gt; &lt;br /&gt;
Social Networking and the Media (Esther Yong &amp;amp; Gideon Lin)&amp;lt;br&amp;gt; &lt;br /&gt;
Teen Age, Teen Ad (Shelagh &amp;amp; Sean)&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;2. News or Entertainment&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Blurring Line Between Television News and Entertainment (Herleen Malli &amp;amp; Jagroop Nagra)&amp;lt;br&amp;gt; &lt;br /&gt;
Celebrity Culture (Magda Misiak &amp;amp; Jo-Anne McKee)&amp;lt;br&amp;gt; &lt;br /&gt;
The Prevalence of Violence in the Media (Cameron Vand&#039;Erkamps &amp;amp; Daljit Purewal)&amp;lt;br&amp;gt; &lt;br /&gt;
School on Television: Reality vs. Depiction (Greg Rushton &amp;amp; Sheryl Reinhardt)&amp;lt;br&amp;gt; &lt;br /&gt;
Fashion Trends and Media Representations (Balkiran Dusanj &amp;amp; Shirley Lal)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3. Bias and Perspective&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David Bron &amp;amp; Kari White)&amp;lt;br&amp;gt; &lt;br /&gt;
Editing: An Inquiry into Ideological Stance (David Mergens &amp;amp; Andrew Crawford)&amp;lt;br&amp;gt;&lt;br /&gt;
The use of Propaganda in Modern Society (Kiran Basi &amp;amp; Mike Byun)&amp;lt;br&amp;gt;&lt;br /&gt;
Storytelling and Media (Elle Kay &amp;amp; Rochelle Patten)&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;4. Culture and Technology&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Media Consumption in the Digital Age (Caleb Bouey &amp;amp; Gabrielle Rougeau)&amp;lt;br&amp;gt; &lt;br /&gt;
Technology and the Evolution of Music (JP Lancaster &amp;amp; Dorianna Chessa)&amp;lt;br&amp;gt; &lt;br /&gt;
Literature Adaptations and Interpretations in the Media (Sarah McNeil &amp;amp; Victoria Yip)&amp;lt;br&amp;gt; &lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary Yang &amp;amp; Liang You)&amp;lt;br&amp;gt; &lt;br /&gt;
Copyright in the Information Age (Ken Vimalesan &amp;amp; Jen Fehlauer)&amp;lt;br&amp;gt;&lt;br /&gt;
Appropriation and Art: Issues of Copyright in Image Production (Alex Reed &amp;amp; Fred Beitler)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a 4 page section of a textbook, which is being designed and written for grade 10-12 students):&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
e.g., Teen Age, Teen Ad (Shelagh &amp;amp; Sean)&lt;br /&gt;
Cable News (Bert &amp;amp; Ernie)&lt;br /&gt;
Web 2.0 (Stasia &amp;amp; Matthew)&lt;br /&gt;
Storytelling and Media (Rochelle and Elle)&lt;br /&gt;
Literature Adaptations and Interpretations in the Media (Victoria &amp;amp; Sarah)&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David &amp;amp; Kari)&lt;br /&gt;
Fashion Trends and Media Representations (Balkiran &amp;amp; Shirley)&lt;br /&gt;
Who/What is a Journalist? (Paul and Sara)&lt;br /&gt;
Celebrity Gossip as News (Magda and Jo-Anne)&lt;br /&gt;
Social Networking and the Media (Esther and Gideon)&lt;br /&gt;
Editing; An Inquiry into Ideological Stance (David and Andrew)&lt;br /&gt;
The blurring line between television news and entertainment (Herleen and Jag)&lt;br /&gt;
The prevelance of violence in the media (Cam and Dal)&lt;br /&gt;
Technology and the Evolution of Music (JP and Dorianna)&lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary and Liang)&lt;br /&gt;
The use of propaganda in modern society (Kiran and Mike)&lt;br /&gt;
Media Consumption in the Digital Age (Caleb and Gabby)&lt;br /&gt;
School on Television: Reality vs. Depiction (Greg and Sheryl)&lt;br /&gt;
Copyright in the Information Age (Ken and Jen)&lt;br /&gt;
Appropriation and Art: Issues of copyright in image production (Alex and Fred)&lt;br /&gt;
&lt;br /&gt;
Here are a couple possible ways to break down the book with some (wild) guesses about where each topic might fit. Thoughts? (Thanks Jen-- awesome work!)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;1. Who/What are The Media?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Who/What is a Journalist? (Paul and Sara)&amp;lt;br&amp;gt;&lt;br /&gt;
The blurring line between television news and entertainment (Herleen and Jag) &amp;lt;br&amp;gt;&lt;br /&gt;
Celebrity Gossip as News (Magda and Jo-Anne) &amp;lt;br&amp;gt;&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David &amp;amp; Kari) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;2. Who/What is Represented?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Editing: An Inquiry into Ideological Stance (David and Andrew)&amp;lt;br&amp;gt;&lt;br /&gt;
The use of propaganda in modern society (Kiran and Mike)&amp;lt;br&amp;gt;&lt;br /&gt;
School on Television: Reality vs. Depiction (Greg and Sheryl)&amp;lt;br&amp;gt; &lt;br /&gt;
The prevalence of violence in the media (Cam and Dal) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3. Web 2.0&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Web 2.0 (Stasia &amp;amp; Matthew) &amp;lt;br&amp;gt;&lt;br /&gt;
Social Networking and the Media (Esther and Gideon) &amp;lt;br&amp;gt;&lt;br /&gt;
Copyright in the Information Age (Ken and Jen)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;4. The Evolution of Culture&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Technology and the Evolution of Music (JP and Dorianna)&amp;lt;br&amp;gt; &lt;br /&gt;
Storytelling and Media (Rochelle and Leanna) &amp;lt;br&amp;gt;&lt;br /&gt;
Film Adaptations of &#039;&#039;Alice&#039;s Adventures in Wonderland&#039;&#039; (Victoria &amp;amp; Sarah) &amp;lt;br&amp;gt;&lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary and Liang) &amp;lt;br&amp;gt;&lt;br /&gt;
Appropriation and Art: Issues of copyright in image production (Alex and Fred)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;5. Economics of Technology&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Teen Age, Teen Ad (Shelagh &amp;amp; Sean) &amp;lt;br&amp;gt;&lt;br /&gt;
Fashion Trends and Media Representations (Balkiran &amp;amp; Shirley)&amp;lt;br&amp;gt;&lt;br /&gt;
Media Consumption in the Digital Age (Caleb and Gabby) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;B&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;1. Who/What are The Media?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Who/What is a Journalist? (Paul and Sara)&amp;lt;br&amp;gt;&lt;br /&gt;
Web 2.0 (Stasia &amp;amp; Matthew) &amp;lt;br&amp;gt;&lt;br /&gt;
Social Networking and the Media (Esther and Gideon) &amp;lt;br&amp;gt;&lt;br /&gt;
Teen Age, Teen Ad (Shelagh &amp;amp; Sean) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;2. News or Entertainment&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The blurring line between television news and entertainment (Herleen and Jag) &amp;lt;br&amp;gt;&lt;br /&gt;
Celebrity Gossip as News (Magda and Jo-Anne) &amp;lt;br&amp;gt;&lt;br /&gt;
The prevalence of violence in the media (Cam and Dal) &amp;lt;br&amp;gt;&lt;br /&gt;
School on Television: Reality vs. Depiction (Greg and Sheryl) &amp;lt;br&amp;gt;&lt;br /&gt;
Fashion Trends and Media Representations (Balkiran &amp;amp; Shirley)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3. Bias and Perspective&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David &amp;amp; Kari) &amp;lt;br&amp;gt;&lt;br /&gt;
Editing: An Inquiry into Ideological Stance (David and Andrew)&amp;lt;br&amp;gt;&lt;br /&gt;
The use of propaganda in modern society (Kiran and Mike)&amp;lt;br&amp;gt;&lt;br /&gt;
Storytelling and Media (Elle &amp;amp; Rochelle) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;4. Culture and Technology&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Media Consumption in the Digital Age (Caleb and Gabby) &amp;lt;br&amp;gt;&lt;br /&gt;
Technology and the Evolution of Music (JP and Dorianna) &amp;lt;br&amp;gt;&lt;br /&gt;
Literature Adaptations and Interpretations in the Media (Victoria &amp;amp; Sarah) &amp;lt;br&amp;gt;&lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary and Liang) &amp;lt;br&amp;gt;&lt;br /&gt;
Copyright in the Information Age (Ken and Jen)&amp;lt;br&amp;gt;&lt;br /&gt;
Appropriation and Art: Issues of copyright in image production (Alex and Fred)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== BAA Course Planning Section ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Media and Advertising 11&#039;&#039;&#039;(Ken and Jen)&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
This course will prepare students to deconstruct and understand how media impact their lives and decisions. Students will learn and apply the concepts of audience, purpose and argument through an analysis of advertising across various media.  Students will understand how advertising creates and appeals to cultural values which will prepare them to be informed and active citizens in a media-saturated world.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Identity, Pop Culture and Media 12&#039;&#039;&#039; (Rochelle and Leanna)&lt;br /&gt;
-portrayals of gender, age, race, sexuality, beauty, and wealth in Pop Culture and the Media and how these construct and affirm our beliefs and personal and corporate identity&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Societal and Cultural Values in Media 12&#039;&#039;&#039; (Gideon &amp;amp; Esther)&lt;br /&gt;
&amp;lt;br&amp;gt; An overview analysis of television, film, pop culture and advertising and how, within these mediums, certain societal and cultural values are propagated and reflected. It is important for students to be aware and analytical of what they view/listen to etc, in order to be critical of what values are being (re)presented by the media.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;From The Page to the Stage, and Beyond: Literary Adaptations in the Media&#039;&#039;&#039; (Victoria &amp;amp; Sarah)&lt;br /&gt;
&amp;lt;br&amp;gt;Increasingly, the first exposure that young people have to literature is through television, film, or Internet adaptations.  This course will help students understand the transformation that a work goes through as it travels from the page to another medium, and will explore adaptations of popular works for the stage, radio, television, film, and Internet.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Music and Technology 11/12&#039;&#039;&#039; (Greg and Sheryl)&lt;br /&gt;
This course will examine the ways in which technology has changed the way that music is created, perceived and consumed.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;History lives -An examination of historical events through film&amp;quot;&#039;&#039;&#039; (Mike and Kiran)&lt;br /&gt;
This course will consider various points in history through the medium of film. A careful examination of movies that deal with historical events will be analyzed with respect to the underlying message portrayed in the film. This course will consider the political and social aspects as well as the historical context and how it is portrayed by the media.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A Game Making Approach to Bioethics&#039;&#039;&#039; (Mary and Liang)&lt;br /&gt;
&amp;lt;br&amp;gt;This course is meant to consider the ethical issues associated with the studies of current science that incorporate biology and technology. With some knowledge on high school biology, students will develop a basic understanding of these science studies.  Through collecting science media, students will learn about the occurrence and the relevancy of these studies to their daily lives.  With some discussions, students will identify both ethical and unethical actions committed by stakeholders.  In addition, students will master the ability to come up with alternative solutions that are by definition more ethical to these studies.  Lastly, students will demonstrate their overall knowledge of bioethics by planning for a computer or video game that demands ethical decisions and administers consequences.  As well, the planning process requires the usage of multiple forms of technology.  Through the practices of this course, students are made to hold some responsibilities to the well-being of our world as a whole.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The Power of Media&#039;&#039;&#039; (David B and Kari)&lt;br /&gt;
&lt;br /&gt;
This course will challenge students to look at the way in which the media impacts society. Looking at different forms of media (ie. television, the radio, the internet, newspapers/magazines) the following issues will be addressed: how does the media shape reality, who is the targeted audience, the ability of technology to communicate, and the influence that the media has on everyday life. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The History of Communication Throughout the 20th Century&#039;&#039;&#039; (JP and Dorianna)&lt;br /&gt;
This course will examine the evolution of communication throughout the 20th century and how this process affected important historical events, eras and trends. Students will look at how various communication technologies, such as AM radio, television, and the internet, were employed during the century and what events/phenomenons they facilitated. Central themes to be studied will include war and conflict, popular culture, and globalization.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Music Media&#039;&#039;&#039; (David and Andrew)&lt;br /&gt;
Investigation of lyrical content with respect to audience. Investigation into lyrical content and political message. The study of the interaction between lyrical message and music video message.  This course will provide for students opportunities to observe aspects of social, political, and cultural history through the lens of instrumental music.  In regards to tonality, style, and timbre, the directions in which genres of music evolved heavily reflected the social conditions of eras; it is impossible, for example, to separate the violence associated wit the modern Civil Rights Movement from the sound of 1960s avant-garde jazz.  Students will analyze such connections in a variety of ways, such as by sampling various music selections that will be supplemented with pertaining historical contexts. &lt;br /&gt;
[[Category: Curriculum and Pedagogy]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Critical Media Studies in Film and Television&#039;&#039;&#039; (Alex and Fred)&lt;br /&gt;
This course will focus on pop culture film and television media of the 20th and 21st centuries.  Students will develop a critical awareness of how media messages are constructed in the world of film and television.  Students will make use of media literacy methodologies to deconstruct and critically analyze meaning in a series of film and television screenings.  Students will also read texts and view documentaries critiquing pop culture film and telesion.  The course will culminate in the students utilizing these critical skills to create their own critical documentary.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Intro to Media Studies&#039;&#039;&#039; (Matthew and Stasia)&lt;br /&gt;
This course will introduce students to the concept of media studies and what it entails - what is media, the history of media, the influence of media on society, the different forms of media, etc.  It will provide a foundation for future, more focused courses, and will establish the analytical skills necessary for students to navigate todays dynamic media landscape.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Media: Issues and Technology 12&#039;&#039;&#039; (Paul and Sara)&lt;br /&gt;
This course deals with media depictions of controversial issues facing the world today. Each issue will be looked at through one of television/film, radio, print, and internet. The technology aspect of the course covers media production, and students will gain experience working in each of the major forms of media. After analyzing issues, students will be asked to produce their own representations of those issues in a skills-based, technological approach.&lt;br /&gt;
&lt;br /&gt;
   &lt;br /&gt;
&amp;quot;Stereotypes in TV &amp;amp; Film: Changes Over Time&amp;quot; -Sarah K, Jenn O, Jenn M&lt;br /&gt;
&lt;br /&gt;
This course will examine the way that stereotypes are portrayed in TV and Film. It will look in depth at the changes in stereotypes as a reflection of society. Topics considered will include gender/sexuality, minorities, women and society in general.&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;External Resources&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
[http://www.pixton.com Pixton - &#039;Free&#039; Online Comic Maker]&lt;br /&gt;
      &lt;br /&gt;
&lt;br /&gt;
[[Category:EDCP]]&lt;/div&gt;</summary>
		<author><name>Stephenpetrina</name></author>
	</entry>
	<entry>
		<id>https://wiki.ubc.ca/index.php?title=Course:EDCP481&amp;diff=415946</id>
		<title>Course:EDCP481</title>
		<link rel="alternate" type="text/html" href="https://wiki.ubc.ca/index.php?title=Course:EDCP481&amp;diff=415946"/>
		<updated>2016-06-26T20:51:41Z</updated>

		<summary type="html">&lt;p&gt;Stephenpetrina: /* Summer 2a 2015 */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== &#039;&#039;&#039;Summer 2a 2016&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy. Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding. In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement. Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy. Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum. Hence, this course balances practice with ethical, legal, and theoretical aspects and emphasizes the design of curriculum and courses for teaching media studies and for integrating media literacy across the curriculum.  [Link to the EDCP 481  Resource page http://blogs.ubc.ca/etec/courses-2/edcp-481/].&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Link to the EDCP 481 Textbook (Media Study Guides) co-authored by the  students  http://blogs.ubc.ca/etec/courses-2/edcp-481/&#039;&#039;&#039;&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Student Planning Space&#039;&#039;&#039;&lt;br /&gt;
== Textbook (Media Study Guide) Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a section-- Media Study Guide-- of a textbook, which is being designed and written for grade 8-10 or 11-12 students):&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 Media Study Guide Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
xx &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2011&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy.  Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding.  In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement.  Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy.  Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum.  Hence, this course emphasizes ethical, legal, and theoretical aspects and the design of curriculum and courses for teaching media education or media studies and for integrating media literacy across the curriculum.  [Link to the EDCP 481  Resource page http://m1.cust.educ.ubc.ca:16080/tsedgrad/?page_id=460].&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Link to the EDCP 481 Textbook (Media Study Guides) co-authored by the  students  http://blogs.ubc.ca/etec/courses-2/edcp-481/&#039;&#039;&#039;&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Student Planning Space&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== Textbook (Media Study Guide) Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a section-- Media Study Guide-- of a textbook, which is being designed and written for grade 8-10 or 11-12 students):&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 Media Study Guide Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
xx &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Dianna Stashuk and Adam Alvaro - &amp;quot;Lost&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Melissa Evans and Shaun Beach- &amp;quot;Family&amp;quot; Shows (exploring the representations of family, past and present)&lt;br /&gt;
&lt;br /&gt;
Brian, Peter &amp;amp; Tyler - Need for Speed&lt;br /&gt;
&lt;br /&gt;
Michelle Fatkin and Chelsea Campbell - &amp;quot;Mean Girls&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Tom Froh and Peter Maxwell - &amp;quot;16 and Pregnant&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Nick De Santis and Nam Pham- &amp;quot;127 Hours&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Chris Flannelly and Grace Woo - &amp;quot;Freedom Writers&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Lucas Mann and Marie-Anne Hellinckx - Film Review &amp;quot;Ma vie en rose&amp;quot; to address issues of homophobia.&lt;br /&gt;
&lt;br /&gt;
Stephanie Malloy and Jon Schmidt-&amp;quot;My Sister&#039;s Keeper&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 951 Media Study Guide Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
xx&lt;br /&gt;
&lt;br /&gt;
Adam Deboer and Alvin Lui - The Dark Knight&lt;br /&gt;
&lt;br /&gt;
Kelly Skehill and Kat Ast - &amp;quot;Thirteen&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Ashley MacKenzie and Alex Thureau - &amp;quot;One Week&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Wendy Sigaty and Haley Lucas - &amp;quot;Avatar&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Kady Huhn &amp;amp; Hannah Yu- &amp;quot;Into the Wild&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Fay Sterne &amp;amp; Brittaney Boone - &amp;quot;The Office&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Rachel Fales &amp;amp; Jennifer Visser - &amp;quot;Wall-E&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Yik Wah Penner &amp;amp; Chris Howey - &amp;quot;Little Ms. Sunshine&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Lance Peters &amp;amp; Al McKillop - &#039;Lord of the Rings&#039; (I know, it&#039;s a little ambitious.)&lt;br /&gt;
&lt;br /&gt;
Ashley Bayles &amp;amp; Danny Nann - &amp;quot;The Simpsons&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Jenn O, Jenn M, Sarah K - &amp;quot;Schindler&#039;s List&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Alexander McKechnie - Mythology and Popular Music&lt;br /&gt;
&lt;br /&gt;
Mark Brown - &amp;quot;Bright Star&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Sarah James and Lillian Ryan - &amp;quot;Food Inc.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Michael Bui &amp;amp; Jennifer Neff - Outsourced&lt;br /&gt;
&lt;br /&gt;
== BAA Course Planning Section ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The direct link to the example BAA is:&#039;&#039;&#039; &amp;lt;br&amp;gt;&lt;br /&gt;
http://www.bced.gov.bc.ca/greenschools/sustcoursecontent.htm&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the BAA Course here:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 BA/A Topics&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Brian, Peter &amp;amp; Tyler - GAME ON! Video Game Play as Text: Critical Reading for Gamers     &lt;br /&gt;
&lt;br /&gt;
Dianna Stashuk and Adam Alvaro - Media and Canadian Identity&lt;br /&gt;
&lt;br /&gt;
Melissa Evans and Shaun Beach - Youth and advertising--This course will explore the industry of advertising, focusing specifically on how advertisers target youth through TV commercials, product placement, and endorsements. There will also be some discussion on advertisement law and various opportunities to critically analyse advertisements made in the industry and in the classroom. Students will be able to create their own advertisements based on what they have learned about the laws and techniques used in the industry.&lt;br /&gt;
&lt;br /&gt;
Michelle Fatkin and Chelsea Campbell - Acquiring Wisdom through Media&lt;br /&gt;
&lt;br /&gt;
In this course, we want students to understand that media is not simply entertainment. Rather, we want them to see that they can acquire wisdom through observing the actions and consequences of others in TV/film, and through analyzing the subtleties of messages in advertisements, print, and other forms. &lt;br /&gt;
&lt;br /&gt;
Taha and Kara - Apocalypse in Media&lt;br /&gt;
&lt;br /&gt;
Stef and Jess aka...Jeff - Seeing with your ears: An introduction to media through music&lt;br /&gt;
&lt;br /&gt;
This course looks at the relationship between music and the media by analysing historical and political events effects on music.  It focuses on the power of music and it&#039;s affect on the media.  We will also look at the power of the media and it&#039;s control over the message of popular music.  By focusing on a timeline one can easily see the changes in music and it&#039;s message due to events occurring all over the world.&lt;br /&gt;
&lt;br /&gt;
Nick De Santis and Nam Pham - &amp;quot;Add me as a Friend&amp;quot;: Deconstructing Social Media&lt;br /&gt;
       &lt;br /&gt;
&lt;br /&gt;
This course will explore the current trends in social media and how they have influenced our society. In particular, we will examine Facebook and Twitter, the two most popular forms of this media. The focus of this course will be to educate students on the benefits and dangers of using social media and to critically analyze the prevalence of social media in today’s society. By the end of this course, each student will be able to use social media to their maximum positive benefit.&lt;br /&gt;
&lt;br /&gt;
Thomas Froh and Peter Maxwell - &amp;quot;The Man&amp;quot; Behind the Message&lt;br /&gt;
&lt;br /&gt;
This course will work towards answering the question of whether there is a person or organization controlling the messages we receive in the media, and if so, who or what are they and to what end?  Specifically, the course will examine large television corporations and whether or not they work to shape popular perspective in news broadcasts, television programming, etc.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Paul and Rhonda - Music Videos and Pop Culture&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course will explore the question; Are music videos a product of pop culture or pop culture and product of music videos? The course will critically analyse the key media literacy aspects of production, analysis and audience. Due to the sometimes sensitive content of music videos it is important for students to deconstruct the specifics behind the media consumption, production and regulation.&lt;br /&gt;
&lt;br /&gt;
  &lt;br /&gt;
&lt;br /&gt;
Rupinder and Parmjeet: Attitude is everything!! Aquiring positive attitude through media.&lt;br /&gt;
&lt;br /&gt;
This course will focus on developing positive attitude through media productions, such as film, television, print etc. We want students to show how to use media&#039;s positive side to develop good attitude habits. &lt;br /&gt;
&lt;br /&gt;
Michael &amp;amp; John - &amp;quot;Mickey Wants You” – How Disney Won the War &lt;br /&gt;
&lt;br /&gt;
In this course, students will analyse and identify historical examples of Disney products to better understand bias, impact, and opinions.  This course has been designed with the target of engaging students in history and its contexts with products of Disney media. Students will learn and gain skills in the ability to think critically, detect biases, and learn to read and develop media products for use in their own lives.  &lt;br /&gt;
      &lt;br /&gt;
Chris and Grace - Multiculturalism in the Media&lt;br /&gt;
&lt;br /&gt;
Marie-Anne and Lucas - Francophone cinema&lt;br /&gt;
                    &lt;br /&gt;
This course has been designed to encourage students to have a better appreciation for Francophone cinema, to help them examine and identify the values and cultural differences in films and have a better understanding of Francophone culture. They will be able to apply critical thinking to film analyses and appreciations. A collaborative and safe atmosphere will be provided to foster creative expression in film production and media representation.  &lt;br /&gt;
      &lt;br /&gt;
&#039;&#039;&#039;Section 951 BA/A Topics&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Kelly Skehill and Kat Ast - &amp;quot;Media: The Inside Scoop&amp;quot;&lt;br /&gt;
&lt;br /&gt;
This course will expose students to the positive and negative influences media has on people.  It will have students analyze Social Networking, Advertising, Hollywood Movies, Documentaries and Music.  The goal is for students to gain the critical analysis and information skills necessary to become intelligent, competent consumers and creators of media messages (Considine, 2003).   &lt;br /&gt;
&lt;br /&gt;
Adam Deboer and Alvin Lui - Music, Culture, and Technology&lt;br /&gt;
&lt;br /&gt;
Ashley MacKenzie and Alex Thureau - Reality Television Production: This course will introduce students to the medium of television. Students will learn the pre-production, production and post-production steps required to produce their own reality television episode. Students will leave the course with the ability to objectively analyze television media.   &lt;br /&gt;
&lt;br /&gt;
Kady Huhn &amp;amp; Hannah Yu-Media &amp;amp; Identity-This course will explore the ways in which personal identity is constructed and mediated through media and will analyze how popular culture such as film, music, television and print media impact identity and behaviour. It will also look at the ways in which social media has impacted identity construction online and focus on the implications this has on the safety of social networking.&lt;br /&gt;
      &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Wendy Sigaty &amp;amp; Haley Lucas - Social Values in Media Through History&#039;&#039;&#039;&lt;br /&gt;
Students will use various media (Print, Television, Film, Music, etc) to examine how our social values (Race Relations, Relationships, Gender Roles, Sexuality, Religion, Family, Lifestyle, etc) have changed from biblical times to the present.    &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Rachel Fales &amp;amp; Jennifer Visser - &#039;&#039;Film Studies- An Analysis of Superheroes&#039;&#039;&#039;&#039;&#039; - This course intends to analyze Superheroes in films. This course will chronologically follow Superheroes as they have been adapted from comic books (ie. Superman 1978) to Hollywood Blockbusters and the idea of sequels, exploring a variety of topics during each film. Students will question genre, originality, race, gender, sexuality, public vs. private (dual) identities, villains vs. victims, technology and remediation of Superhero films. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Michael Bui &amp;amp; Jennifer Neff - Sociology and the Media 11/12&#039;&#039;&#039; -  This course examines culture and the construction of identity through shifts in media.  Trends in visual media, advancements in technology and social media will be looked at under the lens of sociology. Students will identify the ways media can influence the creation and disintegration of stereotypes.  Students will analyze different perceptions represented through these mediums of technology and how this adds to the development of new youth culture. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analyzing Modern Animated Satire 11/12&#039;&#039;&#039; (Fay Sterne &amp;amp; Brittaney Boone) - Students will take a critical look at &#039;&#039;The Simpsons&#039;&#039;, &#039;&#039;Family Guy&#039;&#039;, and &#039;&#039;South Park&#039;&#039; as satirical representations of modern North American society.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Graham Haigh &amp;amp; Dean Morris&#039;&#039;&#039; Teaching Media through the examination of Political Campaigns. Students will evaluate, analyze, political media. Students will also create their own commercial, poster, National address, attack add, or some other media presentation relating to the study of politics.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ashley Bayles &amp;amp; Danny Nann - Media &amp;amp; Popular Culture&#039;&#039;&#039;&lt;br /&gt;
- This course will examine the way in which media has an impact on cultural production and vice versa. What is popular culture? What role does the media have on the production of popular culture? Is popular culture an authentic representation of our cultural values as a society, or is it impacted by the media and if so, how? We will look into how the social and culture environment is formed and what role it has on media and vice versa. This course will examine popular culture as a concept on its own and through its representation in different forms of media. &lt;br /&gt;
&lt;br /&gt;
Yik Wah Penner &amp;amp; Chris Howey - Manufacturing Identity in the Media: This course will examine the ways in which media creates identities which are often shaped by stereotype. Our goal will be to explore the social and cultural relevance of these produced identities in the day to day lives of students.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lance Peters &amp;amp; Al McKillop - Using current media to access classic literature&#039;&#039;&#039;&lt;br /&gt;
We plan to look at various media, with a particular focus on using contemporary media such as podcasting, film, games, graphic novels, wikis, etc. to access &#039;classic&#039; literature such as Shakespeare, Melville, Dickens, Tolkien and others.&lt;br /&gt;
&lt;br /&gt;
Mark Brown and Alex McKechnie - Popular Music Studies&lt;br /&gt;
This course looks at the images, text, and music of popular songs and videos, and the relationships and meanings found therein. Students will develop appreciation, as well as, analytical and critical thinking skills to help them navigate through the multiple images, values, and meanings found within popular music and music videos&lt;br /&gt;
&lt;br /&gt;
 &lt;br /&gt;
Lillian Ryan &amp;amp; Sarah James (documentary film studies)&lt;br /&gt;
&lt;br /&gt;
== PSA Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;952 Planning: &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Time = 30 to 60 seconds&lt;br /&gt;
Theme = Unique to Group&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;951 Planning: &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Time = 30 to 60 seconds&lt;br /&gt;
Theme = Unique to Group&lt;br /&gt;
&lt;br /&gt;
The Scaffolders-Brittaney Boone, Jennifer Visser, Kady Huhn, Yik Penner, Chris Howey, Faye Sterne&lt;br /&gt;
&lt;br /&gt;
High-Def (HD): Mark, Alvin, Rachel, Jennifer N, Michael, Adam   [http://youtu.be/9u3Rhw9jdiE Cyber-bullying PSA]&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2010&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy.  Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding.  In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement.  The course provides a survey of media studies and new media with an emphasis on media education and literacy.  Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum.  Hence, this course emphasizes ethical, legal, and theoretical aspects and the design of curriculum and courses for teaching media education or media studies and for integrating media literacy across the curriculum. [Link to the EDCP 481 Resource page http://m1.cust.educ.ubc.ca:16080/tsedgrad/?page_id=366]. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Student Planning Space&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== Textbook Curriculum Planning Section ==&lt;br /&gt;
&lt;br /&gt;
Download the Media Studies 11-12 Textbook written by EDCP 481 students: http://m1.cust.educ.ubc.ca:16080/tsedgrad/?page_id=366&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Table of Contents&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;1. Who/What are The Media?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Who / What is a Journalist? (Paul Korczyk &amp;amp; Sara Newham)&amp;lt;br&amp;gt;&lt;br /&gt;
Web 2.0 (Matthew Palmer &amp;amp; Stasia Siscoe)&amp;lt;br&amp;gt; &lt;br /&gt;
Social Networking and the Media (Esther Yong &amp;amp; Gideon Lin)&amp;lt;br&amp;gt; &lt;br /&gt;
Teen Age, Teen Ad (Shelagh &amp;amp; Sean)&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;2. News or Entertainment&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Blurring Line Between Television News and Entertainment (Herleen Malli &amp;amp; Jagroop Nagra)&amp;lt;br&amp;gt; &lt;br /&gt;
Celebrity Culture (Magda Misiak &amp;amp; Jo-Anne McKee)&amp;lt;br&amp;gt; &lt;br /&gt;
The Prevalence of Violence in the Media (Cameron Vand&#039;Erkamps &amp;amp; Daljit Purewal)&amp;lt;br&amp;gt; &lt;br /&gt;
School on Television: Reality vs. Depiction (Greg Rushton &amp;amp; Sheryl Reinhardt)&amp;lt;br&amp;gt; &lt;br /&gt;
Fashion Trends and Media Representations (Balkiran Dusanj &amp;amp; Shirley Lal)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3. Bias and Perspective&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David Bron &amp;amp; Kari White)&amp;lt;br&amp;gt; &lt;br /&gt;
Editing: An Inquiry into Ideological Stance (David Mergens &amp;amp; Andrew Crawford)&amp;lt;br&amp;gt;&lt;br /&gt;
The use of Propaganda in Modern Society (Kiran Basi &amp;amp; Mike Byun)&amp;lt;br&amp;gt;&lt;br /&gt;
Storytelling and Media (Elle Kay &amp;amp; Rochelle Patten)&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;4. Culture and Technology&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Media Consumption in the Digital Age (Caleb Bouey &amp;amp; Gabrielle Rougeau)&amp;lt;br&amp;gt; &lt;br /&gt;
Technology and the Evolution of Music (JP Lancaster &amp;amp; Dorianna Chessa)&amp;lt;br&amp;gt; &lt;br /&gt;
Literature Adaptations and Interpretations in the Media (Sarah McNeil &amp;amp; Victoria Yip)&amp;lt;br&amp;gt; &lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary Yang &amp;amp; Liang You)&amp;lt;br&amp;gt; &lt;br /&gt;
Copyright in the Information Age (Ken Vimalesan &amp;amp; Jen Fehlauer)&amp;lt;br&amp;gt;&lt;br /&gt;
Appropriation and Art: Issues of Copyright in Image Production (Alex Reed &amp;amp; Fred Beitler)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a 4 page section of a textbook, which is being designed and written for grade 10-12 students):&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
e.g., Teen Age, Teen Ad (Shelagh &amp;amp; Sean)&lt;br /&gt;
Cable News (Bert &amp;amp; Ernie)&lt;br /&gt;
Web 2.0 (Stasia &amp;amp; Matthew)&lt;br /&gt;
Storytelling and Media (Rochelle and Elle)&lt;br /&gt;
Literature Adaptations and Interpretations in the Media (Victoria &amp;amp; Sarah)&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David &amp;amp; Kari)&lt;br /&gt;
Fashion Trends and Media Representations (Balkiran &amp;amp; Shirley)&lt;br /&gt;
Who/What is a Journalist? (Paul and Sara)&lt;br /&gt;
Celebrity Gossip as News (Magda and Jo-Anne)&lt;br /&gt;
Social Networking and the Media (Esther and Gideon)&lt;br /&gt;
Editing; An Inquiry into Ideological Stance (David and Andrew)&lt;br /&gt;
The blurring line between television news and entertainment (Herleen and Jag)&lt;br /&gt;
The prevelance of violence in the media (Cam and Dal)&lt;br /&gt;
Technology and the Evolution of Music (JP and Dorianna)&lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary and Liang)&lt;br /&gt;
The use of propaganda in modern society (Kiran and Mike)&lt;br /&gt;
Media Consumption in the Digital Age (Caleb and Gabby)&lt;br /&gt;
School on Television: Reality vs. Depiction (Greg and Sheryl)&lt;br /&gt;
Copyright in the Information Age (Ken and Jen)&lt;br /&gt;
Appropriation and Art: Issues of copyright in image production (Alex and Fred)&lt;br /&gt;
&lt;br /&gt;
Here are a couple possible ways to break down the book with some (wild) guesses about where each topic might fit. Thoughts? (Thanks Jen-- awesome work!)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;1. Who/What are The Media?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Who/What is a Journalist? (Paul and Sara)&amp;lt;br&amp;gt;&lt;br /&gt;
The blurring line between television news and entertainment (Herleen and Jag) &amp;lt;br&amp;gt;&lt;br /&gt;
Celebrity Gossip as News (Magda and Jo-Anne) &amp;lt;br&amp;gt;&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David &amp;amp; Kari) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;2. Who/What is Represented?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Editing: An Inquiry into Ideological Stance (David and Andrew)&amp;lt;br&amp;gt;&lt;br /&gt;
The use of propaganda in modern society (Kiran and Mike)&amp;lt;br&amp;gt;&lt;br /&gt;
School on Television: Reality vs. Depiction (Greg and Sheryl)&amp;lt;br&amp;gt; &lt;br /&gt;
The prevalence of violence in the media (Cam and Dal) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3. Web 2.0&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Web 2.0 (Stasia &amp;amp; Matthew) &amp;lt;br&amp;gt;&lt;br /&gt;
Social Networking and the Media (Esther and Gideon) &amp;lt;br&amp;gt;&lt;br /&gt;
Copyright in the Information Age (Ken and Jen)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;4. The Evolution of Culture&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Technology and the Evolution of Music (JP and Dorianna)&amp;lt;br&amp;gt; &lt;br /&gt;
Storytelling and Media (Rochelle and Leanna) &amp;lt;br&amp;gt;&lt;br /&gt;
Film Adaptations of &#039;&#039;Alice&#039;s Adventures in Wonderland&#039;&#039; (Victoria &amp;amp; Sarah) &amp;lt;br&amp;gt;&lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary and Liang) &amp;lt;br&amp;gt;&lt;br /&gt;
Appropriation and Art: Issues of copyright in image production (Alex and Fred)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;5. Economics of Technology&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Teen Age, Teen Ad (Shelagh &amp;amp; Sean) &amp;lt;br&amp;gt;&lt;br /&gt;
Fashion Trends and Media Representations (Balkiran &amp;amp; Shirley)&amp;lt;br&amp;gt;&lt;br /&gt;
Media Consumption in the Digital Age (Caleb and Gabby) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;B&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;1. Who/What are The Media?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Who/What is a Journalist? (Paul and Sara)&amp;lt;br&amp;gt;&lt;br /&gt;
Web 2.0 (Stasia &amp;amp; Matthew) &amp;lt;br&amp;gt;&lt;br /&gt;
Social Networking and the Media (Esther and Gideon) &amp;lt;br&amp;gt;&lt;br /&gt;
Teen Age, Teen Ad (Shelagh &amp;amp; Sean) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;2. News or Entertainment&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The blurring line between television news and entertainment (Herleen and Jag) &amp;lt;br&amp;gt;&lt;br /&gt;
Celebrity Gossip as News (Magda and Jo-Anne) &amp;lt;br&amp;gt;&lt;br /&gt;
The prevalence of violence in the media (Cam and Dal) &amp;lt;br&amp;gt;&lt;br /&gt;
School on Television: Reality vs. Depiction (Greg and Sheryl) &amp;lt;br&amp;gt;&lt;br /&gt;
Fashion Trends and Media Representations (Balkiran &amp;amp; Shirley)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3. Bias and Perspective&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David &amp;amp; Kari) &amp;lt;br&amp;gt;&lt;br /&gt;
Editing: An Inquiry into Ideological Stance (David and Andrew)&amp;lt;br&amp;gt;&lt;br /&gt;
The use of propaganda in modern society (Kiran and Mike)&amp;lt;br&amp;gt;&lt;br /&gt;
Storytelling and Media (Elle &amp;amp; Rochelle) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;4. Culture and Technology&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Media Consumption in the Digital Age (Caleb and Gabby) &amp;lt;br&amp;gt;&lt;br /&gt;
Technology and the Evolution of Music (JP and Dorianna) &amp;lt;br&amp;gt;&lt;br /&gt;
Literature Adaptations and Interpretations in the Media (Victoria &amp;amp; Sarah) &amp;lt;br&amp;gt;&lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary and Liang) &amp;lt;br&amp;gt;&lt;br /&gt;
Copyright in the Information Age (Ken and Jen)&amp;lt;br&amp;gt;&lt;br /&gt;
Appropriation and Art: Issues of copyright in image production (Alex and Fred)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== BAA Course Planning Section ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Media and Advertising 11&#039;&#039;&#039;(Ken and Jen)&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
This course will prepare students to deconstruct and understand how media impact their lives and decisions. Students will learn and apply the concepts of audience, purpose and argument through an analysis of advertising across various media.  Students will understand how advertising creates and appeals to cultural values which will prepare them to be informed and active citizens in a media-saturated world.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Identity, Pop Culture and Media 12&#039;&#039;&#039; (Rochelle and Leanna)&lt;br /&gt;
-portrayals of gender, age, race, sexuality, beauty, and wealth in Pop Culture and the Media and how these construct and affirm our beliefs and personal and corporate identity&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Societal and Cultural Values in Media 12&#039;&#039;&#039; (Gideon &amp;amp; Esther)&lt;br /&gt;
&amp;lt;br&amp;gt; An overview analysis of television, film, pop culture and advertising and how, within these mediums, certain societal and cultural values are propagated and reflected. It is important for students to be aware and analytical of what they view/listen to etc, in order to be critical of what values are being (re)presented by the media.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;From The Page to the Stage, and Beyond: Literary Adaptations in the Media&#039;&#039;&#039; (Victoria &amp;amp; Sarah)&lt;br /&gt;
&amp;lt;br&amp;gt;Increasingly, the first exposure that young people have to literature is through television, film, or Internet adaptations.  This course will help students understand the transformation that a work goes through as it travels from the page to another medium, and will explore adaptations of popular works for the stage, radio, television, film, and Internet.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Music and Technology 11/12&#039;&#039;&#039; (Greg and Sheryl)&lt;br /&gt;
This course will examine the ways in which technology has changed the way that music is created, perceived and consumed.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;History lives -An examination of historical events through film&amp;quot;&#039;&#039;&#039; (Mike and Kiran)&lt;br /&gt;
This course will consider various points in history through the medium of film. A careful examination of movies that deal with historical events will be analyzed with respect to the underlying message portrayed in the film. This course will consider the political and social aspects as well as the historical context and how it is portrayed by the media.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A Game Making Approach to Bioethics&#039;&#039;&#039; (Mary and Liang)&lt;br /&gt;
&amp;lt;br&amp;gt;This course is meant to consider the ethical issues associated with the studies of current science that incorporate biology and technology. With some knowledge on high school biology, students will develop a basic understanding of these science studies.  Through collecting science media, students will learn about the occurrence and the relevancy of these studies to their daily lives.  With some discussions, students will identify both ethical and unethical actions committed by stakeholders.  In addition, students will master the ability to come up with alternative solutions that are by definition more ethical to these studies.  Lastly, students will demonstrate their overall knowledge of bioethics by planning for a computer or video game that demands ethical decisions and administers consequences.  As well, the planning process requires the usage of multiple forms of technology.  Through the practices of this course, students are made to hold some responsibilities to the well-being of our world as a whole.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The Power of Media&#039;&#039;&#039; (David B and Kari)&lt;br /&gt;
&lt;br /&gt;
This course will challenge students to look at the way in which the media impacts society. Looking at different forms of media (ie. television, the radio, the internet, newspapers/magazines) the following issues will be addressed: how does the media shape reality, who is the targeted audience, the ability of technology to communicate, and the influence that the media has on everyday life. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The History of Communication Throughout the 20th Century&#039;&#039;&#039; (JP and Dorianna)&lt;br /&gt;
This course will examine the evolution of communication throughout the 20th century and how this process affected important historical events, eras and trends. Students will look at how various communication technologies, such as AM radio, television, and the internet, were employed during the century and what events/phenomenons they facilitated. Central themes to be studied will include war and conflict, popular culture, and globalization.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Music Media&#039;&#039;&#039; (David and Andrew)&lt;br /&gt;
Investigation of lyrical content with respect to audience. Investigation into lyrical content and political message. The study of the interaction between lyrical message and music video message.  This course will provide for students opportunities to observe aspects of social, political, and cultural history through the lens of instrumental music.  In regards to tonality, style, and timbre, the directions in which genres of music evolved heavily reflected the social conditions of eras; it is impossible, for example, to separate the violence associated wit the modern Civil Rights Movement from the sound of 1960s avant-garde jazz.  Students will analyze such connections in a variety of ways, such as by sampling various music selections that will be supplemented with pertaining historical contexts. &lt;br /&gt;
[[Category: Curriculum and Pedagogy]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Critical Media Studies in Film and Television&#039;&#039;&#039; (Alex and Fred)&lt;br /&gt;
This course will focus on pop culture film and television media of the 20th and 21st centuries.  Students will develop a critical awareness of how media messages are constructed in the world of film and television.  Students will make use of media literacy methodologies to deconstruct and critically analyze meaning in a series of film and television screenings.  Students will also read texts and view documentaries critiquing pop culture film and telesion.  The course will culminate in the students utilizing these critical skills to create their own critical documentary.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Intro to Media Studies&#039;&#039;&#039; (Matthew and Stasia)&lt;br /&gt;
This course will introduce students to the concept of media studies and what it entails - what is media, the history of media, the influence of media on society, the different forms of media, etc.  It will provide a foundation for future, more focused courses, and will establish the analytical skills necessary for students to navigate todays dynamic media landscape.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Media: Issues and Technology 12&#039;&#039;&#039; (Paul and Sara)&lt;br /&gt;
This course deals with media depictions of controversial issues facing the world today. Each issue will be looked at through one of television/film, radio, print, and internet. The technology aspect of the course covers media production, and students will gain experience working in each of the major forms of media. After analyzing issues, students will be asked to produce their own representations of those issues in a skills-based, technological approach.&lt;br /&gt;
&lt;br /&gt;
   &lt;br /&gt;
&amp;quot;Stereotypes in TV &amp;amp; Film: Changes Over Time&amp;quot; -Sarah K, Jenn O, Jenn M&lt;br /&gt;
&lt;br /&gt;
This course will examine the way that stereotypes are portrayed in TV and Film. It will look in depth at the changes in stereotypes as a reflection of society. Topics considered will include gender/sexuality, minorities, women and society in general.&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;External Resources&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
[http://www.pixton.com Pixton - &#039;Free&#039; Online Comic Maker]&lt;br /&gt;
      &lt;br /&gt;
&lt;br /&gt;
[[Category:EDCP]]&lt;/div&gt;</summary>
		<author><name>Stephenpetrina</name></author>
	</entry>
	<entry>
		<id>https://wiki.ubc.ca/index.php?title=Course:Edcp508&amp;diff=373923</id>
		<title>Course:Edcp508</title>
		<link rel="alternate" type="text/html" href="https://wiki.ubc.ca/index.php?title=Course:Edcp508&amp;diff=373923"/>
		<updated>2015-07-10T02:27:25Z</updated>

		<summary type="html">&lt;p&gt;Stephenpetrina: /* 21st Century Learning (Theory &amp;amp; Methods) */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==21st Century Learning (Theory &amp;amp; Methods) @ Digital Learning &amp;amp; Curriculum graduate studies Cohort==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Link to the EDCP 508a WP in DLC Portal  http://www.dlc-ubc.ca/dlc3/edcp508a/&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== &#039;Keywords&#039;  (Please List your Keyword below, e.g., # Steve: 21st C Curriculum ==&lt;br /&gt;
# Carrie Bourne: Accessible Assessment&amp;lt;br /&amp;gt;&lt;br /&gt;
# Olivier Salvas - Digital Play&amp;lt;br /&amp;gt;&lt;br /&gt;
# Cherie Nagra - Web 3.0&amp;lt;br /&amp;gt;&lt;br /&gt;
# Amy Walker - Learning Lives&amp;lt;br /&amp;gt;&lt;br /&gt;
# Sharissa Desrochers- Transcendent Maker&amp;lt;br /&amp;gt;&lt;br /&gt;
# Simon Kwok - Independent Learning&amp;lt;br /&amp;gt;&lt;br /&gt;
# Peter Ritchie- Bridging&lt;br /&gt;
# Belinda Scott - Learning Commons&lt;br /&gt;
# Robyn Evans: Digital Divide&lt;/div&gt;</summary>
		<author><name>Stephenpetrina</name></author>
	</entry>
	<entry>
		<id>https://wiki.ubc.ca/index.php?title=Course:Edcp508&amp;diff=373920</id>
		<title>Course:Edcp508</title>
		<link rel="alternate" type="text/html" href="https://wiki.ubc.ca/index.php?title=Course:Edcp508&amp;diff=373920"/>
		<updated>2015-07-10T01:21:32Z</updated>

		<summary type="html">&lt;p&gt;Stephenpetrina: /* &amp;#039;Keywords&amp;#039;  (Please List your Keyword below, e.g., Steve: 21st C Curriculum */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==21st Century Learning (Theory &amp;amp; Methods)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Link to the EDCP 473 WP in DLC Portal  http://dlc-ubc.ca/dlc3&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== &#039;Keywords&#039;  (Please List your Keyword below, e.g., # Steve: 21st C Curriculum ==&lt;br /&gt;
# Carrie Bourne: Accessible Assessment&amp;lt;br /&amp;gt;&lt;br /&gt;
# Olivier Salvas - Digital Play&amp;lt;br /&amp;gt;&lt;br /&gt;
# Cherie Nagra - Web 3.0&amp;lt;br /&amp;gt;&lt;br /&gt;
# Amy Walker - Learning Lives&amp;lt;br /&amp;gt;&lt;br /&gt;
# Sharissa Desrochers- Transcendent Maker&amp;lt;br /&amp;gt;&lt;br /&gt;
# Simon Kwok - Independent Learning&amp;lt;br /&amp;gt;&lt;br /&gt;
# Peter Ritchie- Bridging&lt;/div&gt;</summary>
		<author><name>Stephenpetrina</name></author>
	</entry>
	<entry>
		<id>https://wiki.ubc.ca/index.php?title=Course:Edcp508&amp;diff=373919</id>
		<title>Course:Edcp508</title>
		<link rel="alternate" type="text/html" href="https://wiki.ubc.ca/index.php?title=Course:Edcp508&amp;diff=373919"/>
		<updated>2015-07-10T01:21:00Z</updated>

		<summary type="html">&lt;p&gt;Stephenpetrina: /* &amp;#039;Keywords&amp;#039;  (Please List your Keyword below, e.g., Steve: 21st C Curriculum */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==21st Century Learning (Theory &amp;amp; Methods)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Link to the EDCP 473 WP in DLC Portal  http://dlc-ubc.ca/dlc3&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== &#039;Keywords&#039;  (Please List your Keyword below, e.g., Steve: 21st C Curriculum ==&lt;br /&gt;
# Carrie Bourne: Accessible Assessment&amp;lt;br /&amp;gt;&lt;br /&gt;
# Olivier Salvas - Digital Play&amp;lt;br /&amp;gt;&lt;br /&gt;
# Cherie Nagra - Web 3.0&amp;lt;br /&amp;gt;&lt;br /&gt;
# Amy Walker - Learning Lives&amp;lt;br /&amp;gt;&lt;br /&gt;
# Sharissa Desrochers- Transcendent Maker&amp;lt;br /&amp;gt;&lt;br /&gt;
# Simon Kwok - Independent Learning&amp;lt;br /&amp;gt;&lt;br /&gt;
# Peter Ritchie- Bridging&lt;/div&gt;</summary>
		<author><name>Stephenpetrina</name></author>
	</entry>
	<entry>
		<id>https://wiki.ubc.ca/index.php?title=Course:Edcp508&amp;diff=373908</id>
		<title>Course:Edcp508</title>
		<link rel="alternate" type="text/html" href="https://wiki.ubc.ca/index.php?title=Course:Edcp508&amp;diff=373908"/>
		<updated>2015-07-09T22:14:45Z</updated>

		<summary type="html">&lt;p&gt;Stephenpetrina: /* &amp;#039;Keywords&amp;#039; */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==21st Century Learning (Theory &amp;amp; Methods)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Link to the EDCP 473 WP in DLC Portal  http://dlc-ubc.ca/dlc3&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== &#039;Keywords&#039;  (Please List your Keyword below, e.g., Steve: 21st C Curriculum ==&lt;/div&gt;</summary>
		<author><name>Stephenpetrina</name></author>
	</entry>
	<entry>
		<id>https://wiki.ubc.ca/index.php?title=Course:Edcp508&amp;diff=373907</id>
		<title>Course:Edcp508</title>
		<link rel="alternate" type="text/html" href="https://wiki.ubc.ca/index.php?title=Course:Edcp508&amp;diff=373907"/>
		<updated>2015-07-09T22:14:05Z</updated>

		<summary type="html">&lt;p&gt;Stephenpetrina: /* Please List your Keyword below (e.g., Steve: 21st C Curriculum */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==21st Century Learning (Theory &amp;amp; Methods)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Link to the EDCP 473 WP in DLC Portal  http://dlc-ubc.ca/dlc3&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== &#039;Keywords&#039; ==&lt;/div&gt;</summary>
		<author><name>Stephenpetrina</name></author>
	</entry>
	<entry>
		<id>https://wiki.ubc.ca/index.php?title=Course:Edcp508&amp;diff=373906</id>
		<title>Course:Edcp508</title>
		<link rel="alternate" type="text/html" href="https://wiki.ubc.ca/index.php?title=Course:Edcp508&amp;diff=373906"/>
		<updated>2015-07-09T22:13:32Z</updated>

		<summary type="html">&lt;p&gt;Stephenpetrina: /* Keywords */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==21st Century Learning (Theory &amp;amp; Methods)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Link to the EDCP 473 WP in DLC Portal  http://dlc-ubc.ca/dlc3&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== &#039;Keywords&#039; == &lt;br /&gt;
== Please List your Keyword below (e.g., Steve: 21st C Curriculum ==&lt;/div&gt;</summary>
		<author><name>Stephenpetrina</name></author>
	</entry>
	<entry>
		<id>https://wiki.ubc.ca/index.php?title=Course:Edcp508&amp;diff=373905</id>
		<title>Course:Edcp508</title>
		<link rel="alternate" type="text/html" href="https://wiki.ubc.ca/index.php?title=Course:Edcp508&amp;diff=373905"/>
		<updated>2015-07-09T22:12:02Z</updated>

		<summary type="html">&lt;p&gt;Stephenpetrina: /* &amp;#039;Keywords */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==21st Century Learning (Theory &amp;amp; Methods)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Link to the EDCP 473 WP in DLC Portal  http://dlc-ubc.ca/dlc3&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;Keywords&#039;&#039; == &lt;br /&gt;
 == &amp;quot;Please List your Keyword below (e.g., Steve: 21st C Curriculum&amp;quot; ==&lt;/div&gt;</summary>
		<author><name>Stephenpetrina</name></author>
	</entry>
	<entry>
		<id>https://wiki.ubc.ca/index.php?title=Course:Edcp508&amp;diff=373904</id>
		<title>Course:Edcp508</title>
		<link rel="alternate" type="text/html" href="https://wiki.ubc.ca/index.php?title=Course:Edcp508&amp;diff=373904"/>
		<updated>2015-07-09T22:11:25Z</updated>

		<summary type="html">&lt;p&gt;Stephenpetrina: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==21st Century Learning (Theory &amp;amp; Methods)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Link to the EDCP 473 WP in DLC Portal  http://dlc-ubc.ca/dlc3&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Keywords&#039;&#039; == &lt;br /&gt;
 == &amp;quot;Please List your Keyword below (e.g., Steve: 21st C Curriculum&amp;quot; ==&lt;/div&gt;</summary>
		<author><name>Stephenpetrina</name></author>
	</entry>
	<entry>
		<id>https://wiki.ubc.ca/index.php?title=Course:Edcp508&amp;diff=373903</id>
		<title>Course:Edcp508</title>
		<link rel="alternate" type="text/html" href="https://wiki.ubc.ca/index.php?title=Course:Edcp508&amp;diff=373903"/>
		<updated>2015-07-09T22:06:32Z</updated>

		<summary type="html">&lt;p&gt;Stephenpetrina: Created page with &amp;quot;==21st Century Learning (Theory &amp;amp; Methods)==  &amp;#039;&amp;#039;&amp;#039;Link to the EDCP 473 WP in DLC Portal  http://dlc-ubc.ca/dlc3&amp;#039;&amp;#039;&amp;#039;&amp;lt;br&amp;gt;&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==21st Century Learning (Theory &amp;amp; Methods)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Link to the EDCP 473 WP in DLC Portal  http://dlc-ubc.ca/dlc3&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;/div&gt;</summary>
		<author><name>Stephenpetrina</name></author>
	</entry>
	<entry>
		<id>https://wiki.ubc.ca/index.php?title=Course:EDCP481&amp;diff=373533</id>
		<title>Course:EDCP481</title>
		<link rel="alternate" type="text/html" href="https://wiki.ubc.ca/index.php?title=Course:EDCP481&amp;diff=373533"/>
		<updated>2015-06-26T19:18:29Z</updated>

		<summary type="html">&lt;p&gt;Stephenpetrina: /* Media Studies (Across the Curriculum) */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== &#039;&#039;&#039;Summer 2a 2015&#039;&#039;&#039; ==&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy. Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding. In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement. Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy. Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum. Hence, this course balances practice with ethical, legal, and theoretical aspects and emphasizes the design of curriculum and courses for teaching media studies and for integrating media literacy across the curriculum.  [Link to the EDCP 481  Resource page http://blogs.ubc.ca/etec/courses-2/edcp-481/].&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Link to the EDCP 481 Textbook (Media Study Guides) co-authored by the  students  http://blogs.ubc.ca/etec/courses-2/edcp-481/&#039;&#039;&#039;&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Student Planning Space&#039;&#039;&#039;&lt;br /&gt;
== Textbook (Media Study Guide) Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a section-- Media Study Guide-- of a textbook, which is being designed and written for grade 8-10 or 11-12 students):&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 Media Study Guide Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
xx &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2011&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy.  Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding.  In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement.  Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy.  Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum.  Hence, this course emphasizes ethical, legal, and theoretical aspects and the design of curriculum and courses for teaching media education or media studies and for integrating media literacy across the curriculum.  [Link to the EDCP 481  Resource page http://m1.cust.educ.ubc.ca:16080/tsedgrad/?page_id=460].&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Link to the EDCP 481 Textbook (Media Study Guides) co-authored by the  students  http://blogs.ubc.ca/etec/courses-2/edcp-481/&#039;&#039;&#039;&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Student Planning Space&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== Textbook (Media Study Guide) Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a section-- Media Study Guide-- of a textbook, which is being designed and written for grade 8-10 or 11-12 students):&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 Media Study Guide Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
xx &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Dianna Stashuk and Adam Alvaro - &amp;quot;Lost&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Melissa Evans and Shaun Beach- &amp;quot;Family&amp;quot; Shows (exploring the representations of family, past and present)&lt;br /&gt;
&lt;br /&gt;
Brian, Peter &amp;amp; Tyler - Need for Speed&lt;br /&gt;
&lt;br /&gt;
Michelle Fatkin and Chelsea Campbell - &amp;quot;Mean Girls&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Tom Froh and Peter Maxwell - &amp;quot;16 and Pregnant&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Nick De Santis and Nam Pham- &amp;quot;127 Hours&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Chris Flannelly and Grace Woo - &amp;quot;Freedom Writers&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Lucas Mann and Marie-Anne Hellinckx - Film Review &amp;quot;Ma vie en rose&amp;quot; to address issues of homophobia.&lt;br /&gt;
&lt;br /&gt;
Stephanie Malloy and Jon Schmidt-&amp;quot;My Sister&#039;s Keeper&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 951 Media Study Guide Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
xx&lt;br /&gt;
&lt;br /&gt;
Adam Deboer and Alvin Lui - The Dark Knight&lt;br /&gt;
&lt;br /&gt;
Kelly Skehill and Kat Ast - &amp;quot;Thirteen&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Ashley MacKenzie and Alex Thureau - &amp;quot;One Week&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Wendy Sigaty and Haley Lucas - &amp;quot;Avatar&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Kady Huhn &amp;amp; Hannah Yu- &amp;quot;Into the Wild&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Fay Sterne &amp;amp; Brittaney Boone - &amp;quot;The Office&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Rachel Fales &amp;amp; Jennifer Visser - &amp;quot;Wall-E&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Yik Wah Penner &amp;amp; Chris Howey - &amp;quot;Little Ms. Sunshine&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Lance Peters &amp;amp; Al McKillop - &#039;Lord of the Rings&#039; (I know, it&#039;s a little ambitious.)&lt;br /&gt;
&lt;br /&gt;
Ashley Bayles &amp;amp; Danny Nann - &amp;quot;The Simpsons&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Jenn O, Jenn M, Sarah K - &amp;quot;Schindler&#039;s List&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Alexander McKechnie - Mythology and Popular Music&lt;br /&gt;
&lt;br /&gt;
Mark Brown - &amp;quot;Bright Star&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Sarah James and Lillian Ryan - &amp;quot;Food Inc.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Michael Bui &amp;amp; Jennifer Neff - Outsourced&lt;br /&gt;
&lt;br /&gt;
== BAA Course Planning Section ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The direct link to the example BAA is:&#039;&#039;&#039; &amp;lt;br&amp;gt;&lt;br /&gt;
http://www.bced.gov.bc.ca/greenschools/sustcoursecontent.htm&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the BAA Course here:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 BA/A Topics&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Brian, Peter &amp;amp; Tyler - GAME ON! Video Game Play as Text: Critical Reading for Gamers     &lt;br /&gt;
&lt;br /&gt;
Dianna Stashuk and Adam Alvaro - Media and Canadian Identity&lt;br /&gt;
&lt;br /&gt;
Melissa Evans and Shaun Beach - Youth and advertising--This course will explore the industry of advertising, focusing specifically on how advertisers target youth through TV commercials, product placement, and endorsements. There will also be some discussion on advertisement law and various opportunities to critically analyse advertisements made in the industry and in the classroom. Students will be able to create their own advertisements based on what they have learned about the laws and techniques used in the industry.&lt;br /&gt;
&lt;br /&gt;
Michelle Fatkin and Chelsea Campbell - Acquiring Wisdom through Media&lt;br /&gt;
&lt;br /&gt;
In this course, we want students to understand that media is not simply entertainment. Rather, we want them to see that they can acquire wisdom through observing the actions and consequences of others in TV/film, and through analyzing the subtleties of messages in advertisements, print, and other forms. &lt;br /&gt;
&lt;br /&gt;
Taha and Kara - Apocalypse in Media&lt;br /&gt;
&lt;br /&gt;
Stef and Jess aka...Jeff - Seeing with your ears: An introduction to media through music&lt;br /&gt;
&lt;br /&gt;
This course looks at the relationship between music and the media by analysing historical and political events effects on music.  It focuses on the power of music and it&#039;s affect on the media.  We will also look at the power of the media and it&#039;s control over the message of popular music.  By focusing on a timeline one can easily see the changes in music and it&#039;s message due to events occurring all over the world.&lt;br /&gt;
&lt;br /&gt;
Nick De Santis and Nam Pham - &amp;quot;Add me as a Friend&amp;quot;: Deconstructing Social Media&lt;br /&gt;
       &lt;br /&gt;
&lt;br /&gt;
This course will explore the current trends in social media and how they have influenced our society. In particular, we will examine Facebook and Twitter, the two most popular forms of this media. The focus of this course will be to educate students on the benefits and dangers of using social media and to critically analyze the prevalence of social media in today’s society. By the end of this course, each student will be able to use social media to their maximum positive benefit.&lt;br /&gt;
&lt;br /&gt;
Thomas Froh and Peter Maxwell - &amp;quot;The Man&amp;quot; Behind the Message&lt;br /&gt;
&lt;br /&gt;
This course will work towards answering the question of whether there is a person or organization controlling the messages we receive in the media, and if so, who or what are they and to what end?  Specifically, the course will examine large television corporations and whether or not they work to shape popular perspective in news broadcasts, television programming, etc.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Paul and Rhonda - Music Videos and Pop Culture&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course will explore the question; Are music videos a product of pop culture or pop culture and product of music videos? The course will critically analyse the key media literacy aspects of production, analysis and audience. Due to the sometimes sensitive content of music videos it is important for students to deconstruct the specifics behind the media consumption, production and regulation.&lt;br /&gt;
&lt;br /&gt;
  &lt;br /&gt;
&lt;br /&gt;
Rupinder and Parmjeet: Attitude is everything!! Aquiring positive attitude through media.&lt;br /&gt;
&lt;br /&gt;
This course will focus on developing positive attitude through media productions, such as film, television, print etc. We want students to show how to use media&#039;s positive side to develop good attitude habits. &lt;br /&gt;
&lt;br /&gt;
Michael &amp;amp; John - &amp;quot;Mickey Wants You” – How Disney Won the War &lt;br /&gt;
&lt;br /&gt;
In this course, students will analyse and identify historical examples of Disney products to better understand bias, impact, and opinions.  This course has been designed with the target of engaging students in history and its contexts with products of Disney media. Students will learn and gain skills in the ability to think critically, detect biases, and learn to read and develop media products for use in their own lives.  &lt;br /&gt;
      &lt;br /&gt;
Chris and Grace - Multiculturalism in the Media&lt;br /&gt;
&lt;br /&gt;
Marie-Anne and Lucas - Francophone cinema&lt;br /&gt;
                    &lt;br /&gt;
This course has been designed to encourage students to have a better appreciation for Francophone cinema, to help them examine and identify the values and cultural differences in films and have a better understanding of Francophone culture. They will be able to apply critical thinking to film analyses and appreciations. A collaborative and safe atmosphere will be provided to foster creative expression in film production and media representation.  &lt;br /&gt;
      &lt;br /&gt;
&#039;&#039;&#039;Section 951 BA/A Topics&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Kelly Skehill and Kat Ast - &amp;quot;Media: The Inside Scoop&amp;quot;&lt;br /&gt;
&lt;br /&gt;
This course will expose students to the positive and negative influences media has on people.  It will have students analyze Social Networking, Advertising, Hollywood Movies, Documentaries and Music.  The goal is for students to gain the critical analysis and information skills necessary to become intelligent, competent consumers and creators of media messages (Considine, 2003).   &lt;br /&gt;
&lt;br /&gt;
Adam Deboer and Alvin Lui - Music, Culture, and Technology&lt;br /&gt;
&lt;br /&gt;
Ashley MacKenzie and Alex Thureau - Reality Television Production: This course will introduce students to the medium of television. Students will learn the pre-production, production and post-production steps required to produce their own reality television episode. Students will leave the course with the ability to objectively analyze television media.   &lt;br /&gt;
&lt;br /&gt;
Kady Huhn &amp;amp; Hannah Yu-Media &amp;amp; Identity-This course will explore the ways in which personal identity is constructed and mediated through media and will analyze how popular culture such as film, music, television and print media impact identity and behaviour. It will also look at the ways in which social media has impacted identity construction online and focus on the implications this has on the safety of social networking.&lt;br /&gt;
      &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Wendy Sigaty &amp;amp; Haley Lucas - Social Values in Media Through History&#039;&#039;&#039;&lt;br /&gt;
Students will use various media (Print, Television, Film, Music, etc) to examine how our social values (Race Relations, Relationships, Gender Roles, Sexuality, Religion, Family, Lifestyle, etc) have changed from biblical times to the present.    &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Rachel Fales &amp;amp; Jennifer Visser - &#039;&#039;Film Studies- An Analysis of Superheroes&#039;&#039;&#039;&#039;&#039; - This course intends to analyze Superheroes in films. This course will chronologically follow Superheroes as they have been adapted from comic books (ie. Superman 1978) to Hollywood Blockbusters and the idea of sequels, exploring a variety of topics during each film. Students will question genre, originality, race, gender, sexuality, public vs. private (dual) identities, villains vs. victims, technology and remediation of Superhero films. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Michael Bui &amp;amp; Jennifer Neff - Sociology and the Media 11/12&#039;&#039;&#039; -  This course examines culture and the construction of identity through shifts in media.  Trends in visual media, advancements in technology and social media will be looked at under the lens of sociology. Students will identify the ways media can influence the creation and disintegration of stereotypes.  Students will analyze different perceptions represented through these mediums of technology and how this adds to the development of new youth culture. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analyzing Modern Animated Satire 11/12&#039;&#039;&#039; (Fay Sterne &amp;amp; Brittaney Boone) - Students will take a critical look at &#039;&#039;The Simpsons&#039;&#039;, &#039;&#039;Family Guy&#039;&#039;, and &#039;&#039;South Park&#039;&#039; as satirical representations of modern North American society.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Graham Haigh &amp;amp; Dean Morris&#039;&#039;&#039; Teaching Media through the examination of Political Campaigns. Students will evaluate, analyze, political media. Students will also create their own commercial, poster, National address, attack add, or some other media presentation relating to the study of politics.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ashley Bayles &amp;amp; Danny Nann - Media &amp;amp; Popular Culture&#039;&#039;&#039;&lt;br /&gt;
- This course will examine the way in which media has an impact on cultural production and vice versa. What is popular culture? What role does the media have on the production of popular culture? Is popular culture an authentic representation of our cultural values as a society, or is it impacted by the media and if so, how? We will look into how the social and culture environment is formed and what role it has on media and vice versa. This course will examine popular culture as a concept on its own and through its representation in different forms of media. &lt;br /&gt;
&lt;br /&gt;
Yik Wah Penner &amp;amp; Chris Howey - Manufacturing Identity in the Media: This course will examine the ways in which media creates identities which are often shaped by stereotype. Our goal will be to explore the social and cultural relevance of these produced identities in the day to day lives of students.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lance Peters &amp;amp; Al McKillop - Using current media to access classic literature&#039;&#039;&#039;&lt;br /&gt;
We plan to look at various media, with a particular focus on using contemporary media such as podcasting, film, games, graphic novels, wikis, etc. to access &#039;classic&#039; literature such as Shakespeare, Melville, Dickens, Tolkien and others.&lt;br /&gt;
&lt;br /&gt;
Mark Brown and Alex McKechnie - Popular Music Studies&lt;br /&gt;
This course looks at the images, text, and music of popular songs and videos, and the relationships and meanings found therein. Students will develop appreciation, as well as, analytical and critical thinking skills to help them navigate through the multiple images, values, and meanings found within popular music and music videos&lt;br /&gt;
&lt;br /&gt;
 &lt;br /&gt;
Lillian Ryan &amp;amp; Sarah James (documentary film studies)&lt;br /&gt;
&lt;br /&gt;
== PSA Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;952 Planning: &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Time = 30 to 60 seconds&lt;br /&gt;
Theme = Unique to Group&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;951 Planning: &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Time = 30 to 60 seconds&lt;br /&gt;
Theme = Unique to Group&lt;br /&gt;
&lt;br /&gt;
The Scaffolders-Brittaney Boone, Jennifer Visser, Kady Huhn, Yik Penner, Chris Howey, Faye Sterne&lt;br /&gt;
&lt;br /&gt;
High-Def (HD): Mark, Alvin, Rachel, Jennifer N, Michael, Adam   [http://youtu.be/9u3Rhw9jdiE Cyber-bullying PSA]&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2010&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy.  Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding.  In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement.  The course provides a survey of media studies and new media with an emphasis on media education and literacy.  Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum.  Hence, this course emphasizes ethical, legal, and theoretical aspects and the design of curriculum and courses for teaching media education or media studies and for integrating media literacy across the curriculum. [Link to the EDCP 481 Resource page http://m1.cust.educ.ubc.ca:16080/tsedgrad/?page_id=366]. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Student Planning Space&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== Textbook Curriculum Planning Section ==&lt;br /&gt;
&lt;br /&gt;
Download the Media Studies 11-12 Textbook written by EDCP 481 students: http://m1.cust.educ.ubc.ca:16080/tsedgrad/?page_id=366&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Table of Contents&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;1. Who/What are The Media?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Who / What is a Journalist? (Paul Korczyk &amp;amp; Sara Newham)&amp;lt;br&amp;gt;&lt;br /&gt;
Web 2.0 (Matthew Palmer &amp;amp; Stasia Siscoe)&amp;lt;br&amp;gt; &lt;br /&gt;
Social Networking and the Media (Esther Yong &amp;amp; Gideon Lin)&amp;lt;br&amp;gt; &lt;br /&gt;
Teen Age, Teen Ad (Shelagh &amp;amp; Sean)&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;2. News or Entertainment&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Blurring Line Between Television News and Entertainment (Herleen Malli &amp;amp; Jagroop Nagra)&amp;lt;br&amp;gt; &lt;br /&gt;
Celebrity Culture (Magda Misiak &amp;amp; Jo-Anne McKee)&amp;lt;br&amp;gt; &lt;br /&gt;
The Prevalence of Violence in the Media (Cameron Vand&#039;Erkamps &amp;amp; Daljit Purewal)&amp;lt;br&amp;gt; &lt;br /&gt;
School on Television: Reality vs. Depiction (Greg Rushton &amp;amp; Sheryl Reinhardt)&amp;lt;br&amp;gt; &lt;br /&gt;
Fashion Trends and Media Representations (Balkiran Dusanj &amp;amp; Shirley Lal)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3. Bias and Perspective&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David Bron &amp;amp; Kari White)&amp;lt;br&amp;gt; &lt;br /&gt;
Editing: An Inquiry into Ideological Stance (David Mergens &amp;amp; Andrew Crawford)&amp;lt;br&amp;gt;&lt;br /&gt;
The use of Propaganda in Modern Society (Kiran Basi &amp;amp; Mike Byun)&amp;lt;br&amp;gt;&lt;br /&gt;
Storytelling and Media (Elle Kay &amp;amp; Rochelle Patten)&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;4. Culture and Technology&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Media Consumption in the Digital Age (Caleb Bouey &amp;amp; Gabrielle Rougeau)&amp;lt;br&amp;gt; &lt;br /&gt;
Technology and the Evolution of Music (JP Lancaster &amp;amp; Dorianna Chessa)&amp;lt;br&amp;gt; &lt;br /&gt;
Literature Adaptations and Interpretations in the Media (Sarah McNeil &amp;amp; Victoria Yip)&amp;lt;br&amp;gt; &lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary Yang &amp;amp; Liang You)&amp;lt;br&amp;gt; &lt;br /&gt;
Copyright in the Information Age (Ken Vimalesan &amp;amp; Jen Fehlauer)&amp;lt;br&amp;gt;&lt;br /&gt;
Appropriation and Art: Issues of Copyright in Image Production (Alex Reed &amp;amp; Fred Beitler)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a 4 page section of a textbook, which is being designed and written for grade 10-12 students):&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
e.g., Teen Age, Teen Ad (Shelagh &amp;amp; Sean)&lt;br /&gt;
Cable News (Bert &amp;amp; Ernie)&lt;br /&gt;
Web 2.0 (Stasia &amp;amp; Matthew)&lt;br /&gt;
Storytelling and Media (Rochelle and Elle)&lt;br /&gt;
Literature Adaptations and Interpretations in the Media (Victoria &amp;amp; Sarah)&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David &amp;amp; Kari)&lt;br /&gt;
Fashion Trends and Media Representations (Balkiran &amp;amp; Shirley)&lt;br /&gt;
Who/What is a Journalist? (Paul and Sara)&lt;br /&gt;
Celebrity Gossip as News (Magda and Jo-Anne)&lt;br /&gt;
Social Networking and the Media (Esther and Gideon)&lt;br /&gt;
Editing; An Inquiry into Ideological Stance (David and Andrew)&lt;br /&gt;
The blurring line between television news and entertainment (Herleen and Jag)&lt;br /&gt;
The prevelance of violence in the media (Cam and Dal)&lt;br /&gt;
Technology and the Evolution of Music (JP and Dorianna)&lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary and Liang)&lt;br /&gt;
The use of propaganda in modern society (Kiran and Mike)&lt;br /&gt;
Media Consumption in the Digital Age (Caleb and Gabby)&lt;br /&gt;
School on Television: Reality vs. Depiction (Greg and Sheryl)&lt;br /&gt;
Copyright in the Information Age (Ken and Jen)&lt;br /&gt;
Appropriation and Art: Issues of copyright in image production (Alex and Fred)&lt;br /&gt;
&lt;br /&gt;
Here are a couple possible ways to break down the book with some (wild) guesses about where each topic might fit. Thoughts? (Thanks Jen-- awesome work!)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;1. Who/What are The Media?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Who/What is a Journalist? (Paul and Sara)&amp;lt;br&amp;gt;&lt;br /&gt;
The blurring line between television news and entertainment (Herleen and Jag) &amp;lt;br&amp;gt;&lt;br /&gt;
Celebrity Gossip as News (Magda and Jo-Anne) &amp;lt;br&amp;gt;&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David &amp;amp; Kari) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;2. Who/What is Represented?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Editing: An Inquiry into Ideological Stance (David and Andrew)&amp;lt;br&amp;gt;&lt;br /&gt;
The use of propaganda in modern society (Kiran and Mike)&amp;lt;br&amp;gt;&lt;br /&gt;
School on Television: Reality vs. Depiction (Greg and Sheryl)&amp;lt;br&amp;gt; &lt;br /&gt;
The prevalence of violence in the media (Cam and Dal) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3. Web 2.0&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Web 2.0 (Stasia &amp;amp; Matthew) &amp;lt;br&amp;gt;&lt;br /&gt;
Social Networking and the Media (Esther and Gideon) &amp;lt;br&amp;gt;&lt;br /&gt;
Copyright in the Information Age (Ken and Jen)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;4. The Evolution of Culture&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Technology and the Evolution of Music (JP and Dorianna)&amp;lt;br&amp;gt; &lt;br /&gt;
Storytelling and Media (Rochelle and Leanna) &amp;lt;br&amp;gt;&lt;br /&gt;
Film Adaptations of &#039;&#039;Alice&#039;s Adventures in Wonderland&#039;&#039; (Victoria &amp;amp; Sarah) &amp;lt;br&amp;gt;&lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary and Liang) &amp;lt;br&amp;gt;&lt;br /&gt;
Appropriation and Art: Issues of copyright in image production (Alex and Fred)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;5. Economics of Technology&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Teen Age, Teen Ad (Shelagh &amp;amp; Sean) &amp;lt;br&amp;gt;&lt;br /&gt;
Fashion Trends and Media Representations (Balkiran &amp;amp; Shirley)&amp;lt;br&amp;gt;&lt;br /&gt;
Media Consumption in the Digital Age (Caleb and Gabby) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;B&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;1. Who/What are The Media?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Who/What is a Journalist? (Paul and Sara)&amp;lt;br&amp;gt;&lt;br /&gt;
Web 2.0 (Stasia &amp;amp; Matthew) &amp;lt;br&amp;gt;&lt;br /&gt;
Social Networking and the Media (Esther and Gideon) &amp;lt;br&amp;gt;&lt;br /&gt;
Teen Age, Teen Ad (Shelagh &amp;amp; Sean) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;2. News or Entertainment&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The blurring line between television news and entertainment (Herleen and Jag) &amp;lt;br&amp;gt;&lt;br /&gt;
Celebrity Gossip as News (Magda and Jo-Anne) &amp;lt;br&amp;gt;&lt;br /&gt;
The prevalence of violence in the media (Cam and Dal) &amp;lt;br&amp;gt;&lt;br /&gt;
School on Television: Reality vs. Depiction (Greg and Sheryl) &amp;lt;br&amp;gt;&lt;br /&gt;
Fashion Trends and Media Representations (Balkiran &amp;amp; Shirley)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3. Bias and Perspective&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David &amp;amp; Kari) &amp;lt;br&amp;gt;&lt;br /&gt;
Editing: An Inquiry into Ideological Stance (David and Andrew)&amp;lt;br&amp;gt;&lt;br /&gt;
The use of propaganda in modern society (Kiran and Mike)&amp;lt;br&amp;gt;&lt;br /&gt;
Storytelling and Media (Elle &amp;amp; Rochelle) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;4. Culture and Technology&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Media Consumption in the Digital Age (Caleb and Gabby) &amp;lt;br&amp;gt;&lt;br /&gt;
Technology and the Evolution of Music (JP and Dorianna) &amp;lt;br&amp;gt;&lt;br /&gt;
Literature Adaptations and Interpretations in the Media (Victoria &amp;amp; Sarah) &amp;lt;br&amp;gt;&lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary and Liang) &amp;lt;br&amp;gt;&lt;br /&gt;
Copyright in the Information Age (Ken and Jen)&amp;lt;br&amp;gt;&lt;br /&gt;
Appropriation and Art: Issues of copyright in image production (Alex and Fred)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== BAA Course Planning Section ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Media and Advertising 11&#039;&#039;&#039;(Ken and Jen)&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
This course will prepare students to deconstruct and understand how media impact their lives and decisions. Students will learn and apply the concepts of audience, purpose and argument through an analysis of advertising across various media.  Students will understand how advertising creates and appeals to cultural values which will prepare them to be informed and active citizens in a media-saturated world.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Identity, Pop Culture and Media 12&#039;&#039;&#039; (Rochelle and Leanna)&lt;br /&gt;
-portrayals of gender, age, race, sexuality, beauty, and wealth in Pop Culture and the Media and how these construct and affirm our beliefs and personal and corporate identity&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Societal and Cultural Values in Media 12&#039;&#039;&#039; (Gideon &amp;amp; Esther)&lt;br /&gt;
&amp;lt;br&amp;gt; An overview analysis of television, film, pop culture and advertising and how, within these mediums, certain societal and cultural values are propagated and reflected. It is important for students to be aware and analytical of what they view/listen to etc, in order to be critical of what values are being (re)presented by the media.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;From The Page to the Stage, and Beyond: Literary Adaptations in the Media&#039;&#039;&#039; (Victoria &amp;amp; Sarah)&lt;br /&gt;
&amp;lt;br&amp;gt;Increasingly, the first exposure that young people have to literature is through television, film, or Internet adaptations.  This course will help students understand the transformation that a work goes through as it travels from the page to another medium, and will explore adaptations of popular works for the stage, radio, television, film, and Internet.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Music and Technology 11/12&#039;&#039;&#039; (Greg and Sheryl)&lt;br /&gt;
This course will examine the ways in which technology has changed the way that music is created, perceived and consumed.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;History lives -An examination of historical events through film&amp;quot;&#039;&#039;&#039; (Mike and Kiran)&lt;br /&gt;
This course will consider various points in history through the medium of film. A careful examination of movies that deal with historical events will be analyzed with respect to the underlying message portrayed in the film. This course will consider the political and social aspects as well as the historical context and how it is portrayed by the media.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A Game Making Approach to Bioethics&#039;&#039;&#039; (Mary and Liang)&lt;br /&gt;
&amp;lt;br&amp;gt;This course is meant to consider the ethical issues associated with the studies of current science that incorporate biology and technology. With some knowledge on high school biology, students will develop a basic understanding of these science studies.  Through collecting science media, students will learn about the occurrence and the relevancy of these studies to their daily lives.  With some discussions, students will identify both ethical and unethical actions committed by stakeholders.  In addition, students will master the ability to come up with alternative solutions that are by definition more ethical to these studies.  Lastly, students will demonstrate their overall knowledge of bioethics by planning for a computer or video game that demands ethical decisions and administers consequences.  As well, the planning process requires the usage of multiple forms of technology.  Through the practices of this course, students are made to hold some responsibilities to the well-being of our world as a whole.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The Power of Media&#039;&#039;&#039; (David B and Kari)&lt;br /&gt;
&lt;br /&gt;
This course will challenge students to look at the way in which the media impacts society. Looking at different forms of media (ie. television, the radio, the internet, newspapers/magazines) the following issues will be addressed: how does the media shape reality, who is the targeted audience, the ability of technology to communicate, and the influence that the media has on everyday life. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The History of Communication Throughout the 20th Century&#039;&#039;&#039; (JP and Dorianna)&lt;br /&gt;
This course will examine the evolution of communication throughout the 20th century and how this process affected important historical events, eras and trends. Students will look at how various communication technologies, such as AM radio, television, and the internet, were employed during the century and what events/phenomenons they facilitated. Central themes to be studied will include war and conflict, popular culture, and globalization.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Music Media&#039;&#039;&#039; (David and Andrew)&lt;br /&gt;
Investigation of lyrical content with respect to audience. Investigation into lyrical content and political message. The study of the interaction between lyrical message and music video message.  This course will provide for students opportunities to observe aspects of social, political, and cultural history through the lens of instrumental music.  In regards to tonality, style, and timbre, the directions in which genres of music evolved heavily reflected the social conditions of eras; it is impossible, for example, to separate the violence associated wit the modern Civil Rights Movement from the sound of 1960s avant-garde jazz.  Students will analyze such connections in a variety of ways, such as by sampling various music selections that will be supplemented with pertaining historical contexts. &lt;br /&gt;
[[Category: Curriculum and Pedagogy]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Critical Media Studies in Film and Television&#039;&#039;&#039; (Alex and Fred)&lt;br /&gt;
This course will focus on pop culture film and television media of the 20th and 21st centuries.  Students will develop a critical awareness of how media messages are constructed in the world of film and television.  Students will make use of media literacy methodologies to deconstruct and critically analyze meaning in a series of film and television screenings.  Students will also read texts and view documentaries critiquing pop culture film and telesion.  The course will culminate in the students utilizing these critical skills to create their own critical documentary.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Intro to Media Studies&#039;&#039;&#039; (Matthew and Stasia)&lt;br /&gt;
This course will introduce students to the concept of media studies and what it entails - what is media, the history of media, the influence of media on society, the different forms of media, etc.  It will provide a foundation for future, more focused courses, and will establish the analytical skills necessary for students to navigate todays dynamic media landscape.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Media: Issues and Technology 12&#039;&#039;&#039; (Paul and Sara)&lt;br /&gt;
This course deals with media depictions of controversial issues facing the world today. Each issue will be looked at through one of television/film, radio, print, and internet. The technology aspect of the course covers media production, and students will gain experience working in each of the major forms of media. After analyzing issues, students will be asked to produce their own representations of those issues in a skills-based, technological approach.&lt;br /&gt;
&lt;br /&gt;
   &lt;br /&gt;
&amp;quot;Stereotypes in TV &amp;amp; Film: Changes Over Time&amp;quot; -Sarah K, Jenn O, Jenn M&lt;br /&gt;
&lt;br /&gt;
This course will examine the way that stereotypes are portrayed in TV and Film. It will look in depth at the changes in stereotypes as a reflection of society. Topics considered will include gender/sexuality, minorities, women and society in general.&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;External Resources&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
[http://www.pixton.com Pixton - &#039;Free&#039; Online Comic Maker]&lt;br /&gt;
      &lt;br /&gt;
&lt;br /&gt;
[[Category:EDCP]]&lt;/div&gt;</summary>
		<author><name>Stephenpetrina</name></author>
	</entry>
	<entry>
		<id>https://wiki.ubc.ca/index.php?title=Course:EDCP481&amp;diff=373532</id>
		<title>Course:EDCP481</title>
		<link rel="alternate" type="text/html" href="https://wiki.ubc.ca/index.php?title=Course:EDCP481&amp;diff=373532"/>
		<updated>2015-06-26T19:17:14Z</updated>

		<summary type="html">&lt;p&gt;Stephenpetrina: /* Summer 2a 2015 */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== &#039;&#039;&#039;Summer 2a 2015&#039;&#039;&#039; ==&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy. Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding. In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement. Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy. Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum. Hence, this course balances practice with ethical, legal, and theoretical aspects and emphasizes the design of curriculum and courses for teaching media studies and for integrating media literacy across the curriculum.  [Link to the EDCP 481  Resource page http://blogs.ubc.ca/etec/courses-2/edcp-481/].&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Link to the EDCP 481 Textbook (Media Study Guides) co-authored by the  students  http://blogs.ubc.ca/etec/courses-2/edcp-481/&#039;&#039;&#039;&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Student Planning Space&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2011&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy.  Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding.  In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement.  Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy.  Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum.  Hence, this course emphasizes ethical, legal, and theoretical aspects and the design of curriculum and courses for teaching media education or media studies and for integrating media literacy across the curriculum.  [Link to the EDCP 481  Resource page http://m1.cust.educ.ubc.ca:16080/tsedgrad/?page_id=460].&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Link to the EDCP 481 Textbook (Media Study Guides) co-authored by the  students  http://blogs.ubc.ca/etec/courses-2/edcp-481/&#039;&#039;&#039;&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Student Planning Space&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== Textbook (Media Study Guide) Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a section-- Media Study Guide-- of a textbook, which is being designed and written for grade 8-10 or 11-12 students):&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 Media Study Guide Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
xx &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Dianna Stashuk and Adam Alvaro - &amp;quot;Lost&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Melissa Evans and Shaun Beach- &amp;quot;Family&amp;quot; Shows (exploring the representations of family, past and present)&lt;br /&gt;
&lt;br /&gt;
Brian, Peter &amp;amp; Tyler - Need for Speed&lt;br /&gt;
&lt;br /&gt;
Michelle Fatkin and Chelsea Campbell - &amp;quot;Mean Girls&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Tom Froh and Peter Maxwell - &amp;quot;16 and Pregnant&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Nick De Santis and Nam Pham- &amp;quot;127 Hours&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Chris Flannelly and Grace Woo - &amp;quot;Freedom Writers&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Lucas Mann and Marie-Anne Hellinckx - Film Review &amp;quot;Ma vie en rose&amp;quot; to address issues of homophobia.&lt;br /&gt;
&lt;br /&gt;
Stephanie Malloy and Jon Schmidt-&amp;quot;My Sister&#039;s Keeper&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 951 Media Study Guide Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
xx&lt;br /&gt;
&lt;br /&gt;
Adam Deboer and Alvin Lui - The Dark Knight&lt;br /&gt;
&lt;br /&gt;
Kelly Skehill and Kat Ast - &amp;quot;Thirteen&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Ashley MacKenzie and Alex Thureau - &amp;quot;One Week&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Wendy Sigaty and Haley Lucas - &amp;quot;Avatar&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Kady Huhn &amp;amp; Hannah Yu- &amp;quot;Into the Wild&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Fay Sterne &amp;amp; Brittaney Boone - &amp;quot;The Office&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Rachel Fales &amp;amp; Jennifer Visser - &amp;quot;Wall-E&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Yik Wah Penner &amp;amp; Chris Howey - &amp;quot;Little Ms. Sunshine&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Lance Peters &amp;amp; Al McKillop - &#039;Lord of the Rings&#039; (I know, it&#039;s a little ambitious.)&lt;br /&gt;
&lt;br /&gt;
Ashley Bayles &amp;amp; Danny Nann - &amp;quot;The Simpsons&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Jenn O, Jenn M, Sarah K - &amp;quot;Schindler&#039;s List&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Alexander McKechnie - Mythology and Popular Music&lt;br /&gt;
&lt;br /&gt;
Mark Brown - &amp;quot;Bright Star&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Sarah James and Lillian Ryan - &amp;quot;Food Inc.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Michael Bui &amp;amp; Jennifer Neff - Outsourced&lt;br /&gt;
&lt;br /&gt;
== BAA Course Planning Section ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The direct link to the example BAA is:&#039;&#039;&#039; &amp;lt;br&amp;gt;&lt;br /&gt;
http://www.bced.gov.bc.ca/greenschools/sustcoursecontent.htm&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the BAA Course here:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 BA/A Topics&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Brian, Peter &amp;amp; Tyler - GAME ON! Video Game Play as Text: Critical Reading for Gamers     &lt;br /&gt;
&lt;br /&gt;
Dianna Stashuk and Adam Alvaro - Media and Canadian Identity&lt;br /&gt;
&lt;br /&gt;
Melissa Evans and Shaun Beach - Youth and advertising--This course will explore the industry of advertising, focusing specifically on how advertisers target youth through TV commercials, product placement, and endorsements. There will also be some discussion on advertisement law and various opportunities to critically analyse advertisements made in the industry and in the classroom. Students will be able to create their own advertisements based on what they have learned about the laws and techniques used in the industry.&lt;br /&gt;
&lt;br /&gt;
Michelle Fatkin and Chelsea Campbell - Acquiring Wisdom through Media&lt;br /&gt;
&lt;br /&gt;
In this course, we want students to understand that media is not simply entertainment. Rather, we want them to see that they can acquire wisdom through observing the actions and consequences of others in TV/film, and through analyzing the subtleties of messages in advertisements, print, and other forms. &lt;br /&gt;
&lt;br /&gt;
Taha and Kara - Apocalypse in Media&lt;br /&gt;
&lt;br /&gt;
Stef and Jess aka...Jeff - Seeing with your ears: An introduction to media through music&lt;br /&gt;
&lt;br /&gt;
This course looks at the relationship between music and the media by analysing historical and political events effects on music.  It focuses on the power of music and it&#039;s affect on the media.  We will also look at the power of the media and it&#039;s control over the message of popular music.  By focusing on a timeline one can easily see the changes in music and it&#039;s message due to events occurring all over the world.&lt;br /&gt;
&lt;br /&gt;
Nick De Santis and Nam Pham - &amp;quot;Add me as a Friend&amp;quot;: Deconstructing Social Media&lt;br /&gt;
       &lt;br /&gt;
&lt;br /&gt;
This course will explore the current trends in social media and how they have influenced our society. In particular, we will examine Facebook and Twitter, the two most popular forms of this media. The focus of this course will be to educate students on the benefits and dangers of using social media and to critically analyze the prevalence of social media in today’s society. By the end of this course, each student will be able to use social media to their maximum positive benefit.&lt;br /&gt;
&lt;br /&gt;
Thomas Froh and Peter Maxwell - &amp;quot;The Man&amp;quot; Behind the Message&lt;br /&gt;
&lt;br /&gt;
This course will work towards answering the question of whether there is a person or organization controlling the messages we receive in the media, and if so, who or what are they and to what end?  Specifically, the course will examine large television corporations and whether or not they work to shape popular perspective in news broadcasts, television programming, etc.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Paul and Rhonda - Music Videos and Pop Culture&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course will explore the question; Are music videos a product of pop culture or pop culture and product of music videos? The course will critically analyse the key media literacy aspects of production, analysis and audience. Due to the sometimes sensitive content of music videos it is important for students to deconstruct the specifics behind the media consumption, production and regulation.&lt;br /&gt;
&lt;br /&gt;
  &lt;br /&gt;
&lt;br /&gt;
Rupinder and Parmjeet: Attitude is everything!! Aquiring positive attitude through media.&lt;br /&gt;
&lt;br /&gt;
This course will focus on developing positive attitude through media productions, such as film, television, print etc. We want students to show how to use media&#039;s positive side to develop good attitude habits. &lt;br /&gt;
&lt;br /&gt;
Michael &amp;amp; John - &amp;quot;Mickey Wants You” – How Disney Won the War &lt;br /&gt;
&lt;br /&gt;
In this course, students will analyse and identify historical examples of Disney products to better understand bias, impact, and opinions.  This course has been designed with the target of engaging students in history and its contexts with products of Disney media. Students will learn and gain skills in the ability to think critically, detect biases, and learn to read and develop media products for use in their own lives.  &lt;br /&gt;
      &lt;br /&gt;
Chris and Grace - Multiculturalism in the Media&lt;br /&gt;
&lt;br /&gt;
Marie-Anne and Lucas - Francophone cinema&lt;br /&gt;
                    &lt;br /&gt;
This course has been designed to encourage students to have a better appreciation for Francophone cinema, to help them examine and identify the values and cultural differences in films and have a better understanding of Francophone culture. They will be able to apply critical thinking to film analyses and appreciations. A collaborative and safe atmosphere will be provided to foster creative expression in film production and media representation.  &lt;br /&gt;
      &lt;br /&gt;
&#039;&#039;&#039;Section 951 BA/A Topics&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Kelly Skehill and Kat Ast - &amp;quot;Media: The Inside Scoop&amp;quot;&lt;br /&gt;
&lt;br /&gt;
This course will expose students to the positive and negative influences media has on people.  It will have students analyze Social Networking, Advertising, Hollywood Movies, Documentaries and Music.  The goal is for students to gain the critical analysis and information skills necessary to become intelligent, competent consumers and creators of media messages (Considine, 2003).   &lt;br /&gt;
&lt;br /&gt;
Adam Deboer and Alvin Lui - Music, Culture, and Technology&lt;br /&gt;
&lt;br /&gt;
Ashley MacKenzie and Alex Thureau - Reality Television Production: This course will introduce students to the medium of television. Students will learn the pre-production, production and post-production steps required to produce their own reality television episode. Students will leave the course with the ability to objectively analyze television media.   &lt;br /&gt;
&lt;br /&gt;
Kady Huhn &amp;amp; Hannah Yu-Media &amp;amp; Identity-This course will explore the ways in which personal identity is constructed and mediated through media and will analyze how popular culture such as film, music, television and print media impact identity and behaviour. It will also look at the ways in which social media has impacted identity construction online and focus on the implications this has on the safety of social networking.&lt;br /&gt;
      &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Wendy Sigaty &amp;amp; Haley Lucas - Social Values in Media Through History&#039;&#039;&#039;&lt;br /&gt;
Students will use various media (Print, Television, Film, Music, etc) to examine how our social values (Race Relations, Relationships, Gender Roles, Sexuality, Religion, Family, Lifestyle, etc) have changed from biblical times to the present.    &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Rachel Fales &amp;amp; Jennifer Visser - &#039;&#039;Film Studies- An Analysis of Superheroes&#039;&#039;&#039;&#039;&#039; - This course intends to analyze Superheroes in films. This course will chronologically follow Superheroes as they have been adapted from comic books (ie. Superman 1978) to Hollywood Blockbusters and the idea of sequels, exploring a variety of topics during each film. Students will question genre, originality, race, gender, sexuality, public vs. private (dual) identities, villains vs. victims, technology and remediation of Superhero films. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Michael Bui &amp;amp; Jennifer Neff - Sociology and the Media 11/12&#039;&#039;&#039; -  This course examines culture and the construction of identity through shifts in media.  Trends in visual media, advancements in technology and social media will be looked at under the lens of sociology. Students will identify the ways media can influence the creation and disintegration of stereotypes.  Students will analyze different perceptions represented through these mediums of technology and how this adds to the development of new youth culture. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analyzing Modern Animated Satire 11/12&#039;&#039;&#039; (Fay Sterne &amp;amp; Brittaney Boone) - Students will take a critical look at &#039;&#039;The Simpsons&#039;&#039;, &#039;&#039;Family Guy&#039;&#039;, and &#039;&#039;South Park&#039;&#039; as satirical representations of modern North American society.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Graham Haigh &amp;amp; Dean Morris&#039;&#039;&#039; Teaching Media through the examination of Political Campaigns. Students will evaluate, analyze, political media. Students will also create their own commercial, poster, National address, attack add, or some other media presentation relating to the study of politics.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ashley Bayles &amp;amp; Danny Nann - Media &amp;amp; Popular Culture&#039;&#039;&#039;&lt;br /&gt;
- This course will examine the way in which media has an impact on cultural production and vice versa. What is popular culture? What role does the media have on the production of popular culture? Is popular culture an authentic representation of our cultural values as a society, or is it impacted by the media and if so, how? We will look into how the social and culture environment is formed and what role it has on media and vice versa. This course will examine popular culture as a concept on its own and through its representation in different forms of media. &lt;br /&gt;
&lt;br /&gt;
Yik Wah Penner &amp;amp; Chris Howey - Manufacturing Identity in the Media: This course will examine the ways in which media creates identities which are often shaped by stereotype. Our goal will be to explore the social and cultural relevance of these produced identities in the day to day lives of students.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lance Peters &amp;amp; Al McKillop - Using current media to access classic literature&#039;&#039;&#039;&lt;br /&gt;
We plan to look at various media, with a particular focus on using contemporary media such as podcasting, film, games, graphic novels, wikis, etc. to access &#039;classic&#039; literature such as Shakespeare, Melville, Dickens, Tolkien and others.&lt;br /&gt;
&lt;br /&gt;
Mark Brown and Alex McKechnie - Popular Music Studies&lt;br /&gt;
This course looks at the images, text, and music of popular songs and videos, and the relationships and meanings found therein. Students will develop appreciation, as well as, analytical and critical thinking skills to help them navigate through the multiple images, values, and meanings found within popular music and music videos&lt;br /&gt;
&lt;br /&gt;
 &lt;br /&gt;
Lillian Ryan &amp;amp; Sarah James (documentary film studies)&lt;br /&gt;
&lt;br /&gt;
== PSA Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;952 Planning: &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Time = 30 to 60 seconds&lt;br /&gt;
Theme = Unique to Group&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;951 Planning: &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Time = 30 to 60 seconds&lt;br /&gt;
Theme = Unique to Group&lt;br /&gt;
&lt;br /&gt;
The Scaffolders-Brittaney Boone, Jennifer Visser, Kady Huhn, Yik Penner, Chris Howey, Faye Sterne&lt;br /&gt;
&lt;br /&gt;
High-Def (HD): Mark, Alvin, Rachel, Jennifer N, Michael, Adam   [http://youtu.be/9u3Rhw9jdiE Cyber-bullying PSA]&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2010&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy.  Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding.  In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement.  The course provides a survey of media studies and new media with an emphasis on media education and literacy.  Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum.  Hence, this course emphasizes ethical, legal, and theoretical aspects and the design of curriculum and courses for teaching media education or media studies and for integrating media literacy across the curriculum. [Link to the EDCP 481 Resource page http://m1.cust.educ.ubc.ca:16080/tsedgrad/?page_id=366]. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Student Planning Space&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== Textbook Curriculum Planning Section ==&lt;br /&gt;
&lt;br /&gt;
Download the Media Studies 11-12 Textbook written by EDCP 481 students: http://m1.cust.educ.ubc.ca:16080/tsedgrad/?page_id=366&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Table of Contents&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;1. Who/What are The Media?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Who / What is a Journalist? (Paul Korczyk &amp;amp; Sara Newham)&amp;lt;br&amp;gt;&lt;br /&gt;
Web 2.0 (Matthew Palmer &amp;amp; Stasia Siscoe)&amp;lt;br&amp;gt; &lt;br /&gt;
Social Networking and the Media (Esther Yong &amp;amp; Gideon Lin)&amp;lt;br&amp;gt; &lt;br /&gt;
Teen Age, Teen Ad (Shelagh &amp;amp; Sean)&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;2. News or Entertainment&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Blurring Line Between Television News and Entertainment (Herleen Malli &amp;amp; Jagroop Nagra)&amp;lt;br&amp;gt; &lt;br /&gt;
Celebrity Culture (Magda Misiak &amp;amp; Jo-Anne McKee)&amp;lt;br&amp;gt; &lt;br /&gt;
The Prevalence of Violence in the Media (Cameron Vand&#039;Erkamps &amp;amp; Daljit Purewal)&amp;lt;br&amp;gt; &lt;br /&gt;
School on Television: Reality vs. Depiction (Greg Rushton &amp;amp; Sheryl Reinhardt)&amp;lt;br&amp;gt; &lt;br /&gt;
Fashion Trends and Media Representations (Balkiran Dusanj &amp;amp; Shirley Lal)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3. Bias and Perspective&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David Bron &amp;amp; Kari White)&amp;lt;br&amp;gt; &lt;br /&gt;
Editing: An Inquiry into Ideological Stance (David Mergens &amp;amp; Andrew Crawford)&amp;lt;br&amp;gt;&lt;br /&gt;
The use of Propaganda in Modern Society (Kiran Basi &amp;amp; Mike Byun)&amp;lt;br&amp;gt;&lt;br /&gt;
Storytelling and Media (Elle Kay &amp;amp; Rochelle Patten)&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;4. Culture and Technology&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Media Consumption in the Digital Age (Caleb Bouey &amp;amp; Gabrielle Rougeau)&amp;lt;br&amp;gt; &lt;br /&gt;
Technology and the Evolution of Music (JP Lancaster &amp;amp; Dorianna Chessa)&amp;lt;br&amp;gt; &lt;br /&gt;
Literature Adaptations and Interpretations in the Media (Sarah McNeil &amp;amp; Victoria Yip)&amp;lt;br&amp;gt; &lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary Yang &amp;amp; Liang You)&amp;lt;br&amp;gt; &lt;br /&gt;
Copyright in the Information Age (Ken Vimalesan &amp;amp; Jen Fehlauer)&amp;lt;br&amp;gt;&lt;br /&gt;
Appropriation and Art: Issues of Copyright in Image Production (Alex Reed &amp;amp; Fred Beitler)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a 4 page section of a textbook, which is being designed and written for grade 10-12 students):&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
e.g., Teen Age, Teen Ad (Shelagh &amp;amp; Sean)&lt;br /&gt;
Cable News (Bert &amp;amp; Ernie)&lt;br /&gt;
Web 2.0 (Stasia &amp;amp; Matthew)&lt;br /&gt;
Storytelling and Media (Rochelle and Elle)&lt;br /&gt;
Literature Adaptations and Interpretations in the Media (Victoria &amp;amp; Sarah)&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David &amp;amp; Kari)&lt;br /&gt;
Fashion Trends and Media Representations (Balkiran &amp;amp; Shirley)&lt;br /&gt;
Who/What is a Journalist? (Paul and Sara)&lt;br /&gt;
Celebrity Gossip as News (Magda and Jo-Anne)&lt;br /&gt;
Social Networking and the Media (Esther and Gideon)&lt;br /&gt;
Editing; An Inquiry into Ideological Stance (David and Andrew)&lt;br /&gt;
The blurring line between television news and entertainment (Herleen and Jag)&lt;br /&gt;
The prevelance of violence in the media (Cam and Dal)&lt;br /&gt;
Technology and the Evolution of Music (JP and Dorianna)&lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary and Liang)&lt;br /&gt;
The use of propaganda in modern society (Kiran and Mike)&lt;br /&gt;
Media Consumption in the Digital Age (Caleb and Gabby)&lt;br /&gt;
School on Television: Reality vs. Depiction (Greg and Sheryl)&lt;br /&gt;
Copyright in the Information Age (Ken and Jen)&lt;br /&gt;
Appropriation and Art: Issues of copyright in image production (Alex and Fred)&lt;br /&gt;
&lt;br /&gt;
Here are a couple possible ways to break down the book with some (wild) guesses about where each topic might fit. Thoughts? (Thanks Jen-- awesome work!)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;1. Who/What are The Media?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Who/What is a Journalist? (Paul and Sara)&amp;lt;br&amp;gt;&lt;br /&gt;
The blurring line between television news and entertainment (Herleen and Jag) &amp;lt;br&amp;gt;&lt;br /&gt;
Celebrity Gossip as News (Magda and Jo-Anne) &amp;lt;br&amp;gt;&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David &amp;amp; Kari) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;2. Who/What is Represented?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Editing: An Inquiry into Ideological Stance (David and Andrew)&amp;lt;br&amp;gt;&lt;br /&gt;
The use of propaganda in modern society (Kiran and Mike)&amp;lt;br&amp;gt;&lt;br /&gt;
School on Television: Reality vs. Depiction (Greg and Sheryl)&amp;lt;br&amp;gt; &lt;br /&gt;
The prevalence of violence in the media (Cam and Dal) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3. Web 2.0&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Web 2.0 (Stasia &amp;amp; Matthew) &amp;lt;br&amp;gt;&lt;br /&gt;
Social Networking and the Media (Esther and Gideon) &amp;lt;br&amp;gt;&lt;br /&gt;
Copyright in the Information Age (Ken and Jen)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;4. The Evolution of Culture&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Technology and the Evolution of Music (JP and Dorianna)&amp;lt;br&amp;gt; &lt;br /&gt;
Storytelling and Media (Rochelle and Leanna) &amp;lt;br&amp;gt;&lt;br /&gt;
Film Adaptations of &#039;&#039;Alice&#039;s Adventures in Wonderland&#039;&#039; (Victoria &amp;amp; Sarah) &amp;lt;br&amp;gt;&lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary and Liang) &amp;lt;br&amp;gt;&lt;br /&gt;
Appropriation and Art: Issues of copyright in image production (Alex and Fred)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;5. Economics of Technology&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Teen Age, Teen Ad (Shelagh &amp;amp; Sean) &amp;lt;br&amp;gt;&lt;br /&gt;
Fashion Trends and Media Representations (Balkiran &amp;amp; Shirley)&amp;lt;br&amp;gt;&lt;br /&gt;
Media Consumption in the Digital Age (Caleb and Gabby) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;B&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;1. Who/What are The Media?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Who/What is a Journalist? (Paul and Sara)&amp;lt;br&amp;gt;&lt;br /&gt;
Web 2.0 (Stasia &amp;amp; Matthew) &amp;lt;br&amp;gt;&lt;br /&gt;
Social Networking and the Media (Esther and Gideon) &amp;lt;br&amp;gt;&lt;br /&gt;
Teen Age, Teen Ad (Shelagh &amp;amp; Sean) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;2. News or Entertainment&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The blurring line between television news and entertainment (Herleen and Jag) &amp;lt;br&amp;gt;&lt;br /&gt;
Celebrity Gossip as News (Magda and Jo-Anne) &amp;lt;br&amp;gt;&lt;br /&gt;
The prevalence of violence in the media (Cam and Dal) &amp;lt;br&amp;gt;&lt;br /&gt;
School on Television: Reality vs. Depiction (Greg and Sheryl) &amp;lt;br&amp;gt;&lt;br /&gt;
Fashion Trends and Media Representations (Balkiran &amp;amp; Shirley)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3. Bias and Perspective&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David &amp;amp; Kari) &amp;lt;br&amp;gt;&lt;br /&gt;
Editing: An Inquiry into Ideological Stance (David and Andrew)&amp;lt;br&amp;gt;&lt;br /&gt;
The use of propaganda in modern society (Kiran and Mike)&amp;lt;br&amp;gt;&lt;br /&gt;
Storytelling and Media (Elle &amp;amp; Rochelle) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;4. Culture and Technology&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Media Consumption in the Digital Age (Caleb and Gabby) &amp;lt;br&amp;gt;&lt;br /&gt;
Technology and the Evolution of Music (JP and Dorianna) &amp;lt;br&amp;gt;&lt;br /&gt;
Literature Adaptations and Interpretations in the Media (Victoria &amp;amp; Sarah) &amp;lt;br&amp;gt;&lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary and Liang) &amp;lt;br&amp;gt;&lt;br /&gt;
Copyright in the Information Age (Ken and Jen)&amp;lt;br&amp;gt;&lt;br /&gt;
Appropriation and Art: Issues of copyright in image production (Alex and Fred)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== BAA Course Planning Section ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Media and Advertising 11&#039;&#039;&#039;(Ken and Jen)&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
This course will prepare students to deconstruct and understand how media impact their lives and decisions. Students will learn and apply the concepts of audience, purpose and argument through an analysis of advertising across various media.  Students will understand how advertising creates and appeals to cultural values which will prepare them to be informed and active citizens in a media-saturated world.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Identity, Pop Culture and Media 12&#039;&#039;&#039; (Rochelle and Leanna)&lt;br /&gt;
-portrayals of gender, age, race, sexuality, beauty, and wealth in Pop Culture and the Media and how these construct and affirm our beliefs and personal and corporate identity&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Societal and Cultural Values in Media 12&#039;&#039;&#039; (Gideon &amp;amp; Esther)&lt;br /&gt;
&amp;lt;br&amp;gt; An overview analysis of television, film, pop culture and advertising and how, within these mediums, certain societal and cultural values are propagated and reflected. It is important for students to be aware and analytical of what they view/listen to etc, in order to be critical of what values are being (re)presented by the media.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;From The Page to the Stage, and Beyond: Literary Adaptations in the Media&#039;&#039;&#039; (Victoria &amp;amp; Sarah)&lt;br /&gt;
&amp;lt;br&amp;gt;Increasingly, the first exposure that young people have to literature is through television, film, or Internet adaptations.  This course will help students understand the transformation that a work goes through as it travels from the page to another medium, and will explore adaptations of popular works for the stage, radio, television, film, and Internet.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Music and Technology 11/12&#039;&#039;&#039; (Greg and Sheryl)&lt;br /&gt;
This course will examine the ways in which technology has changed the way that music is created, perceived and consumed.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;History lives -An examination of historical events through film&amp;quot;&#039;&#039;&#039; (Mike and Kiran)&lt;br /&gt;
This course will consider various points in history through the medium of film. A careful examination of movies that deal with historical events will be analyzed with respect to the underlying message portrayed in the film. This course will consider the political and social aspects as well as the historical context and how it is portrayed by the media.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A Game Making Approach to Bioethics&#039;&#039;&#039; (Mary and Liang)&lt;br /&gt;
&amp;lt;br&amp;gt;This course is meant to consider the ethical issues associated with the studies of current science that incorporate biology and technology. With some knowledge on high school biology, students will develop a basic understanding of these science studies.  Through collecting science media, students will learn about the occurrence and the relevancy of these studies to their daily lives.  With some discussions, students will identify both ethical and unethical actions committed by stakeholders.  In addition, students will master the ability to come up with alternative solutions that are by definition more ethical to these studies.  Lastly, students will demonstrate their overall knowledge of bioethics by planning for a computer or video game that demands ethical decisions and administers consequences.  As well, the planning process requires the usage of multiple forms of technology.  Through the practices of this course, students are made to hold some responsibilities to the well-being of our world as a whole.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The Power of Media&#039;&#039;&#039; (David B and Kari)&lt;br /&gt;
&lt;br /&gt;
This course will challenge students to look at the way in which the media impacts society. Looking at different forms of media (ie. television, the radio, the internet, newspapers/magazines) the following issues will be addressed: how does the media shape reality, who is the targeted audience, the ability of technology to communicate, and the influence that the media has on everyday life. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The History of Communication Throughout the 20th Century&#039;&#039;&#039; (JP and Dorianna)&lt;br /&gt;
This course will examine the evolution of communication throughout the 20th century and how this process affected important historical events, eras and trends. Students will look at how various communication technologies, such as AM radio, television, and the internet, were employed during the century and what events/phenomenons they facilitated. Central themes to be studied will include war and conflict, popular culture, and globalization.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Music Media&#039;&#039;&#039; (David and Andrew)&lt;br /&gt;
Investigation of lyrical content with respect to audience. Investigation into lyrical content and political message. The study of the interaction between lyrical message and music video message.  This course will provide for students opportunities to observe aspects of social, political, and cultural history through the lens of instrumental music.  In regards to tonality, style, and timbre, the directions in which genres of music evolved heavily reflected the social conditions of eras; it is impossible, for example, to separate the violence associated wit the modern Civil Rights Movement from the sound of 1960s avant-garde jazz.  Students will analyze such connections in a variety of ways, such as by sampling various music selections that will be supplemented with pertaining historical contexts. &lt;br /&gt;
[[Category: Curriculum and Pedagogy]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Critical Media Studies in Film and Television&#039;&#039;&#039; (Alex and Fred)&lt;br /&gt;
This course will focus on pop culture film and television media of the 20th and 21st centuries.  Students will develop a critical awareness of how media messages are constructed in the world of film and television.  Students will make use of media literacy methodologies to deconstruct and critically analyze meaning in a series of film and television screenings.  Students will also read texts and view documentaries critiquing pop culture film and telesion.  The course will culminate in the students utilizing these critical skills to create their own critical documentary.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Intro to Media Studies&#039;&#039;&#039; (Matthew and Stasia)&lt;br /&gt;
This course will introduce students to the concept of media studies and what it entails - what is media, the history of media, the influence of media on society, the different forms of media, etc.  It will provide a foundation for future, more focused courses, and will establish the analytical skills necessary for students to navigate todays dynamic media landscape.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Media: Issues and Technology 12&#039;&#039;&#039; (Paul and Sara)&lt;br /&gt;
This course deals with media depictions of controversial issues facing the world today. Each issue will be looked at through one of television/film, radio, print, and internet. The technology aspect of the course covers media production, and students will gain experience working in each of the major forms of media. After analyzing issues, students will be asked to produce their own representations of those issues in a skills-based, technological approach.&lt;br /&gt;
&lt;br /&gt;
   &lt;br /&gt;
&amp;quot;Stereotypes in TV &amp;amp; Film: Changes Over Time&amp;quot; -Sarah K, Jenn O, Jenn M&lt;br /&gt;
&lt;br /&gt;
This course will examine the way that stereotypes are portrayed in TV and Film. It will look in depth at the changes in stereotypes as a reflection of society. Topics considered will include gender/sexuality, minorities, women and society in general.&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;External Resources&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
[http://www.pixton.com Pixton - &#039;Free&#039; Online Comic Maker]&lt;br /&gt;
      &lt;br /&gt;
&lt;br /&gt;
[[Category:EDCP]]&lt;/div&gt;</summary>
		<author><name>Stephenpetrina</name></author>
	</entry>
	<entry>
		<id>https://wiki.ubc.ca/index.php?title=Course:EDCP481&amp;diff=373531</id>
		<title>Course:EDCP481</title>
		<link rel="alternate" type="text/html" href="https://wiki.ubc.ca/index.php?title=Course:EDCP481&amp;diff=373531"/>
		<updated>2015-06-26T19:15:32Z</updated>

		<summary type="html">&lt;p&gt;Stephenpetrina: /* Media Studies (Across the Curriculum) */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== &#039;&#039;&#039;Summer 2a 2015&#039;&#039;&#039; ==&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2011&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy.  Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding.  In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement.  Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy.  Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum.  Hence, this course emphasizes ethical, legal, and theoretical aspects and the design of curriculum and courses for teaching media education or media studies and for integrating media literacy across the curriculum.  [Link to the EDCP 481  Resource page http://m1.cust.educ.ubc.ca:16080/tsedgrad/?page_id=460].&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Link to the EDCP 481 Textbook (Media Study Guides) co-authored by the  students  http://blogs.ubc.ca/etec/courses-2/edcp-481/&#039;&#039;&#039;&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Student Planning Space&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== Textbook (Media Study Guide) Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a section-- Media Study Guide-- of a textbook, which is being designed and written for grade 8-10 or 11-12 students):&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 Media Study Guide Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
xx &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Dianna Stashuk and Adam Alvaro - &amp;quot;Lost&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Melissa Evans and Shaun Beach- &amp;quot;Family&amp;quot; Shows (exploring the representations of family, past and present)&lt;br /&gt;
&lt;br /&gt;
Brian, Peter &amp;amp; Tyler - Need for Speed&lt;br /&gt;
&lt;br /&gt;
Michelle Fatkin and Chelsea Campbell - &amp;quot;Mean Girls&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Tom Froh and Peter Maxwell - &amp;quot;16 and Pregnant&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Nick De Santis and Nam Pham- &amp;quot;127 Hours&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Chris Flannelly and Grace Woo - &amp;quot;Freedom Writers&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Lucas Mann and Marie-Anne Hellinckx - Film Review &amp;quot;Ma vie en rose&amp;quot; to address issues of homophobia.&lt;br /&gt;
&lt;br /&gt;
Stephanie Malloy and Jon Schmidt-&amp;quot;My Sister&#039;s Keeper&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 951 Media Study Guide Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
xx&lt;br /&gt;
&lt;br /&gt;
Adam Deboer and Alvin Lui - The Dark Knight&lt;br /&gt;
&lt;br /&gt;
Kelly Skehill and Kat Ast - &amp;quot;Thirteen&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Ashley MacKenzie and Alex Thureau - &amp;quot;One Week&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Wendy Sigaty and Haley Lucas - &amp;quot;Avatar&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Kady Huhn &amp;amp; Hannah Yu- &amp;quot;Into the Wild&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Fay Sterne &amp;amp; Brittaney Boone - &amp;quot;The Office&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Rachel Fales &amp;amp; Jennifer Visser - &amp;quot;Wall-E&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Yik Wah Penner &amp;amp; Chris Howey - &amp;quot;Little Ms. Sunshine&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Lance Peters &amp;amp; Al McKillop - &#039;Lord of the Rings&#039; (I know, it&#039;s a little ambitious.)&lt;br /&gt;
&lt;br /&gt;
Ashley Bayles &amp;amp; Danny Nann - &amp;quot;The Simpsons&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Jenn O, Jenn M, Sarah K - &amp;quot;Schindler&#039;s List&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Alexander McKechnie - Mythology and Popular Music&lt;br /&gt;
&lt;br /&gt;
Mark Brown - &amp;quot;Bright Star&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Sarah James and Lillian Ryan - &amp;quot;Food Inc.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Michael Bui &amp;amp; Jennifer Neff - Outsourced&lt;br /&gt;
&lt;br /&gt;
== BAA Course Planning Section ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The direct link to the example BAA is:&#039;&#039;&#039; &amp;lt;br&amp;gt;&lt;br /&gt;
http://www.bced.gov.bc.ca/greenschools/sustcoursecontent.htm&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the BAA Course here:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 BA/A Topics&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Brian, Peter &amp;amp; Tyler - GAME ON! Video Game Play as Text: Critical Reading for Gamers     &lt;br /&gt;
&lt;br /&gt;
Dianna Stashuk and Adam Alvaro - Media and Canadian Identity&lt;br /&gt;
&lt;br /&gt;
Melissa Evans and Shaun Beach - Youth and advertising--This course will explore the industry of advertising, focusing specifically on how advertisers target youth through TV commercials, product placement, and endorsements. There will also be some discussion on advertisement law and various opportunities to critically analyse advertisements made in the industry and in the classroom. Students will be able to create their own advertisements based on what they have learned about the laws and techniques used in the industry.&lt;br /&gt;
&lt;br /&gt;
Michelle Fatkin and Chelsea Campbell - Acquiring Wisdom through Media&lt;br /&gt;
&lt;br /&gt;
In this course, we want students to understand that media is not simply entertainment. Rather, we want them to see that they can acquire wisdom through observing the actions and consequences of others in TV/film, and through analyzing the subtleties of messages in advertisements, print, and other forms. &lt;br /&gt;
&lt;br /&gt;
Taha and Kara - Apocalypse in Media&lt;br /&gt;
&lt;br /&gt;
Stef and Jess aka...Jeff - Seeing with your ears: An introduction to media through music&lt;br /&gt;
&lt;br /&gt;
This course looks at the relationship between music and the media by analysing historical and political events effects on music.  It focuses on the power of music and it&#039;s affect on the media.  We will also look at the power of the media and it&#039;s control over the message of popular music.  By focusing on a timeline one can easily see the changes in music and it&#039;s message due to events occurring all over the world.&lt;br /&gt;
&lt;br /&gt;
Nick De Santis and Nam Pham - &amp;quot;Add me as a Friend&amp;quot;: Deconstructing Social Media&lt;br /&gt;
       &lt;br /&gt;
&lt;br /&gt;
This course will explore the current trends in social media and how they have influenced our society. In particular, we will examine Facebook and Twitter, the two most popular forms of this media. The focus of this course will be to educate students on the benefits and dangers of using social media and to critically analyze the prevalence of social media in today’s society. By the end of this course, each student will be able to use social media to their maximum positive benefit.&lt;br /&gt;
&lt;br /&gt;
Thomas Froh and Peter Maxwell - &amp;quot;The Man&amp;quot; Behind the Message&lt;br /&gt;
&lt;br /&gt;
This course will work towards answering the question of whether there is a person or organization controlling the messages we receive in the media, and if so, who or what are they and to what end?  Specifically, the course will examine large television corporations and whether or not they work to shape popular perspective in news broadcasts, television programming, etc.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Paul and Rhonda - Music Videos and Pop Culture&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course will explore the question; Are music videos a product of pop culture or pop culture and product of music videos? The course will critically analyse the key media literacy aspects of production, analysis and audience. Due to the sometimes sensitive content of music videos it is important for students to deconstruct the specifics behind the media consumption, production and regulation.&lt;br /&gt;
&lt;br /&gt;
  &lt;br /&gt;
&lt;br /&gt;
Rupinder and Parmjeet: Attitude is everything!! Aquiring positive attitude through media.&lt;br /&gt;
&lt;br /&gt;
This course will focus on developing positive attitude through media productions, such as film, television, print etc. We want students to show how to use media&#039;s positive side to develop good attitude habits. &lt;br /&gt;
&lt;br /&gt;
Michael &amp;amp; John - &amp;quot;Mickey Wants You” – How Disney Won the War &lt;br /&gt;
&lt;br /&gt;
In this course, students will analyse and identify historical examples of Disney products to better understand bias, impact, and opinions.  This course has been designed with the target of engaging students in history and its contexts with products of Disney media. Students will learn and gain skills in the ability to think critically, detect biases, and learn to read and develop media products for use in their own lives.  &lt;br /&gt;
      &lt;br /&gt;
Chris and Grace - Multiculturalism in the Media&lt;br /&gt;
&lt;br /&gt;
Marie-Anne and Lucas - Francophone cinema&lt;br /&gt;
                    &lt;br /&gt;
This course has been designed to encourage students to have a better appreciation for Francophone cinema, to help them examine and identify the values and cultural differences in films and have a better understanding of Francophone culture. They will be able to apply critical thinking to film analyses and appreciations. A collaborative and safe atmosphere will be provided to foster creative expression in film production and media representation.  &lt;br /&gt;
      &lt;br /&gt;
&#039;&#039;&#039;Section 951 BA/A Topics&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Kelly Skehill and Kat Ast - &amp;quot;Media: The Inside Scoop&amp;quot;&lt;br /&gt;
&lt;br /&gt;
This course will expose students to the positive and negative influences media has on people.  It will have students analyze Social Networking, Advertising, Hollywood Movies, Documentaries and Music.  The goal is for students to gain the critical analysis and information skills necessary to become intelligent, competent consumers and creators of media messages (Considine, 2003).   &lt;br /&gt;
&lt;br /&gt;
Adam Deboer and Alvin Lui - Music, Culture, and Technology&lt;br /&gt;
&lt;br /&gt;
Ashley MacKenzie and Alex Thureau - Reality Television Production: This course will introduce students to the medium of television. Students will learn the pre-production, production and post-production steps required to produce their own reality television episode. Students will leave the course with the ability to objectively analyze television media.   &lt;br /&gt;
&lt;br /&gt;
Kady Huhn &amp;amp; Hannah Yu-Media &amp;amp; Identity-This course will explore the ways in which personal identity is constructed and mediated through media and will analyze how popular culture such as film, music, television and print media impact identity and behaviour. It will also look at the ways in which social media has impacted identity construction online and focus on the implications this has on the safety of social networking.&lt;br /&gt;
      &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Wendy Sigaty &amp;amp; Haley Lucas - Social Values in Media Through History&#039;&#039;&#039;&lt;br /&gt;
Students will use various media (Print, Television, Film, Music, etc) to examine how our social values (Race Relations, Relationships, Gender Roles, Sexuality, Religion, Family, Lifestyle, etc) have changed from biblical times to the present.    &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Rachel Fales &amp;amp; Jennifer Visser - &#039;&#039;Film Studies- An Analysis of Superheroes&#039;&#039;&#039;&#039;&#039; - This course intends to analyze Superheroes in films. This course will chronologically follow Superheroes as they have been adapted from comic books (ie. Superman 1978) to Hollywood Blockbusters and the idea of sequels, exploring a variety of topics during each film. Students will question genre, originality, race, gender, sexuality, public vs. private (dual) identities, villains vs. victims, technology and remediation of Superhero films. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Michael Bui &amp;amp; Jennifer Neff - Sociology and the Media 11/12&#039;&#039;&#039; -  This course examines culture and the construction of identity through shifts in media.  Trends in visual media, advancements in technology and social media will be looked at under the lens of sociology. Students will identify the ways media can influence the creation and disintegration of stereotypes.  Students will analyze different perceptions represented through these mediums of technology and how this adds to the development of new youth culture. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analyzing Modern Animated Satire 11/12&#039;&#039;&#039; (Fay Sterne &amp;amp; Brittaney Boone) - Students will take a critical look at &#039;&#039;The Simpsons&#039;&#039;, &#039;&#039;Family Guy&#039;&#039;, and &#039;&#039;South Park&#039;&#039; as satirical representations of modern North American society.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Graham Haigh &amp;amp; Dean Morris&#039;&#039;&#039; Teaching Media through the examination of Political Campaigns. Students will evaluate, analyze, political media. Students will also create their own commercial, poster, National address, attack add, or some other media presentation relating to the study of politics.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ashley Bayles &amp;amp; Danny Nann - Media &amp;amp; Popular Culture&#039;&#039;&#039;&lt;br /&gt;
- This course will examine the way in which media has an impact on cultural production and vice versa. What is popular culture? What role does the media have on the production of popular culture? Is popular culture an authentic representation of our cultural values as a society, or is it impacted by the media and if so, how? We will look into how the social and culture environment is formed and what role it has on media and vice versa. This course will examine popular culture as a concept on its own and through its representation in different forms of media. &lt;br /&gt;
&lt;br /&gt;
Yik Wah Penner &amp;amp; Chris Howey - Manufacturing Identity in the Media: This course will examine the ways in which media creates identities which are often shaped by stereotype. Our goal will be to explore the social and cultural relevance of these produced identities in the day to day lives of students.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lance Peters &amp;amp; Al McKillop - Using current media to access classic literature&#039;&#039;&#039;&lt;br /&gt;
We plan to look at various media, with a particular focus on using contemporary media such as podcasting, film, games, graphic novels, wikis, etc. to access &#039;classic&#039; literature such as Shakespeare, Melville, Dickens, Tolkien and others.&lt;br /&gt;
&lt;br /&gt;
Mark Brown and Alex McKechnie - Popular Music Studies&lt;br /&gt;
This course looks at the images, text, and music of popular songs and videos, and the relationships and meanings found therein. Students will develop appreciation, as well as, analytical and critical thinking skills to help them navigate through the multiple images, values, and meanings found within popular music and music videos&lt;br /&gt;
&lt;br /&gt;
 &lt;br /&gt;
Lillian Ryan &amp;amp; Sarah James (documentary film studies)&lt;br /&gt;
&lt;br /&gt;
== PSA Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;952 Planning: &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Time = 30 to 60 seconds&lt;br /&gt;
Theme = Unique to Group&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;951 Planning: &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Time = 30 to 60 seconds&lt;br /&gt;
Theme = Unique to Group&lt;br /&gt;
&lt;br /&gt;
The Scaffolders-Brittaney Boone, Jennifer Visser, Kady Huhn, Yik Penner, Chris Howey, Faye Sterne&lt;br /&gt;
&lt;br /&gt;
High-Def (HD): Mark, Alvin, Rachel, Jennifer N, Michael, Adam   [http://youtu.be/9u3Rhw9jdiE Cyber-bullying PSA]&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2010&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy.  Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding.  In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement.  The course provides a survey of media studies and new media with an emphasis on media education and literacy.  Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum.  Hence, this course emphasizes ethical, legal, and theoretical aspects and the design of curriculum and courses for teaching media education or media studies and for integrating media literacy across the curriculum. [Link to the EDCP 481 Resource page http://m1.cust.educ.ubc.ca:16080/tsedgrad/?page_id=366]. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Student Planning Space&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== Textbook Curriculum Planning Section ==&lt;br /&gt;
&lt;br /&gt;
Download the Media Studies 11-12 Textbook written by EDCP 481 students: http://m1.cust.educ.ubc.ca:16080/tsedgrad/?page_id=366&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Table of Contents&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;1. Who/What are The Media?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Who / What is a Journalist? (Paul Korczyk &amp;amp; Sara Newham)&amp;lt;br&amp;gt;&lt;br /&gt;
Web 2.0 (Matthew Palmer &amp;amp; Stasia Siscoe)&amp;lt;br&amp;gt; &lt;br /&gt;
Social Networking and the Media (Esther Yong &amp;amp; Gideon Lin)&amp;lt;br&amp;gt; &lt;br /&gt;
Teen Age, Teen Ad (Shelagh &amp;amp; Sean)&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;2. News or Entertainment&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Blurring Line Between Television News and Entertainment (Herleen Malli &amp;amp; Jagroop Nagra)&amp;lt;br&amp;gt; &lt;br /&gt;
Celebrity Culture (Magda Misiak &amp;amp; Jo-Anne McKee)&amp;lt;br&amp;gt; &lt;br /&gt;
The Prevalence of Violence in the Media (Cameron Vand&#039;Erkamps &amp;amp; Daljit Purewal)&amp;lt;br&amp;gt; &lt;br /&gt;
School on Television: Reality vs. Depiction (Greg Rushton &amp;amp; Sheryl Reinhardt)&amp;lt;br&amp;gt; &lt;br /&gt;
Fashion Trends and Media Representations (Balkiran Dusanj &amp;amp; Shirley Lal)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3. Bias and Perspective&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David Bron &amp;amp; Kari White)&amp;lt;br&amp;gt; &lt;br /&gt;
Editing: An Inquiry into Ideological Stance (David Mergens &amp;amp; Andrew Crawford)&amp;lt;br&amp;gt;&lt;br /&gt;
The use of Propaganda in Modern Society (Kiran Basi &amp;amp; Mike Byun)&amp;lt;br&amp;gt;&lt;br /&gt;
Storytelling and Media (Elle Kay &amp;amp; Rochelle Patten)&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;4. Culture and Technology&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Media Consumption in the Digital Age (Caleb Bouey &amp;amp; Gabrielle Rougeau)&amp;lt;br&amp;gt; &lt;br /&gt;
Technology and the Evolution of Music (JP Lancaster &amp;amp; Dorianna Chessa)&amp;lt;br&amp;gt; &lt;br /&gt;
Literature Adaptations and Interpretations in the Media (Sarah McNeil &amp;amp; Victoria Yip)&amp;lt;br&amp;gt; &lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary Yang &amp;amp; Liang You)&amp;lt;br&amp;gt; &lt;br /&gt;
Copyright in the Information Age (Ken Vimalesan &amp;amp; Jen Fehlauer)&amp;lt;br&amp;gt;&lt;br /&gt;
Appropriation and Art: Issues of Copyright in Image Production (Alex Reed &amp;amp; Fred Beitler)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a 4 page section of a textbook, which is being designed and written for grade 10-12 students):&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
e.g., Teen Age, Teen Ad (Shelagh &amp;amp; Sean)&lt;br /&gt;
Cable News (Bert &amp;amp; Ernie)&lt;br /&gt;
Web 2.0 (Stasia &amp;amp; Matthew)&lt;br /&gt;
Storytelling and Media (Rochelle and Elle)&lt;br /&gt;
Literature Adaptations and Interpretations in the Media (Victoria &amp;amp; Sarah)&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David &amp;amp; Kari)&lt;br /&gt;
Fashion Trends and Media Representations (Balkiran &amp;amp; Shirley)&lt;br /&gt;
Who/What is a Journalist? (Paul and Sara)&lt;br /&gt;
Celebrity Gossip as News (Magda and Jo-Anne)&lt;br /&gt;
Social Networking and the Media (Esther and Gideon)&lt;br /&gt;
Editing; An Inquiry into Ideological Stance (David and Andrew)&lt;br /&gt;
The blurring line between television news and entertainment (Herleen and Jag)&lt;br /&gt;
The prevelance of violence in the media (Cam and Dal)&lt;br /&gt;
Technology and the Evolution of Music (JP and Dorianna)&lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary and Liang)&lt;br /&gt;
The use of propaganda in modern society (Kiran and Mike)&lt;br /&gt;
Media Consumption in the Digital Age (Caleb and Gabby)&lt;br /&gt;
School on Television: Reality vs. Depiction (Greg and Sheryl)&lt;br /&gt;
Copyright in the Information Age (Ken and Jen)&lt;br /&gt;
Appropriation and Art: Issues of copyright in image production (Alex and Fred)&lt;br /&gt;
&lt;br /&gt;
Here are a couple possible ways to break down the book with some (wild) guesses about where each topic might fit. Thoughts? (Thanks Jen-- awesome work!)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;1. Who/What are The Media?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Who/What is a Journalist? (Paul and Sara)&amp;lt;br&amp;gt;&lt;br /&gt;
The blurring line between television news and entertainment (Herleen and Jag) &amp;lt;br&amp;gt;&lt;br /&gt;
Celebrity Gossip as News (Magda and Jo-Anne) &amp;lt;br&amp;gt;&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David &amp;amp; Kari) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;2. Who/What is Represented?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Editing: An Inquiry into Ideological Stance (David and Andrew)&amp;lt;br&amp;gt;&lt;br /&gt;
The use of propaganda in modern society (Kiran and Mike)&amp;lt;br&amp;gt;&lt;br /&gt;
School on Television: Reality vs. Depiction (Greg and Sheryl)&amp;lt;br&amp;gt; &lt;br /&gt;
The prevalence of violence in the media (Cam and Dal) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3. Web 2.0&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Web 2.0 (Stasia &amp;amp; Matthew) &amp;lt;br&amp;gt;&lt;br /&gt;
Social Networking and the Media (Esther and Gideon) &amp;lt;br&amp;gt;&lt;br /&gt;
Copyright in the Information Age (Ken and Jen)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;4. The Evolution of Culture&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Technology and the Evolution of Music (JP and Dorianna)&amp;lt;br&amp;gt; &lt;br /&gt;
Storytelling and Media (Rochelle and Leanna) &amp;lt;br&amp;gt;&lt;br /&gt;
Film Adaptations of &#039;&#039;Alice&#039;s Adventures in Wonderland&#039;&#039; (Victoria &amp;amp; Sarah) &amp;lt;br&amp;gt;&lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary and Liang) &amp;lt;br&amp;gt;&lt;br /&gt;
Appropriation and Art: Issues of copyright in image production (Alex and Fred)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;5. Economics of Technology&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Teen Age, Teen Ad (Shelagh &amp;amp; Sean) &amp;lt;br&amp;gt;&lt;br /&gt;
Fashion Trends and Media Representations (Balkiran &amp;amp; Shirley)&amp;lt;br&amp;gt;&lt;br /&gt;
Media Consumption in the Digital Age (Caleb and Gabby) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;B&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;1. Who/What are The Media?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Who/What is a Journalist? (Paul and Sara)&amp;lt;br&amp;gt;&lt;br /&gt;
Web 2.0 (Stasia &amp;amp; Matthew) &amp;lt;br&amp;gt;&lt;br /&gt;
Social Networking and the Media (Esther and Gideon) &amp;lt;br&amp;gt;&lt;br /&gt;
Teen Age, Teen Ad (Shelagh &amp;amp; Sean) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;2. News or Entertainment&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The blurring line between television news and entertainment (Herleen and Jag) &amp;lt;br&amp;gt;&lt;br /&gt;
Celebrity Gossip as News (Magda and Jo-Anne) &amp;lt;br&amp;gt;&lt;br /&gt;
The prevalence of violence in the media (Cam and Dal) &amp;lt;br&amp;gt;&lt;br /&gt;
School on Television: Reality vs. Depiction (Greg and Sheryl) &amp;lt;br&amp;gt;&lt;br /&gt;
Fashion Trends and Media Representations (Balkiran &amp;amp; Shirley)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3. Bias and Perspective&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David &amp;amp; Kari) &amp;lt;br&amp;gt;&lt;br /&gt;
Editing: An Inquiry into Ideological Stance (David and Andrew)&amp;lt;br&amp;gt;&lt;br /&gt;
The use of propaganda in modern society (Kiran and Mike)&amp;lt;br&amp;gt;&lt;br /&gt;
Storytelling and Media (Elle &amp;amp; Rochelle) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;4. Culture and Technology&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Media Consumption in the Digital Age (Caleb and Gabby) &amp;lt;br&amp;gt;&lt;br /&gt;
Technology and the Evolution of Music (JP and Dorianna) &amp;lt;br&amp;gt;&lt;br /&gt;
Literature Adaptations and Interpretations in the Media (Victoria &amp;amp; Sarah) &amp;lt;br&amp;gt;&lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary and Liang) &amp;lt;br&amp;gt;&lt;br /&gt;
Copyright in the Information Age (Ken and Jen)&amp;lt;br&amp;gt;&lt;br /&gt;
Appropriation and Art: Issues of copyright in image production (Alex and Fred)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== BAA Course Planning Section ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Media and Advertising 11&#039;&#039;&#039;(Ken and Jen)&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
This course will prepare students to deconstruct and understand how media impact their lives and decisions. Students will learn and apply the concepts of audience, purpose and argument through an analysis of advertising across various media.  Students will understand how advertising creates and appeals to cultural values which will prepare them to be informed and active citizens in a media-saturated world.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Identity, Pop Culture and Media 12&#039;&#039;&#039; (Rochelle and Leanna)&lt;br /&gt;
-portrayals of gender, age, race, sexuality, beauty, and wealth in Pop Culture and the Media and how these construct and affirm our beliefs and personal and corporate identity&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Societal and Cultural Values in Media 12&#039;&#039;&#039; (Gideon &amp;amp; Esther)&lt;br /&gt;
&amp;lt;br&amp;gt; An overview analysis of television, film, pop culture and advertising and how, within these mediums, certain societal and cultural values are propagated and reflected. It is important for students to be aware and analytical of what they view/listen to etc, in order to be critical of what values are being (re)presented by the media.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;From The Page to the Stage, and Beyond: Literary Adaptations in the Media&#039;&#039;&#039; (Victoria &amp;amp; Sarah)&lt;br /&gt;
&amp;lt;br&amp;gt;Increasingly, the first exposure that young people have to literature is through television, film, or Internet adaptations.  This course will help students understand the transformation that a work goes through as it travels from the page to another medium, and will explore adaptations of popular works for the stage, radio, television, film, and Internet.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Music and Technology 11/12&#039;&#039;&#039; (Greg and Sheryl)&lt;br /&gt;
This course will examine the ways in which technology has changed the way that music is created, perceived and consumed.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;History lives -An examination of historical events through film&amp;quot;&#039;&#039;&#039; (Mike and Kiran)&lt;br /&gt;
This course will consider various points in history through the medium of film. A careful examination of movies that deal with historical events will be analyzed with respect to the underlying message portrayed in the film. This course will consider the political and social aspects as well as the historical context and how it is portrayed by the media.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A Game Making Approach to Bioethics&#039;&#039;&#039; (Mary and Liang)&lt;br /&gt;
&amp;lt;br&amp;gt;This course is meant to consider the ethical issues associated with the studies of current science that incorporate biology and technology. With some knowledge on high school biology, students will develop a basic understanding of these science studies.  Through collecting science media, students will learn about the occurrence and the relevancy of these studies to their daily lives.  With some discussions, students will identify both ethical and unethical actions committed by stakeholders.  In addition, students will master the ability to come up with alternative solutions that are by definition more ethical to these studies.  Lastly, students will demonstrate their overall knowledge of bioethics by planning for a computer or video game that demands ethical decisions and administers consequences.  As well, the planning process requires the usage of multiple forms of technology.  Through the practices of this course, students are made to hold some responsibilities to the well-being of our world as a whole.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The Power of Media&#039;&#039;&#039; (David B and Kari)&lt;br /&gt;
&lt;br /&gt;
This course will challenge students to look at the way in which the media impacts society. Looking at different forms of media (ie. television, the radio, the internet, newspapers/magazines) the following issues will be addressed: how does the media shape reality, who is the targeted audience, the ability of technology to communicate, and the influence that the media has on everyday life. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The History of Communication Throughout the 20th Century&#039;&#039;&#039; (JP and Dorianna)&lt;br /&gt;
This course will examine the evolution of communication throughout the 20th century and how this process affected important historical events, eras and trends. Students will look at how various communication technologies, such as AM radio, television, and the internet, were employed during the century and what events/phenomenons they facilitated. Central themes to be studied will include war and conflict, popular culture, and globalization.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Music Media&#039;&#039;&#039; (David and Andrew)&lt;br /&gt;
Investigation of lyrical content with respect to audience. Investigation into lyrical content and political message. The study of the interaction between lyrical message and music video message.  This course will provide for students opportunities to observe aspects of social, political, and cultural history through the lens of instrumental music.  In regards to tonality, style, and timbre, the directions in which genres of music evolved heavily reflected the social conditions of eras; it is impossible, for example, to separate the violence associated wit the modern Civil Rights Movement from the sound of 1960s avant-garde jazz.  Students will analyze such connections in a variety of ways, such as by sampling various music selections that will be supplemented with pertaining historical contexts. &lt;br /&gt;
[[Category: Curriculum and Pedagogy]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Critical Media Studies in Film and Television&#039;&#039;&#039; (Alex and Fred)&lt;br /&gt;
This course will focus on pop culture film and television media of the 20th and 21st centuries.  Students will develop a critical awareness of how media messages are constructed in the world of film and television.  Students will make use of media literacy methodologies to deconstruct and critically analyze meaning in a series of film and television screenings.  Students will also read texts and view documentaries critiquing pop culture film and telesion.  The course will culminate in the students utilizing these critical skills to create their own critical documentary.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Intro to Media Studies&#039;&#039;&#039; (Matthew and Stasia)&lt;br /&gt;
This course will introduce students to the concept of media studies and what it entails - what is media, the history of media, the influence of media on society, the different forms of media, etc.  It will provide a foundation for future, more focused courses, and will establish the analytical skills necessary for students to navigate todays dynamic media landscape.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Media: Issues and Technology 12&#039;&#039;&#039; (Paul and Sara)&lt;br /&gt;
This course deals with media depictions of controversial issues facing the world today. Each issue will be looked at through one of television/film, radio, print, and internet. The technology aspect of the course covers media production, and students will gain experience working in each of the major forms of media. After analyzing issues, students will be asked to produce their own representations of those issues in a skills-based, technological approach.&lt;br /&gt;
&lt;br /&gt;
   &lt;br /&gt;
&amp;quot;Stereotypes in TV &amp;amp; Film: Changes Over Time&amp;quot; -Sarah K, Jenn O, Jenn M&lt;br /&gt;
&lt;br /&gt;
This course will examine the way that stereotypes are portrayed in TV and Film. It will look in depth at the changes in stereotypes as a reflection of society. Topics considered will include gender/sexuality, minorities, women and society in general.&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;External Resources&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
[http://www.pixton.com Pixton - &#039;Free&#039; Online Comic Maker]&lt;br /&gt;
      &lt;br /&gt;
&lt;br /&gt;
[[Category:EDCP]]&lt;/div&gt;</summary>
		<author><name>Stephenpetrina</name></author>
	</entry>
	<entry>
		<id>https://wiki.ubc.ca/index.php?title=Course:EDCP481&amp;diff=373530</id>
		<title>Course:EDCP481</title>
		<link rel="alternate" type="text/html" href="https://wiki.ubc.ca/index.php?title=Course:EDCP481&amp;diff=373530"/>
		<updated>2015-06-26T19:15:00Z</updated>

		<summary type="html">&lt;p&gt;Stephenpetrina: /* Media Studies (Across the Curriculum) */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== &#039;&#039;&#039;Summer 2a 2015&#039;&#039;&#039; ==&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2011&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy.  Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding.  In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement.  Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy.  Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum.  Hence, this course emphasizes ethical, legal, and theoretical aspects and the design of curriculum and courses for teaching media education or media studies and for integrating media literacy across the curriculum.  [Link to the EDCP 481  Resource page http://m1.cust.educ.ubc.ca:16080/tsedgrad/?page_id=460].&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Link to the EDCP 481 Textbook (Media Study Guides) co-authored by the  students  http://blogs.ubc.ca/etec/courses-2/edcp-481/&#039;&#039;&#039;&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Student Planning Space&#039;&#039;&#039;&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy.  Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding.  In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement.  Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy.  Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum.  Hence, this course emphasizes ethical, legal, and theoretical aspects and the design of curriculum and courses for teaching media education or media studies and for integrating media literacy across the curriculum.  [Link to the EDCP 481  Resource page http://m1.cust.educ.ubc.ca:16080/tsedgrad/?page_id=460].&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Link to the EDCP 481 Textbook (Media Study Guides) co-authored by the  students  http://blogs.ubc.ca/etec/courses-2/edcp-481/&#039;&#039;&#039;&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Student Planning Space&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== Textbook (Media Study Guide) Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a section-- Media Study Guide-- of a textbook, which is being designed and written for grade 8-10 or 11-12 students):&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 Media Study Guide Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
xx &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Dianna Stashuk and Adam Alvaro - &amp;quot;Lost&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Melissa Evans and Shaun Beach- &amp;quot;Family&amp;quot; Shows (exploring the representations of family, past and present)&lt;br /&gt;
&lt;br /&gt;
Brian, Peter &amp;amp; Tyler - Need for Speed&lt;br /&gt;
&lt;br /&gt;
Michelle Fatkin and Chelsea Campbell - &amp;quot;Mean Girls&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Tom Froh and Peter Maxwell - &amp;quot;16 and Pregnant&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Nick De Santis and Nam Pham- &amp;quot;127 Hours&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Chris Flannelly and Grace Woo - &amp;quot;Freedom Writers&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Lucas Mann and Marie-Anne Hellinckx - Film Review &amp;quot;Ma vie en rose&amp;quot; to address issues of homophobia.&lt;br /&gt;
&lt;br /&gt;
Stephanie Malloy and Jon Schmidt-&amp;quot;My Sister&#039;s Keeper&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 951 Media Study Guide Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
xx&lt;br /&gt;
&lt;br /&gt;
Adam Deboer and Alvin Lui - The Dark Knight&lt;br /&gt;
&lt;br /&gt;
Kelly Skehill and Kat Ast - &amp;quot;Thirteen&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Ashley MacKenzie and Alex Thureau - &amp;quot;One Week&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Wendy Sigaty and Haley Lucas - &amp;quot;Avatar&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Kady Huhn &amp;amp; Hannah Yu- &amp;quot;Into the Wild&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Fay Sterne &amp;amp; Brittaney Boone - &amp;quot;The Office&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Rachel Fales &amp;amp; Jennifer Visser - &amp;quot;Wall-E&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Yik Wah Penner &amp;amp; Chris Howey - &amp;quot;Little Ms. Sunshine&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Lance Peters &amp;amp; Al McKillop - &#039;Lord of the Rings&#039; (I know, it&#039;s a little ambitious.)&lt;br /&gt;
&lt;br /&gt;
Ashley Bayles &amp;amp; Danny Nann - &amp;quot;The Simpsons&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Jenn O, Jenn M, Sarah K - &amp;quot;Schindler&#039;s List&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Alexander McKechnie - Mythology and Popular Music&lt;br /&gt;
&lt;br /&gt;
Mark Brown - &amp;quot;Bright Star&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Sarah James and Lillian Ryan - &amp;quot;Food Inc.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Michael Bui &amp;amp; Jennifer Neff - Outsourced&lt;br /&gt;
&lt;br /&gt;
== BAA Course Planning Section ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The direct link to the example BAA is:&#039;&#039;&#039; &amp;lt;br&amp;gt;&lt;br /&gt;
http://www.bced.gov.bc.ca/greenschools/sustcoursecontent.htm&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the BAA Course here:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 BA/A Topics&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Brian, Peter &amp;amp; Tyler - GAME ON! Video Game Play as Text: Critical Reading for Gamers     &lt;br /&gt;
&lt;br /&gt;
Dianna Stashuk and Adam Alvaro - Media and Canadian Identity&lt;br /&gt;
&lt;br /&gt;
Melissa Evans and Shaun Beach - Youth and advertising--This course will explore the industry of advertising, focusing specifically on how advertisers target youth through TV commercials, product placement, and endorsements. There will also be some discussion on advertisement law and various opportunities to critically analyse advertisements made in the industry and in the classroom. Students will be able to create their own advertisements based on what they have learned about the laws and techniques used in the industry.&lt;br /&gt;
&lt;br /&gt;
Michelle Fatkin and Chelsea Campbell - Acquiring Wisdom through Media&lt;br /&gt;
&lt;br /&gt;
In this course, we want students to understand that media is not simply entertainment. Rather, we want them to see that they can acquire wisdom through observing the actions and consequences of others in TV/film, and through analyzing the subtleties of messages in advertisements, print, and other forms. &lt;br /&gt;
&lt;br /&gt;
Taha and Kara - Apocalypse in Media&lt;br /&gt;
&lt;br /&gt;
Stef and Jess aka...Jeff - Seeing with your ears: An introduction to media through music&lt;br /&gt;
&lt;br /&gt;
This course looks at the relationship between music and the media by analysing historical and political events effects on music.  It focuses on the power of music and it&#039;s affect on the media.  We will also look at the power of the media and it&#039;s control over the message of popular music.  By focusing on a timeline one can easily see the changes in music and it&#039;s message due to events occurring all over the world.&lt;br /&gt;
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Nick De Santis and Nam Pham - &amp;quot;Add me as a Friend&amp;quot;: Deconstructing Social Media&lt;br /&gt;
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This course will explore the current trends in social media and how they have influenced our society. In particular, we will examine Facebook and Twitter, the two most popular forms of this media. The focus of this course will be to educate students on the benefits and dangers of using social media and to critically analyze the prevalence of social media in today’s society. By the end of this course, each student will be able to use social media to their maximum positive benefit.&lt;br /&gt;
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Thomas Froh and Peter Maxwell - &amp;quot;The Man&amp;quot; Behind the Message&lt;br /&gt;
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This course will work towards answering the question of whether there is a person or organization controlling the messages we receive in the media, and if so, who or what are they and to what end?  Specifically, the course will examine large television corporations and whether or not they work to shape popular perspective in news broadcasts, television programming, etc.&lt;br /&gt;
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Paul and Rhonda - Music Videos and Pop Culture&lt;br /&gt;
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This course will explore the question; Are music videos a product of pop culture or pop culture and product of music videos? The course will critically analyse the key media literacy aspects of production, analysis and audience. Due to the sometimes sensitive content of music videos it is important for students to deconstruct the specifics behind the media consumption, production and regulation.&lt;br /&gt;
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Rupinder and Parmjeet: Attitude is everything!! Aquiring positive attitude through media.&lt;br /&gt;
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This course will focus on developing positive attitude through media productions, such as film, television, print etc. We want students to show how to use media&#039;s positive side to develop good attitude habits. &lt;br /&gt;
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Michael &amp;amp; John - &amp;quot;Mickey Wants You” – How Disney Won the War &lt;br /&gt;
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In this course, students will analyse and identify historical examples of Disney products to better understand bias, impact, and opinions.  This course has been designed with the target of engaging students in history and its contexts with products of Disney media. Students will learn and gain skills in the ability to think critically, detect biases, and learn to read and develop media products for use in their own lives.  &lt;br /&gt;
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Chris and Grace - Multiculturalism in the Media&lt;br /&gt;
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Marie-Anne and Lucas - Francophone cinema&lt;br /&gt;
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This course has been designed to encourage students to have a better appreciation for Francophone cinema, to help them examine and identify the values and cultural differences in films and have a better understanding of Francophone culture. They will be able to apply critical thinking to film analyses and appreciations. A collaborative and safe atmosphere will be provided to foster creative expression in film production and media representation.  &lt;br /&gt;
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&#039;&#039;&#039;Section 951 BA/A Topics&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
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Kelly Skehill and Kat Ast - &amp;quot;Media: The Inside Scoop&amp;quot;&lt;br /&gt;
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This course will expose students to the positive and negative influences media has on people.  It will have students analyze Social Networking, Advertising, Hollywood Movies, Documentaries and Music.  The goal is for students to gain the critical analysis and information skills necessary to become intelligent, competent consumers and creators of media messages (Considine, 2003).   &lt;br /&gt;
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Adam Deboer and Alvin Lui - Music, Culture, and Technology&lt;br /&gt;
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Ashley MacKenzie and Alex Thureau - Reality Television Production: This course will introduce students to the medium of television. Students will learn the pre-production, production and post-production steps required to produce their own reality television episode. Students will leave the course with the ability to objectively analyze television media.   &lt;br /&gt;
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Kady Huhn &amp;amp; Hannah Yu-Media &amp;amp; Identity-This course will explore the ways in which personal identity is constructed and mediated through media and will analyze how popular culture such as film, music, television and print media impact identity and behaviour. It will also look at the ways in which social media has impacted identity construction online and focus on the implications this has on the safety of social networking.&lt;br /&gt;
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&#039;&#039;&#039;Wendy Sigaty &amp;amp; Haley Lucas - Social Values in Media Through History&#039;&#039;&#039;&lt;br /&gt;
Students will use various media (Print, Television, Film, Music, etc) to examine how our social values (Race Relations, Relationships, Gender Roles, Sexuality, Religion, Family, Lifestyle, etc) have changed from biblical times to the present.    &lt;br /&gt;
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&#039;&#039;&#039;Rachel Fales &amp;amp; Jennifer Visser - &#039;&#039;Film Studies- An Analysis of Superheroes&#039;&#039;&#039;&#039;&#039; - This course intends to analyze Superheroes in films. This course will chronologically follow Superheroes as they have been adapted from comic books (ie. Superman 1978) to Hollywood Blockbusters and the idea of sequels, exploring a variety of topics during each film. Students will question genre, originality, race, gender, sexuality, public vs. private (dual) identities, villains vs. victims, technology and remediation of Superhero films. &lt;br /&gt;
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&#039;&#039;&#039;Michael Bui &amp;amp; Jennifer Neff - Sociology and the Media 11/12&#039;&#039;&#039; -  This course examines culture and the construction of identity through shifts in media.  Trends in visual media, advancements in technology and social media will be looked at under the lens of sociology. Students will identify the ways media can influence the creation and disintegration of stereotypes.  Students will analyze different perceptions represented through these mediums of technology and how this adds to the development of new youth culture. &lt;br /&gt;
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&#039;&#039;&#039;Analyzing Modern Animated Satire 11/12&#039;&#039;&#039; (Fay Sterne &amp;amp; Brittaney Boone) - Students will take a critical look at &#039;&#039;The Simpsons&#039;&#039;, &#039;&#039;Family Guy&#039;&#039;, and &#039;&#039;South Park&#039;&#039; as satirical representations of modern North American society.&lt;br /&gt;
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&#039;&#039;&#039;Graham Haigh &amp;amp; Dean Morris&#039;&#039;&#039; Teaching Media through the examination of Political Campaigns. Students will evaluate, analyze, political media. Students will also create their own commercial, poster, National address, attack add, or some other media presentation relating to the study of politics.&lt;br /&gt;
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&#039;&#039;&#039;Ashley Bayles &amp;amp; Danny Nann - Media &amp;amp; Popular Culture&#039;&#039;&#039;&lt;br /&gt;
- This course will examine the way in which media has an impact on cultural production and vice versa. What is popular culture? What role does the media have on the production of popular culture? Is popular culture an authentic representation of our cultural values as a society, or is it impacted by the media and if so, how? We will look into how the social and culture environment is formed and what role it has on media and vice versa. This course will examine popular culture as a concept on its own and through its representation in different forms of media. &lt;br /&gt;
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Yik Wah Penner &amp;amp; Chris Howey - Manufacturing Identity in the Media: This course will examine the ways in which media creates identities which are often shaped by stereotype. Our goal will be to explore the social and cultural relevance of these produced identities in the day to day lives of students.&lt;br /&gt;
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&#039;&#039;&#039;Lance Peters &amp;amp; Al McKillop - Using current media to access classic literature&#039;&#039;&#039;&lt;br /&gt;
We plan to look at various media, with a particular focus on using contemporary media such as podcasting, film, games, graphic novels, wikis, etc. to access &#039;classic&#039; literature such as Shakespeare, Melville, Dickens, Tolkien and others.&lt;br /&gt;
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Mark Brown and Alex McKechnie - Popular Music Studies&lt;br /&gt;
This course looks at the images, text, and music of popular songs and videos, and the relationships and meanings found therein. Students will develop appreciation, as well as, analytical and critical thinking skills to help them navigate through the multiple images, values, and meanings found within popular music and music videos&lt;br /&gt;
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Lillian Ryan &amp;amp; Sarah James (documentary film studies)&lt;br /&gt;
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== PSA Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;952 Planning: &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
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Time = 30 to 60 seconds&lt;br /&gt;
Theme = Unique to Group&lt;br /&gt;
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&#039;&#039;&#039;951 Planning: &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Time = 30 to 60 seconds&lt;br /&gt;
Theme = Unique to Group&lt;br /&gt;
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The Scaffolders-Brittaney Boone, Jennifer Visser, Kady Huhn, Yik Penner, Chris Howey, Faye Sterne&lt;br /&gt;
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High-Def (HD): Mark, Alvin, Rachel, Jennifer N, Michael, Adam   [http://youtu.be/9u3Rhw9jdiE Cyber-bullying PSA]&lt;br /&gt;
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== &#039;&#039;&#039;Summer 2a 2010&#039;&#039;&#039; ==&lt;br /&gt;
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== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
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This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy.  Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding.  In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement.  The course provides a survey of media studies and new media with an emphasis on media education and literacy.  Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum.  Hence, this course emphasizes ethical, legal, and theoretical aspects and the design of curriculum and courses for teaching media education or media studies and for integrating media literacy across the curriculum. [Link to the EDCP 481 Resource page http://m1.cust.educ.ubc.ca:16080/tsedgrad/?page_id=366]. &lt;br /&gt;
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&#039;&#039;&#039;Student Planning Space&#039;&#039;&#039;&lt;br /&gt;
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== Textbook Curriculum Planning Section ==&lt;br /&gt;
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Download the Media Studies 11-12 Textbook written by EDCP 481 students: http://m1.cust.educ.ubc.ca:16080/tsedgrad/?page_id=366&lt;br /&gt;
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&#039;&#039;&#039;Table of Contents&#039;&#039;&#039;&lt;br /&gt;
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&#039;&#039;&#039;1. Who/What are The Media?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Who / What is a Journalist? (Paul Korczyk &amp;amp; Sara Newham)&amp;lt;br&amp;gt;&lt;br /&gt;
Web 2.0 (Matthew Palmer &amp;amp; Stasia Siscoe)&amp;lt;br&amp;gt; &lt;br /&gt;
Social Networking and the Media (Esther Yong &amp;amp; Gideon Lin)&amp;lt;br&amp;gt; &lt;br /&gt;
Teen Age, Teen Ad (Shelagh &amp;amp; Sean)&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;2. News or Entertainment&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Blurring Line Between Television News and Entertainment (Herleen Malli &amp;amp; Jagroop Nagra)&amp;lt;br&amp;gt; &lt;br /&gt;
Celebrity Culture (Magda Misiak &amp;amp; Jo-Anne McKee)&amp;lt;br&amp;gt; &lt;br /&gt;
The Prevalence of Violence in the Media (Cameron Vand&#039;Erkamps &amp;amp; Daljit Purewal)&amp;lt;br&amp;gt; &lt;br /&gt;
School on Television: Reality vs. Depiction (Greg Rushton &amp;amp; Sheryl Reinhardt)&amp;lt;br&amp;gt; &lt;br /&gt;
Fashion Trends and Media Representations (Balkiran Dusanj &amp;amp; Shirley Lal)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3. Bias and Perspective&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David Bron &amp;amp; Kari White)&amp;lt;br&amp;gt; &lt;br /&gt;
Editing: An Inquiry into Ideological Stance (David Mergens &amp;amp; Andrew Crawford)&amp;lt;br&amp;gt;&lt;br /&gt;
The use of Propaganda in Modern Society (Kiran Basi &amp;amp; Mike Byun)&amp;lt;br&amp;gt;&lt;br /&gt;
Storytelling and Media (Elle Kay &amp;amp; Rochelle Patten)&amp;lt;br&amp;gt; &lt;br /&gt;
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&#039;&#039;&#039;4. Culture and Technology&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Media Consumption in the Digital Age (Caleb Bouey &amp;amp; Gabrielle Rougeau)&amp;lt;br&amp;gt; &lt;br /&gt;
Technology and the Evolution of Music (JP Lancaster &amp;amp; Dorianna Chessa)&amp;lt;br&amp;gt; &lt;br /&gt;
Literature Adaptations and Interpretations in the Media (Sarah McNeil &amp;amp; Victoria Yip)&amp;lt;br&amp;gt; &lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary Yang &amp;amp; Liang You)&amp;lt;br&amp;gt; &lt;br /&gt;
Copyright in the Information Age (Ken Vimalesan &amp;amp; Jen Fehlauer)&amp;lt;br&amp;gt;&lt;br /&gt;
Appropriation and Art: Issues of Copyright in Image Production (Alex Reed &amp;amp; Fred Beitler)&amp;lt;br&amp;gt;&lt;br /&gt;
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&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a 4 page section of a textbook, which is being designed and written for grade 10-12 students):&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
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e.g., Teen Age, Teen Ad (Shelagh &amp;amp; Sean)&lt;br /&gt;
Cable News (Bert &amp;amp; Ernie)&lt;br /&gt;
Web 2.0 (Stasia &amp;amp; Matthew)&lt;br /&gt;
Storytelling and Media (Rochelle and Elle)&lt;br /&gt;
Literature Adaptations and Interpretations in the Media (Victoria &amp;amp; Sarah)&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David &amp;amp; Kari)&lt;br /&gt;
Fashion Trends and Media Representations (Balkiran &amp;amp; Shirley)&lt;br /&gt;
Who/What is a Journalist? (Paul and Sara)&lt;br /&gt;
Celebrity Gossip as News (Magda and Jo-Anne)&lt;br /&gt;
Social Networking and the Media (Esther and Gideon)&lt;br /&gt;
Editing; An Inquiry into Ideological Stance (David and Andrew)&lt;br /&gt;
The blurring line between television news and entertainment (Herleen and Jag)&lt;br /&gt;
The prevelance of violence in the media (Cam and Dal)&lt;br /&gt;
Technology and the Evolution of Music (JP and Dorianna)&lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary and Liang)&lt;br /&gt;
The use of propaganda in modern society (Kiran and Mike)&lt;br /&gt;
Media Consumption in the Digital Age (Caleb and Gabby)&lt;br /&gt;
School on Television: Reality vs. Depiction (Greg and Sheryl)&lt;br /&gt;
Copyright in the Information Age (Ken and Jen)&lt;br /&gt;
Appropriation and Art: Issues of copyright in image production (Alex and Fred)&lt;br /&gt;
&lt;br /&gt;
Here are a couple possible ways to break down the book with some (wild) guesses about where each topic might fit. Thoughts? (Thanks Jen-- awesome work!)&lt;br /&gt;
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&#039;&#039;&#039;A&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;1. Who/What are The Media?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Who/What is a Journalist? (Paul and Sara)&amp;lt;br&amp;gt;&lt;br /&gt;
The blurring line between television news and entertainment (Herleen and Jag) &amp;lt;br&amp;gt;&lt;br /&gt;
Celebrity Gossip as News (Magda and Jo-Anne) &amp;lt;br&amp;gt;&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David &amp;amp; Kari) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;2. Who/What is Represented?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Editing: An Inquiry into Ideological Stance (David and Andrew)&amp;lt;br&amp;gt;&lt;br /&gt;
The use of propaganda in modern society (Kiran and Mike)&amp;lt;br&amp;gt;&lt;br /&gt;
School on Television: Reality vs. Depiction (Greg and Sheryl)&amp;lt;br&amp;gt; &lt;br /&gt;
The prevalence of violence in the media (Cam and Dal) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3. Web 2.0&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Web 2.0 (Stasia &amp;amp; Matthew) &amp;lt;br&amp;gt;&lt;br /&gt;
Social Networking and the Media (Esther and Gideon) &amp;lt;br&amp;gt;&lt;br /&gt;
Copyright in the Information Age (Ken and Jen)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;4. The Evolution of Culture&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Technology and the Evolution of Music (JP and Dorianna)&amp;lt;br&amp;gt; &lt;br /&gt;
Storytelling and Media (Rochelle and Leanna) &amp;lt;br&amp;gt;&lt;br /&gt;
Film Adaptations of &#039;&#039;Alice&#039;s Adventures in Wonderland&#039;&#039; (Victoria &amp;amp; Sarah) &amp;lt;br&amp;gt;&lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary and Liang) &amp;lt;br&amp;gt;&lt;br /&gt;
Appropriation and Art: Issues of copyright in image production (Alex and Fred)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;5. Economics of Technology&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Teen Age, Teen Ad (Shelagh &amp;amp; Sean) &amp;lt;br&amp;gt;&lt;br /&gt;
Fashion Trends and Media Representations (Balkiran &amp;amp; Shirley)&amp;lt;br&amp;gt;&lt;br /&gt;
Media Consumption in the Digital Age (Caleb and Gabby) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;B&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;1. Who/What are The Media?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Who/What is a Journalist? (Paul and Sara)&amp;lt;br&amp;gt;&lt;br /&gt;
Web 2.0 (Stasia &amp;amp; Matthew) &amp;lt;br&amp;gt;&lt;br /&gt;
Social Networking and the Media (Esther and Gideon) &amp;lt;br&amp;gt;&lt;br /&gt;
Teen Age, Teen Ad (Shelagh &amp;amp; Sean) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;2. News or Entertainment&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The blurring line between television news and entertainment (Herleen and Jag) &amp;lt;br&amp;gt;&lt;br /&gt;
Celebrity Gossip as News (Magda and Jo-Anne) &amp;lt;br&amp;gt;&lt;br /&gt;
The prevalence of violence in the media (Cam and Dal) &amp;lt;br&amp;gt;&lt;br /&gt;
School on Television: Reality vs. Depiction (Greg and Sheryl) &amp;lt;br&amp;gt;&lt;br /&gt;
Fashion Trends and Media Representations (Balkiran &amp;amp; Shirley)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3. Bias and Perspective&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David &amp;amp; Kari) &amp;lt;br&amp;gt;&lt;br /&gt;
Editing: An Inquiry into Ideological Stance (David and Andrew)&amp;lt;br&amp;gt;&lt;br /&gt;
The use of propaganda in modern society (Kiran and Mike)&amp;lt;br&amp;gt;&lt;br /&gt;
Storytelling and Media (Elle &amp;amp; Rochelle) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;4. Culture and Technology&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Media Consumption in the Digital Age (Caleb and Gabby) &amp;lt;br&amp;gt;&lt;br /&gt;
Technology and the Evolution of Music (JP and Dorianna) &amp;lt;br&amp;gt;&lt;br /&gt;
Literature Adaptations and Interpretations in the Media (Victoria &amp;amp; Sarah) &amp;lt;br&amp;gt;&lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary and Liang) &amp;lt;br&amp;gt;&lt;br /&gt;
Copyright in the Information Age (Ken and Jen)&amp;lt;br&amp;gt;&lt;br /&gt;
Appropriation and Art: Issues of copyright in image production (Alex and Fred)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== BAA Course Planning Section ==&lt;br /&gt;
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&#039;&#039;&#039;Media and Advertising 11&#039;&#039;&#039;(Ken and Jen)&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
This course will prepare students to deconstruct and understand how media impact their lives and decisions. Students will learn and apply the concepts of audience, purpose and argument through an analysis of advertising across various media.  Students will understand how advertising creates and appeals to cultural values which will prepare them to be informed and active citizens in a media-saturated world.&lt;br /&gt;
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&#039;&#039;&#039;Identity, Pop Culture and Media 12&#039;&#039;&#039; (Rochelle and Leanna)&lt;br /&gt;
-portrayals of gender, age, race, sexuality, beauty, and wealth in Pop Culture and the Media and how these construct and affirm our beliefs and personal and corporate identity&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Societal and Cultural Values in Media 12&#039;&#039;&#039; (Gideon &amp;amp; Esther)&lt;br /&gt;
&amp;lt;br&amp;gt; An overview analysis of television, film, pop culture and advertising and how, within these mediums, certain societal and cultural values are propagated and reflected. It is important for students to be aware and analytical of what they view/listen to etc, in order to be critical of what values are being (re)presented by the media.&lt;br /&gt;
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&#039;&#039;&#039;From The Page to the Stage, and Beyond: Literary Adaptations in the Media&#039;&#039;&#039; (Victoria &amp;amp; Sarah)&lt;br /&gt;
&amp;lt;br&amp;gt;Increasingly, the first exposure that young people have to literature is through television, film, or Internet adaptations.  This course will help students understand the transformation that a work goes through as it travels from the page to another medium, and will explore adaptations of popular works for the stage, radio, television, film, and Internet.&lt;br /&gt;
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&#039;&#039;&#039;Music and Technology 11/12&#039;&#039;&#039; (Greg and Sheryl)&lt;br /&gt;
This course will examine the ways in which technology has changed the way that music is created, perceived and consumed.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;History lives -An examination of historical events through film&amp;quot;&#039;&#039;&#039; (Mike and Kiran)&lt;br /&gt;
This course will consider various points in history through the medium of film. A careful examination of movies that deal with historical events will be analyzed with respect to the underlying message portrayed in the film. This course will consider the political and social aspects as well as the historical context and how it is portrayed by the media.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A Game Making Approach to Bioethics&#039;&#039;&#039; (Mary and Liang)&lt;br /&gt;
&amp;lt;br&amp;gt;This course is meant to consider the ethical issues associated with the studies of current science that incorporate biology and technology. With some knowledge on high school biology, students will develop a basic understanding of these science studies.  Through collecting science media, students will learn about the occurrence and the relevancy of these studies to their daily lives.  With some discussions, students will identify both ethical and unethical actions committed by stakeholders.  In addition, students will master the ability to come up with alternative solutions that are by definition more ethical to these studies.  Lastly, students will demonstrate their overall knowledge of bioethics by planning for a computer or video game that demands ethical decisions and administers consequences.  As well, the planning process requires the usage of multiple forms of technology.  Through the practices of this course, students are made to hold some responsibilities to the well-being of our world as a whole.&lt;br /&gt;
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&#039;&#039;&#039;The Power of Media&#039;&#039;&#039; (David B and Kari)&lt;br /&gt;
&lt;br /&gt;
This course will challenge students to look at the way in which the media impacts society. Looking at different forms of media (ie. television, the radio, the internet, newspapers/magazines) the following issues will be addressed: how does the media shape reality, who is the targeted audience, the ability of technology to communicate, and the influence that the media has on everyday life. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The History of Communication Throughout the 20th Century&#039;&#039;&#039; (JP and Dorianna)&lt;br /&gt;
This course will examine the evolution of communication throughout the 20th century and how this process affected important historical events, eras and trends. Students will look at how various communication technologies, such as AM radio, television, and the internet, were employed during the century and what events/phenomenons they facilitated. Central themes to be studied will include war and conflict, popular culture, and globalization.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Music Media&#039;&#039;&#039; (David and Andrew)&lt;br /&gt;
Investigation of lyrical content with respect to audience. Investigation into lyrical content and political message. The study of the interaction between lyrical message and music video message.  This course will provide for students opportunities to observe aspects of social, political, and cultural history through the lens of instrumental music.  In regards to tonality, style, and timbre, the directions in which genres of music evolved heavily reflected the social conditions of eras; it is impossible, for example, to separate the violence associated wit the modern Civil Rights Movement from the sound of 1960s avant-garde jazz.  Students will analyze such connections in a variety of ways, such as by sampling various music selections that will be supplemented with pertaining historical contexts. &lt;br /&gt;
[[Category: Curriculum and Pedagogy]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Critical Media Studies in Film and Television&#039;&#039;&#039; (Alex and Fred)&lt;br /&gt;
This course will focus on pop culture film and television media of the 20th and 21st centuries.  Students will develop a critical awareness of how media messages are constructed in the world of film and television.  Students will make use of media literacy methodologies to deconstruct and critically analyze meaning in a series of film and television screenings.  Students will also read texts and view documentaries critiquing pop culture film and telesion.  The course will culminate in the students utilizing these critical skills to create their own critical documentary.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Intro to Media Studies&#039;&#039;&#039; (Matthew and Stasia)&lt;br /&gt;
This course will introduce students to the concept of media studies and what it entails - what is media, the history of media, the influence of media on society, the different forms of media, etc.  It will provide a foundation for future, more focused courses, and will establish the analytical skills necessary for students to navigate todays dynamic media landscape.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Media: Issues and Technology 12&#039;&#039;&#039; (Paul and Sara)&lt;br /&gt;
This course deals with media depictions of controversial issues facing the world today. Each issue will be looked at through one of television/film, radio, print, and internet. The technology aspect of the course covers media production, and students will gain experience working in each of the major forms of media. After analyzing issues, students will be asked to produce their own representations of those issues in a skills-based, technological approach.&lt;br /&gt;
&lt;br /&gt;
   &lt;br /&gt;
&amp;quot;Stereotypes in TV &amp;amp; Film: Changes Over Time&amp;quot; -Sarah K, Jenn O, Jenn M&lt;br /&gt;
&lt;br /&gt;
This course will examine the way that stereotypes are portrayed in TV and Film. It will look in depth at the changes in stereotypes as a reflection of society. Topics considered will include gender/sexuality, minorities, women and society in general.&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;External Resources&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
[http://www.pixton.com Pixton - &#039;Free&#039; Online Comic Maker]&lt;br /&gt;
      &lt;br /&gt;
&lt;br /&gt;
[[Category:EDCP]]&lt;/div&gt;</summary>
		<author><name>Stephenpetrina</name></author>
	</entry>
	<entry>
		<id>https://wiki.ubc.ca/index.php?title=Course:EDCP481&amp;diff=373529</id>
		<title>Course:EDCP481</title>
		<link rel="alternate" type="text/html" href="https://wiki.ubc.ca/index.php?title=Course:EDCP481&amp;diff=373529"/>
		<updated>2015-06-26T19:13:15Z</updated>

		<summary type="html">&lt;p&gt;Stephenpetrina: /* Summer 2a 2011 */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== &#039;&#039;&#039;Summer 2a 2015&#039;&#039;&#039; ==&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2011&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy.  Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding.  In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement.  Making minimal distinction among (the) media of, on, and in education, the course provides a survey of media studies and new media with an emphasis on media education and literacy.  Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum.  Hence, this course emphasizes ethical, legal, and theoretical aspects and the design of curriculum and courses for teaching media education or media studies and for integrating media literacy across the curriculum.  [Link to the EDCP 481  Resource page http://m1.cust.educ.ubc.ca:16080/tsedgrad/?page_id=460].&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Link to the EDCP 481 Textbook (Media Study Guides) co-authored by the  students  http://m1.cust.educ.ubc.ca:16080/tsedgrad/wp-content/uploads/2011/06/MediaStudyGuides.pdf&#039;&#039;&#039;&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Student Planning Space&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== Textbook (Media Study Guide) Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a section-- Media Study Guide-- of a textbook, which is being designed and written for grade 8-10 or 11-12 students):&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 Media Study Guide Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
xx &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Dianna Stashuk and Adam Alvaro - &amp;quot;Lost&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Melissa Evans and Shaun Beach- &amp;quot;Family&amp;quot; Shows (exploring the representations of family, past and present)&lt;br /&gt;
&lt;br /&gt;
Brian, Peter &amp;amp; Tyler - Need for Speed&lt;br /&gt;
&lt;br /&gt;
Michelle Fatkin and Chelsea Campbell - &amp;quot;Mean Girls&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Tom Froh and Peter Maxwell - &amp;quot;16 and Pregnant&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Nick De Santis and Nam Pham- &amp;quot;127 Hours&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Chris Flannelly and Grace Woo - &amp;quot;Freedom Writers&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Lucas Mann and Marie-Anne Hellinckx - Film Review &amp;quot;Ma vie en rose&amp;quot; to address issues of homophobia.&lt;br /&gt;
&lt;br /&gt;
Stephanie Malloy and Jon Schmidt-&amp;quot;My Sister&#039;s Keeper&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 951 Media Study Guide Ideas:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
xx&lt;br /&gt;
&lt;br /&gt;
Adam Deboer and Alvin Lui - The Dark Knight&lt;br /&gt;
&lt;br /&gt;
Kelly Skehill and Kat Ast - &amp;quot;Thirteen&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Ashley MacKenzie and Alex Thureau - &amp;quot;One Week&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Wendy Sigaty and Haley Lucas - &amp;quot;Avatar&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Kady Huhn &amp;amp; Hannah Yu- &amp;quot;Into the Wild&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Fay Sterne &amp;amp; Brittaney Boone - &amp;quot;The Office&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Rachel Fales &amp;amp; Jennifer Visser - &amp;quot;Wall-E&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Yik Wah Penner &amp;amp; Chris Howey - &amp;quot;Little Ms. Sunshine&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Lance Peters &amp;amp; Al McKillop - &#039;Lord of the Rings&#039; (I know, it&#039;s a little ambitious.)&lt;br /&gt;
&lt;br /&gt;
Ashley Bayles &amp;amp; Danny Nann - &amp;quot;The Simpsons&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Jenn O, Jenn M, Sarah K - &amp;quot;Schindler&#039;s List&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Alexander McKechnie - Mythology and Popular Music&lt;br /&gt;
&lt;br /&gt;
Mark Brown - &amp;quot;Bright Star&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Sarah James and Lillian Ryan - &amp;quot;Food Inc.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Michael Bui &amp;amp; Jennifer Neff - Outsourced&lt;br /&gt;
&lt;br /&gt;
== BAA Course Planning Section ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The direct link to the example BAA is:&#039;&#039;&#039; &amp;lt;br&amp;gt;&lt;br /&gt;
http://www.bced.gov.bc.ca/greenschools/sustcoursecontent.htm&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the BAA Course here:&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Section 952 BA/A Topics&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Brian, Peter &amp;amp; Tyler - GAME ON! Video Game Play as Text: Critical Reading for Gamers     &lt;br /&gt;
&lt;br /&gt;
Dianna Stashuk and Adam Alvaro - Media and Canadian Identity&lt;br /&gt;
&lt;br /&gt;
Melissa Evans and Shaun Beach - Youth and advertising--This course will explore the industry of advertising, focusing specifically on how advertisers target youth through TV commercials, product placement, and endorsements. There will also be some discussion on advertisement law and various opportunities to critically analyse advertisements made in the industry and in the classroom. Students will be able to create their own advertisements based on what they have learned about the laws and techniques used in the industry.&lt;br /&gt;
&lt;br /&gt;
Michelle Fatkin and Chelsea Campbell - Acquiring Wisdom through Media&lt;br /&gt;
&lt;br /&gt;
In this course, we want students to understand that media is not simply entertainment. Rather, we want them to see that they can acquire wisdom through observing the actions and consequences of others in TV/film, and through analyzing the subtleties of messages in advertisements, print, and other forms. &lt;br /&gt;
&lt;br /&gt;
Taha and Kara - Apocalypse in Media&lt;br /&gt;
&lt;br /&gt;
Stef and Jess aka...Jeff - Seeing with your ears: An introduction to media through music&lt;br /&gt;
&lt;br /&gt;
This course looks at the relationship between music and the media by analysing historical and political events effects on music.  It focuses on the power of music and it&#039;s affect on the media.  We will also look at the power of the media and it&#039;s control over the message of popular music.  By focusing on a timeline one can easily see the changes in music and it&#039;s message due to events occurring all over the world.&lt;br /&gt;
&lt;br /&gt;
Nick De Santis and Nam Pham - &amp;quot;Add me as a Friend&amp;quot;: Deconstructing Social Media&lt;br /&gt;
       &lt;br /&gt;
&lt;br /&gt;
This course will explore the current trends in social media and how they have influenced our society. In particular, we will examine Facebook and Twitter, the two most popular forms of this media. The focus of this course will be to educate students on the benefits and dangers of using social media and to critically analyze the prevalence of social media in today’s society. By the end of this course, each student will be able to use social media to their maximum positive benefit.&lt;br /&gt;
&lt;br /&gt;
Thomas Froh and Peter Maxwell - &amp;quot;The Man&amp;quot; Behind the Message&lt;br /&gt;
&lt;br /&gt;
This course will work towards answering the question of whether there is a person or organization controlling the messages we receive in the media, and if so, who or what are they and to what end?  Specifically, the course will examine large television corporations and whether or not they work to shape popular perspective in news broadcasts, television programming, etc.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Paul and Rhonda - Music Videos and Pop Culture&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course will explore the question; Are music videos a product of pop culture or pop culture and product of music videos? The course will critically analyse the key media literacy aspects of production, analysis and audience. Due to the sometimes sensitive content of music videos it is important for students to deconstruct the specifics behind the media consumption, production and regulation.&lt;br /&gt;
&lt;br /&gt;
  &lt;br /&gt;
&lt;br /&gt;
Rupinder and Parmjeet: Attitude is everything!! Aquiring positive attitude through media.&lt;br /&gt;
&lt;br /&gt;
This course will focus on developing positive attitude through media productions, such as film, television, print etc. We want students to show how to use media&#039;s positive side to develop good attitude habits. &lt;br /&gt;
&lt;br /&gt;
Michael &amp;amp; John - &amp;quot;Mickey Wants You” – How Disney Won the War &lt;br /&gt;
&lt;br /&gt;
In this course, students will analyse and identify historical examples of Disney products to better understand bias, impact, and opinions.  This course has been designed with the target of engaging students in history and its contexts with products of Disney media. Students will learn and gain skills in the ability to think critically, detect biases, and learn to read and develop media products for use in their own lives.  &lt;br /&gt;
      &lt;br /&gt;
Chris and Grace - Multiculturalism in the Media&lt;br /&gt;
&lt;br /&gt;
Marie-Anne and Lucas - Francophone cinema&lt;br /&gt;
                    &lt;br /&gt;
This course has been designed to encourage students to have a better appreciation for Francophone cinema, to help them examine and identify the values and cultural differences in films and have a better understanding of Francophone culture. They will be able to apply critical thinking to film analyses and appreciations. A collaborative and safe atmosphere will be provided to foster creative expression in film production and media representation.  &lt;br /&gt;
      &lt;br /&gt;
&#039;&#039;&#039;Section 951 BA/A Topics&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Kelly Skehill and Kat Ast - &amp;quot;Media: The Inside Scoop&amp;quot;&lt;br /&gt;
&lt;br /&gt;
This course will expose students to the positive and negative influences media has on people.  It will have students analyze Social Networking, Advertising, Hollywood Movies, Documentaries and Music.  The goal is for students to gain the critical analysis and information skills necessary to become intelligent, competent consumers and creators of media messages (Considine, 2003).   &lt;br /&gt;
&lt;br /&gt;
Adam Deboer and Alvin Lui - Music, Culture, and Technology&lt;br /&gt;
&lt;br /&gt;
Ashley MacKenzie and Alex Thureau - Reality Television Production: This course will introduce students to the medium of television. Students will learn the pre-production, production and post-production steps required to produce their own reality television episode. Students will leave the course with the ability to objectively analyze television media.   &lt;br /&gt;
&lt;br /&gt;
Kady Huhn &amp;amp; Hannah Yu-Media &amp;amp; Identity-This course will explore the ways in which personal identity is constructed and mediated through media and will analyze how popular culture such as film, music, television and print media impact identity and behaviour. It will also look at the ways in which social media has impacted identity construction online and focus on the implications this has on the safety of social networking.&lt;br /&gt;
      &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Wendy Sigaty &amp;amp; Haley Lucas - Social Values in Media Through History&#039;&#039;&#039;&lt;br /&gt;
Students will use various media (Print, Television, Film, Music, etc) to examine how our social values (Race Relations, Relationships, Gender Roles, Sexuality, Religion, Family, Lifestyle, etc) have changed from biblical times to the present.    &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Rachel Fales &amp;amp; Jennifer Visser - &#039;&#039;Film Studies- An Analysis of Superheroes&#039;&#039;&#039;&#039;&#039; - This course intends to analyze Superheroes in films. This course will chronologically follow Superheroes as they have been adapted from comic books (ie. Superman 1978) to Hollywood Blockbusters and the idea of sequels, exploring a variety of topics during each film. Students will question genre, originality, race, gender, sexuality, public vs. private (dual) identities, villains vs. victims, technology and remediation of Superhero films. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Michael Bui &amp;amp; Jennifer Neff - Sociology and the Media 11/12&#039;&#039;&#039; -  This course examines culture and the construction of identity through shifts in media.  Trends in visual media, advancements in technology and social media will be looked at under the lens of sociology. Students will identify the ways media can influence the creation and disintegration of stereotypes.  Students will analyze different perceptions represented through these mediums of technology and how this adds to the development of new youth culture. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analyzing Modern Animated Satire 11/12&#039;&#039;&#039; (Fay Sterne &amp;amp; Brittaney Boone) - Students will take a critical look at &#039;&#039;The Simpsons&#039;&#039;, &#039;&#039;Family Guy&#039;&#039;, and &#039;&#039;South Park&#039;&#039; as satirical representations of modern North American society.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Graham Haigh &amp;amp; Dean Morris&#039;&#039;&#039; Teaching Media through the examination of Political Campaigns. Students will evaluate, analyze, political media. Students will also create their own commercial, poster, National address, attack add, or some other media presentation relating to the study of politics.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ashley Bayles &amp;amp; Danny Nann - Media &amp;amp; Popular Culture&#039;&#039;&#039;&lt;br /&gt;
- This course will examine the way in which media has an impact on cultural production and vice versa. What is popular culture? What role does the media have on the production of popular culture? Is popular culture an authentic representation of our cultural values as a society, or is it impacted by the media and if so, how? We will look into how the social and culture environment is formed and what role it has on media and vice versa. This course will examine popular culture as a concept on its own and through its representation in different forms of media. &lt;br /&gt;
&lt;br /&gt;
Yik Wah Penner &amp;amp; Chris Howey - Manufacturing Identity in the Media: This course will examine the ways in which media creates identities which are often shaped by stereotype. Our goal will be to explore the social and cultural relevance of these produced identities in the day to day lives of students.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lance Peters &amp;amp; Al McKillop - Using current media to access classic literature&#039;&#039;&#039;&lt;br /&gt;
We plan to look at various media, with a particular focus on using contemporary media such as podcasting, film, games, graphic novels, wikis, etc. to access &#039;classic&#039; literature such as Shakespeare, Melville, Dickens, Tolkien and others.&lt;br /&gt;
&lt;br /&gt;
Mark Brown and Alex McKechnie - Popular Music Studies&lt;br /&gt;
This course looks at the images, text, and music of popular songs and videos, and the relationships and meanings found therein. Students will develop appreciation, as well as, analytical and critical thinking skills to help them navigate through the multiple images, values, and meanings found within popular music and music videos&lt;br /&gt;
&lt;br /&gt;
 &lt;br /&gt;
Lillian Ryan &amp;amp; Sarah James (documentary film studies)&lt;br /&gt;
&lt;br /&gt;
== PSA Planning Section ==&lt;br /&gt;
&#039;&#039;&#039;952 Planning: &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Time = 30 to 60 seconds&lt;br /&gt;
Theme = Unique to Group&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;951 Planning: &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Time = 30 to 60 seconds&lt;br /&gt;
Theme = Unique to Group&lt;br /&gt;
&lt;br /&gt;
The Scaffolders-Brittaney Boone, Jennifer Visser, Kady Huhn, Yik Penner, Chris Howey, Faye Sterne&lt;br /&gt;
&lt;br /&gt;
High-Def (HD): Mark, Alvin, Rachel, Jennifer N, Michael, Adam   [http://youtu.be/9u3Rhw9jdiE Cyber-bullying PSA]&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Summer 2a 2010&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Media Studies (Across the Curriculum)&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This course focuses on understanding media and associated freedoms of expression and the press for learning, teaching, and public pedagogy.  Media studies is a dynamic discipline tailored to exploring youth, culture, and education through concepts or techniques such as articulation, framing, regulation, remediation, representation, and transcoding.  In addition to understanding media and the process of meaning-making, media studies also focuses on making and managing media across formats, creative expression, and civic engagement.  The course provides a survey of media studies and new media with an emphasis on media education and literacy.  Media education and literacy are among the most relevant challenges to “official” knowledge and represent key movements in the sociology of curriculum.  Hence, this course emphasizes ethical, legal, and theoretical aspects and the design of curriculum and courses for teaching media education or media studies and for integrating media literacy across the curriculum. [Link to the EDCP 481 Resource page http://m1.cust.educ.ubc.ca:16080/tsedgrad/?page_id=366]. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Student Planning Space&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== Textbook Curriculum Planning Section ==&lt;br /&gt;
&lt;br /&gt;
Download the Media Studies 11-12 Textbook written by EDCP 481 students: http://m1.cust.educ.ubc.ca:16080/tsedgrad/?page_id=366&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Table of Contents&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;1. Who/What are The Media?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Who / What is a Journalist? (Paul Korczyk &amp;amp; Sara Newham)&amp;lt;br&amp;gt;&lt;br /&gt;
Web 2.0 (Matthew Palmer &amp;amp; Stasia Siscoe)&amp;lt;br&amp;gt; &lt;br /&gt;
Social Networking and the Media (Esther Yong &amp;amp; Gideon Lin)&amp;lt;br&amp;gt; &lt;br /&gt;
Teen Age, Teen Ad (Shelagh &amp;amp; Sean)&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;2. News or Entertainment&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Blurring Line Between Television News and Entertainment (Herleen Malli &amp;amp; Jagroop Nagra)&amp;lt;br&amp;gt; &lt;br /&gt;
Celebrity Culture (Magda Misiak &amp;amp; Jo-Anne McKee)&amp;lt;br&amp;gt; &lt;br /&gt;
The Prevalence of Violence in the Media (Cameron Vand&#039;Erkamps &amp;amp; Daljit Purewal)&amp;lt;br&amp;gt; &lt;br /&gt;
School on Television: Reality vs. Depiction (Greg Rushton &amp;amp; Sheryl Reinhardt)&amp;lt;br&amp;gt; &lt;br /&gt;
Fashion Trends and Media Representations (Balkiran Dusanj &amp;amp; Shirley Lal)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3. Bias and Perspective&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David Bron &amp;amp; Kari White)&amp;lt;br&amp;gt; &lt;br /&gt;
Editing: An Inquiry into Ideological Stance (David Mergens &amp;amp; Andrew Crawford)&amp;lt;br&amp;gt;&lt;br /&gt;
The use of Propaganda in Modern Society (Kiran Basi &amp;amp; Mike Byun)&amp;lt;br&amp;gt;&lt;br /&gt;
Storytelling and Media (Elle Kay &amp;amp; Rochelle Patten)&amp;lt;br&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;4. Culture and Technology&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Media Consumption in the Digital Age (Caleb Bouey &amp;amp; Gabrielle Rougeau)&amp;lt;br&amp;gt; &lt;br /&gt;
Technology and the Evolution of Music (JP Lancaster &amp;amp; Dorianna Chessa)&amp;lt;br&amp;gt; &lt;br /&gt;
Literature Adaptations and Interpretations in the Media (Sarah McNeil &amp;amp; Victoria Yip)&amp;lt;br&amp;gt; &lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary Yang &amp;amp; Liang You)&amp;lt;br&amp;gt; &lt;br /&gt;
Copyright in the Information Age (Ken Vimalesan &amp;amp; Jen Fehlauer)&amp;lt;br&amp;gt;&lt;br /&gt;
Appropriation and Art: Issues of Copyright in Image Production (Alex Reed &amp;amp; Fred Beitler)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Planning: Please coordinate and organize your topics for the Media Studies book here (You will author a 4 page section of a textbook, which is being designed and written for grade 10-12 students):&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
e.g., Teen Age, Teen Ad (Shelagh &amp;amp; Sean)&lt;br /&gt;
Cable News (Bert &amp;amp; Ernie)&lt;br /&gt;
Web 2.0 (Stasia &amp;amp; Matthew)&lt;br /&gt;
Storytelling and Media (Rochelle and Elle)&lt;br /&gt;
Literature Adaptations and Interpretations in the Media (Victoria &amp;amp; Sarah)&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David &amp;amp; Kari)&lt;br /&gt;
Fashion Trends and Media Representations (Balkiran &amp;amp; Shirley)&lt;br /&gt;
Who/What is a Journalist? (Paul and Sara)&lt;br /&gt;
Celebrity Gossip as News (Magda and Jo-Anne)&lt;br /&gt;
Social Networking and the Media (Esther and Gideon)&lt;br /&gt;
Editing; An Inquiry into Ideological Stance (David and Andrew)&lt;br /&gt;
The blurring line between television news and entertainment (Herleen and Jag)&lt;br /&gt;
The prevelance of violence in the media (Cam and Dal)&lt;br /&gt;
Technology and the Evolution of Music (JP and Dorianna)&lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary and Liang)&lt;br /&gt;
The use of propaganda in modern society (Kiran and Mike)&lt;br /&gt;
Media Consumption in the Digital Age (Caleb and Gabby)&lt;br /&gt;
School on Television: Reality vs. Depiction (Greg and Sheryl)&lt;br /&gt;
Copyright in the Information Age (Ken and Jen)&lt;br /&gt;
Appropriation and Art: Issues of copyright in image production (Alex and Fred)&lt;br /&gt;
&lt;br /&gt;
Here are a couple possible ways to break down the book with some (wild) guesses about where each topic might fit. Thoughts? (Thanks Jen-- awesome work!)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;1. Who/What are The Media?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Who/What is a Journalist? (Paul and Sara)&amp;lt;br&amp;gt;&lt;br /&gt;
The blurring line between television news and entertainment (Herleen and Jag) &amp;lt;br&amp;gt;&lt;br /&gt;
Celebrity Gossip as News (Magda and Jo-Anne) &amp;lt;br&amp;gt;&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David &amp;amp; Kari) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;2. Who/What is Represented?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Editing: An Inquiry into Ideological Stance (David and Andrew)&amp;lt;br&amp;gt;&lt;br /&gt;
The use of propaganda in modern society (Kiran and Mike)&amp;lt;br&amp;gt;&lt;br /&gt;
School on Television: Reality vs. Depiction (Greg and Sheryl)&amp;lt;br&amp;gt; &lt;br /&gt;
The prevalence of violence in the media (Cam and Dal) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3. Web 2.0&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Web 2.0 (Stasia &amp;amp; Matthew) &amp;lt;br&amp;gt;&lt;br /&gt;
Social Networking and the Media (Esther and Gideon) &amp;lt;br&amp;gt;&lt;br /&gt;
Copyright in the Information Age (Ken and Jen)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;4. The Evolution of Culture&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Technology and the Evolution of Music (JP and Dorianna)&amp;lt;br&amp;gt; &lt;br /&gt;
Storytelling and Media (Rochelle and Leanna) &amp;lt;br&amp;gt;&lt;br /&gt;
Film Adaptations of &#039;&#039;Alice&#039;s Adventures in Wonderland&#039;&#039; (Victoria &amp;amp; Sarah) &amp;lt;br&amp;gt;&lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary and Liang) &amp;lt;br&amp;gt;&lt;br /&gt;
Appropriation and Art: Issues of copyright in image production (Alex and Fred)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;5. Economics of Technology&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Teen Age, Teen Ad (Shelagh &amp;amp; Sean) &amp;lt;br&amp;gt;&lt;br /&gt;
Fashion Trends and Media Representations (Balkiran &amp;amp; Shirley)&amp;lt;br&amp;gt;&lt;br /&gt;
Media Consumption in the Digital Age (Caleb and Gabby) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;B&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;1. Who/What are The Media?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Who/What is a Journalist? (Paul and Sara)&amp;lt;br&amp;gt;&lt;br /&gt;
Web 2.0 (Stasia &amp;amp; Matthew) &amp;lt;br&amp;gt;&lt;br /&gt;
Social Networking and the Media (Esther and Gideon) &amp;lt;br&amp;gt;&lt;br /&gt;
Teen Age, Teen Ad (Shelagh &amp;amp; Sean) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;2. News or Entertainment&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The blurring line between television news and entertainment (Herleen and Jag) &amp;lt;br&amp;gt;&lt;br /&gt;
Celebrity Gossip as News (Magda and Jo-Anne) &amp;lt;br&amp;gt;&lt;br /&gt;
The prevalence of violence in the media (Cam and Dal) &amp;lt;br&amp;gt;&lt;br /&gt;
School on Television: Reality vs. Depiction (Greg and Sheryl) &amp;lt;br&amp;gt;&lt;br /&gt;
Fashion Trends and Media Representations (Balkiran &amp;amp; Shirley)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3. Bias and Perspective&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Bias and Perspective in the Mainstream Media (David &amp;amp; Kari) &amp;lt;br&amp;gt;&lt;br /&gt;
Editing: An Inquiry into Ideological Stance (David and Andrew)&amp;lt;br&amp;gt;&lt;br /&gt;
The use of propaganda in modern society (Kiran and Mike)&amp;lt;br&amp;gt;&lt;br /&gt;
Storytelling and Media (Elle &amp;amp; Rochelle) &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;4. Culture and Technology&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Media Consumption in the Digital Age (Caleb and Gabby) &amp;lt;br&amp;gt;&lt;br /&gt;
Technology and the Evolution of Music (JP and Dorianna) &amp;lt;br&amp;gt;&lt;br /&gt;
Literature Adaptations and Interpretations in the Media (Victoria &amp;amp; Sarah) &amp;lt;br&amp;gt;&lt;br /&gt;
Cultural Analysis of Mainstream Movies (Mary and Liang) &amp;lt;br&amp;gt;&lt;br /&gt;
Copyright in the Information Age (Ken and Jen)&amp;lt;br&amp;gt;&lt;br /&gt;
Appropriation and Art: Issues of copyright in image production (Alex and Fred)&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== BAA Course Planning Section ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Media and Advertising 11&#039;&#039;&#039;(Ken and Jen)&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
This course will prepare students to deconstruct and understand how media impact their lives and decisions. Students will learn and apply the concepts of audience, purpose and argument through an analysis of advertising across various media.  Students will understand how advertising creates and appeals to cultural values which will prepare them to be informed and active citizens in a media-saturated world.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Identity, Pop Culture and Media 12&#039;&#039;&#039; (Rochelle and Leanna)&lt;br /&gt;
-portrayals of gender, age, race, sexuality, beauty, and wealth in Pop Culture and the Media and how these construct and affirm our beliefs and personal and corporate identity&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Societal and Cultural Values in Media 12&#039;&#039;&#039; (Gideon &amp;amp; Esther)&lt;br /&gt;
&amp;lt;br&amp;gt; An overview analysis of television, film, pop culture and advertising and how, within these mediums, certain societal and cultural values are propagated and reflected. It is important for students to be aware and analytical of what they view/listen to etc, in order to be critical of what values are being (re)presented by the media.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;From The Page to the Stage, and Beyond: Literary Adaptations in the Media&#039;&#039;&#039; (Victoria &amp;amp; Sarah)&lt;br /&gt;
&amp;lt;br&amp;gt;Increasingly, the first exposure that young people have to literature is through television, film, or Internet adaptations.  This course will help students understand the transformation that a work goes through as it travels from the page to another medium, and will explore adaptations of popular works for the stage, radio, television, film, and Internet.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Music and Technology 11/12&#039;&#039;&#039; (Greg and Sheryl)&lt;br /&gt;
This course will examine the ways in which technology has changed the way that music is created, perceived and consumed.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;History lives -An examination of historical events through film&amp;quot;&#039;&#039;&#039; (Mike and Kiran)&lt;br /&gt;
This course will consider various points in history through the medium of film. A careful examination of movies that deal with historical events will be analyzed with respect to the underlying message portrayed in the film. This course will consider the political and social aspects as well as the historical context and how it is portrayed by the media.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A Game Making Approach to Bioethics&#039;&#039;&#039; (Mary and Liang)&lt;br /&gt;
&amp;lt;br&amp;gt;This course is meant to consider the ethical issues associated with the studies of current science that incorporate biology and technology. With some knowledge on high school biology, students will develop a basic understanding of these science studies.  Through collecting science media, students will learn about the occurrence and the relevancy of these studies to their daily lives.  With some discussions, students will identify both ethical and unethical actions committed by stakeholders.  In addition, students will master the ability to come up with alternative solutions that are by definition more ethical to these studies.  Lastly, students will demonstrate their overall knowledge of bioethics by planning for a computer or video game that demands ethical decisions and administers consequences.  As well, the planning process requires the usage of multiple forms of technology.  Through the practices of this course, students are made to hold some responsibilities to the well-being of our world as a whole.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The Power of Media&#039;&#039;&#039; (David B and Kari)&lt;br /&gt;
&lt;br /&gt;
This course will challenge students to look at the way in which the media impacts society. Looking at different forms of media (ie. television, the radio, the internet, newspapers/magazines) the following issues will be addressed: how does the media shape reality, who is the targeted audience, the ability of technology to communicate, and the influence that the media has on everyday life. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The History of Communication Throughout the 20th Century&#039;&#039;&#039; (JP and Dorianna)&lt;br /&gt;
This course will examine the evolution of communication throughout the 20th century and how this process affected important historical events, eras and trends. Students will look at how various communication technologies, such as AM radio, television, and the internet, were employed during the century and what events/phenomenons they facilitated. Central themes to be studied will include war and conflict, popular culture, and globalization.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Music Media&#039;&#039;&#039; (David and Andrew)&lt;br /&gt;
Investigation of lyrical content with respect to audience. Investigation into lyrical content and political message. The study of the interaction between lyrical message and music video message.  This course will provide for students opportunities to observe aspects of social, political, and cultural history through the lens of instrumental music.  In regards to tonality, style, and timbre, the directions in which genres of music evolved heavily reflected the social conditions of eras; it is impossible, for example, to separate the violence associated wit the modern Civil Rights Movement from the sound of 1960s avant-garde jazz.  Students will analyze such connections in a variety of ways, such as by sampling various music selections that will be supplemented with pertaining historical contexts. &lt;br /&gt;
[[Category: Curriculum and Pedagogy]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Critical Media Studies in Film and Television&#039;&#039;&#039; (Alex and Fred)&lt;br /&gt;
This course will focus on pop culture film and television media of the 20th and 21st centuries.  Students will develop a critical awareness of how media messages are constructed in the world of film and television.  Students will make use of media literacy methodologies to deconstruct and critically analyze meaning in a series of film and television screenings.  Students will also read texts and view documentaries critiquing pop culture film and telesion.  The course will culminate in the students utilizing these critical skills to create their own critical documentary.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Intro to Media Studies&#039;&#039;&#039; (Matthew and Stasia)&lt;br /&gt;
This course will introduce students to the concept of media studies and what it entails - what is media, the history of media, the influence of media on society, the different forms of media, etc.  It will provide a foundation for future, more focused courses, and will establish the analytical skills necessary for students to navigate todays dynamic media landscape.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Media: Issues and Technology 12&#039;&#039;&#039; (Paul and Sara)&lt;br /&gt;
This course deals with media depictions of controversial issues facing the world today. Each issue will be looked at through one of television/film, radio, print, and internet. The technology aspect of the course covers media production, and students will gain experience working in each of the major forms of media. After analyzing issues, students will be asked to produce their own representations of those issues in a skills-based, technological approach.&lt;br /&gt;
&lt;br /&gt;
   &lt;br /&gt;
&amp;quot;Stereotypes in TV &amp;amp; Film: Changes Over Time&amp;quot; -Sarah K, Jenn O, Jenn M&lt;br /&gt;
&lt;br /&gt;
This course will examine the way that stereotypes are portrayed in TV and Film. It will look in depth at the changes in stereotypes as a reflection of society. Topics considered will include gender/sexuality, minorities, women and society in general.&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;External Resources&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
[http://www.pixton.com Pixton - &#039;Free&#039; Online Comic Maker]&lt;br /&gt;
      &lt;br /&gt;
&lt;br /&gt;
[[Category:EDCP]]&lt;/div&gt;</summary>
		<author><name>Stephenpetrina</name></author>
	</entry>
	<entry>
		<id>https://wiki.ubc.ca/index.php?title=Course:EDUC500&amp;diff=306470</id>
		<title>Course:EDUC500</title>
		<link rel="alternate" type="text/html" href="https://wiki.ubc.ca/index.php?title=Course:EDUC500&amp;diff=306470"/>
		<updated>2014-07-17T18:57:16Z</updated>

		<summary type="html">&lt;p&gt;Stephenpetrina: /* Student email List */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;!--Begin Infobox; Please add your parameters after the equal signs below.  If you do not wish to use the infobox, you may remove it by deleting everything between the Begin and End Infobox lines--&amp;gt;&lt;br /&gt;
{{Infobox_New_Course&lt;br /&gt;
&lt;br /&gt;
|title=Research Methodologies in Education&lt;br /&gt;
&lt;br /&gt;
|picture=Image:wiki.png&lt;br /&gt;
&lt;br /&gt;
|subject code=EDUC&lt;br /&gt;
&lt;br /&gt;
|course number= 500&lt;br /&gt;
&lt;br /&gt;
|section number=&lt;br /&gt;
&lt;br /&gt;
|instructor=&lt;br /&gt;
&lt;br /&gt;
|instructor 2=&lt;br /&gt;
&lt;br /&gt;
|instructor 3=&lt;br /&gt;
&lt;br /&gt;
|instructor 4=&lt;br /&gt;
&lt;br /&gt;
|instructor 5=&lt;br /&gt;
&lt;br /&gt;
|email=&lt;br /&gt;
&lt;br /&gt;
|office=&lt;br /&gt;
&lt;br /&gt;
|office hours=&lt;br /&gt;
&lt;br /&gt;
|schedule=&lt;br /&gt;
&lt;br /&gt;
|classroom=&lt;br /&gt;
}}&lt;br /&gt;
&amp;lt;!--End Infobox; Please add your page content below--&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=Course Description (2014s)=&lt;br /&gt;
   &lt;br /&gt;
This course provides an introduction to educational research methods, methodologies and philosophies. Specifically, the course: (1) Familiarizes students with a cross-section of methods available to educational researchers (e.g., actor-network theory, arts-based, discourse &amp;amp; historical analyses, experiments, field studies, indigenous, phenomenology, surveys); (2) Explores a cross-section media and technologies available to students for the conduct of research 2.0, including data collection, coding and analysis (e.g., databases &amp;amp; cybraries, data recording devices, OCR, translation, transcription and visualization apps, questionnaires, researchware, survey servers); (3) Familiarizes students with various rhetorical techniques for reading and writing research and analyzing paradigmatic orientations to inquiry. (4) Addresses challenges and regulation of research ethics and law.&lt;br /&gt;
&lt;br /&gt;
Link to EDUC 500 blog http://blogs.ubc.ca/educ500&lt;br /&gt;
&lt;br /&gt;
=Course Description (2013)=&lt;br /&gt;
   &lt;br /&gt;
This course provides an introduction to major and emerging traditions of research methodologies and methods to engage in respectful and mutually reciprocal conversations in both generating and re-generating knowledge.  Specifically, the course familiarizes students with: a) the diversity of paradigmatic orientations to inquiry including positivist, postpositivist and Indigenous; b) the challenges of ethics, research protocols, and protection of intellectual and cultural property when researching within different social and cultural contexts; c) various methods for collecting and analyzing/synthesizing data; d) a variety of techniques for reading and writing research; and, e) resources available for the conduct of research (e.g., research library, computer facilities, faculty expertise).&lt;br /&gt;
&lt;br /&gt;
*[[Course:EDUC500/2013-2014/001]]&lt;br /&gt;
&lt;br /&gt;
= Resource Section =&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Essential and Helpful Links&#039;&#039;&#039;&lt;br /&gt;
See Resources at http://blogs.ubc.ca/educ500&lt;br /&gt;
&lt;br /&gt;
=Student Planning Space=&lt;br /&gt;
&lt;br /&gt;
Plan here:&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Teams of Two:&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Lesley L. &amp;amp; Christopher O.&lt;br /&gt;
&lt;br /&gt;
Rachel A. &amp;amp; Simon B.&lt;br /&gt;
&lt;br /&gt;
Andrea + Yolanda&lt;br /&gt;
&lt;br /&gt;
Ewon M. &amp;amp; Amy M.&lt;br /&gt;
&lt;br /&gt;
Maggie Q. &amp;amp; Angela Z.&lt;br /&gt;
&lt;br /&gt;
Stephen F. &amp;amp; Johnson L.&lt;br /&gt;
&lt;br /&gt;
Carmen N. &amp;amp; Stephanie D.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Teams of Three:&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Aaron, Grace, Yuanna&lt;br /&gt;
&lt;br /&gt;
Alan &amp;amp; Jeena (Theme: Service)&lt;br /&gt;
&lt;br /&gt;
Leah and Niki&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Teams of Four:&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Helen B., Ann D., Shawna H., and Heidi K.&lt;br /&gt;
&lt;br /&gt;
Eduardo, Angela, Bei &amp;amp; Meg&lt;br /&gt;
&lt;br /&gt;
Anne M, Pius, James T, Selina G.&lt;br /&gt;
&lt;br /&gt;
=Student Sandbox=&lt;br /&gt;
&lt;br /&gt;
Sandbox&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:EDUC]]&lt;/div&gt;</summary>
		<author><name>Stephenpetrina</name></author>
	</entry>
	<entry>
		<id>https://wiki.ubc.ca/index.php?title=Course:EDUC500&amp;diff=304475</id>
		<title>Course:EDUC500</title>
		<link rel="alternate" type="text/html" href="https://wiki.ubc.ca/index.php?title=Course:EDUC500&amp;diff=304475"/>
		<updated>2014-07-07T17:36:04Z</updated>

		<summary type="html">&lt;p&gt;Stephenpetrina: /* Student email List */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;!--Begin Infobox; Please add your parameters after the equal signs below.  If you do not wish to use the infobox, you may remove it by deleting everything between the Begin and End Infobox lines--&amp;gt;&lt;br /&gt;
{{Infobox_New_Course&lt;br /&gt;
&lt;br /&gt;
|title=Research Methodologies in Education&lt;br /&gt;
&lt;br /&gt;
|picture=Image:wiki.png&lt;br /&gt;
&lt;br /&gt;
|subject code=EDUC&lt;br /&gt;
&lt;br /&gt;
|course number= 500&lt;br /&gt;
&lt;br /&gt;
|section number=&lt;br /&gt;
&lt;br /&gt;
|instructor=&lt;br /&gt;
&lt;br /&gt;
|instructor 2=&lt;br /&gt;
&lt;br /&gt;
|instructor 3=&lt;br /&gt;
&lt;br /&gt;
|instructor 4=&lt;br /&gt;
&lt;br /&gt;
|instructor 5=&lt;br /&gt;
&lt;br /&gt;
|email=&lt;br /&gt;
&lt;br /&gt;
|office=&lt;br /&gt;
&lt;br /&gt;
|office hours=&lt;br /&gt;
&lt;br /&gt;
|schedule=&lt;br /&gt;
&lt;br /&gt;
|classroom=&lt;br /&gt;
}}&lt;br /&gt;
&amp;lt;!--End Infobox; Please add your page content below--&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=Course Description (2014s)=&lt;br /&gt;
   &lt;br /&gt;
This course provides an introduction to educational research methods, methodologies and philosophies. Specifically, the course: (1) Familiarizes students with a cross-section of methods available to educational researchers (e.g., actor-network theory, arts-based, discourse &amp;amp; historical analyses, experiments, field studies, indigenous, phenomenology, surveys); (2) Explores a cross-section media and technologies available to students for the conduct of research 2.0, including data collection, coding and analysis (e.g., databases &amp;amp; cybraries, data recording devices, OCR, translation, transcription and visualization apps, questionnaires, researchware, survey servers); (3) Familiarizes students with various rhetorical techniques for reading and writing research and analyzing paradigmatic orientations to inquiry. (4) Addresses challenges and regulation of research ethics and law.&lt;br /&gt;
&lt;br /&gt;
Link to EDUC 500 blog http://blogs.ubc.ca/educ500&lt;br /&gt;
&lt;br /&gt;
=Course Description (2013)=&lt;br /&gt;
   &lt;br /&gt;
This course provides an introduction to major and emerging traditions of research methodologies and methods to engage in respectful and mutually reciprocal conversations in both generating and re-generating knowledge.  Specifically, the course familiarizes students with: a) the diversity of paradigmatic orientations to inquiry including positivist, postpositivist and Indigenous; b) the challenges of ethics, research protocols, and protection of intellectual and cultural property when researching within different social and cultural contexts; c) various methods for collecting and analyzing/synthesizing data; d) a variety of techniques for reading and writing research; and, e) resources available for the conduct of research (e.g., research library, computer facilities, faculty expertise).&lt;br /&gt;
&lt;br /&gt;
*[[Course:EDUC500/2013-2014/001]]&lt;br /&gt;
&lt;br /&gt;
= Resource Section =&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Essential and Helpful Links&#039;&#039;&#039;&lt;br /&gt;
See Resources at http://blogs.ubc.ca/educ500&lt;br /&gt;
&lt;br /&gt;
=Student Planning Space=&lt;br /&gt;
&lt;br /&gt;
Plan here:&lt;br /&gt;
&lt;br /&gt;
=Student email List=&lt;br /&gt;
&lt;br /&gt;
Please List your Name and email here:&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:EDUC]]&lt;/div&gt;</summary>
		<author><name>Stephenpetrina</name></author>
	</entry>
	<entry>
		<id>https://wiki.ubc.ca/index.php?title=Course:EDUC500&amp;diff=303581</id>
		<title>Course:EDUC500</title>
		<link rel="alternate" type="text/html" href="https://wiki.ubc.ca/index.php?title=Course:EDUC500&amp;diff=303581"/>
		<updated>2014-07-02T03:28:20Z</updated>

		<summary type="html">&lt;p&gt;Stephenpetrina: /* Student email List */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;!--Begin Infobox; Please add your parameters after the equal signs below.  If you do not wish to use the infobox, you may remove it by deleting everything between the Begin and End Infobox lines--&amp;gt;&lt;br /&gt;
{{Infobox_New_Course&lt;br /&gt;
&lt;br /&gt;
|title=Research Methodologies in Education&lt;br /&gt;
&lt;br /&gt;
|picture=Image:wiki.png&lt;br /&gt;
&lt;br /&gt;
|subject code=EDUC&lt;br /&gt;
&lt;br /&gt;
|course number= 500&lt;br /&gt;
&lt;br /&gt;
|section number=&lt;br /&gt;
&lt;br /&gt;
|instructor=&lt;br /&gt;
&lt;br /&gt;
|instructor 2=&lt;br /&gt;
&lt;br /&gt;
|instructor 3=&lt;br /&gt;
&lt;br /&gt;
|instructor 4=&lt;br /&gt;
&lt;br /&gt;
|instructor 5=&lt;br /&gt;
&lt;br /&gt;
|email=&lt;br /&gt;
&lt;br /&gt;
|office=&lt;br /&gt;
&lt;br /&gt;
|office hours=&lt;br /&gt;
&lt;br /&gt;
|schedule=&lt;br /&gt;
&lt;br /&gt;
|classroom=&lt;br /&gt;
}}&lt;br /&gt;
&amp;lt;!--End Infobox; Please add your page content below--&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=Course Description (2014s)=&lt;br /&gt;
   &lt;br /&gt;
This course provides an introduction to educational research methods, methodologies and philosophies. Specifically, the course: (1) Familiarizes students with a cross-section of methods available to educational researchers (e.g., actor-network theory, arts-based, discourse &amp;amp; historical analyses, experiments, field studies, indigenous, phenomenology, surveys); (2) Explores a cross-section media and technologies available to students for the conduct of research 2.0, including data collection, coding and analysis (e.g., databases &amp;amp; cybraries, data recording devices, OCR, translation, transcription and visualization apps, questionnaires, researchware, survey servers); (3) Familiarizes students with various rhetorical techniques for reading and writing research and analyzing paradigmatic orientations to inquiry. (4) Addresses challenges and regulation of research ethics and law.&lt;br /&gt;
&lt;br /&gt;
Link to EDUC 500 blog http://blogs.ubc.ca/educ500&lt;br /&gt;
&lt;br /&gt;
=Course Description (2013)=&lt;br /&gt;
   &lt;br /&gt;
This course provides an introduction to major and emerging traditions of research methodologies and methods to engage in respectful and mutually reciprocal conversations in both generating and re-generating knowledge.  Specifically, the course familiarizes students with: a) the diversity of paradigmatic orientations to inquiry including positivist, postpositivist and Indigenous; b) the challenges of ethics, research protocols, and protection of intellectual and cultural property when researching within different social and cultural contexts; c) various methods for collecting and analyzing/synthesizing data; d) a variety of techniques for reading and writing research; and, e) resources available for the conduct of research (e.g., research library, computer facilities, faculty expertise).&lt;br /&gt;
&lt;br /&gt;
*[[Course:EDUC500/2013-2014/001]]&lt;br /&gt;
&lt;br /&gt;
= Resource Section =&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Essential and Helpful Links&#039;&#039;&#039;&lt;br /&gt;
See Resources at http://blogs.ubc.ca/educ500&lt;br /&gt;
&lt;br /&gt;
=Student Planning Space=&lt;br /&gt;
&lt;br /&gt;
Plan here:&lt;br /&gt;
&lt;br /&gt;
=Student email List=&lt;br /&gt;
&lt;br /&gt;
Please List your Name and email here:&lt;br /&gt;
&lt;br /&gt;
Stephen Petrina stephen.petrina@ubc.ca&lt;br /&gt;
&lt;br /&gt;
[[Category:EDUC]]&lt;/div&gt;</summary>
		<author><name>Stephenpetrina</name></author>
	</entry>
	<entry>
		<id>https://wiki.ubc.ca/index.php?title=Course:EDUC500&amp;diff=303580</id>
		<title>Course:EDUC500</title>
		<link rel="alternate" type="text/html" href="https://wiki.ubc.ca/index.php?title=Course:EDUC500&amp;diff=303580"/>
		<updated>2014-07-02T03:27:39Z</updated>

		<summary type="html">&lt;p&gt;Stephenpetrina: /* Student email List */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;!--Begin Infobox; Please add your parameters after the equal signs below.  If you do not wish to use the infobox, you may remove it by deleting everything between the Begin and End Infobox lines--&amp;gt;&lt;br /&gt;
{{Infobox_New_Course&lt;br /&gt;
&lt;br /&gt;
|title=Research Methodologies in Education&lt;br /&gt;
&lt;br /&gt;
|picture=Image:wiki.png&lt;br /&gt;
&lt;br /&gt;
|subject code=EDUC&lt;br /&gt;
&lt;br /&gt;
|course number= 500&lt;br /&gt;
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|section number=&lt;br /&gt;
&lt;br /&gt;
|instructor=&lt;br /&gt;
&lt;br /&gt;
|instructor 2=&lt;br /&gt;
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|instructor 4=&lt;br /&gt;
&lt;br /&gt;
|instructor 5=&lt;br /&gt;
&lt;br /&gt;
|email=&lt;br /&gt;
&lt;br /&gt;
|office=&lt;br /&gt;
&lt;br /&gt;
|office hours=&lt;br /&gt;
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|schedule=&lt;br /&gt;
&lt;br /&gt;
|classroom=&lt;br /&gt;
}}&lt;br /&gt;
&amp;lt;!--End Infobox; Please add your page content below--&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=Course Description (2014s)=&lt;br /&gt;
   &lt;br /&gt;
This course provides an introduction to educational research methods, methodologies and philosophies. Specifically, the course: (1) Familiarizes students with a cross-section of methods available to educational researchers (e.g., actor-network theory, arts-based, discourse &amp;amp; historical analyses, experiments, field studies, indigenous, phenomenology, surveys); (2) Explores a cross-section media and technologies available to students for the conduct of research 2.0, including data collection, coding and analysis (e.g., databases &amp;amp; cybraries, data recording devices, OCR, translation, transcription and visualization apps, questionnaires, researchware, survey servers); (3) Familiarizes students with various rhetorical techniques for reading and writing research and analyzing paradigmatic orientations to inquiry. (4) Addresses challenges and regulation of research ethics and law.&lt;br /&gt;
&lt;br /&gt;
Link to EDUC 500 blog http://blogs.ubc.ca/educ500&lt;br /&gt;
&lt;br /&gt;
=Course Description (2013)=&lt;br /&gt;
   &lt;br /&gt;
This course provides an introduction to major and emerging traditions of research methodologies and methods to engage in respectful and mutually reciprocal conversations in both generating and re-generating knowledge.  Specifically, the course familiarizes students with: a) the diversity of paradigmatic orientations to inquiry including positivist, postpositivist and Indigenous; b) the challenges of ethics, research protocols, and protection of intellectual and cultural property when researching within different social and cultural contexts; c) various methods for collecting and analyzing/synthesizing data; d) a variety of techniques for reading and writing research; and, e) resources available for the conduct of research (e.g., research library, computer facilities, faculty expertise).&lt;br /&gt;
&lt;br /&gt;
*[[Course:EDUC500/2013-2014/001]]&lt;br /&gt;
&lt;br /&gt;
= Resource Section =&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Essential and Helpful Links&#039;&#039;&#039;&lt;br /&gt;
See Resources at http://blogs.ubc.ca/educ500&lt;br /&gt;
&lt;br /&gt;
=Student Planning Space=&lt;br /&gt;
&lt;br /&gt;
Plan here:&lt;br /&gt;
&lt;br /&gt;
=Student email List=&lt;br /&gt;
&lt;br /&gt;
Please List your Name and email here:&lt;br /&gt;
Stephen Petrina stephen.petrina@ubc.ca&lt;br /&gt;
&lt;br /&gt;
[[Category:EDUC]]&lt;/div&gt;</summary>
		<author><name>Stephenpetrina</name></author>
	</entry>
	<entry>
		<id>https://wiki.ubc.ca/index.php?title=Course:EDUC500&amp;diff=303579</id>
		<title>Course:EDUC500</title>
		<link rel="alternate" type="text/html" href="https://wiki.ubc.ca/index.php?title=Course:EDUC500&amp;diff=303579"/>
		<updated>2014-07-02T03:10:10Z</updated>

		<summary type="html">&lt;p&gt;Stephenpetrina: /* Course Description (2014s) */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;!--Begin Infobox; Please add your parameters after the equal signs below.  If you do not wish to use the infobox, you may remove it by deleting everything between the Begin and End Infobox lines--&amp;gt;&lt;br /&gt;
{{Infobox_New_Course&lt;br /&gt;
&lt;br /&gt;
|title=Research Methodologies in Education&lt;br /&gt;
&lt;br /&gt;
|picture=Image:wiki.png&lt;br /&gt;
&lt;br /&gt;
|subject code=EDUC&lt;br /&gt;
&lt;br /&gt;
|course number= 500&lt;br /&gt;
&lt;br /&gt;
|section number=&lt;br /&gt;
&lt;br /&gt;
|instructor=&lt;br /&gt;
&lt;br /&gt;
|instructor 2=&lt;br /&gt;
&lt;br /&gt;
|instructor 3=&lt;br /&gt;
&lt;br /&gt;
|instructor 4=&lt;br /&gt;
&lt;br /&gt;
|instructor 5=&lt;br /&gt;
&lt;br /&gt;
|email=&lt;br /&gt;
&lt;br /&gt;
|office=&lt;br /&gt;
&lt;br /&gt;
|office hours=&lt;br /&gt;
&lt;br /&gt;
|schedule=&lt;br /&gt;
&lt;br /&gt;
|classroom=&lt;br /&gt;
}}&lt;br /&gt;
&amp;lt;!--End Infobox; Please add your page content below--&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=Course Description (2014s)=&lt;br /&gt;
   &lt;br /&gt;
This course provides an introduction to educational research methods, methodologies and philosophies. Specifically, the course: (1) Familiarizes students with a cross-section of methods available to educational researchers (e.g., actor-network theory, arts-based, discourse &amp;amp; historical analyses, experiments, field studies, indigenous, phenomenology, surveys); (2) Explores a cross-section media and technologies available to students for the conduct of research 2.0, including data collection, coding and analysis (e.g., databases &amp;amp; cybraries, data recording devices, OCR, translation, transcription and visualization apps, questionnaires, researchware, survey servers); (3) Familiarizes students with various rhetorical techniques for reading and writing research and analyzing paradigmatic orientations to inquiry. (4) Addresses challenges and regulation of research ethics and law.&lt;br /&gt;
&lt;br /&gt;
Link to EDUC 500 blog http://blogs.ubc.ca/educ500&lt;br /&gt;
&lt;br /&gt;
=Course Description (2013)=&lt;br /&gt;
   &lt;br /&gt;
This course provides an introduction to major and emerging traditions of research methodologies and methods to engage in respectful and mutually reciprocal conversations in both generating and re-generating knowledge.  Specifically, the course familiarizes students with: a) the diversity of paradigmatic orientations to inquiry including positivist, postpositivist and Indigenous; b) the challenges of ethics, research protocols, and protection of intellectual and cultural property when researching within different social and cultural contexts; c) various methods for collecting and analyzing/synthesizing data; d) a variety of techniques for reading and writing research; and, e) resources available for the conduct of research (e.g., research library, computer facilities, faculty expertise).&lt;br /&gt;
&lt;br /&gt;
*[[Course:EDUC500/2013-2014/001]]&lt;br /&gt;
&lt;br /&gt;
= Resource Section =&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Essential and Helpful Links&#039;&#039;&#039;&lt;br /&gt;
See Resources at http://blogs.ubc.ca/educ500&lt;br /&gt;
&lt;br /&gt;
=Student Planning Space=&lt;br /&gt;
&lt;br /&gt;
Plan here:&lt;br /&gt;
&lt;br /&gt;
=Student email List=&lt;br /&gt;
&lt;br /&gt;
Please List your Name and email here:&lt;br /&gt;
&lt;br /&gt;
[[Category:EDUC]]&lt;/div&gt;</summary>
		<author><name>Stephenpetrina</name></author>
	</entry>
	<entry>
		<id>https://wiki.ubc.ca/index.php?title=Course:EDUC500&amp;diff=303578</id>
		<title>Course:EDUC500</title>
		<link rel="alternate" type="text/html" href="https://wiki.ubc.ca/index.php?title=Course:EDUC500&amp;diff=303578"/>
		<updated>2014-07-02T03:09:57Z</updated>

		<summary type="html">&lt;p&gt;Stephenpetrina: /* Course Description (2014s) */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;!--Begin Infobox; Please add your parameters after the equal signs below.  If you do not wish to use the infobox, you may remove it by deleting everything between the Begin and End Infobox lines--&amp;gt;&lt;br /&gt;
{{Infobox_New_Course&lt;br /&gt;
&lt;br /&gt;
|title=Research Methodologies in Education&lt;br /&gt;
&lt;br /&gt;
|picture=Image:wiki.png&lt;br /&gt;
&lt;br /&gt;
|subject code=EDUC&lt;br /&gt;
&lt;br /&gt;
|course number= 500&lt;br /&gt;
&lt;br /&gt;
|section number=&lt;br /&gt;
&lt;br /&gt;
|instructor=&lt;br /&gt;
&lt;br /&gt;
|instructor 2=&lt;br /&gt;
&lt;br /&gt;
|instructor 3=&lt;br /&gt;
&lt;br /&gt;
|instructor 4=&lt;br /&gt;
&lt;br /&gt;
|instructor 5=&lt;br /&gt;
&lt;br /&gt;
|email=&lt;br /&gt;
&lt;br /&gt;
|office=&lt;br /&gt;
&lt;br /&gt;
|office hours=&lt;br /&gt;
&lt;br /&gt;
|schedule=&lt;br /&gt;
&lt;br /&gt;
|classroom=&lt;br /&gt;
}}&lt;br /&gt;
&amp;lt;!--End Infobox; Please add your page content below--&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=Course Description (2014s)=&lt;br /&gt;
   &lt;br /&gt;
This course provides an introduction to educational research methods, methodologies and philosophies. Specifically, the course: (1) Familiarizes students with a cross-section of methods available to educational researchers (e.g., actor-network theory, arts-based, discourse &amp;amp; historical analyses, experiments, field studies, indigenous, phenomenology, surveys); (2) Explores a cross-section media and technologies available to students for the conduct of research 2.0, including data collection, coding and analysis (e.g., databases &amp;amp; cybraries, data recording devices, OCR, translation, transcription and visualization apps, questionnaires, researchware, survey servers); (3) Familiarizes students with various rhetorical techniques for reading and writing research and analyzing paradigmatic orientations to inquiry. (4) Addresses challenges and regulation of research ethics and law.&lt;br /&gt;
&lt;br /&gt;
Link to EDUC 500 blog http://blogs.ubc.ca/educ500/courses/educ-500/&lt;br /&gt;
&lt;br /&gt;
=Course Description (2013)=&lt;br /&gt;
   &lt;br /&gt;
This course provides an introduction to major and emerging traditions of research methodologies and methods to engage in respectful and mutually reciprocal conversations in both generating and re-generating knowledge.  Specifically, the course familiarizes students with: a) the diversity of paradigmatic orientations to inquiry including positivist, postpositivist and Indigenous; b) the challenges of ethics, research protocols, and protection of intellectual and cultural property when researching within different social and cultural contexts; c) various methods for collecting and analyzing/synthesizing data; d) a variety of techniques for reading and writing research; and, e) resources available for the conduct of research (e.g., research library, computer facilities, faculty expertise).&lt;br /&gt;
&lt;br /&gt;
*[[Course:EDUC500/2013-2014/001]]&lt;br /&gt;
&lt;br /&gt;
= Resource Section =&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Essential and Helpful Links&#039;&#039;&#039;&lt;br /&gt;
See Resources at http://blogs.ubc.ca/educ500&lt;br /&gt;
&lt;br /&gt;
=Student Planning Space=&lt;br /&gt;
&lt;br /&gt;
Plan here:&lt;br /&gt;
&lt;br /&gt;
=Student email List=&lt;br /&gt;
&lt;br /&gt;
Please List your Name and email here:&lt;br /&gt;
&lt;br /&gt;
[[Category:EDUC]]&lt;/div&gt;</summary>
		<author><name>Stephenpetrina</name></author>
	</entry>
	<entry>
		<id>https://wiki.ubc.ca/index.php?title=Course:EDUC500&amp;diff=303577</id>
		<title>Course:EDUC500</title>
		<link rel="alternate" type="text/html" href="https://wiki.ubc.ca/index.php?title=Course:EDUC500&amp;diff=303577"/>
		<updated>2014-07-02T03:09:19Z</updated>

		<summary type="html">&lt;p&gt;Stephenpetrina: /* Course Description (2014s) */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;!--Begin Infobox; Please add your parameters after the equal signs below.  If you do not wish to use the infobox, you may remove it by deleting everything between the Begin and End Infobox lines--&amp;gt;&lt;br /&gt;
{{Infobox_New_Course&lt;br /&gt;
&lt;br /&gt;
|title=Research Methodologies in Education&lt;br /&gt;
&lt;br /&gt;
|picture=Image:wiki.png&lt;br /&gt;
&lt;br /&gt;
|subject code=EDUC&lt;br /&gt;
&lt;br /&gt;
|course number= 500&lt;br /&gt;
&lt;br /&gt;
|section number=&lt;br /&gt;
&lt;br /&gt;
|instructor=&lt;br /&gt;
&lt;br /&gt;
|instructor 2=&lt;br /&gt;
&lt;br /&gt;
|instructor 3=&lt;br /&gt;
&lt;br /&gt;
|instructor 4=&lt;br /&gt;
&lt;br /&gt;
|instructor 5=&lt;br /&gt;
&lt;br /&gt;
|email=&lt;br /&gt;
&lt;br /&gt;
|office=&lt;br /&gt;
&lt;br /&gt;
|office hours=&lt;br /&gt;
&lt;br /&gt;
|schedule=&lt;br /&gt;
&lt;br /&gt;
|classroom=&lt;br /&gt;
}}&lt;br /&gt;
&amp;lt;!--End Infobox; Please add your page content below--&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=Course Description (2014s)=&lt;br /&gt;
   &lt;br /&gt;
This course provides an introduction to educational research methods, methodologies and philosophies. Specifically, the course: (1) Familiarizes students with a cross-section of methods available to educational researchers (e.g., actor-network theory, arts-based, discourse &amp;amp; historical analyses, experiments, field studies, indigenous, phenomenology, surveys); (2) Explores a cross-section media and technologies available to students for the conduct of research 2.0, including data collection, coding and analysis (e.g., databases &amp;amp; cybraries, data recording devices, OCR, translation, transcription and visualization apps, questionnaires, researchware, survey servers); (3) Familiarizes students with various rhetorical techniques for reading and writing research and analyzing paradigmatic orientations to inquiry. (4) Addresses challenges and regulation of research ethics and law.&lt;br /&gt;
&lt;br /&gt;
Link to EDUC 500 blog&lt;br /&gt;
&lt;br /&gt;
=Course Description (2013)=&lt;br /&gt;
   &lt;br /&gt;
This course provides an introduction to major and emerging traditions of research methodologies and methods to engage in respectful and mutually reciprocal conversations in both generating and re-generating knowledge.  Specifically, the course familiarizes students with: a) the diversity of paradigmatic orientations to inquiry including positivist, postpositivist and Indigenous; b) the challenges of ethics, research protocols, and protection of intellectual and cultural property when researching within different social and cultural contexts; c) various methods for collecting and analyzing/synthesizing data; d) a variety of techniques for reading and writing research; and, e) resources available for the conduct of research (e.g., research library, computer facilities, faculty expertise).&lt;br /&gt;
&lt;br /&gt;
*[[Course:EDUC500/2013-2014/001]]&lt;br /&gt;
&lt;br /&gt;
= Resource Section =&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Essential and Helpful Links&#039;&#039;&#039;&lt;br /&gt;
See Resources at http://blogs.ubc.ca/educ500&lt;br /&gt;
&lt;br /&gt;
=Student Planning Space=&lt;br /&gt;
&lt;br /&gt;
Plan here:&lt;br /&gt;
&lt;br /&gt;
=Student email List=&lt;br /&gt;
&lt;br /&gt;
Please List your Name and email here:&lt;br /&gt;
&lt;br /&gt;
[[Category:EDUC]]&lt;/div&gt;</summary>
		<author><name>Stephenpetrina</name></author>
	</entry>
	<entry>
		<id>https://wiki.ubc.ca/index.php?title=Course:EDUC500&amp;diff=303576</id>
		<title>Course:EDUC500</title>
		<link rel="alternate" type="text/html" href="https://wiki.ubc.ca/index.php?title=Course:EDUC500&amp;diff=303576"/>
		<updated>2014-07-02T03:08:34Z</updated>

		<summary type="html">&lt;p&gt;Stephenpetrina: /* Course Description (2013) */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;!--Begin Infobox; Please add your parameters after the equal signs below.  If you do not wish to use the infobox, you may remove it by deleting everything between the Begin and End Infobox lines--&amp;gt;&lt;br /&gt;
{{Infobox_New_Course&lt;br /&gt;
&lt;br /&gt;
|title=Research Methodologies in Education&lt;br /&gt;
&lt;br /&gt;
|picture=Image:wiki.png&lt;br /&gt;
&lt;br /&gt;
|subject code=EDUC&lt;br /&gt;
&lt;br /&gt;
|course number= 500&lt;br /&gt;
&lt;br /&gt;
|section number=&lt;br /&gt;
&lt;br /&gt;
|instructor=&lt;br /&gt;
&lt;br /&gt;
|instructor 2=&lt;br /&gt;
&lt;br /&gt;
|instructor 3=&lt;br /&gt;
&lt;br /&gt;
|instructor 4=&lt;br /&gt;
&lt;br /&gt;
|instructor 5=&lt;br /&gt;
&lt;br /&gt;
|email=&lt;br /&gt;
&lt;br /&gt;
|office=&lt;br /&gt;
&lt;br /&gt;
|office hours=&lt;br /&gt;
&lt;br /&gt;
|schedule=&lt;br /&gt;
&lt;br /&gt;
|classroom=&lt;br /&gt;
}}&lt;br /&gt;
&amp;lt;!--End Infobox; Please add your page content below--&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=Course Description (2014s)=&lt;br /&gt;
   &lt;br /&gt;
This course provides an introduction to educational research methods, methodologies and philosophies. Specifically, the course: (1) Familiarizes students with a cross-section of methods available to educational researchers (e.g., actor-network theory, arts-based, discourse &amp;amp; historical analyses, experiments, field studies, indigenous, phenomenology, surveys); (2) Explores a cross-section media and technologies available to students for the conduct of research 2.0, including data collection, coding and analysis (e.g., databases &amp;amp; cybraries, data recording devices, OCR, translation, transcription and visualization apps, questionnaires, researchware, survey servers); (3) Familiarizes students with various rhetorical techniques for reading and writing research and analyzing paradigmatic orientations to inquiry. (4) Addresses challenges and regulation of research ethics and law.&lt;br /&gt;
&lt;br /&gt;
=Course Description (2013)=&lt;br /&gt;
   &lt;br /&gt;
This course provides an introduction to major and emerging traditions of research methodologies and methods to engage in respectful and mutually reciprocal conversations in both generating and re-generating knowledge.  Specifically, the course familiarizes students with: a) the diversity of paradigmatic orientations to inquiry including positivist, postpositivist and Indigenous; b) the challenges of ethics, research protocols, and protection of intellectual and cultural property when researching within different social and cultural contexts; c) various methods for collecting and analyzing/synthesizing data; d) a variety of techniques for reading and writing research; and, e) resources available for the conduct of research (e.g., research library, computer facilities, faculty expertise).&lt;br /&gt;
&lt;br /&gt;
*[[Course:EDUC500/2013-2014/001]]&lt;br /&gt;
&lt;br /&gt;
= Resource Section =&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Essential and Helpful Links&#039;&#039;&#039;&lt;br /&gt;
See Resources at http://blogs.ubc.ca/educ500&lt;br /&gt;
&lt;br /&gt;
=Student Planning Space=&lt;br /&gt;
&lt;br /&gt;
Plan here:&lt;br /&gt;
&lt;br /&gt;
=Student email List=&lt;br /&gt;
&lt;br /&gt;
Please List your Name and email here:&lt;br /&gt;
&lt;br /&gt;
[[Category:EDUC]]&lt;/div&gt;</summary>
		<author><name>Stephenpetrina</name></author>
	</entry>
	<entry>
		<id>https://wiki.ubc.ca/index.php?title=Course:EDUC500&amp;diff=303575</id>
		<title>Course:EDUC500</title>
		<link rel="alternate" type="text/html" href="https://wiki.ubc.ca/index.php?title=Course:EDUC500&amp;diff=303575"/>
		<updated>2014-07-02T03:08:17Z</updated>

		<summary type="html">&lt;p&gt;Stephenpetrina: /* Course Description (2013) */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;!--Begin Infobox; Please add your parameters after the equal signs below.  If you do not wish to use the infobox, you may remove it by deleting everything between the Begin and End Infobox lines--&amp;gt;&lt;br /&gt;
{{Infobox_New_Course&lt;br /&gt;
&lt;br /&gt;
|title=Research Methodologies in Education&lt;br /&gt;
&lt;br /&gt;
|picture=Image:wiki.png&lt;br /&gt;
&lt;br /&gt;
|subject code=EDUC&lt;br /&gt;
&lt;br /&gt;
|course number= 500&lt;br /&gt;
&lt;br /&gt;
|section number=&lt;br /&gt;
&lt;br /&gt;
|instructor=&lt;br /&gt;
&lt;br /&gt;
|instructor 2=&lt;br /&gt;
&lt;br /&gt;
|instructor 3=&lt;br /&gt;
&lt;br /&gt;
|instructor 4=&lt;br /&gt;
&lt;br /&gt;
|instructor 5=&lt;br /&gt;
&lt;br /&gt;
|email=&lt;br /&gt;
&lt;br /&gt;
|office=&lt;br /&gt;
&lt;br /&gt;
|office hours=&lt;br /&gt;
&lt;br /&gt;
|schedule=&lt;br /&gt;
&lt;br /&gt;
|classroom=&lt;br /&gt;
}}&lt;br /&gt;
&amp;lt;!--End Infobox; Please add your page content below--&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=Course Description (2014s)=&lt;br /&gt;
   &lt;br /&gt;
This course provides an introduction to educational research methods, methodologies and philosophies. Specifically, the course: (1) Familiarizes students with a cross-section of methods available to educational researchers (e.g., actor-network theory, arts-based, discourse &amp;amp; historical analyses, experiments, field studies, indigenous, phenomenology, surveys); (2) Explores a cross-section media and technologies available to students for the conduct of research 2.0, including data collection, coding and analysis (e.g., databases &amp;amp; cybraries, data recording devices, OCR, translation, transcription and visualization apps, questionnaires, researchware, survey servers); (3) Familiarizes students with various rhetorical techniques for reading and writing research and analyzing paradigmatic orientations to inquiry. (4) Addresses challenges and regulation of research ethics and law.&lt;br /&gt;
&lt;br /&gt;
=Course Description (2013)=&lt;br /&gt;
   &lt;br /&gt;
This course provides an introduction to major and emerging traditions of research methodologies and methods to engage in respectful and mutually reciprocal conversations in both generating and re-generating knowledge.  Specifically, the course familiarizes students with: a) the diversity of paradigmatic orientations to inquiry including positivist, postpositivist and Indigenous; b) the challenges of ethics, research protocols, and protection of intellectual and cultural property when researching within different social and cultural contexts; c) various methods for collecting and analyzing/synthesizing data; d) a variety of techniques for reading and writing research; and, e) resources available for the conduct of research (e.g., research library, computer facilities, faculty expertise).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
*[[Course:EDUC500/2013-2014/001]]&lt;br /&gt;
&lt;br /&gt;
= Resource Section =&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Essential and Helpful Links&#039;&#039;&#039;&lt;br /&gt;
See Resources at http://blogs.ubc.ca/educ500&lt;br /&gt;
&lt;br /&gt;
=Student Planning Space=&lt;br /&gt;
&lt;br /&gt;
Plan here:&lt;br /&gt;
&lt;br /&gt;
=Student email List=&lt;br /&gt;
&lt;br /&gt;
Please List your Name and email here:&lt;br /&gt;
&lt;br /&gt;
[[Category:EDUC]]&lt;/div&gt;</summary>
		<author><name>Stephenpetrina</name></author>
	</entry>
	<entry>
		<id>https://wiki.ubc.ca/index.php?title=Course:EDUC500&amp;diff=303574</id>
		<title>Course:EDUC500</title>
		<link rel="alternate" type="text/html" href="https://wiki.ubc.ca/index.php?title=Course:EDUC500&amp;diff=303574"/>
		<updated>2014-07-02T03:07:39Z</updated>

		<summary type="html">&lt;p&gt;Stephenpetrina: /* EDUC 500 2014s Student email List */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;!--Begin Infobox; Please add your parameters after the equal signs below.  If you do not wish to use the infobox, you may remove it by deleting everything between the Begin and End Infobox lines--&amp;gt;&lt;br /&gt;
{{Infobox_New_Course&lt;br /&gt;
&lt;br /&gt;
|title=Research Methodologies in Education&lt;br /&gt;
&lt;br /&gt;
|picture=Image:wiki.png&lt;br /&gt;
&lt;br /&gt;
|subject code=EDUC&lt;br /&gt;
&lt;br /&gt;
|course number= 500&lt;br /&gt;
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|section number=&lt;br /&gt;
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|instructor=&lt;br /&gt;
&lt;br /&gt;
|instructor 2=&lt;br /&gt;
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|instructor 4=&lt;br /&gt;
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|instructor 5=&lt;br /&gt;
&lt;br /&gt;
|email=&lt;br /&gt;
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|office=&lt;br /&gt;
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|schedule=&lt;br /&gt;
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|classroom=&lt;br /&gt;
}}&lt;br /&gt;
&amp;lt;!--End Infobox; Please add your page content below--&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=Course Description (2014s)=&lt;br /&gt;
   &lt;br /&gt;
This course provides an introduction to educational research methods, methodologies and philosophies. Specifically, the course: (1) Familiarizes students with a cross-section of methods available to educational researchers (e.g., actor-network theory, arts-based, discourse &amp;amp; historical analyses, experiments, field studies, indigenous, phenomenology, surveys); (2) Explores a cross-section media and technologies available to students for the conduct of research 2.0, including data collection, coding and analysis (e.g., databases &amp;amp; cybraries, data recording devices, OCR, translation, transcription and visualization apps, questionnaires, researchware, survey servers); (3) Familiarizes students with various rhetorical techniques for reading and writing research and analyzing paradigmatic orientations to inquiry. (4) Addresses challenges and regulation of research ethics and law.&lt;br /&gt;
&lt;br /&gt;
=Course Description (2013)=&lt;br /&gt;
   &lt;br /&gt;
This course provides an introduction to major and emerging traditions of research methodologies and methods to engage in respectful and mutually reciprocal conversations in both generating and re-generating knowledge.  Specifically, the course familiarizes students with: a) the diversity of paradigmatic orientations to inquiry including positivist, postpositivist and Indigenous; b) the challenges of ethics, research protocols, and protection of intellectual and cultural property when researching within different social and cultural contexts; c) various methods for collecting and analyzing/synthesizing data; d) a variety of techniques for reading and writing research; and, e) resources available for the conduct of research (e.g., research library, computer facilities, faculty expertise).&lt;br /&gt;
&lt;br /&gt;
= Resource Section =&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Essential and Helpful Links&#039;&#039;&#039;&lt;br /&gt;
See Resources at http://blogs.ubc.ca/educ500&lt;br /&gt;
&lt;br /&gt;
=Student Planning Space=&lt;br /&gt;
&lt;br /&gt;
Plan here:&lt;br /&gt;
&lt;br /&gt;
=Student email List=&lt;br /&gt;
&lt;br /&gt;
Please List your Name and email here:&lt;br /&gt;
&lt;br /&gt;
[[Category:EDUC]]&lt;/div&gt;</summary>
		<author><name>Stephenpetrina</name></author>
	</entry>
	<entry>
		<id>https://wiki.ubc.ca/index.php?title=Course:EDUC500&amp;diff=303573</id>
		<title>Course:EDUC500</title>
		<link rel="alternate" type="text/html" href="https://wiki.ubc.ca/index.php?title=Course:EDUC500&amp;diff=303573"/>
		<updated>2014-07-02T03:07:24Z</updated>

		<summary type="html">&lt;p&gt;Stephenpetrina: /* Resource Section */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;!--Begin Infobox; Please add your parameters after the equal signs below.  If you do not wish to use the infobox, you may remove it by deleting everything between the Begin and End Infobox lines--&amp;gt;&lt;br /&gt;
{{Infobox_New_Course&lt;br /&gt;
&lt;br /&gt;
|title=Research Methodologies in Education&lt;br /&gt;
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|picture=Image:wiki.png&lt;br /&gt;
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|subject code=EDUC&lt;br /&gt;
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|course number= 500&lt;br /&gt;
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|section number=&lt;br /&gt;
&lt;br /&gt;
|instructor=&lt;br /&gt;
&lt;br /&gt;
|instructor 2=&lt;br /&gt;
&lt;br /&gt;
|instructor 3=&lt;br /&gt;
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|instructor 4=&lt;br /&gt;
&lt;br /&gt;
|instructor 5=&lt;br /&gt;
&lt;br /&gt;
|email=&lt;br /&gt;
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|office=&lt;br /&gt;
&lt;br /&gt;
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|schedule=&lt;br /&gt;
&lt;br /&gt;
|classroom=&lt;br /&gt;
}}&lt;br /&gt;
&amp;lt;!--End Infobox; Please add your page content below--&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=Course Description (2014s)=&lt;br /&gt;
   &lt;br /&gt;
This course provides an introduction to educational research methods, methodologies and philosophies. Specifically, the course: (1) Familiarizes students with a cross-section of methods available to educational researchers (e.g., actor-network theory, arts-based, discourse &amp;amp; historical analyses, experiments, field studies, indigenous, phenomenology, surveys); (2) Explores a cross-section media and technologies available to students for the conduct of research 2.0, including data collection, coding and analysis (e.g., databases &amp;amp; cybraries, data recording devices, OCR, translation, transcription and visualization apps, questionnaires, researchware, survey servers); (3) Familiarizes students with various rhetorical techniques for reading and writing research and analyzing paradigmatic orientations to inquiry. (4) Addresses challenges and regulation of research ethics and law.&lt;br /&gt;
&lt;br /&gt;
=Course Description (2013)=&lt;br /&gt;
   &lt;br /&gt;
This course provides an introduction to major and emerging traditions of research methodologies and methods to engage in respectful and mutually reciprocal conversations in both generating and re-generating knowledge.  Specifically, the course familiarizes students with: a) the diversity of paradigmatic orientations to inquiry including positivist, postpositivist and Indigenous; b) the challenges of ethics, research protocols, and protection of intellectual and cultural property when researching within different social and cultural contexts; c) various methods for collecting and analyzing/synthesizing data; d) a variety of techniques for reading and writing research; and, e) resources available for the conduct of research (e.g., research library, computer facilities, faculty expertise).&lt;br /&gt;
&lt;br /&gt;
= Resource Section =&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Essential and Helpful Links&#039;&#039;&#039;&lt;br /&gt;
See Resources at http://blogs.ubc.ca/educ500&lt;br /&gt;
&lt;br /&gt;
=Student Planning Space=&lt;br /&gt;
&lt;br /&gt;
Plan here:&lt;br /&gt;
&lt;br /&gt;
=EDUC 500 2014s Student email List=&lt;br /&gt;
&lt;br /&gt;
Please List your Name and email here:&lt;br /&gt;
&lt;br /&gt;
[[Category:EDUC]]&lt;/div&gt;</summary>
		<author><name>Stephenpetrina</name></author>
	</entry>
	<entry>
		<id>https://wiki.ubc.ca/index.php?title=Course:EDUC500&amp;diff=303572</id>
		<title>Course:EDUC500</title>
		<link rel="alternate" type="text/html" href="https://wiki.ubc.ca/index.php?title=Course:EDUC500&amp;diff=303572"/>
		<updated>2014-07-02T03:04:50Z</updated>

		<summary type="html">&lt;p&gt;Stephenpetrina: /* Course Sections */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;!--Begin Infobox; Please add your parameters after the equal signs below.  If you do not wish to use the infobox, you may remove it by deleting everything between the Begin and End Infobox lines--&amp;gt;&lt;br /&gt;
{{Infobox_New_Course&lt;br /&gt;
&lt;br /&gt;
|title=Research Methodologies in Education&lt;br /&gt;
&lt;br /&gt;
|picture=Image:wiki.png&lt;br /&gt;
&lt;br /&gt;
|subject code=EDUC&lt;br /&gt;
&lt;br /&gt;
|course number= 500&lt;br /&gt;
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|section number=&lt;br /&gt;
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|instructor=&lt;br /&gt;
&lt;br /&gt;
|instructor 2=&lt;br /&gt;
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|instructor 4=&lt;br /&gt;
&lt;br /&gt;
|instructor 5=&lt;br /&gt;
&lt;br /&gt;
|email=&lt;br /&gt;
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|office=&lt;br /&gt;
&lt;br /&gt;
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&lt;br /&gt;
|classroom=&lt;br /&gt;
}}&lt;br /&gt;
&amp;lt;!--End Infobox; Please add your page content below--&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=Course Description (2014s)=&lt;br /&gt;
   &lt;br /&gt;
This course provides an introduction to educational research methods, methodologies and philosophies. Specifically, the course: (1) Familiarizes students with a cross-section of methods available to educational researchers (e.g., actor-network theory, arts-based, discourse &amp;amp; historical analyses, experiments, field studies, indigenous, phenomenology, surveys); (2) Explores a cross-section media and technologies available to students for the conduct of research 2.0, including data collection, coding and analysis (e.g., databases &amp;amp; cybraries, data recording devices, OCR, translation, transcription and visualization apps, questionnaires, researchware, survey servers); (3) Familiarizes students with various rhetorical techniques for reading and writing research and analyzing paradigmatic orientations to inquiry. (4) Addresses challenges and regulation of research ethics and law.&lt;br /&gt;
&lt;br /&gt;
=Course Description (2013)=&lt;br /&gt;
   &lt;br /&gt;
This course provides an introduction to major and emerging traditions of research methodologies and methods to engage in respectful and mutually reciprocal conversations in both generating and re-generating knowledge.  Specifically, the course familiarizes students with: a) the diversity of paradigmatic orientations to inquiry including positivist, postpositivist and Indigenous; b) the challenges of ethics, research protocols, and protection of intellectual and cultural property when researching within different social and cultural contexts; c) various methods for collecting and analyzing/synthesizing data; d) a variety of techniques for reading and writing research; and, e) resources available for the conduct of research (e.g., research library, computer facilities, faculty expertise).&lt;br /&gt;
&lt;br /&gt;
= Resource Section =&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Essential and Helpful Links&#039;&#039;&#039;&lt;br /&gt;
See Resources at http://blogs.ubc.ca/educ500&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:EDUC]]&lt;/div&gt;</summary>
		<author><name>Stephenpetrina</name></author>
	</entry>
	<entry>
		<id>https://wiki.ubc.ca/index.php?title=Course:EDUC500&amp;diff=303571</id>
		<title>Course:EDUC500</title>
		<link rel="alternate" type="text/html" href="https://wiki.ubc.ca/index.php?title=Course:EDUC500&amp;diff=303571"/>
		<updated>2014-07-02T03:04:21Z</updated>

		<summary type="html">&lt;p&gt;Stephenpetrina: /* Resource Section */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;!--Begin Infobox; Please add your parameters after the equal signs below.  If you do not wish to use the infobox, you may remove it by deleting everything between the Begin and End Infobox lines--&amp;gt;&lt;br /&gt;
{{Infobox_New_Course&lt;br /&gt;
&lt;br /&gt;
|title=Research Methodologies in Education&lt;br /&gt;
&lt;br /&gt;
|picture=Image:wiki.png&lt;br /&gt;
&lt;br /&gt;
|subject code=EDUC&lt;br /&gt;
&lt;br /&gt;
|course number= 500&lt;br /&gt;
&lt;br /&gt;
|section number=&lt;br /&gt;
&lt;br /&gt;
|instructor=&lt;br /&gt;
&lt;br /&gt;
|instructor 2=&lt;br /&gt;
&lt;br /&gt;
|instructor 3=&lt;br /&gt;
&lt;br /&gt;
|instructor 4=&lt;br /&gt;
&lt;br /&gt;
|instructor 5=&lt;br /&gt;
&lt;br /&gt;
|email=&lt;br /&gt;
&lt;br /&gt;
|office=&lt;br /&gt;
&lt;br /&gt;
|office hours=&lt;br /&gt;
&lt;br /&gt;
|schedule=&lt;br /&gt;
&lt;br /&gt;
|classroom=&lt;br /&gt;
}}&lt;br /&gt;
&amp;lt;!--End Infobox; Please add your page content below--&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=Course Description (2014s)=&lt;br /&gt;
   &lt;br /&gt;
This course provides an introduction to educational research methods, methodologies and philosophies. Specifically, the course: (1) Familiarizes students with a cross-section of methods available to educational researchers (e.g., actor-network theory, arts-based, discourse &amp;amp; historical analyses, experiments, field studies, indigenous, phenomenology, surveys); (2) Explores a cross-section media and technologies available to students for the conduct of research 2.0, including data collection, coding and analysis (e.g., databases &amp;amp; cybraries, data recording devices, OCR, translation, transcription and visualization apps, questionnaires, researchware, survey servers); (3) Familiarizes students with various rhetorical techniques for reading and writing research and analyzing paradigmatic orientations to inquiry. (4) Addresses challenges and regulation of research ethics and law.&lt;br /&gt;
&lt;br /&gt;
=Course Description (2013)=&lt;br /&gt;
   &lt;br /&gt;
This course provides an introduction to major and emerging traditions of research methodologies and methods to engage in respectful and mutually reciprocal conversations in both generating and re-generating knowledge.  Specifically, the course familiarizes students with: a) the diversity of paradigmatic orientations to inquiry including positivist, postpositivist and Indigenous; b) the challenges of ethics, research protocols, and protection of intellectual and cultural property when researching within different social and cultural contexts; c) various methods for collecting and analyzing/synthesizing data; d) a variety of techniques for reading and writing research; and, e) resources available for the conduct of research (e.g., research library, computer facilities, faculty expertise).&lt;br /&gt;
&lt;br /&gt;
= Resource Section =&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Essential and Helpful Links&#039;&#039;&#039;&lt;br /&gt;
See Resources at http://blogs.ubc.ca/educ500&lt;br /&gt;
&lt;br /&gt;
=Course Sections=&lt;br /&gt;
&lt;br /&gt;
*[[Course:EDUC500/2013-2014/001]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:EDUC]]&lt;/div&gt;</summary>
		<author><name>Stephenpetrina</name></author>
	</entry>
	<entry>
		<id>https://wiki.ubc.ca/index.php?title=Course:EDUC500&amp;diff=303570</id>
		<title>Course:EDUC500</title>
		<link rel="alternate" type="text/html" href="https://wiki.ubc.ca/index.php?title=Course:EDUC500&amp;diff=303570"/>
		<updated>2014-07-02T03:03:05Z</updated>

		<summary type="html">&lt;p&gt;Stephenpetrina: /* Course Description (2013) */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;!--Begin Infobox; Please add your parameters after the equal signs below.  If you do not wish to use the infobox, you may remove it by deleting everything between the Begin and End Infobox lines--&amp;gt;&lt;br /&gt;
{{Infobox_New_Course&lt;br /&gt;
&lt;br /&gt;
|title=Research Methodologies in Education&lt;br /&gt;
&lt;br /&gt;
|picture=Image:wiki.png&lt;br /&gt;
&lt;br /&gt;
|subject code=EDUC&lt;br /&gt;
&lt;br /&gt;
|course number= 500&lt;br /&gt;
&lt;br /&gt;
|section number=&lt;br /&gt;
&lt;br /&gt;
|instructor=&lt;br /&gt;
&lt;br /&gt;
|instructor 2=&lt;br /&gt;
&lt;br /&gt;
|instructor 3=&lt;br /&gt;
&lt;br /&gt;
|instructor 4=&lt;br /&gt;
&lt;br /&gt;
|instructor 5=&lt;br /&gt;
&lt;br /&gt;
|email=&lt;br /&gt;
&lt;br /&gt;
|office=&lt;br /&gt;
&lt;br /&gt;
|office hours=&lt;br /&gt;
&lt;br /&gt;
|schedule=&lt;br /&gt;
&lt;br /&gt;
|classroom=&lt;br /&gt;
}}&lt;br /&gt;
&amp;lt;!--End Infobox; Please add your page content below--&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=Course Description (2014s)=&lt;br /&gt;
   &lt;br /&gt;
This course provides an introduction to educational research methods, methodologies and philosophies. Specifically, the course: (1) Familiarizes students with a cross-section of methods available to educational researchers (e.g., actor-network theory, arts-based, discourse &amp;amp; historical analyses, experiments, field studies, indigenous, phenomenology, surveys); (2) Explores a cross-section media and technologies available to students for the conduct of research 2.0, including data collection, coding and analysis (e.g., databases &amp;amp; cybraries, data recording devices, OCR, translation, transcription and visualization apps, questionnaires, researchware, survey servers); (3) Familiarizes students with various rhetorical techniques for reading and writing research and analyzing paradigmatic orientations to inquiry. (4) Addresses challenges and regulation of research ethics and law.&lt;br /&gt;
&lt;br /&gt;
=Course Description (2013)=&lt;br /&gt;
   &lt;br /&gt;
This course provides an introduction to major and emerging traditions of research methodologies and methods to engage in respectful and mutually reciprocal conversations in both generating and re-generating knowledge.  Specifically, the course familiarizes students with: a) the diversity of paradigmatic orientations to inquiry including positivist, postpositivist and Indigenous; b) the challenges of ethics, research protocols, and protection of intellectual and cultural property when researching within different social and cultural contexts; c) various methods for collecting and analyzing/synthesizing data; d) a variety of techniques for reading and writing research; and, e) resources available for the conduct of research (e.g., research library, computer facilities, faculty expertise).&lt;br /&gt;
&lt;br /&gt;
= Resource Section =&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Essential and Helpful Links&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
[http://www.ors.ubc.ca/ethics/online-tutorials-training TCPS Tutorial ]&lt;br /&gt;
&lt;br /&gt;
[http://www.ors.ubc.ca/home UBC Office of Research Services]&lt;br /&gt;
&lt;br /&gt;
=Course Sections=&lt;br /&gt;
&lt;br /&gt;
*[[Course:EDUC500/2013-2014/001]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:EDUC]]&lt;/div&gt;</summary>
		<author><name>Stephenpetrina</name></author>
	</entry>
	<entry>
		<id>https://wiki.ubc.ca/index.php?title=Course:EDUC500&amp;diff=303569</id>
		<title>Course:EDUC500</title>
		<link rel="alternate" type="text/html" href="https://wiki.ubc.ca/index.php?title=Course:EDUC500&amp;diff=303569"/>
		<updated>2014-07-02T02:59:34Z</updated>

		<summary type="html">&lt;p&gt;Stephenpetrina: /* Course Description */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;!--Begin Infobox; Please add your parameters after the equal signs below.  If you do not wish to use the infobox, you may remove it by deleting everything between the Begin and End Infobox lines--&amp;gt;&lt;br /&gt;
{{Infobox_New_Course&lt;br /&gt;
&lt;br /&gt;
|title=Research Methodologies in Education&lt;br /&gt;
&lt;br /&gt;
|picture=Image:wiki.png&lt;br /&gt;
&lt;br /&gt;
|subject code=EDUC&lt;br /&gt;
&lt;br /&gt;
|course number= 500&lt;br /&gt;
&lt;br /&gt;
|section number=&lt;br /&gt;
&lt;br /&gt;
|instructor=&lt;br /&gt;
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=Course Description (2013)=&lt;br /&gt;
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This course provides an introduction to major and emerging traditions of research methodologies and methods to engage in respectful and mutually reciprocal conversations in both generating and re-generating knowledge.  Specifically, the course familiarizes students with: a) the diversity of paradigmatic orientations to inquiry including positivist, postpositivist and Indigenous; b) the challenges of ethics, research protocols, and protection of intellectual and cultural property when researching within different social and cultural contexts; c) various methods for collecting and analyzing/synthesizing data; d) a variety of techniques for reading and writing research; and, e) resources available for the conduct of research (e.g., research library, computer facilities, faculty expertise).&lt;br /&gt;
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&#039;&#039;&#039;Essential and Helpful Links&#039;&#039;&#039;&lt;br /&gt;
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[http://www.ors.ubc.ca/ethics/online-tutorials-training TCPS Tutorial ]&lt;br /&gt;
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[http://www.ors.ubc.ca/home UBC Office of Research Services]&lt;br /&gt;
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=Course Sections=&lt;br /&gt;
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*[[Course:EDUC500/2013-2014/001]]&lt;br /&gt;
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[[Category:EDUC]]&lt;/div&gt;</summary>
		<author><name>Stephenpetrina</name></author>
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		<id>https://wiki.ubc.ca/index.php?title=Course:Edcp473&amp;diff=274874</id>
		<title>Course:Edcp473</title>
		<link rel="alternate" type="text/html" href="https://wiki.ubc.ca/index.php?title=Course:Edcp473&amp;diff=274874"/>
		<updated>2014-02-06T00:19:34Z</updated>

		<summary type="html">&lt;p&gt;Stephenpetrina: /* Kuen, Leo */&lt;/p&gt;
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&lt;div&gt;== &#039;&#039;&#039;Winter 2014&#039;&#039;&#039; ==&lt;br /&gt;
== Digital Media and ICT: Ethical Uses ==&lt;br /&gt;
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&#039;&#039;&#039;Link to the EDCP 473 WP in DLC Portal  http://dlc-ubc.ca/dlc2_wp/edcp473/&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
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== &#039;&#039;&#039;Graduating Projects (INTRODUCTORY PARAGRAPH)&#039;&#039;&#039; ==&lt;br /&gt;
 Please place the Working INTRODUCTORY PARA of your graduating project below (130-210 words)&lt;br /&gt;
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== Bell, Carolyn ==&lt;br /&gt;
&lt;br /&gt;
The expression, “you are in your own world,” has never been more accurate then it is today when talking about my current high school students. With the access to ipods, youtube, smart phones and video games, it seems our students are constantly plugged in. They leave my classroom to rush home, to then sit by themselves facing a screen that is instantly connecting them to others doing the same thing somewhere else. It is this concept that sparked my own interests and teaching practice to investigate what it is about technology that promotes a sense of connectivity among students and how that concept can be taught in the classroom to promote a stronger sense of community through 21st learning skills. I work at Princess Margaret Secondary School in the Surrey School District. The school is considered to be an “inner city school,” where our new immigrant and ELL population is high. For 90% of our student population, English is not their first language and not spoken at home. Even though at my school there are a myriad of cultures, and at times many language barriers, we pride ourselves on being a community. Being a part of a community is something that we hold to be very special at my school because for many of my students a “safe community” is exactly what they are lacking. However, many of my students feel safe online and they often spend more time on their electronic devices then they do being actively involved in their classes. It is for this reason that my research will explore the concepts and definitions of community and face to face collaboration and what this means and translates to in a 21st century classroom.&lt;br /&gt;
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== Boucher, Robert ==&lt;br /&gt;
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“Teachers are often cut from the same cookie cutter” and “those kids just need some real teachers” are something I hear often from my mother-in-law, a former mainstream elementary school teacher. However, I remind her that there is a small population of alternate schools and teachers that are trying to “catch” a pocket of students that have many barriers to success. This made me question how I could ensure that this student population could increase their life cirumstances. I my project I questioned what are the conditions that occur when students engage and use technology to learn about employment and life-skills? The purpose of this inquiry is to empower students through technology to learn about life-skills. How has empowerment and self-efficacy been defined in the context of at-risk youth education? How can participatory learning and technology be used to help support student empowerment and self-efficacy? How can at-risk youth use technology to learn about 21st century life-skills?&lt;br /&gt;
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== Chan, Alfred ==&lt;br /&gt;
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In my project I would like to examine characteristics of student learning, engagement and the formation of digital citizenship in relationship to 21st century educational experiences that incorporate the use of technology.&lt;br /&gt;
This year, students in my class have learned and used various types of digital tools to create presentations to represent their learning.  Through a combination of direct instruction, collaborative discussions and developing strategies to solve technical problems the students were able to create presentations that were interesting to watch and listen to in addition to enabling students digital means to represent their learning. &lt;br /&gt;
Skills necessary to be able to operate and use digital tools are numerous.  All of the grade 6/7 students have grown up with some form of technology and most are able to use digital tools in basic ways.  Certain students seem to always be able to go beyond the basic to either combine multiple mediums in one presentation or find new creative features within a program.  These students take risks and always seem to find innovative ways to enhance their use of technology.  What characteristics do users need to become engaged and motivated to further develop their ICT skills?&lt;br /&gt;
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== Cheng, Leo ==&lt;br /&gt;
Over the past seven years of teaching, I have mainly taught senior mathematics.  Teaching students at this grade level and subject area comes with a lot of perks and challenges.  Because grade 12 math courses are admission requirements for most university programs, the students who take these courses are generally quite intelligent with good work habits and are striving for academic excellence.  Despite having wonderful students to teach, they are also extremely marks driven and want to understand each concept fully.  Normally this is a good thing because, as teachers, we want our students to achieve academic excellence.  However, it also means hours of extra help outside of class time because the content is difficult.  I needed to find a solution to help students with the difficult concepts without sacrificing my personal time.&lt;br /&gt;
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== Fung, Anita ==&lt;br /&gt;
Online learning is commonly perceived to have less merit than the traditional classroom (Chen, Gonyea, &amp;amp; Kuh, 2008; Hoskins, 2012). The absence of the teacher on a daily basis leaves much responsibility on the student to be self-directed and take ownership of their learning. Unfortunately, this physical lack of teacher presence can lead to disengaged students who associate little meaning to the activities they perform for the course (Palloff &amp;amp; Pratt, 1999). It has been a personal mission of mine to change this perception to show that student engagement and active learning is still possible and sometimes even more successful than that of the traditional classroom. The purpose of my project is for students to feel a sense of community in the course where they are active learners who are engaged and motivated. Through designing constructivist activities and incorporating multimedia in a quality blended learning environment, I hope to increase engagement in my classroom and for my students to leave the course feeling a sense of academic accomplishment in addition to having a new arsenal of 21st century skills.&lt;br /&gt;
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== Grigg, Nicole ==&lt;br /&gt;
&lt;br /&gt;
	If you surveyed experienced teachers in any given school about “students these days”, it would not be surprising to hear remarks about how hard teachers are finding it to engage the learners in their classrooms, or how difficult it is to get these students to think critically. The reality is that the needs of our students are changing and so our educational system and practices must change as well (Gardner, 2008).  By embracing the 21st century learning movement, we can adjust our teaching practices to better meet the needs of our students in this new global and technological age. It is understood that communication and collaboration are essential elements of 21st century learning, and are necessary for students to be successful. Incorporating technology such as mobile devices and Web 2.0 have afforded me a new breadth of possibilities for creating lessons built on communication, collaboration and the construction of knowledge.&lt;br /&gt;
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== Hodak, Alicia ==&lt;br /&gt;
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Recently there has been a lot of attention around 21st century learning in education.  Since there is a focus on promoting skills such as critical thinking, creativity, collaboration and communication, many theorists believe teaching must change to facilitate a more personalized learning environment.  Personalized learning involves a shift toward a learner-centered environment in which “teachers become co-learners” and where “students [are] being provided with more time to reflect on what they are learning and why they are learning it” (Personalized Learning in BC, p. 20).  This relates to the purpose of my inquiry.  My goal is to balance direct instruction and personalized learning experiences by integrating technology in order facilitate student engagement and develop 21st century skills.  To investigate this topic, I will focus on how student engagement has been defined by literature on 21st century learning, the pedagogical approaches that support student engagement and motivation through the use of digital technology, and how student motivation and engagement can be examined through formative assessment.&lt;br /&gt;
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== Irshad, Arsala ==&lt;br /&gt;
The discourse on 21st century learning and use of technology has permeated educational settings worldwide. Many organizations including C21 Canada argue that proliferation of technology in society has changed the way students learn, and thus we need to “shift what we teach and how we teach to engage, empower and position learners for success” (Shifting Minds, 2012, p. 4-5).  In response, educational systems worldwide are embracing the change called the 21st century learning. In BC, likewise, school districts are investing in educational technologies such as SmartBoards, computers and iPads for the implementation of Personalized learning in schools and development of 21st century skills in students. Integration of technology with pedagogy is one of the key elements of 21st century learning: “In 21st Century Learning, students use educational technologies to apply knowledge to new situations, analyze information, collaborate, solve problems, and make decisions” (www.bced.gov.bc.ca/ dist_learning /21century _learning.htm). The growth of Internet and web technologies has led to an evolution of the learning process and consequently, many innovative models of teaching and learning, distant and hybrid, have emerged on the educational landscape. Use of Learning management systems such as Blackboard and Moodle by educational institutions has gained prevalence in the last decade making it possible for students to access and manage information at their own pace and convenience. I believe, as educators, this is a critical time for us to recognize our responsibility and examine, evaluate and make meaningful use of these technologies to meet the learning needs of our students. The purpose of my inquiry, therefore, is to examine how a VLE can be employed to create an effective blended learning environment that supports the learning process and engages students in 21st century learning.&lt;br /&gt;
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== Knight, John ==&lt;br /&gt;
== Mann, Marian ==&lt;br /&gt;
Since the dawn of humankind, speech and communication have served as primary cultural tools that shape our thinking and allow us to socially interact.  It is through these interactions that children develop higher mental functioning and learn the habits of mind of their culture: speech patterns, written knowledge and symbolic knowledge (McLeod, 2007).   This culture in which students find themselves today in the 21st century, in particular how they communicate, is unlike no other in history.  No longer are the choices limited to analog technology, snail mail and good old fashioned face-to-face conversations.  In the last decade alone, we have witnessed the rise of social networking sites, smartphones, multi-player online games, and video-sharing software, all of which have become commonplace in our day-to-day communication (MacArthur &amp;amp; MacArthur, 2008).  Easily and constantly accessible, these ‘new’ forms of communication serve the exact same purpose as their predecessors and remain essential to social and cognitive development.  &lt;br /&gt;
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What does this mean for educators who create and provide the learning environment for their students?  It translates into integrating Information and Communications Technologies into their teaching methods and pedagogy.  Extending the learning environment to online technologies still allows for the social participation, student reflection and metacognition that bear the social construction of knowledge, all while acknowledging and meeting our students’ cultural values.&lt;br /&gt;
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== Martin, Sean ==&lt;br /&gt;
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Different students learn best in many different ways, so I believe that there needs to be a good mixture of learning opportunities within the classroom. Many students benefit from the traditional teacher-based instruction and the visual examples that they can provide. I also feel that the experiences and prior knowledge that students bring with them to school every day cannot be ignored, as they can be just as valuable when shared with their peers to benefit everyone’s learning. Meaningful learning can also be achieved by giving students the opportunity to actively participate and ultimately have a greater say in what their learning will look like. When students are engaged, they are more likely to listen, absorb, share, collaborate, participate, think and learn. The use of technology in the classroom can help achieve these higher levels of student engagement, which ultimately supports the goals of 21st Century Learning and serves as a guiding principle for my project.&lt;br /&gt;
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== Mergens, Jolene ==&lt;br /&gt;
In my fourth year of teaching, I began to really examine my practice and carefully question not only what I did pedagogically, but also what my intention was for doing it. The importance of being deliberate became increasingly clearer. I was also fortunate to be a part of a large department that focused on both collaboration and the regular use of technology. Being someone that grew up as the Internet, cellular phones and computers evolved, I found that I was able to cope with the learning curve on most technologies. I was willing to continue to struggle through more learning if it meant doing my job better and more efficiently.&lt;br /&gt;
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== Ng, Christina ==&lt;br /&gt;
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“If we teach today as we taught yesterday, we rob our children of tomorrow.” ~John Dewey&lt;br /&gt;
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Though John Dewey’s words were not referring to technology specifically, his idea nevertheless, supports the current trend of integrating more technology into educational practice.  A decade ago, it was only a handful of families that were adding a personal computer into their household. Today, laptops, tablets, High-definition TV’s, gaming consoles, and smart phone devices litter the home environment. Through these devices, technology is at the disposal of the user. Information is personalized, shared, and evolving as each individual navigates, searches, links, reposts, responds, likes, and tweets in an endless web of virtual activity. Subsequent generations of users are growing in environments that stimulate and gratifies with a click and a tap. They are adept to computing, analyzing, multi-tasking, and learning to communicate and express themselves with technology. The Internet is now an open source of limitless information and has changed and challenged our traditional views of how we learn and communicate in the classroom. Our form of communicating and connecting with each other naturally plays a major role in language learning and development.&lt;br /&gt;
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== Phillips, Christopher ==&lt;br /&gt;
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The push towards the acquisition of 21st century skills like critical thinking, creativity, collaboration, communication, and computer technologies is upon the education system today.  As such, the traditional pencil and paper method of instruction may not be the best approach towards engaging all learners on a continued basis.  As I think back about the students I have taught over the past five years, I see a keen interest amongst them in working with technology.  Students today live in a digital world where information is easily accessible and the demonstration of knowledge can take many creative forms.  So, with this in mind, how can today’s students be best supported and provided with opportunities to develop 21st century skills while being engaged in their learning?  One method is through the integration of information and communications technology (ICT) into the learning environment as it has been shown to be a requirement for the development of 21st century skills (C21 Canada, 2012).  With this framework, this project was designed to examine the effectiveness of integrating certain web 2.0 technologies into the learning environment and the impact they would have overall student engagement and the development of 21st century skills.&lt;br /&gt;
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== Rowe, Jessica ==&lt;br /&gt;
== Schofield, Bryan ==&lt;br /&gt;
== Soo, Elginn ==&lt;br /&gt;
== Wood, Alexander ==&lt;br /&gt;
Introduction&lt;br /&gt;
&lt;br /&gt;
This paper is a description a self-study (Bullough &amp;amp; Pinnegar, 2001, Samaras, 2011) conducted over the two-year period in which I have been enrolled in the Digital Learning and Curriculum Program.  In this self-study I have attempted to utilize what I have learned through my reflections on human development, curriculum theory, media education, and the potential of the virtual to consolidate my understandings of the pedagogical possibilities of Information Communication Technologies (ICT) in the elementary classroom. &lt;br /&gt;
In the twenty years I have been teaching in elementary intermediate classrooms, I have developed an ambivalent attitude towards ICT.  I am convinced that these technologies have pedagogical potential, but have witnessed years of ‘computers’ being treated as a subject in which students are sent down to the computer lab to be taught how to use computers by the ‘computer teacher’ while the classroom teacher has his or her prep.  Even when the classroom teacher takes his or her own class down to the lab for the, typically, twice-weekly scheduled 45-minute blocks the students are often learning to type, doing word processing, or using the computers for research in which they cut and paste unattributed text and images into documents or slide show presentations which are structurally analogous to those I created as a student in the 1970s with the (often unattributed) help of World Book Encyclopaedias.&lt;br /&gt;
In describing curriculum development through “Backwards Design”, McTigh and Wiggins (2004) articulate a desire to help educators avoid activity-oriented curriculum planning whereby students are given assignments that cover prescribed learning outcomes drawn from curriculum documents with insufficient attention paid to the need to have students demonstrate their understanding of the interconnected global “big ideas” which underlie the lived curriculum. &lt;br /&gt;
Similarly, my goal has been to use the backward design approach to explore the possibilities for using ICT and the virtual to provide students with engaging opportunities to investigate cross-curricular big ideas.  Through readings and discussions on media studies and digital and media literacy, my focus has narrowed to questions of the potential of the virtual in enabling students to develop media literacy–a central component in most definitions of 21st Century Learning/Education (Kereluik et al, 2013)–by producing, displaying, analyzing and discussing film.&lt;br /&gt;
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== Yager, Jennifer ==&lt;br /&gt;
I have been involved with working with technologies professionally for years before embarking on a career as a teacher. During my first teaching assignment, at a private International Baccalaureatte middle school on Bowen Island, I experienced first hand technologies power as an educational tool. The school itself was not equipped with laptops, SmartBoards, or Ipads, like many schools are these days. They had a small computer lab and a student population that was eager to explore, connect and learn. The most significant use of technology that I saw was how students used it to connect with kids at an orphanage in Uganda. Students would write emails, send videos of themselves, their school, their friends and their community. Technology was their platform to leap from and connect with a world around them. Students organized a fundraiser concert, reaching out and contacting a popular local band, and every student had a part in putting the event on. There were sound crews, camera crews, decorations, marketing, security, etc. From the first inkling of the idea, to the final clean up, students were engaged and involved. it was a learning experience accessible to all, despite their learning needs and perceived strengths and weaknesses. The final connecting piece was that students filmed the concert, which included information about Uganda and the specific orphanage, edited the film and emailed it to the orphanage so they could participate and experience the event as well. It was through this experience that I became certain in technologies inherent ability to connect us and educate our hearts, hands and minds.&lt;br /&gt;
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== &#039;&#039;&#039;Graduating Projects (ABSTRACTS)&#039;&#039;&#039; ==&lt;br /&gt;
 Please place the Working ABSTRACT of your graduating project below (250-350 words)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Writing Abstracts http://www.writing.utoronto.ca/advice/specific-types-of-writing/abstract&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
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== Bell, Carolyn. Teaching to Build Classroom Community. ==&lt;br /&gt;
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Teaching in today’s classrooms with the myriad of teaching strategies available to promote 21st century student learning can at times seem overwhelming. Students have access to many web 2.0 technologies and are constantly engaged only in their own digital worlds.&lt;br /&gt;
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The purpose of this project was to determine if classroom community and student collaboration would increase with the use and implementation of digital teaching strategies as well as to determine if students would develop 21st century learning skills by using the technology. &lt;br /&gt;
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The inquiry project consisted the use of a classroom Weebly website which was used for a means of communication between students and parents, as well as a discussion forum where students shared ideas and learning processes. Research was also developed from the use of web/online interfaces, which students used to demonstrate their summative learning as well as the production of various media projects. The students that participated in the project ranged in age from 13-18 and were enrolled in Humanities 8 or Community Leadership 9-12 classes. &lt;br /&gt;
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Based on visual observations and student generated feedback it was clear that the website was very successful in terms of the discussion forum where the students expressed that the online space encouraged them to share their learning with their classmates and it especially helped to improve the depth in their dialogue. Students overall enjoyed working with the digital strategies and web 2.0 technologies, however reported that when using technology for summative assignments they found working independently more efficient and productive. In contrast, when working on the media projects collaboration was evident.&lt;br /&gt;
&lt;br /&gt;
The inquiry project is still ongoing, however findings up to date show that collaboration and community can be fostered while using web 2.0 strategies, while 21st century learning skills require both traditional teaching methods as well the use of digital technologies.&lt;br /&gt;
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== Boucher, Robert. Using Technology to raise the SES of at-risk youth. ==&lt;br /&gt;
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There is a population of students that often get forgotten because they are the “problem” students, the ones that teachers and administrators ask to leave their schools because they can’t ‘fit’ into the square peg we call mainstream. Creative use 21st century learning could be a way to help these students. &lt;br /&gt;
&lt;br /&gt;
What are the conditions that occur when students engage and use technology to learn about employment and life-skills? The purpose of this inquiry is to empower students through technology to learn about life-skills. How has empowerment and self-efficacy been defined in the context of at-risk youth education? How can participatory learning and technology be used to help support student empowerment and self-efficacy? How can at-risk youth use technology to learn about 21st century life-skills?&lt;br /&gt;
&lt;br /&gt;
Two years of student feedback as well as measurable improved life circumstances were noted and the results clearly indicated students felt and demonstrated that having a “space” that met their needs all in one place made measurable differences for them. As a result, some students were able to gain employment, create a healthy meal budget and contact drug and alcohol support workers and more. &lt;br /&gt;
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However, through open discussions with students and my self-reflections there have been areas noted that can and will be improved upon. Overall my findings suggest that offering a participatory learning approach increases students’ self-efficacy, which translates into other areas of at-risk students’ non-academic life.&lt;br /&gt;
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== Chan, Alfred Learning from collective intelligence. ==&lt;br /&gt;
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This paper explores the conditions necessary for students to be able to develop digital literacy skills when asked to produces projects using various modes of technology hardware and software.  (Powerpoint, Smart Notebook, Keynote, Camera work with movies and stop motion, Ipad screen capture programs and Imovie)  Throughout the course of 2 school years, students seem to be able to learn skills and also discover additional functionalities that help to enhance and better convey their understanding of curricular content.  After the initial direct instruction from the teacher of basic features of the technology and time given for exploration the students, through, peer to peer sharing and patience when troubleshooting, some students seem to be able use computer programs to create presentations that are engaging, informative and innovative. &lt;br /&gt;
&lt;br /&gt;
Throughout the paper, 3 questions will guide the observations of student learning and ICT development:&lt;br /&gt;
&lt;br /&gt;
1.	My working definitions of learning and its relationship with engagement &lt;br /&gt;
2.	Communication and collaboration in the 21st Century Learning framework&lt;br /&gt;
3.	The characteristics users need to become engaged and motivated to further develop their ICT skills?  &lt;br /&gt;
&lt;br /&gt;
The 21st century learning framework challenges teachers to be able to individualize learning to enable students to learn similar skills at their own pace with the goal of them also experiencing the same successes.  Peer to peer, participatory model seems to encourage conversation as well as motivation to learn beyond the basic skills.&lt;br /&gt;
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== Cheng, Leo. Heads or Tails. ==&lt;br /&gt;
&lt;br /&gt;
Teaching senior mathematics comes with numerous perks such as highly motivated and intelligent students as well as interesting and challenging content.  However, it also means hours of extra help outside of class time because of students having difficulty with curricular concepts.  In an effort to increase efficiency of my time without sacrificing student’s learning, I was extremely intrigued with the flipped classroom approach in delivering instructions and notes.  With the increasing interest in the educational community on flipped classroom (Ash, 2012), I wanted to do an inquiry project to study the effectiveness in enhancing student learning.  Videos of the class notes were recorded and uploaded onto a website where students watched at home and class time were used for collaborative practice of concepts. &lt;br /&gt;
&lt;br /&gt;
As noted by Ash (2012), implementing successful flipped classrooms require students to be self-regulated learners.  This inquiry project was implemented in an AP Calculus 12 class because majority of students are highly motivated to learn the material.  With good work habits, these students can be or at least have the potential to become self-regulated learners.  One aspect of personalized learning is the flexible scheduling and pacing (Jenkins &amp;amp; Keefe 2002), and flipped classrooms allow this flexibility.   &lt;br /&gt;
&lt;br /&gt;
Student feedback was collected and the results have shown that majority like the concept and implementation of a flipped classroom.  Some of the top reasons why student enjoy this pedagogical approach are the ability to work collaboratively with friends to practice and solve problem, the availability of teacher’s assistance, and the flexibility to learn the material at their own pace.  &lt;br /&gt;
&lt;br /&gt;
Despite all the positive responses from students about the flipped classroom approach, there were several challenges associated with the implementation.  The creation of these videos were too time consuming, often taking three to five hours to complete one lesson.  Not all students were able to self-regulate and often videos were not watched prior to class time, therefore unable to participate in the group work nor practice the concepts.  A more balance of schedule flexibility and accountability is necessary to implement the flipped classroom to its full potential.&lt;br /&gt;
&lt;br /&gt;
== Fung, Anita. The Blended Learning Recipe. ==&lt;br /&gt;
Blended learning combines teaching methods from both face-to-face and online learning, giving schools new approaches and strategies to develop 21st Century Learning skills.  The purpose of this inquiry was to investigate various pedagogical engagement strategies to improve overall learning experience.  The project focused on constructivist activities and several web 2.0 technologies delivered through the learning management system, Moodle. &lt;br /&gt;
&lt;br /&gt;
Over the course of two years, a complete re-design of the structure and format of senior secondary humanities courses took place.  Key changes include designing new units of study in English 12 and geo-caching in Geography 12.  In order to build community in a virtual learning space, communication tools such as the creation of a news forum and online users report played a significant role in connecting the class.  To monitor engagement and motivation, the activity completion tracker, calendar, wiki, and chat features on Moodle were also included.  &lt;br /&gt;
&lt;br /&gt;
Results were gathered through activity reports produced by Moodle, teacher observation, student reflection, discussions, and informal voluntary feedback.&lt;br /&gt;
&lt;br /&gt;
Overall, students felt that their learning experience was positive and felt a sense of pride and accomplishment by completing a course “on their own”.  The structure and organization of the course helped them remain motivated to complete course work.  In terms of engagement, the incorporation of various web 2.0 applications made their learning tasks more meaningful in addition to learning a new skill.  My findings suggest that blended learning environments flourish for all learners when student engagement and motivation drive the curriculum.&lt;br /&gt;
&lt;br /&gt;
== Grigg, Nicole. Web 2.0 &#039;&#039;s’il vous plait&#039;&#039;. ==&lt;br /&gt;
The purpose of this inquiry was to adopt a learning environment modeled on 21st century learning strategies, using web 2.0 technologies to engage students in 3 strands of the French and English Language Arts programs: reading, writing and oral speaking. Building a learning environment that encouraged flexibility, personalization and collaboration were key areas of the 21st century learning movement that were explored in this project. &lt;br /&gt;
&lt;br /&gt;
Web 2.0 technologies and portable devices such as iPads were chosen for the application of this project because they allow for their users to gather information, connect with others and create collective intelligence. Further to this, Web 2.0 technologies make it possible for classrooms to connect with other learning communities around the world. Students from diverse backgrounds can construct richer and more meaningful knowledge with one another while developing a sense of global awareness. &lt;br /&gt;
&lt;br /&gt;
For the English component of this inquiry, students participated in a program entitled “The Global Read Aloud” where classrooms around the globe read a novel at the same pace and connect with one another to share their reactions, questions and understanding. My students mainly connected with one another and other classrooms via Edmodo, Skype and GoogleDocs. Student interest in the novel was overwhelming, and students were eager to hear from their peers. For the French component of the project, students connected with correspondents in France via GoogleDocs and the classroom Weebly website. While certain methods for communication proved to require more risk-taking than others, the overall experience was positive.&lt;br /&gt;
&lt;br /&gt;
The benefits of 21st century learning environment are visible as children build communication skills and engage in the learning that takes place around them. Using interactive technologies extended the possibilities for learning as boundaries for interaction moved beyond the school hours, classroom walls and country boarders.&lt;br /&gt;
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== Hodak, Alicia. 21st Century Learning and Student Engagement. ==&lt;br /&gt;
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As part of 21st century learning initiatives, which promote skills such as critical thinking, creativity, collaboration and communication, there has been an increased focus on the idea of facilitating a more personalized learning environment for students.  The focus of this inquiry is on the promotion of student-centered learning using a class website, blog and student e-portfolios in order to engage and motivate students as “co-learners” in the learning process. &lt;br /&gt;
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The first year of this inquiry focuses on the use of a class website created using Weebly in order to engage a group of grade two and three students and communicate with their parents.  Blogging and e-portfolios were attempted, but were not successful mostly due to the lack of access to technology in the school.  In year two, the class website and blog were re-worked to engage a group of grade seven students.  Students also created e-portfolios using Edublogs as a means of formative assessment in which they were given the opportunity to reflect on the process of their learning in a collaborative environment.   &lt;br /&gt;
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Feedback from parents suggests the class website has helped them stay informed as to what is happening in the classroom.  Students have also indicated that it has been useful to be able to access homework, assignments and other related resources outside of school.  The class blog and e-portfolios continue to be developed.  So far, the creation of student e-portfolios has provided students with the opportunity to be creative, work at their own pace, share and reflect on their learning and receive authentic feedback.  The blog has been successful in that some typically reluctant students were more willing to share their ideas with the class, however the ability to have meaningful conversations continues to be limited by lack of properly functioning technology.&lt;br /&gt;
&lt;br /&gt;
== Irshad, Arsala. Blended Learning 2.0: Integrating Social Media, Apps and Web 2.0 for 21st Century Learning ==&lt;br /&gt;
The purpose of this inquiry was to examine how a virtual learning space can be employed to create an effective blended learning environment that supports and engages students in 21st century learning.  While many teachers at the K-12 level use VLEs such as class websites for communication with students and parents, or structured LMSs like Moodle to deliver distant courses, this inquiry was aimed at exploring the role of VLEs in fostering 21st century learning, augmenting classroom instruction, making learning accessible and mobile, and engaging students by nurturing a participatory community of learners.&lt;br /&gt;
The context of this inquiry included high school physics classroom with many students having preconceptions about the subject such as it is irrelevant, difficult to understand and inundated with complex mathematical equations. Since students’ perceptions of a subject play a critical role in their learning and understanding of it, and the way a subject is taught can affect their attitudes toward it, a social learning network, Edmodo was chosen as a platform for blended learning to connect with them, engage them, and bridge the gap between their lives and their learning. One of the main reasons behind selection of Edmodo included the fact that it allowed for sharing of digital media, encouraged communication, peer-based learning and provided seamless embedding of a variety of web 2.0 tools and iPad apps. It was used to post, receive, annotate, assess and return student assignments; continue classroom discussions online; administer formative quizzes online, conduct quick polls, and as a space for collaborating and sharing students’ digital portfolios and projects. Some of the web 2.0 technologies and apps used in conjunction with Edmodo were Notability, Showme, RSS feeds from newspapers, Khan academy, and PBS Learning Media.Students used Prezi, Glogster, Tumblr, Weebly, Wix, Pixton and blogspot to create and share digital portfolios and projects.&lt;br /&gt;
Students’ engagement in their learning through interactive technologies was evident in their work, online communication and collaboration. An interpretivist methodology was employed and anecdotal evidence was collected through informal observations, quick polls, and student surveys. Results clearly demonstrated that blended learning using a social learning network and web 2.0 technologies created engaging and supportive learning opportunities for students, extended the learning beyond the physical boundaries of a classroom and provided with avenues for communication, collaboration and creative expression.&lt;br /&gt;
&lt;br /&gt;
== Knight, John. Promoting Student Engagement through a Virtual Learning Environment. ==&lt;br /&gt;
&lt;br /&gt;
With the inevitable implementation of 21st Century Learning initiatives it is vitally important that educators closely monitor and reflect upon the relationship between student learning and the incorporation of ICT and digital literacy goals into the learning environment. Research has shown that when a student is intrinsically motivated to learn, is engaged with the learning activities, and has developed a strong, positive relationship with classmates and instructors, then the chances for authentic learning to take place are greatly increased. The purpose of this inquiry was to explore the characteristics of student engagement, motivation, and collaboration that could be presented when students interact with each other, and with curriculum, in a virtual learning environment.&lt;br /&gt;
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Over the course of two years, a website was developed in which students were encouraged to express themselves and their understandings. The first year involved creation of the site, troubleshooting technical issues, and determining improvements needed to help increase engagement. During the second year, the site ran smoothly and students were able to fully utilize its potential. A qualitative, interpretivist methodology was adopted in which I was integrally involved as the classroom teacher. Students completed surveys, and anecdotal evidence was recorded to see if characteristics of motivation and engagement were present in their class website/blogging activities.&lt;br /&gt;
&lt;br /&gt;
As student online activity grew, it became clear that all students in the class had been given a voice to express their interests and passions. They were encouraged to comment on and share connections made with their peers in a positive, productive manner. Students posted curricular connections that may not have been expressed via regular class discussions due to time constraints and/or a lack of confidence with speaking aloud. Various widgets, such as a Poll, RSS feeds, and a Chatroll, also allowed for the further development and expression of such connections.&lt;br /&gt;
Survey responses and anecdotal evidence collected suggest that when a virtual learning environment is used to encourage student personal expression in a positive, diverse, and creative manner, and not simply as a medium for the posting of assignments, then greater opportunity for increased engagement with curriculum is provided&lt;br /&gt;
&lt;br /&gt;
== Mann, Marian. Connecting a Class Community Online. ==&lt;br /&gt;
Today’s 21st century student, raised in a technological world, communicates, interacts, and develops social relationships online.  Recognizing this shift, educators have begun to integrate Information and Communications Technologies in their teaching practice in order to engage and motivate student learning.  Digital technologies such as class websites and blogs bring the classroom into the home, allowing for further student communication, interaction and increased learning opportunities.  This inquiry demonstrates how an established face-to-face classroom community can be extended online to further develop critical thinking skills and the construction of knowledge.  It also examines the positive effect of peer feedback for intrinsic motivation and skills development in writing.&lt;br /&gt;
&lt;br /&gt;
The inquiry involved the creation of a WordPress class website for students to primarily respond to teacher and student posts in an effort to simulate ‘class discussions’ and promote critical thinking.  In addition, polls and various asynchronous activities were published with the intent to have students share ideas to stimulate questions and foster further reflection.   A Writers’ Workshop was conducted via Google Drive on which students shared their drafts with peers and the teacher for the purpose of collecting positive comments, questions and specific suggestions.&lt;br /&gt;
&lt;br /&gt;
Taking an interpretivist approach, the teacher collected and analyzed data from surveys, observations, samples of posted responses and student posts, and samples of writing.   The inquiry found that students were mostly comfortable communicating online with their classmates provided that this community was closed to others.   A limited amount of comments showing a synthesis of material using classmates’ contributions were made suggesting a hesitancy to engage in higher ordered thinking skills online  The study also found that students were motivated to create work on Google Drive and were at ease with sharing their writing, and giving and receiving feedback.  Student’s writing skills improved as a direct result of the constructive feedback provided by peers and the teacher.  During the inquiry, it became apparent that the digital divide contributed to the further marginalization of students in low socio-economic households.  Relationships, peer interaction and writing skills for this group minimally strengthened although most activities were completed in class.&lt;br /&gt;
&lt;br /&gt;
== Martin, Sean. Teaching Old Dogs New Tricks. ==&lt;br /&gt;
&lt;br /&gt;
With 21st Century Learning being “the next big thing” in education, it is important to understand what that means for students and teachers and what skills are needed to be successful in a 21st Century classroom. With technology integration into the curriculum being an integral part of this educational movement, many teachers appear resistant to changes that would incorporate more technology use in their classroom.&lt;br /&gt;
&lt;br /&gt;
The purpose of this inquiry was to observe the willingness of teachers to use digital technologies in their classrooms with the support of a mentor as a part of the goals of 21st Century Learning. The project focused on the creation of a class website to promote communication between teachers, parents and students, as well as to provide opportunities for class discussions. For many colleagues, the mentorship relationship progressed further to include support using other technologies, most notably the use of ipads for a variety of class specific purposes. &lt;br /&gt;
&lt;br /&gt;
This inquiry found that if teachers had a strong desire to learn and wanted to integrate digital technologies into their classroom, they would benefit more from the mentor-protégé relationship, regardless of previous familiarity with using digital technologies. While most teachers were excited to explore the possibilities of improving learning opportunities for their students, others were not as keen and had difficulty experimenting with the technology individually and making time to work with the mentor. While the support provided by the mentor was paramount in helping teachers find success using digital technologies, it seemed to be of secondary importance to a teacher’s commitment to learning.&lt;br /&gt;
&lt;br /&gt;
If our schools are to truly embrace the full integration of digital technology into the curriculum, it will certainly require support and training, but that must also be coupled with a commitment from teachers to want to make a change. Teachers can be presented with all of the training and mentorship opportunities that can be made available, but without the desire to want to use the technology as a part of their teaching practice, it will be difficult to have real progress with the goals of 21st Century Learning.&lt;br /&gt;
&lt;br /&gt;
== Mergens, Jolene. Enhancing Student Engagement Through Blending Content with Inquiry and Interactive Technology. ==&lt;br /&gt;
This project was designed to improve student engagement within a senior Biology classroom.  The objective was to increase engagement by increasing interactivity amongst students and with the teacher beyond the classroom by utilizing social media they were familiar with and by allowing student inquiry to guide their learning. &lt;br /&gt;
 &lt;br /&gt;
60 senior Biology students that ranged in academic performance were required to generate a somewhat complex human biology based question. This question needed to be one of personal relevance that they were previously or currently curious about. This became known as their INTU question (I Need to Understand). Using a class website that students were familiar and comfortable with, students were required to answer their question, read their peers’ questions/answers and interact with each other.  Significant efforts were made to increase an online presence for the class. Students regularly used twitter and the class website as the forum to ask questions, reference important dates and seek out resources. &lt;br /&gt;
 &lt;br /&gt;
Results were gathered through informal student feedback in the form of anonymous questionnaires, class discussion, online polls and tracking class website user navigation information.  &lt;br /&gt;
 &lt;br /&gt;
Overall, there were many organic conversations that resulted between students. Students felt that their age, background and similar experiences generated many common curiosities and interests that they too wanted to understand. Most students found it increased their interest in Biology, allowed them to view Biology and Science in general as relevant in their lives and felt it increased positive interactions with peers and the teacher.  A handful of students felt that this caused them to regularly and actively search out the answers to Biological questions outside of their required INTU. A few students were neutral about this process and felt it didn’t benefit them greatly nor did it affect them in a negative way, but they did find level of interaction did increase.&lt;br /&gt;
 &lt;br /&gt;
This project suggests that genuine interest and engagement levels increase when students are given the opportunity to pose their own questions, select areas of interest and then put them into context within the curricular content. Interactivity between students validates their curiosity as valued and therefore as relevant.&lt;br /&gt;
&lt;br /&gt;
== Ng, Christina. Blended Learning in the ESL Classroom. ==&lt;br /&gt;
&lt;br /&gt;
Learners today are growing in environments that stimulate and gratifies with a click of a button. The Internet is now an open source of limitless information and has changed and challenged the traditional concepts of Education and Technology.  Language instructors have been using audio-visual tools such as audio tapes, video recordings, overhead projectors and computers, to assist in developing students skills in listening, speaking and overall understanding of a second language long before the internet. With the emergence of the Internet and advanced language soft wares and devices, it was natural to adopt them into the fold of Second Language Learning. Additionally, today’s form of communication naturally plays a major role in language learning and development. Through an Educator’s lens, various media have become a valuable resource to enhance and move second language learning towards more authentic and engaging experiences. &lt;br /&gt;
&lt;br /&gt;
This project investigated the language-learning experiences of English Language Learners and the development of their English skills by incorporating a web based curriculum and digital media: YouTube, Google Docs, Google Drive, and Gmail, within a Blended Learning environment. This inquiry primarily looked at the language development of ESL students from China and Korea, knew to Canada. My school is working in partnership with another Language School and had developed the web-based curriculum students used and interacted with.    &lt;br /&gt;
&lt;br /&gt;
A majority of the students have never interacted with Google beyond gaming and watching videos for fun.  Overall, students expressed and showed more engagement when learning lessons online and become more adept navigating the web, and utilizing Google Drive, Docs and Gmail for academic use. Teachers have noticed that blending computer based activities and media with traditional instruction, is not only beneficial for the auditory, visual and kinaesthetic learners, but it also gave their students opportunity to engage and be exposed to English in the digital form. This I feel has helped create a positive experience in students’ language development and growth.&lt;br /&gt;
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== Phillips, Christopher. Incorporating Web 2.0 Technologies in the Elementary Classroom. ==&lt;br /&gt;
       &lt;br /&gt;
I have always had a keen interest in technology and as I became an elementary school teacher, I knew that I wanted to find ways of implementing this in the classroom.  The classroom where I was educated is now becoming a thing of the past.  Students are more apt to utilize a tablet or laptop when doing their work over the traditional pencil and paper method.  As such, education appears to need to implement new strategies and ideas in the classroom that engage all learners. Students today are connected and it was my aim through this project to see if incorporating web 2.0 technologies in the classroom would enhance overall student engagement and develop 21st century learning skills.&lt;br /&gt;
&lt;br /&gt;
During this project the following web 2.0 technologies were examined for their influence on student engagement and development of 21st century learning skills, both inside and outside the classroom:&lt;br /&gt;
•	Classroom website designed using WordPress&lt;br /&gt;
•	Google Drive (as managed by our Burnaby School District Learning Technologies Team)&lt;br /&gt;
•	Online tutorial videos&lt;br /&gt;
•	Discussion forums for reading&lt;br /&gt;
&lt;br /&gt;
While examining this project, it was important to consider how these chosen technologies have been connected with current research in the areas of student engagement and 21st century learning.  It was also necessary to identify key 21st century learning skills that could be developed both by using these web 2.0 technologies and their connections to curriculum at the grade six and seven level as outlined by the Ministry of Education’s Integrated Resource Package (IRP).  In addition, it was important to reflect upon my teaching beliefs and how they changed over the course of this project.  &lt;br /&gt;
&lt;br /&gt;
Information was collected by teacher observation, and feedback was generated from both students and parents on the effects towards student engagement. The overall belief was that incorporating these technologies into the teaching and learning environment did have a positive impact on student engagement, especially for those students who identify as being quieter individuals.  While there were many positives, there were a few learning opportunities that resulted because of choices made by individual participants.  These are outlined in the paper.&lt;br /&gt;
&lt;br /&gt;
== Rowe, Jessica. Language Arts and Technology. ==&lt;br /&gt;
&lt;br /&gt;
The following document describes a teacher inquiry project examining the integration of technology into one classroom’s language arts curriculum over the course of two school years, with a focus on online literature circles. Student input shaped much of the process and format with students responding via online surveys, discussion posts and polls on a continuous basis to give feedback.&lt;br /&gt;
 &lt;br /&gt;
In the first year, two different grade 6/7 classes completed traditional literature circle roles such as discussion director and passage picker using two different sites. One class used the forums on a Wordpress site while the other class used pages on a Weebly site to share and respond to roles. Feedback from students showed a preference towards shifting away from the traditional literature circle roles as followed in year one and a need for a more user-friendly format.  Year two focused this time around one grade 6/7 class using the Wordpress site to participate and share teacher-chosen assignments integrating technology and open-source sites in online literature circles. Sixteen out of thirty of the students had previous experience with online literature circles due to being a part of the inquiry project in year one.&lt;br /&gt;
&lt;br /&gt;
Students expressed frustration regarding the technical difficulties faced throughout the process including: outdated browsers, difficulty accessing sites needed to complete assignments and the speed of the school’s internet.  This study, originally intended to increase engagement and on-task behavior in language arts, was greatly hindered by these technical difficulties.  This indicates the necessity of keeping school technology and infrastructure up-to-date, an ongoing challenge for school boards faced with budget restrictions and shortfalls.&lt;br /&gt;
&lt;br /&gt;
== Schofield, Bryan. SOLE Projects in a Grade Four Classroom. ==&lt;br /&gt;
&lt;br /&gt;
== Soo, Elginn. Self-Regulation: Fighting the Temptation of Distractions on Technology While Using Technology for Learning. ==&lt;br /&gt;
&lt;br /&gt;
The purpose of my inquiry is to investigate the ways of assessing progress of self-regulation in students’ learning while using technology in the classroom.  To assist me in my study, I will be using a virtual social learning platform.&lt;br /&gt;
&lt;br /&gt;
In order for learning to occur in the ‘ideal’ environment, it is important for my students to be able to self-regulate their ability to sustain focused attention for a set period of time in the school setting.  There are an infinite number of distractions in a classroom environment as is, and incorporating another variable such as technology and a virtual space, does not help to alleviate their desire to engage with other potential tempting activities on their technological devices, while working on a computer assignment.  If my students are able to divert their full attention to working on a task to the best of their ability then I believe that teachers will be able to receive a more accurate assessment of learning that is happening when using technology.&lt;br /&gt;
&lt;br /&gt;
Through various computer-based assignments with my Grade 5/6 class, I recorded informal anecdotal notes as I monitored my students’ habits as they worked on slideshows, online quizzes, animations, writing and research.  In addition, my class completed some online, impromptu polls after some work periods to determine whether or not they were on task.  On average, 30% admitted that they were not completely focused as they were doing “other” things on the computer.  When asked why they did alternative things, their reasons ranged from a mere shrug of their shoulders to a strange excuse followed by a smirk or look of guilt.  As a class, we also discussed the possible reasons for why people may get distracted with the internet or other programs while working on their computers.&lt;br /&gt;
&lt;br /&gt;
I think the first step to addressing self-regulation in learning while using technology is to bring awareness to my students.  Once they are conscious of their unhelpful computer habits, then we can assist them with some strategies to maintain more focus and control over the temptation to ‘play’ or procrastinate.&lt;br /&gt;
&lt;br /&gt;
== Wood, Murray. Student Engagement, The Virtual, and Media Literacy in 21st Century Learning. ==&lt;br /&gt;
This paper represents a two-year self-study conducted by a teacher in an elementary intermediate classroom. Following a brief review of the literature, the writer postulates that, while the underlying rationale for the current wave of curriculum reform under the banner of Twenty First Century learning may be flawed, initiatives such as the current reworking of curriculum by the British Columbia Ministry of Education provide possibilities for teachers to design curriculum which facilitates students making the transition from passive receptors of information participating primarily in superficial interactions through social media, to fully engaged active participants in rich virtual communities.&lt;br /&gt;
Ambivalent about the immersive nature of students’ relationships with information communication technologies, the writer seeks to use the ICTs available at the school–22 tablets, a portable lab of 15 notebook computers, and a stationary lab of 30 desktop computers–to provide his students with opportunities to develop skills, knowledge, and attitudes conducive to media literacy–a consistent element across the wide range of definitions of twenty first century learning and a central component of the BC Education Plan. Following the principles of backward design, the writer documents how, as early intermediate students come to understand the basic conventions of film by creating their own works and analysing the work of their peers, they better understand that film and, by extension, other mass media, are not objective reflections of reality but are constructed by the creators to communicate specific messages.  This understanding represents an important first step towards media literacy. The writer then considers the question of how to overcome the many challenges associated with using film in the classroom in order to provide a balanced curriculum in which students have opportunities to use ICT and other media to create representations of their learning and to enrich their experience of the curriculum through collaboration, discussion and critical analysis of their work, the work of their classmates, and that of members of virtual communities.&lt;br /&gt;
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== Yager, Jennifer. Using Technology to Foster Social Emotional Development within a Holistic Education. ==&lt;br /&gt;
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Technologies are an integral part of our society. Many students are exposed to various technologies prior to their first steps down a school hallway. Inherent in technology is the power to connect us to the world and the knowledge and people that are held within it. Despite all of the opportunity for connection, there is a pervasive concern that technologies overlook the important social and emotional skill development that is inherent in face to face interactions.Due to the current push for 21st Century education and a concern for what that means for social emotional learning, my inquiry focused on how technology could be used to foster the development of Social and Emotional skills.&lt;br /&gt;
 &lt;br /&gt;
For the inquiry I created a class Edmodo website, which was used as a platform for activities focused on collaboration and empathy. The study was designed around the school social responsibility model STAR (Safe, Thoughtful, Accepting, Responsible), with each activity being focused on one aspect of STAR.  A variety of resources (i.e. videos and web 2.0 tools) were used to educate about online safety and expose students to the experiences of children around the world, while assignments were given to facilitate group collaboration. Throughout the study observations were made, surveys were taken and assignments were given. &lt;br /&gt;
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Student engagement in the website was high, from the beginning of the inquiry and remained high throughout the study. Students were reflective and communicated honestly when frustrations arose. The misunderstandings and problems that arose were most effectively resolved when they were discussed in a face to face interaction.  &lt;br /&gt;
The findings of my study demonstrated the importance of having a blended learning environment, where students learn with technology while being enhanced and supported by face to face interactions. The inherent benefits of technology, the interface to connect with people, places and knowledge beyond the scope of their community, needs to be incorporated with  meaningful interactions with those within their immediate community.&lt;br /&gt;
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== &#039;&#039;&#039;Graduating Projects (working titles)&#039;&#039;&#039; ==&lt;br /&gt;
 Please place the working title of your graduating project below using the following format: &lt;br /&gt;
&lt;br /&gt;
Airey, Robert. (2012). Using Technology to Track and Demonstrate Understanding of Learning Outcomes in a Junior Science Classroom. M.Ed. Graduating Thesis.&lt;br /&gt;
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&#039;&#039;&#039;Browse example titles of DLC1 Projects http://dlc-ubc.ca/dlc2_wp/edcp508b/projects/&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
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Bell, Carolyn (2014) Teaching to Build Classroom Community: A Look at One Classroom&#039;s Transformations Using 21st Century Learning Skills and Digital Technology. M. Ed. Graduating Thesis.&lt;br /&gt;
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Boucher, Robert (2014) Using Technology to raise the SES of at-risk youth. M. Ed. Graduating Thesis.&lt;br /&gt;
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Chan, Alfred (jan 2014) Learning from collective intelligence: developing digital skills through peer sharing&lt;br /&gt;
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Cheng, Leo. (2014) Heads or Tails: Successes and Challenges of Implementing a Flipped Classroom in Senior Mathematics. M.Ed. Graduating Thesis.&lt;br /&gt;
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Fung, Anita. (2014) The Blended Learning Recipe: Student Engagement, Motivation, and Community. M. Ed. Graduating Thesis.&lt;br /&gt;
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Grigg, Nicole (2014) Web 2.0 &#039;&#039;s’il vous plait&#039;&#039;: Enhancing the Language Arts Classroom Community Through Interactive Technologies and 21st Century Learning. M. Ed. Graduating Thesis.  &lt;br /&gt;
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Hodak, Alicia (2014) 21st Century Learning and Student Engagement: Motivating Students using a Class Website and Blog. M. Ed. Graduating Thesis.&lt;br /&gt;
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Irshad, Arsala. (2014). Blended Learning 2.0: Integrating Social LMS, Web 2.0 &amp;amp; Apps for 21st Century Learning. M. Ed. Graduating Thesis.&lt;br /&gt;
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Knight, John (2014) Promoting Student Engagement through a Virtual Learning Environment: Student Blogging and Connections to Curriculum&lt;br /&gt;
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Mann, Marian. (2014). Connecting a Class Community Online: Motivating Learners to Communicate and Construct Knowledge Through the Use of Technology.  M.Ed. Graduating Thesis.&lt;br /&gt;
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Martin, Sean. (2014). Teaching Old Dogs New Tricks: Using a Mentor-Protégé Relationship to Help Motivate Colleagues to use Technology in the Classroom. M.Ed. Graduating Thesis.&lt;br /&gt;
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Mergens, Jolene. (2014). Enhancing Student Engagement Through Blending Content with Inquiry and Interactive Technology. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Ng, Christina. (2014). Blended Learning in the ESL Classroom: Incorporating a Web-Based Curriculum and Emerging Technologies to Enhance English Second Language Learning and Experiences. M. Ed Graduating Thesis. &lt;br /&gt;
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Phillips, Christopher. (2014). Incorporating Web 2.0 Technologies in the Elementary Classroom: A Means to Develop 21st Century Skills and Enhance Student Engagement. M. Ed. Graduating Thesis.&lt;br /&gt;
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Rowe, Jessica. (2014) Language Arts and Technology: A Platform for Engagement &amp;amp; Collaboration. M.Ed. Graduating Thesis.&lt;br /&gt;
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Schofield, Bryan. (2014). SOLE Projects in a Grade Four Classroom: A Self-Regulated Inquiry-Based Technological Approach to Learning. M.Ed. Graduating Thesis.&lt;br /&gt;
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Soo, Elginn. (2014).  Self-Regulation: Fighting the Temptation of Being Distracted by Technology While Using Technology for Learning. M.Ed. Graduating Thesis.&lt;br /&gt;
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Wood, Murray. (2014). Student Engagement, The Virtual, and Media Literacy in 21st Century Learning.  M. Ed. Graduating Thesis&lt;br /&gt;
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Yager, Jennifer. (2014). Using Technology to Foster Social Emotional Development within a Holistic Education. M.Ed. Graduating Thesis.&lt;br /&gt;
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==&#039;&#039;&#039;Student Planning Space&#039;&#039;&#039;==&lt;br /&gt;
Sandbox or plan DLGs etc. here...&lt;/div&gt;</summary>
		<author><name>Stephenpetrina</name></author>
	</entry>
	<entry>
		<id>https://wiki.ubc.ca/index.php?title=Course:Edcp473&amp;diff=273820</id>
		<title>Course:Edcp473</title>
		<link rel="alternate" type="text/html" href="https://wiki.ubc.ca/index.php?title=Course:Edcp473&amp;diff=273820"/>
		<updated>2014-01-30T20:45:45Z</updated>

		<summary type="html">&lt;p&gt;Stephenpetrina: /* Graduating Projects (INTRODUCTORY PARAGRAPH) */&lt;/p&gt;
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&lt;div&gt;== &#039;&#039;&#039;Winter 2014&#039;&#039;&#039; ==&lt;br /&gt;
== Digital Media and ICT: Ethical Uses ==&lt;br /&gt;
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&#039;&#039;&#039;Link to the EDCP 473 WP in DLC Portal  http://dlc-ubc.ca/dlc2_wp/edcp473/&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Graduating Projects (INTRODUCTORY PARAGRAPH)&#039;&#039;&#039; ==&lt;br /&gt;
 Please place the Working INTRODUCTORY PARA of your graduating project below (130-210 words)&lt;br /&gt;
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== Bell, Carolyn ==&lt;br /&gt;
== Boucher, Robert ==&lt;br /&gt;
== Chan, Alfred ==&lt;br /&gt;
== Cheng, Shun ==&lt;br /&gt;
== Kuen, Leo ==&lt;br /&gt;
== Fung, Anita ==&lt;br /&gt;
== Grigg, Nicole ==&lt;br /&gt;
== Hodak, Alicia ==&lt;br /&gt;
== Irshad, Arsala ==&lt;br /&gt;
== Knight, John ==&lt;br /&gt;
== Mann, Marian ==&lt;br /&gt;
== Martin, Sean ==&lt;br /&gt;
== Mergens, Jolene ==&lt;br /&gt;
== Ng, Christina ==&lt;br /&gt;
== Phillips, Christopher ==&lt;br /&gt;
== Rowe, Jessica ==&lt;br /&gt;
== Schofield, Bryan ==&lt;br /&gt;
== Soo, Elginn ==&lt;br /&gt;
== Wood, Alexander ==&lt;br /&gt;
== Yager, Jennifer ==&lt;br /&gt;
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== &#039;&#039;&#039;Graduating Projects (ABSTRACTS)&#039;&#039;&#039; ==&lt;br /&gt;
 Please place the Working ABSTRACT of your graduating project below (250-350 words)&lt;br /&gt;
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&#039;&#039;&#039;Writing Abstracts http://www.writing.utoronto.ca/advice/specific-types-of-writing/abstract&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
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== Bell, Carolyn. Teaching to Build Classroom Community. ==&lt;br /&gt;
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Teaching in today’s classrooms with the myriad of teaching strategies available to promote 21st century student learning can at times seem overwhelming. Students have access to many web 2.0 technologies and are constantly engaged only in their own digital worlds.&lt;br /&gt;
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The purpose of this project was to determine if classroom community and student collaboration would increase with the use and implementation of digital teaching strategies as well as to determine if students would develop 21st century learning skills by using the technology. &lt;br /&gt;
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The inquiry project consisted the use of a classroom Weebly website which was used for a means of communication between students and parents, as well as a discussion forum where students shared ideas and learning processes. Research was also developed from the use of web/online interfaces, which students used to demonstrate their summative learning as well as the production of various media projects. The students that participated in the project ranged in age from 13-18 and were enrolled in Humanities 8 or Community Leadership 9-12 classes. &lt;br /&gt;
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Based on visual observations and student generated feedback it was clear that the website was very successful in terms of the discussion forum where the students expressed that the online space encouraged them to share their learning with their classmates and it especially helped to improve the depth in their dialogue. Students overall enjoyed working with the digital strategies and web 2.0 technologies, however reported that when using technology for summative assignments they found working independently more efficient and productive. In contrast, when working on the media projects collaboration was evident.&lt;br /&gt;
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The inquiry project is still ongoing, however findings up to date show that collaboration and community can be fostered while using web 2.0 strategies, while 21st century learning skills require both traditional teaching methods as well the use of digital technologies.&lt;br /&gt;
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== Boucher, Robert. Using Technology to raise the SES of at-risk youth. ==&lt;br /&gt;
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There is a population of students that often get forgotten because they are the “problem” students, the ones that teachers and administrators ask to leave their schools because they can’t ‘fit’ into the square peg we call mainstream. Creative use 21st century learning could be a way to help these students. &lt;br /&gt;
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What are the conditions that occur when students engage and use technology to learn about employment and life-skills? The purpose of this inquiry is to empower students through technology to learn about life-skills. How has empowerment and self-efficacy been defined in the context of at-risk youth education? How can participatory learning and technology be used to help support student empowerment and self-efficacy? How can at-risk youth use technology to learn about 21st century life-skills?&lt;br /&gt;
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Two years of student feedback as well as measurable improved life circumstances were noted and the results clearly indicated students felt and demonstrated that having a “space” that met their needs all in one place made measurable differences for them. As a result, some students were able to gain employment, create a healthy meal budget and contact drug and alcohol support workers and more. &lt;br /&gt;
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However, through open discussions with students and my self-reflections there have been areas noted that can and will be improved upon. Overall my findings suggest that offering a participatory learning approach increases students’ self-efficacy, which translates into other areas of at-risk students’ non-academic life.&lt;br /&gt;
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== Chan, Alfred Learning from collective intelligence. ==&lt;br /&gt;
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This paper explores the conditions necessary for students to be able to develop digital literacy skills when asked to produces projects using various modes of technology hardware and software.  (Powerpoint, Smart Notebook, Keynote, Camera work with movies and stop motion, Ipad screen capture programs and Imovie)  Throughout the course of 2 school years, students seem to be able to learn skills and also discover additional functionalities that help to enhance and better convey their understanding of curricular content.  After the initial direct instruction from the teacher of basic features of the technology and time given for exploration the students, through, peer to peer sharing and patience when troubleshooting, some students seem to be able use computer programs to create presentations that are engaging, informative and innovative. &lt;br /&gt;
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Throughout the paper, 3 questions will guide the observations of student learning and ICT development:&lt;br /&gt;
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1.	My working definitions of learning and its relationship with engagement &lt;br /&gt;
2.	Communication and collaboration in the 21st Century Learning framework&lt;br /&gt;
3.	The characteristics users need to become engaged and motivated to further develop their ICT skills?  &lt;br /&gt;
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The 21st century learning framework challenges teachers to be able to individualize learning to enable students to learn similar skills at their own pace with the goal of them also experiencing the same successes.  Peer to peer, participatory model seems to encourage conversation as well as motivation to learn beyond the basic skills.&lt;br /&gt;
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== Cheng, Leo. Heads or Tails. ==&lt;br /&gt;
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Teaching senior mathematics comes with numerous perks such as highly motivated and intelligent students as well as interesting and challenging content.  However, it also means hours of extra help outside of class time because of students having difficulty with curricular concepts.  In an effort to increase efficiency of my time without sacrificing student’s learning, I was extremely intrigued with the flipped classroom approach in delivering instructions and notes.  With the increasing interest in the educational community on flipped classroom (Ash, 2012), I wanted to do an inquiry project to study the effectiveness in enhancing student learning.  Videos of the class notes were recorded and uploaded onto a website where students watched at home and class time were used for collaborative practice of concepts. &lt;br /&gt;
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As noted by Ash (2012), implementing successful flipped classrooms require students to be self-regulated learners.  This inquiry project was implemented in an AP Calculus 12 class because majority of students are highly motivated to learn the material.  With good work habits, these students can be or at least have the potential to become self-regulated learners.  One aspect of personalized learning is the flexible scheduling and pacing (Jenkins &amp;amp; Keefe 2002), and flipped classrooms allow this flexibility.   &lt;br /&gt;
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Student feedback was collected and the results have shown that majority like the concept and implementation of a flipped classroom.  Some of the top reasons why student enjoy this pedagogical approach are the ability to work collaboratively with friends to practice and solve problem, the availability of teacher’s assistance, and the flexibility to learn the material at their own pace.  &lt;br /&gt;
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Despite all the positive responses from students about the flipped classroom approach, there were several challenges associated with the implementation.  The creation of these videos were too time consuming, often taking three to five hours to complete one lesson.  Not all students were able to self-regulate and often videos were not watched prior to class time, therefore unable to participate in the group work nor practice the concepts.  A more balance of schedule flexibility and accountability is necessary to implement the flipped classroom to its full potential.&lt;br /&gt;
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== Fung, Anita. The Blended Learning Recipe. ==&lt;br /&gt;
Blended learning combines teaching methods from both face-to-face and online learning, giving schools new approaches and strategies to develop 21st Century Learning skills.  The purpose of this inquiry was to investigate various pedagogical engagement strategies to improve overall learning experience.  The project focused on constructivist activities and several web 2.0 technologies delivered through the learning management system, Moodle. &lt;br /&gt;
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Over the course of two years, a complete re-design of the structure and format of senior secondary humanities courses took place.  Key changes include designing new units of study in English 12 and geo-caching in Geography 12.  In order to build community in a virtual learning space, communication tools such as the creation of a news forum and online users report played a significant role in connecting the class.  To monitor engagement and motivation, the activity completion tracker, calendar, wiki, and chat features on Moodle were also included.  &lt;br /&gt;
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Results were gathered through activity reports produced by Moodle, teacher observation, student reflection, discussions, and informal voluntary feedback.&lt;br /&gt;
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Overall, students felt that their learning experience was positive and felt a sense of pride and accomplishment by completing a course “on their own”.  The structure and organization of the course helped them remain motivated to complete course work.  In terms of engagement, the incorporation of various web 2.0 applications made their learning tasks more meaningful in addition to learning a new skill.  My findings suggest that blended learning environments flourish for all learners when student engagement and motivation drive the curriculum.&lt;br /&gt;
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== Grigg, Nicole. Web 2.0 &#039;&#039;s’il vous plait&#039;&#039;. ==&lt;br /&gt;
The purpose of this inquiry was to adopt a learning environment modeled on 21st century learning strategies, using web 2.0 technologies to engage students in 3 strands of the French and English Language Arts programs: reading, writing and oral speaking. Building a learning environment that encouraged flexibility, personalization and collaboration were key areas of the 21st century learning movement that were explored in this project. &lt;br /&gt;
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Web 2.0 technologies and portable devices such as iPads were chosen for the application of this project because they allow for their users to gather information, connect with others and create collective intelligence. Further to this, Web 2.0 technologies make it possible for classrooms to connect with other learning communities around the world. Students from diverse backgrounds can construct richer and more meaningful knowledge with one another while developing a sense of global awareness. &lt;br /&gt;
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For the English component of this inquiry, students participated in a program entitled “The Global Read Aloud” where classrooms around the globe read a novel at the same pace and connect with one another to share their reactions, questions and understanding. My students mainly connected with one another and other classrooms via Edmodo, Skype and GoogleDocs. Student interest in the novel was overwhelming, and students were eager to hear from their peers. For the French component of the project, students connected with correspondents in France via GoogleDocs and the classroom Weebly website. While certain methods for communication proved to require more risk-taking than others, the overall experience was positive.&lt;br /&gt;
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The benefits of 21st century learning environment are visible as children build communication skills and engage in the learning that takes place around them. Using interactive technologies extended the possibilities for learning as boundaries for interaction moved beyond the school hours, classroom walls and country boarders.&lt;br /&gt;
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== Hodak, Alicia. 21st Century Learning and Student Engagement. ==&lt;br /&gt;
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A part of 21st century learning initiatives, which promote skills such as critical thinking, creativity, collaboration and communication, there has been an increased focus on the idea of facilitating a more personalized learning environment for students.  The focus of this inquiry is on the promotion of student-centered learning using a class website, blog and student e-portfolios in order to engage and motivate students as “co-learners” in the learning process. &lt;br /&gt;
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The first year of this inquiry focuses on the use of a class website created using Weebly in order to engage a group of grade two and three students and communicate with their parents.  Blogging and e-portfolios were attempted, but were not successful mostly due to the lack of access to technology in the school.  In year two, the class website and blog were re-worked to engage a group of grade seven students.  Students also created e-portfolios using Edublogs as a means of formative assessment in which they were given the opportunity to reflect on the process of their learning in a collaborative environment.   &lt;br /&gt;
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Feedback from parents suggests the class website has helped them stay informed as to what is happening in the classroom.  Students have also indicated that it has been useful to be able to access homework, assignments and other related resources outside of school.  The class blog and e-portfolios continue to be developed.  So far, the creation of student e-portfolios has provided students with the opportunity to be creative, work at their own pace, share and reflect on their learning and receive authentic feedback.  The blog has been successful in that some typically reluctant students were more willing to share their ideas with the class, however the ability to have meaningful conversations continues to be limited by lack of properly functioning technology.&lt;br /&gt;
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== Irshad, Arsala. Blended Learning 2.0: Integrating Social Media, Apps and Web 2.0 for 21st Century Learning ==&lt;br /&gt;
The purpose of this inquiry was to examine how a virtual learning space can be employed to create an effective blended learning environment that supports and engages students in 21st century learning.  While many teachers at the K-12 level use VLEs such as class websites for communication with students and parents, or structured LMSs like Moodle to deliver distant courses, this inquiry was aimed at exploring the role of VLEs in fostering 21st century learning, augmenting classroom instruction, making learning accessible and mobile, and engaging students by nurturing a participatory community of learners.&lt;br /&gt;
The context of this inquiry included high school physics classroom with many students having preconceptions about the subject such as it is irrelevant, difficult to understand and inundated with complex mathematical equations. Since students’ perceptions of a subject play a critical role in their learning and understanding of it, and the way a subject is taught can affect their attitudes toward it, a social learning network, Edmodo was chosen as a platform for blended learning to connect with them, engage them, and bridge the gap between their lives and their learning. One of the main reasons behind selection of Edmodo included the fact that it allowed for sharing of digital media, encouraged communication, peer-based learning and provided seamless embedding of a variety of web 2.0 tools and iPad apps. It was used to post, receive, annotate, assess and return student assignments; continue classroom discussions online; administer formative quizzes online, conduct quick polls, and as a space for collaborating and sharing students’ digital portfolios and projects. Some of the web 2.0 technologies and apps used in conjunction with Edmodo were Notability, Showme, RSS feeds from newspapers, Khan academy, and PBS Learning Media.Students used Prezi, Glogster, Tumblr, Weebly, Wix, Pixton and blogspot to create and share digital portfolios and projects.&lt;br /&gt;
Students’ engagement in their learning through interactive technologies was evident in their work, online communication and collaboration. An interpretivist methodology was employed and anecdotal evidence was collected through informal observations, quick polls, and student surveys. Results clearly demonstrated that blended learning using a social learning network and web 2.0 technologies created engaging and supportive learning opportunities for students, extended the learning beyond the physical boundaries of a classroom and provided with avenues for communication, collaboration and creative expression.&lt;br /&gt;
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== Knight, John. Promoting Student Engagement through a Virtual Learning Environment. ==&lt;br /&gt;
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As school districts across the country adopt 21st Century Learning initiatives it is vitally important that educators closely monitor and reflect upon the relationship between student learning and the incorporation of information and communication technologies into the learning environment. Research has shown that when a student is intrinsically motivated to learn, is engaged with the learning activities, and has developed a strong, positive relationship with classmates and instructors, then the chances for authentic learning to take place are greatly increased. The purpose of this inquiry was to explore the characteristics of student engagement, motivation, and collaboration that could be presented when students interact with each other, and with curriculum, in a virtual learning environment. &lt;br /&gt;
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Over the course of two school years, a class website was developed and students were encouraged to express themselves and their understandings via their own personal blogs on the site. The first year involved the creation of the site, troubleshooting the many issues that arose, and determining the improvements that would be needed to help increase student engagement. During the second year, the site ran smoothly and the students were able to fully utilize its potential. A qualitative, interpretivist methodology was adopted in which I was integrally involved as the classroom teacher. Students completed surveys, and anecdotal evidence was recorded to see if characteristics of motivation and engagement were present in their class website/blogging activities.&lt;br /&gt;
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As student activity in the online environment grew, it became clear that all students in the class had been given a voice to express their interests and areas of passion. They were also encouraged to comment on and share connections made with their peers in a positive and productive manner. Students posted curricular connections that may not have been expressed via regular class discussions due to time constraints and/or a lack of confidence with speaking aloud. Various widgets added to the site, such as a Poll, RSS feeds, and a Chatroll, also allowed for the further development and expression of such connections.&lt;br /&gt;
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Survey responses and anecdotal evidence collected suggest that when a virtual learning environment is used to encourage student personal expression in a positive, diverse, and creative manner, and not simply as a medium for the posting of assignments, then greater opportunity for increased engagement with curriculum is provided.&lt;br /&gt;
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== Mann, Marian. Connecting a Class Community Online. ==&lt;br /&gt;
Today’s 21st century student, raised in a technological world, communicates, interacts, and develops social relationships online.  Recognizing this shift, educators have begun to integrate Information and Communications Technologies in their teaching practice in order to engage and motivate student learning.  The purpose of this inquiry is to observe if a face-to-face community can be extended online to develop critical thinking skills and the construction of knowledge in a grade five classroom.  It also examines the effect of peer feedback for intrinsic motivation and skills development in writing.&lt;br /&gt;
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The inquiry involved the creation of a WordPress class website for students to primarily respond to teacher and student posts in an effort to simulate ‘class discussions’ and promote critical thinking.  In addition, polls and various asynchronous activities were published with the intent to have students share ideas to stimulate questions and foster further reflection.   A Writers’ Workshop was conducted via Google Drive on which students shared their drafts with peers and the teacher.  Data took the form of surveys, observations, samples of posted responses and student posts, interviews and samples of writing.&lt;br /&gt;
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The inquiry found that students are mostly comfortable communicating online with their classmates provided that this community was closed, indicating a need for an initial personal connection to be made and a familiar safe environment in which to voice ideas.  However, when given a preference, three-quarters of students preferred face-to-face communication with the remaining quarter, which consisted of a range of quiet to very vocal individuals, favouring online communication.  Interestingly, the latter group appeared to have greater access to computer use at home and were better skilled.  For the most part, student posts demonstrated casual conversations amongst peers, basically socializing.  A limited amount of comments, which showed a synthesis of material using classmates’ contributions, were made suggesting a hesitancy to engage in higher ordered thinking skills online.  The study also found that students were motivated to create work on Google Drive and were at ease with sharing their writing, and giving and receiving feedback.  Student’s writing skills improved as a direct result of the constructive feedback provided by peers and the teacher.  During the inquiry, it became apparent that the digital divide contributed to the further marginalization of students in low socio-economic households.  Relationships, peer interaction and writing skills minimally strengthened even though most activities were completed in class.  This proposes that a solution to bridging this gap is crucial to put students on equal footing.&lt;br /&gt;
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== Martin, Sean. Teaching Old Dogs New Tricks. ==&lt;br /&gt;
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With 21st Century Learning being “the next big thing” in education, it is important to understand what that means for students and teachers and what skills are needed to be successful in a 21st Century classroom. With technology integration into the curriculum being an integral part of this educational movement, many teachers appear resistant to changes that would incorporate more technology use in their classroom.&lt;br /&gt;
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The purpose of this inquiry was to observe the willingness of teachers to use digital technologies in their classrooms with the support of a mentor as a part of the goals of 21st Century Learning. The project focused on the creation of a class website to promote communication between teachers, parents and students, as well as to provide opportunities for class discussions. For many colleagues, the mentorship relationship progressed further to include support using other technologies, most notably the use of ipads for a variety of class specific purposes. &lt;br /&gt;
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This inquiry found that if teachers had a strong desire to learn and wanted to integrate digital technologies into their classroom, they would benefit more from the mentor-protégé relationship, regardless of previous familiarity with using digital technologies. While most teachers were excited to explore the possibilities of improving learning opportunities for their students, others were not as keen and had difficulty experimenting with the technology individually and making time to work with the mentor. While the support provided by the mentor was paramount in helping teachers find success using digital technologies, it seemed to be of secondary importance to a teacher’s commitment to learning.&lt;br /&gt;
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If our schools are to truly embrace the full integration of digital technology into the curriculum, it will certainly require support and training, but that must also be coupled with a commitment from teachers to want to make a change. Teachers can be presented with all of the training and mentorship opportunities that can be made available, but without the desire to want to use the technology as a part of their teaching practice, it will be difficult to have real progress with the goals of 21st Century Learning.&lt;br /&gt;
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== Mergens, Jolene. Enhancing Student Engagement Through Blending Content with Inquiry and Interactive Technology. ==&lt;br /&gt;
This project was designed to improve student engagement within a senior Biology classroom.  The objective was to increase engagement by increasing interactivity amongst students and with the teacher beyond the classroom by utilizing social media they were familiar with and by allowing student inquiry to guide their learning. &lt;br /&gt;
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60 senior Biology students that ranged in academic performance were required to generate a somewhat complex human biology based question. This question needed to be one of personal relevance that they were previously or currently curious about. This became known as their INTU question (I Need to Understand). Using a class website that students were familiar and comfortable with, students were required to answer their question, read their peers’ questions/answers and interact with each other.  Significant efforts were made to increase an online presence for the class. Students regularly used twitter and the class website as the forum to ask questions, reference important dates and seek out resources. &lt;br /&gt;
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Results were gathered through informal student feedback in the form of anonymous questionnaires, class discussion, online polls and tracking class website user navigation information.  &lt;br /&gt;
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Overall, there were many organic conversations that resulted between students. Students felt that their age, background and similar experiences generated many common curiosities and interests that they too wanted to understand. Most students found it increased their interest in Biology, allowed them to view Biology and Science in general as relevant in their lives and felt it increased positive interactions with peers and the teacher.  A handful of students felt that this caused them to regularly and actively search out the answers to Biological questions outside of their required INTU. A few students were neutral about this process and felt it didn’t benefit them greatly nor did it affect them in a negative way, but they did find level of interaction did increase.&lt;br /&gt;
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This project suggests that genuine interest and engagement levels increase when students are given the opportunity to pose their own questions, select areas of interest and then put them into context within the curricular content. Interactivity between students validates their curiosity as valued and therefore as relevant.&lt;br /&gt;
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== Ng, Christina. Blended Learning in the ESL Classroom. ==&lt;br /&gt;
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Learners today are growing in environments that stimulate and gratifies with a click of a button. The Internet is now an open source of limitless information and has changed and challenged the traditional concepts of Education and Technology.  Language instructors have been using audio-visual tools such as audio tapes, video recordings, overhead projectors and computers, to assist in developing students skills in listening, speaking and overall understanding of a second language long before the internet. With the emergence of the Internet and advanced language soft wares and devices, it was natural to adopt them into the fold of Second Language Learning. Additionally, today’s form of communication naturally plays a major role in language learning and development. Through an Educator’s lens, various media have become a valuable resource to enhance and move second language learning towards more authentic and engaging experiences. &lt;br /&gt;
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This project investigated the language-learning experiences of English Language Learners and the development of their English skills by incorporating a web based curriculum and digital media: YouTube, Google Docs, Google Drive, and Gmail, within a Blended Learning environment. This inquiry primarily looked at the language development of ESL students from China and Korea, knew to Canada. My school, Little Mountain Learning Academy in partnership with Canadian College of English Language, developed the web-based curriculum students used and interacted with, SMRT English.    &lt;br /&gt;
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A majority of the students have never interacted with Google beyond gaming and watching videos for fun.  Overall, students expressed and showed more engagement when learning lessons online and become more adept navigating the web, and utilizing Google Drive, Docs and Gmail for academic use. Teachers have noticed that blending computer based activities and media with traditional instruction, is not only beneficial for the auditory, visual and kinaesthetic learners, but it also gave their students opportunity to engage and be exposed to English in the digital form. This I feel has helped create a positive experience in students’ language development and growth.&lt;br /&gt;
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== Phillips, Christopher. Incorporating Web 2.0 Technologies in the Elementary Classroom. ==&lt;br /&gt;
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== Rowe, Jessica. Language Arts and Technology. ==&lt;br /&gt;
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The following document describes a teacher inquiry project examining the integration of technology into one classroom’s language arts curriculum over the course of two school years, with a focus on online literature circles. Student input shaped much of the process and format with students responding via online surveys, discussion posts and polls on a continuous basis to give feedback.&lt;br /&gt;
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In the first year, two different grade 6/7 classes completed traditional literature circle roles such as discussion director and passage picker using two different sites. One class used the forums on a Wordpress site while the other class used pages on a Weebly site to share and respond to roles. Feedback from students showed a preference towards shifting away from the traditional literature circle roles as followed in year one and a need for a more user-friendly format.  Year two focused this time around one grade 6/7 class using the Wordpress site to participate and share teacher-chosen assignments integrating technology and open-source sites in online literature circles. Sixteen out of thirty of the students had previous experience with online literature circles due to being a part of the inquiry project in year one.&lt;br /&gt;
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Students expressed frustration regarding the technical difficulties faced throughout the process including: outdated browsers, difficulty accessing sites needed to complete assignments and the speed of the school’s internet.  This study, originally intended to increase engagement and on-task behavior in language arts, was greatly hindered by these technical difficulties.  This indicates the necessity of keeping school technology and infrastructure up-to-date, an ongoing challenge for school boards faced with budget restrictions and shortfalls.&lt;br /&gt;
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== Schofield, Bryan. SOLE Projects in a Grade Four Classroom. ==&lt;br /&gt;
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== Soo, Elginn. Self-Regulation: Fighting the Temptation of Distractions on Technology While Using Technology for Learning. ==&lt;br /&gt;
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The purpose of my inquiry is to investigate the ways of assessing progress of self-regulation in students’ learning while using technology in the classroom.  To assist me in my study, I will be using a virtual social learning platform.&lt;br /&gt;
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In order for learning to occur in the ‘ideal’ environment, it is important for my students to be able to self-regulate their ability to sustain focused attention for a set period of time in the school setting.  There are an infinite number of distractions in a classroom environment as is, and incorporating another variable such as technology and a virtual space, does not help to alleviate their desire to engage with other potential tempting activities on their technological devices, while working on a computer assignment.  If my students are able to divert their full attention to working on a task to the best of their ability then I believe that teachers will be able to receive a more accurate assessment of learning that is happening when using technology.&lt;br /&gt;
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Through various computer-based assignments with my Grade 5/6 class, I recorded informal anecdotal notes as I monitored my students’ habits as they worked on slideshows, online quizzes, animations, writing and research.  In addition, my class completed some online, impromptu polls after some work periods to determine whether or not they were on task.  On average, 30% admitted that they were not completely focused as they were doing “other” things on the computer.  When asked why they did alternative things, their reasons ranged from a mere shrug of their shoulders to a strange excuse followed by a smirk or look of guilt.  As a class, we also discussed the possible reasons for why people may get distracted with the internet or other programs while working on their computers.&lt;br /&gt;
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I think the first step to addressing self-regulation in learning while using technology is to bring awareness to my students.  Once they are conscious of their unhelpful computer habits, then we can assist them with some strategies to maintain more focus and control over the temptation to ‘play’ or procrastinate.&lt;br /&gt;
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== Wood, Murray. Student Engagement, The Virtual, and Media Literacy in 21st Century Learning. ==&lt;br /&gt;
This self study documents a teacher’s examination of students’ engagement in their learning as they develop digital and media literacy by becoming media producers. Following a brief review of the literature, the writer postulates that, while the underlying rationale for the current wave of curriculum reform under the banner of Twenty First Century learning may be flawed, initiatives such as the current reworking of curriculum by the British Columbia Ministry of Education provide possibilities for teachers to design curriculum which facilitates students making the transition from passive receptors of information participating primarily in superficial interactions through social media, to fully engaged active participants in rich virtual communities. &lt;br /&gt;
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Ambivalent about the immersive nature of students’ relationships with information communication technologies, the writer seeks to use the ICTs available at the school–22 tablets, a portable lab of 15 notebook computers, and a stationary lab of 30 desktop computers–to provide his students with opportunities to develop skills, knowledge, and attitudes conducive to media literacy–a consistent element across the wide range of definitions of twenty first century learning and a central component of the BC Education Plan.  The writer documents how, as early intermediate students come to understand the basic conventions of film by creating their own works and analysing the work of their peers, they take an important first step in understanding that media are constructed.  The writer then considers the question of how to overcome the many challenges associated with using film in the classroom in order to provide a balanced curriculum in which students have opportunities to use ICT and other media to create representations of their learning and to enrich their experience of the curriculum through collaboration, discussion and critical analysis of their work, the work of their classmates, and that of members of virtual communities.&lt;br /&gt;
&lt;br /&gt;
== Yager, Jennifer. Using Technology to Foster Social Emotional Development within a Holistic Education. ==&lt;br /&gt;
&lt;br /&gt;
Technologies are an integral part of our society. Many students are exposed to various technologies prior to their first steps down a school hallway. Inherent in technology is the power to connect us to the world and the knowledge and people that are held within it. Despite all of the opportunity for connection, there is a pervasive concern that technologies overlook the important social and emotional skill development that is inherent in face to face interactions. While there is a current push for 21st Century education and students becoming proficient with the use of technology, education is bigger than educating the mind, one must educate the whole child, through a Holistic Education. But, technological competences are only a part of a successful Holistic Education. Social and Emotional Learning is a vital element in educating the whole child, their heart, as well as their mind. The development of such skills not only improves student communication, collaboration and engagement, but it has also shown to improve one&#039;s academic success. Therefore, it is my belief that having a balanced, holistic curriculum is the strategy for teaching the whole child. &lt;br /&gt;
&lt;br /&gt;
Knowing the integral part of technology in our lives and  the importance of social emotional learning, my inquiry focused on how technology could be used to foster the development of Social and Emotional skills in students by connecting them with themselves, one another, their local community and communities across the world.&lt;br /&gt;
&lt;br /&gt;
For the inquiry I created a class Edmodo website, which was used as a platform for activities and interactions that were focused on collaboration and empathy. The study was designed around the school social responsibility model STAR (Safe, Thoughtful, Accepting, Responsible), with each activity being focused on one aspect of STAR.  A variety of resources (i.e. videos and web 2.0 tools) were used to educate about online safety and expose students to the experiences of children around the world, while assignments were given to facilitate group collaboration.. Throughout the study observations were made about student engagement,, surveys were taken and assignments focusing on collaboration and empathy were given.   &lt;br /&gt;
&lt;br /&gt;
Student engagement in the website was high, from the beginning of the inquiry and remained high throughout the study. They quickly embraced the technology as a way to connect with one another, share personal information, ask questions, share ideas and resources. Even students that were resistant to participation in all other areas, were involved with the class online community. Students were reflective about their collaborative experiences, communicating their frustrations regarding the obstacles that arise when working solely with others  in a digital format. It was discovered that the misunderstandings and problems that arose were most effectively solved when debriefed and discussed in a face to face interaction.  The same was found when participating in activities designed to facilitate empathy. Students online reflections were thoughtful, but when situations occurred that were hurtful or confusing to students, it was important to have face to face discussions to dissect the experiences, feelings and thoughts of the students. &lt;br /&gt;
&lt;br /&gt;
The findings of my study demonstrated the importance of having a blended learning environment, where students learn with technology while being enhanced and supported by face to face interactions. The inherent benefits of technology, the interface to connect with people, places and knowledge beyond the scope of their community, needs to be incorporated with  meaningful interactions with those within their immediate community. Through my inquiry I observed the benefits of a holistic education within a 21st century learning model. That by extending the focus of education beyond the development of academic/technical skills, to the development of the mind, heart and body, one can facilitate a meaningful education of the whole child.&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Graduating Projects (working titles)&#039;&#039;&#039; ==&lt;br /&gt;
 Please place the working title of your graduating project below using the following format: &lt;br /&gt;
&lt;br /&gt;
Airey, Robert. (2012). Using Technology to Track and Demonstrate Understanding of Learning Outcomes in a Junior Science Classroom. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Browse example titles of DLC1 Projects http://dlc-ubc.ca/dlc2_wp/edcp508b/projects/&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Bell, Carolyn (2014) Teaching to Build Classroom Community: A Look at One Classroom&#039;s Transformations Using 21st Century Learning Skills and Digital Technology. M. Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Boucher, Robert (2014) Using Technology to raise the SES of at-risk youth. M. Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Chan, Alfred (jan 2014) Learning from collective intelligence: developing digital skills through peer sharing&lt;br /&gt;
&lt;br /&gt;
Cheng, Leo. (2014) Heads or Tails: Successes and Challenges of Implementing a Flipped Classroom in Senior Mathematics. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Fung, Anita. (2014) The Blended Learning Recipe: Student Engagement, Motivation, and Community. M. Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Grigg, Nicole (2014) Web 2.0 &#039;&#039;s’il vous plait&#039;&#039;: Enhancing the Language Arts Classroom Community Through Interactive Technologies and 21st Century Learning. M. Ed. Graduating Thesis.  &lt;br /&gt;
&lt;br /&gt;
Hodak, Alicia (2014) 21st Century Learning and Student Engagement: Motivating Students using a Class Website and Blog. M. Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Irshad, Arsala. (2014). Blended Learning 2.0: Integrating Social LMS, Web 2.0 &amp;amp; Apps for 21st Century Learning. M. Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Knight, John (2014) Promoting Student Engagement through a Virtual Learning Environment: Student Blogging and Connections to Curriculum&lt;br /&gt;
&lt;br /&gt;
Mann, Marian. (2014). Connecting a Class Community Online: Motivating Learners to Communicate and Construct Knowledge Through the Use of Technology.  M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Martin, Sean. (2014). Teaching Old Dogs New Tricks: Using a Mentor-Protégé Relationship to Help Motivate Colleagues to use Technology in the Classroom. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Mergens, Jolene. (2014). Enhancing Student Engagement Through Blending Content with Inquiry and Interactive Technology. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Ng, Christina. (2014). Blended Learning in the ESL Classroom: Incorporating a Web-Based Curriculum and Emerging Technologies to Enhance English Second Language Learning and Experiences. M. Ed Graduating Thesis. &lt;br /&gt;
&lt;br /&gt;
Phillips, Christopher. (2014). Incorporating Web 2.0 Technologies in the Elementary Classroom: A Means to Develop 21st Century Skills and Enhance Student Engagement. M. Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Rowe, Jessica. (2014) Language Arts and Technology: A Platform for Engagement &amp;amp; Collaboration. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Schofield, Bryan. (2014). SOLE Projects in a Grade Four Classroom: A Self-Regulated Inquiry-Based Technological Approach to Learning. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Soo, Elginn. (2014).  Self-Regulation: Fighting the Temptation of Being Distracted by Technology While Using Technology for Learning. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Wood, Murray. (2014). Student Engagement, The Virtual, and Media Literacy in 21st Century Learning.  M. Ed. Graduating Thesis&lt;br /&gt;
&lt;br /&gt;
Yager, Jennifer. (2014). Using Technology to Foster Social Emotional Development within a Holistic Education. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
==&#039;&#039;&#039;Student Planning Space&#039;&#039;&#039;==&lt;br /&gt;
Sandbox or plan DLGs etc. here...&lt;/div&gt;</summary>
		<author><name>Stephenpetrina</name></author>
	</entry>
	<entry>
		<id>https://wiki.ubc.ca/index.php?title=Course:Edcp473&amp;diff=273816</id>
		<title>Course:Edcp473</title>
		<link rel="alternate" type="text/html" href="https://wiki.ubc.ca/index.php?title=Course:Edcp473&amp;diff=273816"/>
		<updated>2014-01-30T20:41:02Z</updated>

		<summary type="html">&lt;p&gt;Stephenpetrina: /* Graduating Projects (ABSTRACTS) */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== &#039;&#039;&#039;Winter 2014&#039;&#039;&#039; ==&lt;br /&gt;
== Digital Media and ICT: Ethical Uses ==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Link to the EDCP 473 WP in DLC Portal  http://dlc-ubc.ca/dlc2_wp/edcp473/&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Graduating Projects (INTRODUCTORY PARAGRAPH)&#039;&#039;&#039; ==&lt;br /&gt;
 Please place the Working INTRODUCTORY PARA of your graduating project below (130-210 words)&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Graduating Projects (ABSTRACTS)&#039;&#039;&#039; ==&lt;br /&gt;
 Please place the Working ABSTRACT of your graduating project below (250-350 words)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Writing Abstracts http://www.writing.utoronto.ca/advice/specific-types-of-writing/abstract&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Bell, Carolyn. Teaching to Build Classroom Community. ==&lt;br /&gt;
&lt;br /&gt;
Teaching in today’s classrooms with the myriad of teaching strategies available to promote 21st century student learning can at times seem overwhelming. Students have access to many web 2.0 technologies and are constantly engaged only in their own digital worlds.&lt;br /&gt;
&lt;br /&gt;
The purpose of this project was to determine if classroom community and student collaboration would increase with the use and implementation of digital teaching strategies as well as to determine if students would develop 21st century learning skills by using the technology. &lt;br /&gt;
&lt;br /&gt;
The inquiry project consisted the use of a classroom Weebly website which was used for a means of communication between students and parents, as well as a discussion forum where students shared ideas and learning processes. Research was also developed from the use of web/online interfaces, which students used to demonstrate their summative learning as well as the production of various media projects. The students that participated in the project ranged in age from 13-18 and were enrolled in Humanities 8 or Community Leadership 9-12 classes. &lt;br /&gt;
&lt;br /&gt;
Based on visual observations and student generated feedback it was clear that the website was very successful in terms of the discussion forum where the students expressed that the online space encouraged them to share their learning with their classmates and it especially helped to improve the depth in their dialogue. Students overall enjoyed working with the digital strategies and web 2.0 technologies, however reported that when using technology for summative assignments they found working independently more efficient and productive. In contrast, when working on the media projects collaboration was evident.&lt;br /&gt;
&lt;br /&gt;
The inquiry project is still ongoing, however findings up to date show that collaboration and community can be fostered while using web 2.0 strategies, while 21st century learning skills require both traditional teaching methods as well the use of digital technologies.&lt;br /&gt;
&lt;br /&gt;
== Boucher, Robert. Using Technology to raise the SES of at-risk youth. ==&lt;br /&gt;
&lt;br /&gt;
There is a population of students that often get forgotten because they are the “problem” students, the ones that teachers and administrators ask to leave their schools because they can’t ‘fit’ into the square peg we call mainstream. Creative use 21st century learning could be a way to help these students. &lt;br /&gt;
&lt;br /&gt;
What are the conditions that occur when students engage and use technology to learn about employment and life-skills? The purpose of this inquiry is to empower students through technology to learn about life-skills. How has empowerment and self-efficacy been defined in the context of at-risk youth education? How can participatory learning and technology be used to help support student empowerment and self-efficacy? How can at-risk youth use technology to learn about 21st century life-skills?&lt;br /&gt;
&lt;br /&gt;
Two years of student feedback as well as measurable improved life circumstances were noted and the results clearly indicated students felt and demonstrated that having a “space” that met their needs all in one place made measurable differences for them. As a result, some students were able to gain employment, create a healthy meal budget and contact drug and alcohol support workers and more. &lt;br /&gt;
&lt;br /&gt;
However, through open discussions with students and my self-reflections there have been areas noted that can and will be improved upon. Overall my findings suggest that offering a participatory learning approach increases students’ self-efficacy, which translates into other areas of at-risk students’ non-academic life.&lt;br /&gt;
&lt;br /&gt;
== Chan, Alfred Learning from collective intelligence. ==&lt;br /&gt;
&lt;br /&gt;
This paper explores the conditions necessary for students to be able to develop digital literacy skills when asked to produces projects using various modes of technology hardware and software.  (Powerpoint, Smart Notebook, Keynote, Camera work with movies and stop motion, Ipad screen capture programs and Imovie)  Throughout the course of 2 school years, students seem to be able to learn skills and also discover additional functionalities that help to enhance and better convey their understanding of curricular content.  After the initial direct instruction from the teacher of basic features of the technology and time given for exploration the students, through, peer to peer sharing and patience when troubleshooting, some students seem to be able use computer programs to create presentations that are engaging, informative and innovative. &lt;br /&gt;
&lt;br /&gt;
Throughout the paper, 3 questions will guide the observations of student learning and ICT development:&lt;br /&gt;
&lt;br /&gt;
1.	My working definitions of learning and its relationship with engagement &lt;br /&gt;
2.	Communication and collaboration in the 21st Century Learning framework&lt;br /&gt;
3.	The characteristics users need to become engaged and motivated to further develop their ICT skills?  &lt;br /&gt;
&lt;br /&gt;
The 21st century learning framework challenges teachers to be able to individualize learning to enable students to learn similar skills at their own pace with the goal of them also experiencing the same successes.  Peer to peer, participatory model seems to encourage conversation as well as motivation to learn beyond the basic skills.&lt;br /&gt;
&lt;br /&gt;
== Cheng, Leo. Heads or Tails. ==&lt;br /&gt;
&lt;br /&gt;
Teaching senior mathematics comes with numerous perks such as highly motivated and intelligent students as well as interesting and challenging content.  However, it also means hours of extra help outside of class time because of students having difficulty with curricular concepts.  In an effort to increase efficiency of my time without sacrificing student’s learning, I was extremely intrigued with the flipped classroom approach in delivering instructions and notes.  With the increasing interest in the educational community on flipped classroom (Ash, 2012), I wanted to do an inquiry project to study the effectiveness in enhancing student learning.  Videos of the class notes were recorded and uploaded onto a website where students watched at home and class time were used for collaborative practice of concepts. &lt;br /&gt;
&lt;br /&gt;
As noted by Ash (2012), implementing successful flipped classrooms require students to be self-regulated learners.  This inquiry project was implemented in an AP Calculus 12 class because majority of students are highly motivated to learn the material.  With good work habits, these students can be or at least have the potential to become self-regulated learners.  One aspect of personalized learning is the flexible scheduling and pacing (Jenkins &amp;amp; Keefe 2002), and flipped classrooms allow this flexibility.   &lt;br /&gt;
&lt;br /&gt;
Student feedback was collected and the results have shown that majority like the concept and implementation of a flipped classroom.  Some of the top reasons why student enjoy this pedagogical approach are the ability to work collaboratively with friends to practice and solve problem, the availability of teacher’s assistance, and the flexibility to learn the material at their own pace.  &lt;br /&gt;
&lt;br /&gt;
Despite all the positive responses from students about the flipped classroom approach, there were several challenges associated with the implementation.  The creation of these videos were too time consuming, often taking three to five hours to complete one lesson.  Not all students were able to self-regulate and often videos were not watched prior to class time, therefore unable to participate in the group work nor practice the concepts.  A more balance of schedule flexibility and accountability is necessary to implement the flipped classroom to its full potential.&lt;br /&gt;
&lt;br /&gt;
== Fung, Anita. The Blended Learning Recipe. ==&lt;br /&gt;
Blended learning combines teaching methods from both face-to-face and online learning, giving schools new approaches and strategies to develop 21st Century Learning skills.  The purpose of this inquiry was to investigate various pedagogical engagement strategies to improve overall learning experience.  The project focused on constructivist activities and several web 2.0 technologies delivered through the learning management system, Moodle. &lt;br /&gt;
&lt;br /&gt;
Over the course of two years, a complete re-design of the structure and format of senior secondary humanities courses took place.  Key changes include designing new units of study in English 12 and geo-caching in Geography 12.  In order to build community in a virtual learning space, communication tools such as the creation of a news forum and online users report played a significant role in connecting the class.  To monitor engagement and motivation, the activity completion tracker, calendar, wiki, and chat features on Moodle were also included.  &lt;br /&gt;
&lt;br /&gt;
Results were gathered through activity reports produced by Moodle, teacher observation, student reflection, discussions, and informal voluntary feedback.&lt;br /&gt;
&lt;br /&gt;
Overall, students felt that their learning experience was positive and felt a sense of pride and accomplishment by completing a course “on their own”.  The structure and organization of the course helped them remain motivated to complete course work.  In terms of engagement, the incorporation of various web 2.0 applications made their learning tasks more meaningful in addition to learning a new skill.  My findings suggest that blended learning environments flourish for all learners when student engagement and motivation drive the curriculum.&lt;br /&gt;
&lt;br /&gt;
== Grigg, Nicole. Web 2.0 &#039;&#039;s’il vous plait&#039;&#039;. ==&lt;br /&gt;
The purpose of this inquiry was to adopt a learning environment modeled on 21st century learning strategies, using web 2.0 technologies to engage students in 3 strands of the French and English Language Arts programs: reading, writing and oral speaking. Building a learning environment that encouraged flexibility, personalization and collaboration were key areas of the 21st century learning movement that were explored in this project. &lt;br /&gt;
&lt;br /&gt;
Web 2.0 technologies and portable devices such as iPads were chosen for the application of this project because they allow for their users to gather information, connect with others and create collective intelligence. Further to this, Web 2.0 technologies make it possible for classrooms to connect with other learning communities around the world. Students from diverse backgrounds can construct richer and more meaningful knowledge with one another while developing a sense of global awareness. &lt;br /&gt;
&lt;br /&gt;
For the English component of this inquiry, students participated in a program entitled “The Global Read Aloud” where classrooms around the globe read a novel at the same pace and connect with one another to share their reactions, questions and understanding. My students mainly connected with one another and other classrooms via Edmodo, Skype and GoogleDocs. Student interest in the novel was overwhelming, and students were eager to hear from their peers. For the French component of the project, students connected with correspondents in France via GoogleDocs and the classroom Weebly website. While certain methods for communication proved to require more risk-taking than others, the overall experience was positive.&lt;br /&gt;
&lt;br /&gt;
The benefits of 21st century learning environment are visible as children build communication skills and engage in the learning that takes place around them. Using interactive technologies extended the possibilities for learning as boundaries for interaction moved beyond the school hours, classroom walls and country boarders.&lt;br /&gt;
&lt;br /&gt;
== Hodak, Alicia. 21st Century Learning and Student Engagement. ==&lt;br /&gt;
&lt;br /&gt;
A part of 21st century learning initiatives, which promote skills such as critical thinking, creativity, collaboration and communication, there has been an increased focus on the idea of facilitating a more personalized learning environment for students.  The focus of this inquiry is on the promotion of student-centered learning using a class website, blog and student e-portfolios in order to engage and motivate students as “co-learners” in the learning process. &lt;br /&gt;
&lt;br /&gt;
The first year of this inquiry focuses on the use of a class website created using Weebly in order to engage a group of grade two and three students and communicate with their parents.  Blogging and e-portfolios were attempted, but were not successful mostly due to the lack of access to technology in the school.  In year two, the class website and blog were re-worked to engage a group of grade seven students.  Students also created e-portfolios using Edublogs as a means of formative assessment in which they were given the opportunity to reflect on the process of their learning in a collaborative environment.   &lt;br /&gt;
&lt;br /&gt;
Feedback from parents suggests the class website has helped them stay informed as to what is happening in the classroom.  Students have also indicated that it has been useful to be able to access homework, assignments and other related resources outside of school.  The class blog and e-portfolios continue to be developed.  So far, the creation of student e-portfolios has provided students with the opportunity to be creative, work at their own pace, share and reflect on their learning and receive authentic feedback.  The blog has been successful in that some typically reluctant students were more willing to share their ideas with the class, however the ability to have meaningful conversations continues to be limited by lack of properly functioning technology.&lt;br /&gt;
&lt;br /&gt;
== Irshad, Arsala. Blended Learning 2.0: Integrating Social Media, Apps and Web 2.0 for 21st Century Learning ==&lt;br /&gt;
The purpose of this inquiry was to examine how a virtual learning space can be employed to create an effective blended learning environment that supports and engages students in 21st century learning.  While many teachers at the K-12 level use VLEs such as class websites for communication with students and parents, or structured LMSs like Moodle to deliver distant courses, this inquiry was aimed at exploring the role of VLEs in fostering 21st century learning, augmenting classroom instruction, making learning accessible and mobile, and engaging students by nurturing a participatory community of learners.&lt;br /&gt;
The context of this inquiry included high school physics classroom with many students having preconceptions about the subject such as it is irrelevant, difficult to understand and inundated with complex mathematical equations. Since students’ perceptions of a subject play a critical role in their learning and understanding of it, and the way a subject is taught can affect their attitudes toward it, a social learning network, Edmodo was chosen as a platform for blended learning to connect with them, engage them, and bridge the gap between their lives and their learning. One of the main reasons behind selection of Edmodo included the fact that it allowed for sharing of digital media, encouraged communication, peer-based learning and provided seamless embedding of a variety of web 2.0 tools and iPad apps. It was used to post, receive, annotate, assess and return student assignments; continue classroom discussions online; administer formative quizzes online, conduct quick polls, and as a space for collaborating and sharing students’ digital portfolios and projects. Some of the web 2.0 technologies and apps used in conjunction with Edmodo were Notability, Showme, RSS feeds from newspapers, Khan academy, and PBS Learning Media.Students used Prezi, Glogster, Tumblr, Weebly, Wix, Pixton and blogspot to create and share digital portfolios and projects.&lt;br /&gt;
Students’ engagement in their learning through interactive technologies was evident in their work, online communication and collaboration. An interpretivist methodology was employed and anecdotal evidence was collected through informal observations, quick polls, and student surveys. Results clearly demonstrated that blended learning using a social learning network and web 2.0 technologies created engaging and supportive learning opportunities for students, extended the learning beyond the physical boundaries of a classroom and provided with avenues for communication, collaboration and creative expression.&lt;br /&gt;
&lt;br /&gt;
== Knight, John. Promoting Student Engagement through a Virtual Learning Environment. ==&lt;br /&gt;
&lt;br /&gt;
As school districts across the country adopt 21st Century Learning initiatives it is vitally important that educators closely monitor and reflect upon the relationship between student learning and the incorporation of information and communication technologies into the learning environment. Research has shown that when a student is intrinsically motivated to learn, is engaged with the learning activities, and has developed a strong, positive relationship with classmates and instructors, then the chances for authentic learning to take place are greatly increased. The purpose of this inquiry was to explore the characteristics of student engagement, motivation, and collaboration that could be presented when students interact with each other, and with curriculum, in a virtual learning environment. &lt;br /&gt;
&lt;br /&gt;
Over the course of two school years, a class website was developed and students were encouraged to express themselves and their understandings via their own personal blogs on the site. The first year involved the creation of the site, troubleshooting the many issues that arose, and determining the improvements that would be needed to help increase student engagement. During the second year, the site ran smoothly and the students were able to fully utilize its potential. A qualitative, interpretivist methodology was adopted in which I was integrally involved as the classroom teacher. Students completed surveys, and anecdotal evidence was recorded to see if characteristics of motivation and engagement were present in their class website/blogging activities.&lt;br /&gt;
&lt;br /&gt;
As student activity in the online environment grew, it became clear that all students in the class had been given a voice to express their interests and areas of passion. They were also encouraged to comment on and share connections made with their peers in a positive and productive manner. Students posted curricular connections that may not have been expressed via regular class discussions due to time constraints and/or a lack of confidence with speaking aloud. Various widgets added to the site, such as a Poll, RSS feeds, and a Chatroll, also allowed for the further development and expression of such connections.&lt;br /&gt;
&lt;br /&gt;
Survey responses and anecdotal evidence collected suggest that when a virtual learning environment is used to encourage student personal expression in a positive, diverse, and creative manner, and not simply as a medium for the posting of assignments, then greater opportunity for increased engagement with curriculum is provided.&lt;br /&gt;
&lt;br /&gt;
== Mann, Marian. Connecting a Class Community Online. ==&lt;br /&gt;
Today’s 21st century student, raised in a technological world, communicates, interacts, and develops social relationships online.  Recognizing this shift, educators have begun to integrate Information and Communications Technologies in their teaching practice in order to engage and motivate student learning.  The purpose of this inquiry is to observe if a face-to-face community can be extended online to develop critical thinking skills and the construction of knowledge in a grade five classroom.  It also examines the effect of peer feedback for intrinsic motivation and skills development in writing.&lt;br /&gt;
&lt;br /&gt;
The inquiry involved the creation of a WordPress class website for students to primarily respond to teacher and student posts in an effort to simulate ‘class discussions’ and promote critical thinking.  In addition, polls and various asynchronous activities were published with the intent to have students share ideas to stimulate questions and foster further reflection.   A Writers’ Workshop was conducted via Google Drive on which students shared their drafts with peers and the teacher.  Data took the form of surveys, observations, samples of posted responses and student posts, interviews and samples of writing.&lt;br /&gt;
&lt;br /&gt;
The inquiry found that students are mostly comfortable communicating online with their classmates provided that this community was closed, indicating a need for an initial personal connection to be made and a familiar safe environment in which to voice ideas.  However, when given a preference, three-quarters of students preferred face-to-face communication with the remaining quarter, which consisted of a range of quiet to very vocal individuals, favouring online communication.  Interestingly, the latter group appeared to have greater access to computer use at home and were better skilled.  For the most part, student posts demonstrated casual conversations amongst peers, basically socializing.  A limited amount of comments, which showed a synthesis of material using classmates’ contributions, were made suggesting a hesitancy to engage in higher ordered thinking skills online.  The study also found that students were motivated to create work on Google Drive and were at ease with sharing their writing, and giving and receiving feedback.  Student’s writing skills improved as a direct result of the constructive feedback provided by peers and the teacher.  During the inquiry, it became apparent that the digital divide contributed to the further marginalization of students in low socio-economic households.  Relationships, peer interaction and writing skills minimally strengthened even though most activities were completed in class.  This proposes that a solution to bridging this gap is crucial to put students on equal footing.&lt;br /&gt;
&lt;br /&gt;
== Martin, Sean. Teaching Old Dogs New Tricks. ==&lt;br /&gt;
&lt;br /&gt;
With 21st Century Learning being “the next big thing” in education, it is important to understand what that means for students and teachers and what skills are needed to be successful in a 21st Century classroom. With technology integration into the curriculum being an integral part of this educational movement, many teachers appear resistant to changes that would incorporate more technology use in their classroom.&lt;br /&gt;
&lt;br /&gt;
The purpose of this inquiry was to observe the willingness of teachers to use digital technologies in their classrooms with the support of a mentor as a part of the goals of 21st Century Learning. The project focused on the creation of a class website to promote communication between teachers, parents and students, as well as to provide opportunities for class discussions. For many colleagues, the mentorship relationship progressed further to include support using other technologies, most notably the use of ipads for a variety of class specific purposes. &lt;br /&gt;
&lt;br /&gt;
This inquiry found that if teachers had a strong desire to learn and wanted to integrate digital technologies into their classroom, they would benefit more from the mentor-protégé relationship, regardless of previous familiarity with using digital technologies. While most teachers were excited to explore the possibilities of improving learning opportunities for their students, others were not as keen and had difficulty experimenting with the technology individually and making time to work with the mentor. While the support provided by the mentor was paramount in helping teachers find success using digital technologies, it seemed to be of secondary importance to a teacher’s commitment to learning.&lt;br /&gt;
&lt;br /&gt;
If our schools are to truly embrace the full integration of digital technology into the curriculum, it will certainly require support and training, but that must also be coupled with a commitment from teachers to want to make a change. Teachers can be presented with all of the training and mentorship opportunities that can be made available, but without the desire to want to use the technology as a part of their teaching practice, it will be difficult to have real progress with the goals of 21st Century Learning.&lt;br /&gt;
&lt;br /&gt;
== Mergens, Jolene. Enhancing Student Engagement Through Blending Content with Inquiry and Interactive Technology. ==&lt;br /&gt;
This project was designed to improve student engagement within a senior Biology classroom.  The objective was to increase engagement by increasing interactivity amongst students and with the teacher beyond the classroom by utilizing social media they were familiar with and by allowing student inquiry to guide their learning. &lt;br /&gt;
 &lt;br /&gt;
60 senior Biology students that ranged in academic performance were required to generate a somewhat complex human biology based question. This question needed to be one of personal relevance that they were previously or currently curious about. This became known as their INTU question (I Need to Understand). Using a class website that students were familiar and comfortable with, students were required to answer their question, read their peers’ questions/answers and interact with each other.  Significant efforts were made to increase an online presence for the class. Students regularly used twitter and the class website as the forum to ask questions, reference important dates and seek out resources. &lt;br /&gt;
 &lt;br /&gt;
Results were gathered through informal student feedback in the form of anonymous questionnaires, class discussion, online polls and tracking class website user navigation information.  &lt;br /&gt;
 &lt;br /&gt;
Overall, there were many organic conversations that resulted between students. Students felt that their age, background and similar experiences generated many common curiosities and interests that they too wanted to understand. Most students found it increased their interest in Biology, allowed them to view Biology and Science in general as relevant in their lives and felt it increased positive interactions with peers and the teacher.  A handful of students felt that this caused them to regularly and actively search out the answers to Biological questions outside of their required INTU. A few students were neutral about this process and felt it didn’t benefit them greatly nor did it affect them in a negative way, but they did find level of interaction did increase.&lt;br /&gt;
 &lt;br /&gt;
This project suggests that genuine interest and engagement levels increase when students are given the opportunity to pose their own questions, select areas of interest and then put them into context within the curricular content. Interactivity between students validates their curiosity as valued and therefore as relevant.&lt;br /&gt;
&lt;br /&gt;
== Ng, Christina. Blended Learning in the ESL Classroom. ==&lt;br /&gt;
&lt;br /&gt;
Learners today are growing in environments that stimulate and gratifies with a click of a button. The Internet is now an open source of limitless information and has changed and challenged the traditional concepts of Education and Technology.  Language instructors have been using audio-visual tools such as audio tapes, video recordings, overhead projectors and computers, to assist in developing students skills in listening, speaking and overall understanding of a second language long before the internet. With the emergence of the Internet and advanced language soft wares and devices, it was natural to adopt them into the fold of Second Language Learning. Additionally, today’s form of communication naturally plays a major role in language learning and development. Through an Educator’s lens, various media have become a valuable resource to enhance and move second language learning towards more authentic and engaging experiences. &lt;br /&gt;
&lt;br /&gt;
This project investigated the language-learning experiences of English Language Learners and the development of their English skills by incorporating a web based curriculum and digital media: YouTube, Google Docs, Google Drive, and Gmail, within a Blended Learning environment. This inquiry primarily looked at the language development of ESL students from China and Korea, knew to Canada. My school, Little Mountain Learning Academy in partnership with Canadian College of English Language, developed the web-based curriculum students used and interacted with, SMRT English.    &lt;br /&gt;
&lt;br /&gt;
A majority of the students have never interacted with Google beyond gaming and watching videos for fun.  Overall, students expressed and showed more engagement when learning lessons online and become more adept navigating the web, and utilizing Google Drive, Docs and Gmail for academic use. Teachers have noticed that blending computer based activities and media with traditional instruction, is not only beneficial for the auditory, visual and kinaesthetic learners, but it also gave their students opportunity to engage and be exposed to English in the digital form. This I feel has helped create a positive experience in students’ language development and growth.&lt;br /&gt;
&lt;br /&gt;
== Phillips, Christopher. Incorporating Web 2.0 Technologies in the Elementary Classroom. ==&lt;br /&gt;
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== Rowe, Jessica. Language Arts and Technology. ==&lt;br /&gt;
&lt;br /&gt;
The following document describes a teacher inquiry project examining the integration of technology into one classroom’s language arts curriculum over the course of two school years, with a focus on online literature circles. Student input shaped much of the process and format with students responding via online surveys, discussion posts and polls on a continuous basis to give feedback.&lt;br /&gt;
 &lt;br /&gt;
In the first year, two different grade 6/7 classes completed traditional literature circle roles such as discussion director and passage picker using two different sites. One class used the forums on a Wordpress site while the other class used pages on a Weebly site to share and respond to roles. Feedback from students showed a preference towards shifting away from the traditional literature circle roles as followed in year one and a need for a more user-friendly format.  Year two focused this time around one grade 6/7 class using the Wordpress site to participate and share teacher-chosen assignments integrating technology and open-source sites in online literature circles. Sixteen out of thirty of the students had previous experience with online literature circles due to being a part of the inquiry project in year one.&lt;br /&gt;
&lt;br /&gt;
Students expressed frustration regarding the technical difficulties faced throughout the process including: outdated browsers, difficulty accessing sites needed to complete assignments and the speed of the school’s internet.  This study, originally intended to increase engagement and on-task behavior in language arts, was greatly hindered by these technical difficulties.  This indicates the necessity of keeping school technology and infrastructure up-to-date, an ongoing challenge for school boards faced with budget restrictions and shortfalls.&lt;br /&gt;
&lt;br /&gt;
== Schofield, Bryan. SOLE Projects in a Grade Four Classroom. ==&lt;br /&gt;
&lt;br /&gt;
== Soo, Elginn. Self-Regulation: Fighting the Temptation of Distractions on Technology While Using Technology for Learning. ==&lt;br /&gt;
&lt;br /&gt;
The purpose of my inquiry is to investigate the ways of assessing progress of self-regulation in students’ learning while using technology in the classroom.  To assist me in my study, I will be using a virtual social learning platform.&lt;br /&gt;
&lt;br /&gt;
In order for learning to occur in the ‘ideal’ environment, it is important for my students to be able to self-regulate their ability to sustain focused attention for a set period of time in the school setting.  There are an infinite number of distractions in a classroom environment as is, and incorporating another variable such as technology and a virtual space, does not help to alleviate their desire to engage with other potential tempting activities on their technological devices, while working on a computer assignment.  If my students are able to divert their full attention to working on a task to the best of their ability then I believe that teachers will be able to receive a more accurate assessment of learning that is happening when using technology.&lt;br /&gt;
&lt;br /&gt;
Through various computer-based assignments with my Grade 5/6 class, I recorded informal anecdotal notes as I monitored my students’ habits as they worked on slideshows, online quizzes, animations, writing and research.  In addition, my class completed some online, impromptu polls after some work periods to determine whether or not they were on task.  On average, 30% admitted that they were not completely focused as they were doing “other” things on the computer.  When asked why they did alternative things, their reasons ranged from a mere shrug of their shoulders to a strange excuse followed by a smirk or look of guilt.  As a class, we also discussed the possible reasons for why people may get distracted with the internet or other programs while working on their computers.&lt;br /&gt;
&lt;br /&gt;
I think the first step to addressing self-regulation in learning while using technology is to bring awareness to my students.  Once they are conscious of their unhelpful computer habits, then we can assist them with some strategies to maintain more focus and control over the temptation to ‘play’ or procrastinate.&lt;br /&gt;
&lt;br /&gt;
== Wood, Murray. Student Engagement, The Virtual, and Media Literacy in 21st Century Learning. ==&lt;br /&gt;
This self study documents a teacher’s examination of students’ engagement in their learning as they develop digital and media literacy by becoming media producers. Following a brief review of the literature, the writer postulates that, while the underlying rationale for the current wave of curriculum reform under the banner of Twenty First Century learning may be flawed, initiatives such as the current reworking of curriculum by the British Columbia Ministry of Education provide possibilities for teachers to design curriculum which facilitates students making the transition from passive receptors of information participating primarily in superficial interactions through social media, to fully engaged active participants in rich virtual communities. &lt;br /&gt;
&lt;br /&gt;
Ambivalent about the immersive nature of students’ relationships with information communication technologies, the writer seeks to use the ICTs available at the school–22 tablets, a portable lab of 15 notebook computers, and a stationary lab of 30 desktop computers–to provide his students with opportunities to develop skills, knowledge, and attitudes conducive to media literacy–a consistent element across the wide range of definitions of twenty first century learning and a central component of the BC Education Plan.  The writer documents how, as early intermediate students come to understand the basic conventions of film by creating their own works and analysing the work of their peers, they take an important first step in understanding that media are constructed.  The writer then considers the question of how to overcome the many challenges associated with using film in the classroom in order to provide a balanced curriculum in which students have opportunities to use ICT and other media to create representations of their learning and to enrich their experience of the curriculum through collaboration, discussion and critical analysis of their work, the work of their classmates, and that of members of virtual communities.&lt;br /&gt;
&lt;br /&gt;
== Yager, Jennifer. Using Technology to Foster Social Emotional Development within a Holistic Education. ==&lt;br /&gt;
&lt;br /&gt;
Technologies are an integral part of our society. Many students are exposed to various technologies prior to their first steps down a school hallway. Inherent in technology is the power to connect us to the world and the knowledge and people that are held within it. Despite all of the opportunity for connection, there is a pervasive concern that technologies overlook the important social and emotional skill development that is inherent in face to face interactions. While there is a current push for 21st Century education and students becoming proficient with the use of technology, education is bigger than educating the mind, one must educate the whole child, through a Holistic Education. But, technological competences are only a part of a successful Holistic Education. Social and Emotional Learning is a vital element in educating the whole child, their heart, as well as their mind. The development of such skills not only improves student communication, collaboration and engagement, but it has also shown to improve one&#039;s academic success. Therefore, it is my belief that having a balanced, holistic curriculum is the strategy for teaching the whole child. &lt;br /&gt;
&lt;br /&gt;
Knowing the integral part of technology in our lives and  the importance of social emotional learning, my inquiry focused on how technology could be used to foster the development of Social and Emotional skills in students by connecting them with themselves, one another, their local community and communities across the world.&lt;br /&gt;
&lt;br /&gt;
For the inquiry I created a class Edmodo website, which was used as a platform for activities and interactions that were focused on collaboration and empathy. The study was designed around the school social responsibility model STAR (Safe, Thoughtful, Accepting, Responsible), with each activity being focused on one aspect of STAR.  A variety of resources (i.e. videos and web 2.0 tools) were used to educate about online safety and expose students to the experiences of children around the world, while assignments were given to facilitate group collaboration.. Throughout the study observations were made about student engagement,, surveys were taken and assignments focusing on collaboration and empathy were given.   &lt;br /&gt;
&lt;br /&gt;
Student engagement in the website was high, from the beginning of the inquiry and remained high throughout the study. They quickly embraced the technology as a way to connect with one another, share personal information, ask questions, share ideas and resources. Even students that were resistant to participation in all other areas, were involved with the class online community. Students were reflective about their collaborative experiences, communicating their frustrations regarding the obstacles that arise when working solely with others  in a digital format. It was discovered that the misunderstandings and problems that arose were most effectively solved when debriefed and discussed in a face to face interaction.  The same was found when participating in activities designed to facilitate empathy. Students online reflections were thoughtful, but when situations occurred that were hurtful or confusing to students, it was important to have face to face discussions to dissect the experiences, feelings and thoughts of the students. &lt;br /&gt;
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The findings of my study demonstrated the importance of having a blended learning environment, where students learn with technology while being enhanced and supported by face to face interactions. The inherent benefits of technology, the interface to connect with people, places and knowledge beyond the scope of their community, needs to be incorporated with  meaningful interactions with those within their immediate community. Through my inquiry I observed the benefits of a holistic education within a 21st century learning model. That by extending the focus of education beyond the development of academic/technical skills, to the development of the mind, heart and body, one can facilitate a meaningful education of the whole child.&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Graduating Projects (working titles)&#039;&#039;&#039; ==&lt;br /&gt;
 Please place the working title of your graduating project below using the following format: &lt;br /&gt;
&lt;br /&gt;
Airey, Robert. (2012). Using Technology to Track and Demonstrate Understanding of Learning Outcomes in a Junior Science Classroom. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Browse example titles of DLC1 Projects http://dlc-ubc.ca/dlc2_wp/edcp508b/projects/&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Bell, Carolyn (2014) Teaching to Build Classroom Community: A Look at One Classroom&#039;s Transformations Using 21st Century Learning Skills and Digital Technology. M. Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Boucher, Robert (2014) Using Technology to raise the SES of at-risk youth. M. Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Chan, Alfred (jan 2014) Learning from collective intelligence: developing digital skills through peer sharing&lt;br /&gt;
&lt;br /&gt;
Cheng, Leo. (2014) Heads or Tails: Successes and Challenges of Implementing a Flipped Classroom in Senior Mathematics. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Fung, Anita. (2014) The Blended Learning Recipe: Student Engagement, Motivation, and Community. M. Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Grigg, Nicole (2014) Web 2.0 &#039;&#039;s’il vous plait&#039;&#039;: Enhancing the Language Arts Classroom Community Through Interactive Technologies and 21st Century Learning. M. Ed. Graduating Thesis.  &lt;br /&gt;
&lt;br /&gt;
Hodak, Alicia (2014) 21st Century Learning and Student Engagement: Motivating Students using a Class Website and Blog. M. Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Irshad, Arsala. (2014). Blended Learning 2.0: Integrating Social LMS, Web 2.0 &amp;amp; Apps for 21st Century Learning. M. Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Knight, John (2014) Promoting Student Engagement through a Virtual Learning Environment: Student Blogging and Connections to Curriculum&lt;br /&gt;
&lt;br /&gt;
Mann, Marian. (2014). Connecting a Class Community Online: Motivating Learners to Communicate and Construct Knowledge Through the Use of Technology.  M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Martin, Sean. (2014). Teaching Old Dogs New Tricks: Using a Mentor-Protégé Relationship to Help Motivate Colleagues to use Technology in the Classroom. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Mergens, Jolene. (2014). Enhancing Student Engagement Through Blending Content with Inquiry and Interactive Technology. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Ng, Christina. (2014). Blended Learning in the ESL Classroom: Incorporating a Web-Based Curriculum and Emerging Technologies to Enhance English Second Language Learning and Experiences. M. Ed Graduating Thesis. &lt;br /&gt;
&lt;br /&gt;
Phillips, Christopher. (2014). Incorporating Web 2.0 Technologies in the Elementary Classroom: A Means to Develop 21st Century Skills and Enhance Student Engagement. M. Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Rowe, Jessica. (2014) Language Arts and Technology: A Platform for Engagement &amp;amp; Collaboration. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Schofield, Bryan. (2014). SOLE Projects in a Grade Four Classroom: A Self-Regulated Inquiry-Based Technological Approach to Learning. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Soo, Elginn. (2014).  Self-Regulation: Fighting the Temptation of Being Distracted by Technology While Using Technology for Learning. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Wood, Murray. (2014). Student Engagement, The Virtual, and Media Literacy in 21st Century Learning.  M. Ed. Graduating Thesis&lt;br /&gt;
&lt;br /&gt;
Yager, Jennifer. (2014). Using Technology to Foster Social Emotional Development within a Holistic Education. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
==&#039;&#039;&#039;Student Planning Space&#039;&#039;&#039;==&lt;br /&gt;
Sandbox or plan DLGs etc. here...&lt;/div&gt;</summary>
		<author><name>Stephenpetrina</name></author>
	</entry>
	<entry>
		<id>https://wiki.ubc.ca/index.php?title=Course:Edcp473&amp;diff=273590</id>
		<title>Course:Edcp473</title>
		<link rel="alternate" type="text/html" href="https://wiki.ubc.ca/index.php?title=Course:Edcp473&amp;diff=273590"/>
		<updated>2014-01-29T06:33:24Z</updated>

		<summary type="html">&lt;p&gt;Stephenpetrina: /* Yager, Jennifer. Using Technology to Foster Social Emotional Development within a Holistic Education. */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== &#039;&#039;&#039;Winter 2014&#039;&#039;&#039; ==&lt;br /&gt;
== Digital Media and ICT: Ethical Uses ==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Link to the EDCP 473 WP in DLC Portal  http://dlc-ubc.ca/dlc2_wp/edcp473/&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Graduating Projects (ABSTRACTS)&#039;&#039;&#039; ==&lt;br /&gt;
 Please place the Working ABSTRACT of your graduating project below (250-350 words)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Writing Abstracts http://www.writing.utoronto.ca/advice/specific-types-of-writing/abstract&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Bell, Carolyn. Teaching to Build Classroom Community. ==&lt;br /&gt;
&lt;br /&gt;
Teaching in today’s classrooms with the myriad of teaching strategies available to promote 21st century student learning can at times seem overwhelming. Students have access to many web 2.0 technologies and are constantly engaged only in their own digital worlds.&lt;br /&gt;
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The purpose of this project was to determine if classroom community and student collaboration would increase with the use and implementation of digital teaching strategies as well as to determine if students would develop 21st century learning skills by using the technology. &lt;br /&gt;
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The inquiry project consisted the use of a classroom Weebly website which was used for a means of communication between students and parents, as well as a discussion forum where students shared ideas and learning processes. Research was also developed from the use of web/online interfaces, which students used to demonstrate their summative learning as well as the production of various media projects. The students that participated in the project ranged in age from 13-18 and were enrolled in Humanities 8 or Community Leadership 9-12 classes. &lt;br /&gt;
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Based on visual observations and student generated feedback it was clear that the website was very successful in terms of the discussion forum where the students expressed that the online space encouraged them to share their learning with their classmates and it especially helped to improve the depth in their dialogue. Students overall enjoyed working with the digital strategies and web 2.0 technologies, however reported that when using technology for summative assignments they found working independently more efficient and productive. In contrast, when working on the media projects collaboration was evident.&lt;br /&gt;
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The inquiry project is still ongoing, however findings up to date show that collaboration and community can be fostered while using web 2.0 strategies, while 21st century learning skills require both traditional teaching methods as well the use of digital technologies.&lt;br /&gt;
&lt;br /&gt;
== Boucher, Robert. Using Technology to raise the SES of at-risk youth. ==&lt;br /&gt;
&lt;br /&gt;
== Chan, Alfred Learning from collective intelligence. ==&lt;br /&gt;
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== Cheng, Leo. Heads or Tails. ==&lt;br /&gt;
&lt;br /&gt;
== Fung, Anita. The Blended Learning Recipe. ==&lt;br /&gt;
Blended learning combines teaching methods from both face-to-face and online learning, giving schools new approaches and strategies to develop 21st Century Learning skills.  The purpose of this inquiry was to investigate various pedagogical engagement strategies to improve overall learning experience.  The project focused on constructivist activities and several web 2.0 technologies delivered through the learning management system, Moodle. &lt;br /&gt;
&lt;br /&gt;
Over the course of two years, a complete re-design of the structure and format of senior secondary humanities courses took place.  Key changes include designing new units of study in English 12 and geo-caching in Geography 12.  In order to build community in a virtual learning space, communication tools such as the creation of a news forum and online users report played a significant role in connecting the class.  To monitor engagement and motivation, the activity completion tracker, calendar, wiki, and chat features on Moodle were also included.  &lt;br /&gt;
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Results were gathered through activity reports produced by Moodle, teacher observation, student reflection, discussions, and informal voluntary feedback.&lt;br /&gt;
&lt;br /&gt;
Overall, students felt that their learning experience was positive and felt a sense of pride and accomplishment by completing a course “on their own”.  The structure and organization of the course helped them remain motivated to complete course work.  In terms of engagement, the incorporation of various web 2.0 applications made their learning tasks more meaningful in addition to learning a new skill.  My findings suggest that blended learning environments flourish for all learners when student engagement and motivation drive the curriculum.&lt;br /&gt;
&lt;br /&gt;
== Grigg, Nicole. Web 2.0 &#039;&#039;s’il vous plait&#039;&#039;. ==&lt;br /&gt;
The purpose of this inquiry was to adopt a learning environment modeled on 21st century learning strategies, using web 2.0 technologies to engage students in 3 strands of the French and English Language Arts programs: reading, writing and oral speaking. Building a learning environment that encouraged flexibility, personalization and collaboration were key areas of the 21st century learning movement that were explored in this project. &lt;br /&gt;
&lt;br /&gt;
Web 2.0 technologies and portable devices such as iPads were chosen for the application of this project because they allow for their users to gather information, connect with others and create collective intelligence. Further to this, Web 2.0 technologies make it possible for classrooms to connect with other learning communities around the world. Students from diverse backgrounds can construct richer and more meaningful knowledge with one another while developing a sense of global awareness. &lt;br /&gt;
&lt;br /&gt;
For the English component of this inquiry, students participated in a program entitled “The Global Read Aloud” where classrooms around the globe read a novel at the same pace and connect with one another to share their reactions, questions and understanding. My students mainly connected with one another and other classrooms via Edmodo, Skype and GoogleDocs. Student interest in the novel was overwhelming, and students were eager to hear from their peers. For the French component of the project, students connected with correspondents in France via GoogleDocs and the classroom Weebly website. While certain methods for communication proved to require more risk-taking than others, the overall experience was positive.&lt;br /&gt;
&lt;br /&gt;
The benefits of 21st century learning environment are visible as children build communication skills and engage in the learning that takes place around them. Using interactive technologies extended the possibilities for learning as boundaries for interaction moved beyond the school hours, classroom walls and country boarders.&lt;br /&gt;
&lt;br /&gt;
== Hodak, Alicia. 21st Century Learning and Student Engagement. ==&lt;br /&gt;
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== Irshad, Arsala. Blended Learning 2.0: Integrating Social Media, Apps and Web 2.0 for 21st Century Learning ==&lt;br /&gt;
&lt;br /&gt;
== Knight, John. Promoting Student Engagement through a Virtual Learning Environment. ==&lt;br /&gt;
&lt;br /&gt;
As school districts across the country adopt 21st Century Learning initiatives it is vitally important that educators closely monitor and reflect upon the relationship between student learning and the incorporation of information and communication technologies into the learning environment. Research has shown that when a student is intrinsically motivated to learn, is engaged with the learning activities, and has developed a strong, positive relationship with classmates and instructors, then the chances for authentic learning to take place are greatly increased. The purpose of this inquiry was to explore the characteristics of student engagement, motivation, and collaboration that could be presented when students interact with each other, and with curriculum, in a virtual learning environment. &lt;br /&gt;
&lt;br /&gt;
Over the course of two school years, a class website was developed and students were encouraged to express themselves and their understandings via their own personal blogs on the site. The first year involved the creation of the site, troubleshooting the many issues that arose, and determining the improvements that would be needed to help increase student engagement. During the second year, the site ran smoothly and the students were able to fully utilize its potential. A qualitative, interpretivist methodology was adopted in which I was integrally involved as the classroom teacher. Students completed surveys, and anecdotal evidence was recorded to see if characteristics of motivation and engagement were present in their class website/blogging activities.&lt;br /&gt;
&lt;br /&gt;
As student activity in the online environment grew, it became clear that all students in the class had been given a voice to express their interests and areas of passion. They were also encouraged to comment on and share connections made with their peers in a positive and productive manner. Students posted curricular connections that may not have been expressed via regular class discussions due to time constraints and/or a lack of confidence with speaking aloud. Various widgets added to the site, such as a Poll, RSS feeds, and a Chatroll, also allowed for the further development and expression of such connections.&lt;br /&gt;
&lt;br /&gt;
Survey responses and anecdotal evidence collected suggest that when a virtual learning environment is used to encourage student personal expression in a positive, diverse, and creative manner, and not simply as a medium for the posting of assignments, then greater opportunity for increased engagement with curriculum is provided.&lt;br /&gt;
&lt;br /&gt;
== Mann, Marian. Connecting a Class Community Online. ==&lt;br /&gt;
&lt;br /&gt;
== Martin, Sean. Teaching Old Dogs New Tricks. ==&lt;br /&gt;
&lt;br /&gt;
With 21st Century Learning being “the next big thing” in education, it is important to understand what that means for students and teachers and what skills are needed to be successful in a 21st Century classroom. With technology integration into the curriculum being an integral part of this educational movement, many teachers appear resistant to changes that would incorporate more technology use in their classroom.&lt;br /&gt;
&lt;br /&gt;
The purpose of this inquiry was to observe the willingness of teachers to use digital technologies in their classrooms with the support of a mentor as a part of the goals of 21st Century Learning. The project focused on the creation of a class website to promote communication between teachers, parents and students, as well as to provide opportunities for class discussions. For many colleagues, the mentorship relationship progressed further to include support using other technologies, most notably the use of ipads for a variety of class specific purposes. &lt;br /&gt;
&lt;br /&gt;
This inquiry found that if teachers had a strong desire to learn and wanted to integrate digital technologies into their classroom, they would benefit more from the mentor-protégé relationship, regardless of previous familiarity with using digital technologies. While most teachers were excited to explore the possibilities of improving learning opportunities for their students, others were not as keen and had difficulty experimenting with the technology individually and making time to work with the mentor. While the support provided by the mentor was paramount in helping teachers find success using digital technologies, it seemed to be of secondary importance to a teacher’s commitment to learning.&lt;br /&gt;
&lt;br /&gt;
If our schools are to truly embrace the full integration of digital technology into the curriculum, it will certainly require support and training, but that must also be coupled with a commitment from teachers to want to make a change. Teachers can be presented with all of the training and mentorship opportunities that can be made available, but without the desire to want to use the technology as a part of their teaching practice, it will be difficult to have real progress with the goals of 21st Century Learning.&lt;br /&gt;
&lt;br /&gt;
== Mergens, Jolene. Enhancing Student Engagement Through Blending Content with Inquiry and Interactive Technology. ==&lt;br /&gt;
This project was designed to improve student engagement within a senior Biology classroom.  The objective was to increase engagement by increasing interactivity amongst students and with the teacher beyond the classroom by utilizing social media they were familiar with and by allowing student inquiry to guide their learning. &lt;br /&gt;
 &lt;br /&gt;
60 senior Biology students that ranged in academic performance were required to generate a somewhat complex human biology based question. This question needed to be one of personal relevance that they were previously or currently curious about. This became known as their INTU question (I Need to Understand). Using a class website that students were familiar and comfortable with, students were required to answer their question, read their peers’ questions/answers and interact with each other.  Significant efforts were made to increase an online presence for the class. Students regularly used twitter and the class website as the forum to ask questions, reference important dates and seek out resources. &lt;br /&gt;
 &lt;br /&gt;
Results were gathered through informal student feedback in the form of anonymous questionnaires, class discussion, online polls and tracking class website user navigation information.  &lt;br /&gt;
 &lt;br /&gt;
Overall, there were many organic conversations that resulted between students. Students felt that their age, background and similar experiences generated many common curiosities and interests that they too wanted to understand. Most students found it increased their interest in Biology, allowed them to view Biology and Science in general as relevant in their lives and felt it increased positive interactions with peers and the teacher.  A handful of students felt that this caused them to regularly and actively search out the answers to Biological questions outside of their required INTU. A few students were neutral about this process and felt it didn’t benefit them greatly nor did it affect them in a negative way, but they did find level of interaction did increase.&lt;br /&gt;
 &lt;br /&gt;
This project suggests that genuine interest and engagement levels increase when students are given the opportunity to pose their own questions, select areas of interest and then put them into context within the curricular content. Interactivity between students validates their curiosity as valued and therefore as relevant.&lt;br /&gt;
&lt;br /&gt;
== Ng, Christina. Blended Learning in the Classroom. ==&lt;br /&gt;
&lt;br /&gt;
== Phillips, Christopher. Incorporating Web 2.0 Technologies in the Elementary Classroom. ==&lt;br /&gt;
&lt;br /&gt;
== Rowe, Jessica. Language Arts and Technology. ==&lt;br /&gt;
&lt;br /&gt;
The following document describes a teacher inquiry project examining the integration of technology into one classroom’s language arts curriculum over the course of two school years, with a focus on online literature circles. Student input shaped much of the process and format with students responding via online surveys, discussion posts and polls on a continuous basis to give feedback.&lt;br /&gt;
 &lt;br /&gt;
In the first year, two different grade 6/7 classes completed traditional literature circle roles such as discussion director and passage picker using two different sites. One class used the forums on a Wordpress site while the other class used pages on a Weebly site to share and respond to roles. Feedback from students showed a preference towards shifting away from the traditional literature circle roles as followed in year one and a need for a more user-friendly format.  Year two focused this time around one grade 6/7 class using the Wordpress site to participate and share teacher-chosen assignments integrating technology and open-source sites in online literature circles. Sixteen out of thirty of the students had previous experience with online literature circles due to being a part of the inquiry project in year one.&lt;br /&gt;
&lt;br /&gt;
Students expressed frustration regarding the technical difficulties faced throughout the process including: outdated browsers, difficulty accessing sites needed to complete assignments and the speed of the school’s internet.  This study, originally intended to increase engagement and on-task behavior in language arts, was greatly hindered by these technical difficulties.  This indicates the necessity of keeping school technology and infrastructure up-to-date, an ongoing challenge for school boards faced with budget restrictions and shortfalls.&lt;br /&gt;
&lt;br /&gt;
== Schofield, Bryan. SOLE Projects in a Grade Four Classroom. ==&lt;br /&gt;
&lt;br /&gt;
== Soo, Elginn. Self-Regulation: Fighting the Temptation of Distractions on Technology While Using Technology for Learning. ==&lt;br /&gt;
&lt;br /&gt;
The purpose of my inquiry is to investigate the ways of assessing progress of self-regulation in students’ learning while using technology in the classroom.  To assist me in my study, I will be using a virtual social learning platform.&lt;br /&gt;
&lt;br /&gt;
In order for learning to occur in the ‘ideal’ environment, it is important for my students to be able to self-regulate their ability to sustain focused attention for a set period of time in the school setting.  There are an infinite number of distractions in a classroom environment as is, and incorporating another variable such as technology and a virtual space, does not help to alleviate their desire to engage with other potential tempting activities on their technological devices, while working on a computer assignment.  If my students are able to divert their full attention to working on a task to the best of their ability then I believe that teachers will be able to receive a more accurate assessment of learning that is happening when using technology.&lt;br /&gt;
&lt;br /&gt;
Through various computer-based assignments with my Grade 5/6 class, I recorded informal anecdotal notes as I monitored my students’ habits as they worked on slideshows, online quizzes, animations, writing and research.  In addition, my class completed some online, impromptu polls after some work periods to determine whether or not they were on task.  On average, 30% admitted that they were not completely focused as they were doing “other” things on the computer.  When asked why they did alternative things, their reasons ranged from a mere shrug of their shoulders to a strange excuse followed by a smirk or look of guilt.  As a class, we also discussed the possible reasons for why people may get distracted with the internet or other programs while working on their computers.&lt;br /&gt;
&lt;br /&gt;
I think the first step to addressing self-regulation in learning while using technology is to bring awareness to my students.  Once they are conscious of their unhelpful computer habits, then we can assist them with some strategies to maintain more focus and control over the temptation to ‘play’ or procrastinate.&lt;br /&gt;
&lt;br /&gt;
== Wood, Murray. Developing Media Literacy through Media Production. ==&lt;br /&gt;
&lt;br /&gt;
== Yager, Jennifer. Using Technology to Foster Social Emotional Development within a Holistic Education. ==&lt;br /&gt;
&lt;br /&gt;
Technologies are an integral part of our society. Many students are exposed to various technologies prior to their first steps down a school hallway. Inherent in technology is the power to connect us to the world and the knowledge and people that are held within it. Despite all of the opportunity for connection, there is a pervasive concern that technologies overlook the important social and emotional skill development that is inherent in face to face interactions. While there is a current push for 21st Century education and students becoming proficient with the use of technology, education is bigger than educating the mind, one must educate the whole child, through a Holistic Education. But, technological competences are only a part of a successful Holistic Education. Social and Emotional Learning is a vital element in educating the whole child, their heart, as well as their mind. The development of such skills not only improves student communication, collaboration and engagement, but it has also shown to improve one&#039;s academic success. Therefore, it is my belief that having a balanced, holistic curriculum is the strategy for teaching the whole child. &lt;br /&gt;
&lt;br /&gt;
Knowing the integral part of technology in our lives and  the importance of social emotional learning, my inquiry focused on how technology could be used to foster the development of Social and Emotional skills in students by connecting them with themselves, one another, their local community and communities across the world.&lt;br /&gt;
&lt;br /&gt;
For the inquiry I created a class Edmodo website, which was used as a platform for activities and interactions that were focused on collaboration and empathy. The study was designed around the school social responsibility model STAR (Safe, Thoughtful, Accepting, Responsible), with each activity being focused on one aspect of STAR.  A variety of resources (i.e. videos and web 2.0 tools) were used to educate about online safety and expose students to the experiences of children around the world, while assignments were given to facilitate group collaboration.. Throughout the study observations were made about student engagement,, surveys were taken and assignments focusing on collaboration and empathy were given.   &lt;br /&gt;
&lt;br /&gt;
Student engagement in the website was high, from the beginning of the inquiry and remained high throughout the study. They quickly embraced the technology as a way to connect with one another, share personal information, ask questions, share ideas and resources. Even students that were resistant to participation in all other areas, were involved with the class online community. Students were reflective about their collaborative experiences, communicating their frustrations regarding the obstacles that arise when working solely with others  in a digital format. It was discovered that the misunderstandings and problems that arose were most effectively solved when debriefed and discussed in a face to face interaction.  The same was found when participating in activities designed to facilitate empathy. Students online reflections were thoughtful, but when situations occurred that were hurtful or confusing to students, it was important to have face to face discussions to dissect the experiences, feelings and thoughts of the students. &lt;br /&gt;
&lt;br /&gt;
The findings of my study demonstrated the importance of having a blended learning environment, where students learn with technology while being enhanced and supported by face to face interactions. The inherent benefits of technology, the interface to connect with people, places and knowledge beyond the scope of their community, needs to be incorporated with  meaningful interactions with those within their immediate community. Through my inquiry I observed the benefits of a holistic education within a 21st century learning model. That by extending the focus of education beyond the development of academic/technical skills, to the development of the mind, heart and body, one can facilitate a meaningful education of the whole child.&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Graduating Projects (working titles)&#039;&#039;&#039; ==&lt;br /&gt;
 Please place the working title of your graduating project below using the following format: &lt;br /&gt;
&lt;br /&gt;
Airey, Robert. (2012). Using Technology to Track and Demonstrate Understanding of Learning Outcomes in a Junior Science Classroom. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Browse example titles of DLC1 Projects http://dlc-ubc.ca/dlc2_wp/edcp508b/projects/&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Bell, Carolyn (2014) Teaching to Build Classroom Community: A Look at One Classroom&#039;s Transformations Using 21st Century Learning Skills and Digital Technology. M. Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Boucher, Robert (2014) Using Technology to raise the SES of at-risk youth. M. Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Chan, Alfred (jan 2014) Learning from collective intelligence: developing digital skills through peer sharing&lt;br /&gt;
&lt;br /&gt;
Cheng, Leo. (2014) Heads or Tails: Successes and Challenges of Implementing a Flipped Classroom in Senior Mathematics. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Fung, Anita. (2014) The Blended Learning Recipe: Student Engagement, Motivation, and Community. M. Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Grigg, Nicole (2014) Web 2.0 &#039;&#039;s’il vous plait&#039;&#039;: Enhancing the Language Arts Classroom Community Through Interactive Technologies and 21st Century Learning. M. Ed. Graduating Thesis.  &lt;br /&gt;
&lt;br /&gt;
Hodak, Alicia (2014) 21st Century Learning and Student Engagement: Motivating Students using a Class Website and Blog. M. Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Irshad, Arsala. (2014). Blended Learning 2.0: Integrating Social LMS, Web 2.0 &amp;amp; Apps for 21st Century Learning. M. Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Knight, John (2014) Promoting Student Engagement through a Virtual Learning Environment: Student Blogging and Connections to Curriculum&lt;br /&gt;
&lt;br /&gt;
Mann, Marian. (2014). Connecting a Class Community Online: Motivating Learners to Communicate and Construct Knowledge Through the Use of Technology.  M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Martin, Sean. (2014). Teaching Old Dogs New Tricks: Using a Mentor-Protégé Relationship to Help Motivate Colleagues to use Technology in the Classroom. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Mergens, Jolene. (2014). Enhancing Student Engagement Through Blending Content with Inquiry and Interactive Technology. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Ng, Christina. (2014). Blended Learning in the Classroom: Incorporating a Web-Based Curriculum and Emerging Technologies to Enhance English Second Language Learning and Experiences. M. Ed Graduating Thesis. &lt;br /&gt;
&lt;br /&gt;
Phillips, Christopher. (2014). Incorporating Web 2.0 Technologies in the Elementary Classroom: A Means to Develop 21st Century Skills and Enhance Student Engagement. M. Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Rowe, Jessica. (2014) Language Arts and Technology: A Platform for Engagement &amp;amp; Collaboration. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Schofield, Bryan. (2014). SOLE Projects in a Grade Four Classroom: A Self-Regulated Inquiry-Based Technological Approach to Learning. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Soo, Elginn. (2014).  Self-Regulation: Fighting the Temptation of Being Distracted by Technology While Using Technology for Learning. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Wood, Murray. (2014). Developing Media Literacy through Media Production.  M. Ed. Graduating Thesis&lt;br /&gt;
&lt;br /&gt;
Yager, Jennifer. (2014). Using Technology to Foster Social Emotional Development within a Holistic Education. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
==&#039;&#039;&#039;Student Planning Space&#039;&#039;&#039;==&lt;br /&gt;
Sandbox or plan DLGs etc. here...&lt;/div&gt;</summary>
		<author><name>Stephenpetrina</name></author>
	</entry>
	<entry>
		<id>https://wiki.ubc.ca/index.php?title=Course:Edcp473&amp;diff=273589</id>
		<title>Course:Edcp473</title>
		<link rel="alternate" type="text/html" href="https://wiki.ubc.ca/index.php?title=Course:Edcp473&amp;diff=273589"/>
		<updated>2014-01-29T06:33:08Z</updated>

		<summary type="html">&lt;p&gt;Stephenpetrina: /* Yager, Jennifer. Using Technology to Foster Social Emotional Development within a Holistic Education. */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== &#039;&#039;&#039;Winter 2014&#039;&#039;&#039; ==&lt;br /&gt;
== Digital Media and ICT: Ethical Uses ==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Link to the EDCP 473 WP in DLC Portal  http://dlc-ubc.ca/dlc2_wp/edcp473/&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Graduating Projects (ABSTRACTS)&#039;&#039;&#039; ==&lt;br /&gt;
 Please place the Working ABSTRACT of your graduating project below (250-350 words)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Writing Abstracts http://www.writing.utoronto.ca/advice/specific-types-of-writing/abstract&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Bell, Carolyn. Teaching to Build Classroom Community. ==&lt;br /&gt;
&lt;br /&gt;
Teaching in today’s classrooms with the myriad of teaching strategies available to promote 21st century student learning can at times seem overwhelming. Students have access to many web 2.0 technologies and are constantly engaged only in their own digital worlds.&lt;br /&gt;
&lt;br /&gt;
The purpose of this project was to determine if classroom community and student collaboration would increase with the use and implementation of digital teaching strategies as well as to determine if students would develop 21st century learning skills by using the technology. &lt;br /&gt;
&lt;br /&gt;
The inquiry project consisted the use of a classroom Weebly website which was used for a means of communication between students and parents, as well as a discussion forum where students shared ideas and learning processes. Research was also developed from the use of web/online interfaces, which students used to demonstrate their summative learning as well as the production of various media projects. The students that participated in the project ranged in age from 13-18 and were enrolled in Humanities 8 or Community Leadership 9-12 classes. &lt;br /&gt;
&lt;br /&gt;
Based on visual observations and student generated feedback it was clear that the website was very successful in terms of the discussion forum where the students expressed that the online space encouraged them to share their learning with their classmates and it especially helped to improve the depth in their dialogue. Students overall enjoyed working with the digital strategies and web 2.0 technologies, however reported that when using technology for summative assignments they found working independently more efficient and productive. In contrast, when working on the media projects collaboration was evident.&lt;br /&gt;
&lt;br /&gt;
The inquiry project is still ongoing, however findings up to date show that collaboration and community can be fostered while using web 2.0 strategies, while 21st century learning skills require both traditional teaching methods as well the use of digital technologies.&lt;br /&gt;
&lt;br /&gt;
== Boucher, Robert. Using Technology to raise the SES of at-risk youth. ==&lt;br /&gt;
&lt;br /&gt;
== Chan, Alfred Learning from collective intelligence. ==&lt;br /&gt;
&lt;br /&gt;
== Cheng, Leo. Heads or Tails. ==&lt;br /&gt;
&lt;br /&gt;
== Fung, Anita. The Blended Learning Recipe. ==&lt;br /&gt;
Blended learning combines teaching methods from both face-to-face and online learning, giving schools new approaches and strategies to develop 21st Century Learning skills.  The purpose of this inquiry was to investigate various pedagogical engagement strategies to improve overall learning experience.  The project focused on constructivist activities and several web 2.0 technologies delivered through the learning management system, Moodle. &lt;br /&gt;
&lt;br /&gt;
Over the course of two years, a complete re-design of the structure and format of senior secondary humanities courses took place.  Key changes include designing new units of study in English 12 and geo-caching in Geography 12.  In order to build community in a virtual learning space, communication tools such as the creation of a news forum and online users report played a significant role in connecting the class.  To monitor engagement and motivation, the activity completion tracker, calendar, wiki, and chat features on Moodle were also included.  &lt;br /&gt;
&lt;br /&gt;
Results were gathered through activity reports produced by Moodle, teacher observation, student reflection, discussions, and informal voluntary feedback.&lt;br /&gt;
&lt;br /&gt;
Overall, students felt that their learning experience was positive and felt a sense of pride and accomplishment by completing a course “on their own”.  The structure and organization of the course helped them remain motivated to complete course work.  In terms of engagement, the incorporation of various web 2.0 applications made their learning tasks more meaningful in addition to learning a new skill.  My findings suggest that blended learning environments flourish for all learners when student engagement and motivation drive the curriculum.&lt;br /&gt;
&lt;br /&gt;
== Grigg, Nicole. Web 2.0 &#039;&#039;s’il vous plait&#039;&#039;. ==&lt;br /&gt;
The purpose of this inquiry was to adopt a learning environment modeled on 21st century learning strategies, using web 2.0 technologies to engage students in 3 strands of the French and English Language Arts programs: reading, writing and oral speaking. Building a learning environment that encouraged flexibility, personalization and collaboration were key areas of the 21st century learning movement that were explored in this project. &lt;br /&gt;
&lt;br /&gt;
Web 2.0 technologies and portable devices such as iPads were chosen for the application of this project because they allow for their users to gather information, connect with others and create collective intelligence. Further to this, Web 2.0 technologies make it possible for classrooms to connect with other learning communities around the world. Students from diverse backgrounds can construct richer and more meaningful knowledge with one another while developing a sense of global awareness. &lt;br /&gt;
&lt;br /&gt;
For the English component of this inquiry, students participated in a program entitled “The Global Read Aloud” where classrooms around the globe read a novel at the same pace and connect with one another to share their reactions, questions and understanding. My students mainly connected with one another and other classrooms via Edmodo, Skype and GoogleDocs. Student interest in the novel was overwhelming, and students were eager to hear from their peers. For the French component of the project, students connected with correspondents in France via GoogleDocs and the classroom Weebly website. While certain methods for communication proved to require more risk-taking than others, the overall experience was positive.&lt;br /&gt;
&lt;br /&gt;
The benefits of 21st century learning environment are visible as children build communication skills and engage in the learning that takes place around them. Using interactive technologies extended the possibilities for learning as boundaries for interaction moved beyond the school hours, classroom walls and country boarders.&lt;br /&gt;
&lt;br /&gt;
== Hodak, Alicia. 21st Century Learning and Student Engagement. ==&lt;br /&gt;
&lt;br /&gt;
== Irshad, Arsala. Blended Learning 2.0: Integrating Social Media, Apps and Web 2.0 for 21st Century Learning ==&lt;br /&gt;
&lt;br /&gt;
== Knight, John. Promoting Student Engagement through a Virtual Learning Environment. ==&lt;br /&gt;
&lt;br /&gt;
As school districts across the country adopt 21st Century Learning initiatives it is vitally important that educators closely monitor and reflect upon the relationship between student learning and the incorporation of information and communication technologies into the learning environment. Research has shown that when a student is intrinsically motivated to learn, is engaged with the learning activities, and has developed a strong, positive relationship with classmates and instructors, then the chances for authentic learning to take place are greatly increased. The purpose of this inquiry was to explore the characteristics of student engagement, motivation, and collaboration that could be presented when students interact with each other, and with curriculum, in a virtual learning environment. &lt;br /&gt;
&lt;br /&gt;
Over the course of two school years, a class website was developed and students were encouraged to express themselves and their understandings via their own personal blogs on the site. The first year involved the creation of the site, troubleshooting the many issues that arose, and determining the improvements that would be needed to help increase student engagement. During the second year, the site ran smoothly and the students were able to fully utilize its potential. A qualitative, interpretivist methodology was adopted in which I was integrally involved as the classroom teacher. Students completed surveys, and anecdotal evidence was recorded to see if characteristics of motivation and engagement were present in their class website/blogging activities.&lt;br /&gt;
&lt;br /&gt;
As student activity in the online environment grew, it became clear that all students in the class had been given a voice to express their interests and areas of passion. They were also encouraged to comment on and share connections made with their peers in a positive and productive manner. Students posted curricular connections that may not have been expressed via regular class discussions due to time constraints and/or a lack of confidence with speaking aloud. Various widgets added to the site, such as a Poll, RSS feeds, and a Chatroll, also allowed for the further development and expression of such connections.&lt;br /&gt;
&lt;br /&gt;
Survey responses and anecdotal evidence collected suggest that when a virtual learning environment is used to encourage student personal expression in a positive, diverse, and creative manner, and not simply as a medium for the posting of assignments, then greater opportunity for increased engagement with curriculum is provided.&lt;br /&gt;
&lt;br /&gt;
== Mann, Marian. Connecting a Class Community Online. ==&lt;br /&gt;
&lt;br /&gt;
== Martin, Sean. Teaching Old Dogs New Tricks. ==&lt;br /&gt;
&lt;br /&gt;
With 21st Century Learning being “the next big thing” in education, it is important to understand what that means for students and teachers and what skills are needed to be successful in a 21st Century classroom. With technology integration into the curriculum being an integral part of this educational movement, many teachers appear resistant to changes that would incorporate more technology use in their classroom.&lt;br /&gt;
&lt;br /&gt;
The purpose of this inquiry was to observe the willingness of teachers to use digital technologies in their classrooms with the support of a mentor as a part of the goals of 21st Century Learning. The project focused on the creation of a class website to promote communication between teachers, parents and students, as well as to provide opportunities for class discussions. For many colleagues, the mentorship relationship progressed further to include support using other technologies, most notably the use of ipads for a variety of class specific purposes. &lt;br /&gt;
&lt;br /&gt;
This inquiry found that if teachers had a strong desire to learn and wanted to integrate digital technologies into their classroom, they would benefit more from the mentor-protégé relationship, regardless of previous familiarity with using digital technologies. While most teachers were excited to explore the possibilities of improving learning opportunities for their students, others were not as keen and had difficulty experimenting with the technology individually and making time to work with the mentor. While the support provided by the mentor was paramount in helping teachers find success using digital technologies, it seemed to be of secondary importance to a teacher’s commitment to learning.&lt;br /&gt;
&lt;br /&gt;
If our schools are to truly embrace the full integration of digital technology into the curriculum, it will certainly require support and training, but that must also be coupled with a commitment from teachers to want to make a change. Teachers can be presented with all of the training and mentorship opportunities that can be made available, but without the desire to want to use the technology as a part of their teaching practice, it will be difficult to have real progress with the goals of 21st Century Learning.&lt;br /&gt;
&lt;br /&gt;
== Mergens, Jolene. Enhancing Student Engagement Through Blending Content with Inquiry and Interactive Technology. ==&lt;br /&gt;
This project was designed to improve student engagement within a senior Biology classroom.  The objective was to increase engagement by increasing interactivity amongst students and with the teacher beyond the classroom by utilizing social media they were familiar with and by allowing student inquiry to guide their learning. &lt;br /&gt;
 &lt;br /&gt;
60 senior Biology students that ranged in academic performance were required to generate a somewhat complex human biology based question. This question needed to be one of personal relevance that they were previously or currently curious about. This became known as their INTU question (I Need to Understand). Using a class website that students were familiar and comfortable with, students were required to answer their question, read their peers’ questions/answers and interact with each other.  Significant efforts were made to increase an online presence for the class. Students regularly used twitter and the class website as the forum to ask questions, reference important dates and seek out resources. &lt;br /&gt;
 &lt;br /&gt;
Results were gathered through informal student feedback in the form of anonymous questionnaires, class discussion, online polls and tracking class website user navigation information.  &lt;br /&gt;
 &lt;br /&gt;
Overall, there were many organic conversations that resulted between students. Students felt that their age, background and similar experiences generated many common curiosities and interests that they too wanted to understand. Most students found it increased their interest in Biology, allowed them to view Biology and Science in general as relevant in their lives and felt it increased positive interactions with peers and the teacher.  A handful of students felt that this caused them to regularly and actively search out the answers to Biological questions outside of their required INTU. A few students were neutral about this process and felt it didn’t benefit them greatly nor did it affect them in a negative way, but they did find level of interaction did increase.&lt;br /&gt;
 &lt;br /&gt;
This project suggests that genuine interest and engagement levels increase when students are given the opportunity to pose their own questions, select areas of interest and then put them into context within the curricular content. Interactivity between students validates their curiosity as valued and therefore as relevant.&lt;br /&gt;
&lt;br /&gt;
== Ng, Christina. Blended Learning in the Classroom. ==&lt;br /&gt;
&lt;br /&gt;
== Phillips, Christopher. Incorporating Web 2.0 Technologies in the Elementary Classroom. ==&lt;br /&gt;
&lt;br /&gt;
== Rowe, Jessica. Language Arts and Technology. ==&lt;br /&gt;
&lt;br /&gt;
The following document describes a teacher inquiry project examining the integration of technology into one classroom’s language arts curriculum over the course of two school years, with a focus on online literature circles. Student input shaped much of the process and format with students responding via online surveys, discussion posts and polls on a continuous basis to give feedback.&lt;br /&gt;
 &lt;br /&gt;
In the first year, two different grade 6/7 classes completed traditional literature circle roles such as discussion director and passage picker using two different sites. One class used the forums on a Wordpress site while the other class used pages on a Weebly site to share and respond to roles. Feedback from students showed a preference towards shifting away from the traditional literature circle roles as followed in year one and a need for a more user-friendly format.  Year two focused this time around one grade 6/7 class using the Wordpress site to participate and share teacher-chosen assignments integrating technology and open-source sites in online literature circles. Sixteen out of thirty of the students had previous experience with online literature circles due to being a part of the inquiry project in year one.&lt;br /&gt;
&lt;br /&gt;
Students expressed frustration regarding the technical difficulties faced throughout the process including: outdated browsers, difficulty accessing sites needed to complete assignments and the speed of the school’s internet.  This study, originally intended to increase engagement and on-task behavior in language arts, was greatly hindered by these technical difficulties.  This indicates the necessity of keeping school technology and infrastructure up-to-date, an ongoing challenge for school boards faced with budget restrictions and shortfalls.&lt;br /&gt;
&lt;br /&gt;
== Schofield, Bryan. SOLE Projects in a Grade Four Classroom. ==&lt;br /&gt;
&lt;br /&gt;
== Soo, Elginn. Self-Regulation: Fighting the Temptation of Distractions on Technology While Using Technology for Learning. ==&lt;br /&gt;
&lt;br /&gt;
The purpose of my inquiry is to investigate the ways of assessing progress of self-regulation in students’ learning while using technology in the classroom.  To assist me in my study, I will be using a virtual social learning platform.&lt;br /&gt;
&lt;br /&gt;
In order for learning to occur in the ‘ideal’ environment, it is important for my students to be able to self-regulate their ability to sustain focused attention for a set period of time in the school setting.  There are an infinite number of distractions in a classroom environment as is, and incorporating another variable such as technology and a virtual space, does not help to alleviate their desire to engage with other potential tempting activities on their technological devices, while working on a computer assignment.  If my students are able to divert their full attention to working on a task to the best of their ability then I believe that teachers will be able to receive a more accurate assessment of learning that is happening when using technology.&lt;br /&gt;
&lt;br /&gt;
Through various computer-based assignments with my Grade 5/6 class, I recorded informal anecdotal notes as I monitored my students’ habits as they worked on slideshows, online quizzes, animations, writing and research.  In addition, my class completed some online, impromptu polls after some work periods to determine whether or not they were on task.  On average, 30% admitted that they were not completely focused as they were doing “other” things on the computer.  When asked why they did alternative things, their reasons ranged from a mere shrug of their shoulders to a strange excuse followed by a smirk or look of guilt.  As a class, we also discussed the possible reasons for why people may get distracted with the internet or other programs while working on their computers.&lt;br /&gt;
&lt;br /&gt;
I think the first step to addressing self-regulation in learning while using technology is to bring awareness to my students.  Once they are conscious of their unhelpful computer habits, then we can assist them with some strategies to maintain more focus and control over the temptation to ‘play’ or procrastinate.&lt;br /&gt;
&lt;br /&gt;
== Wood, Murray. Developing Media Literacy through Media Production. ==&lt;br /&gt;
&lt;br /&gt;
== Yager, Jennifer. Using Technology to Foster Social Emotional Development within a Holistic Education. ==&lt;br /&gt;
&lt;br /&gt;
Technologies are an integral part of our society. Many students are exposed to various technologies prior to their first steps down a school hallway. Inherent in technology is the power to connect us to the world and the knowledge and people that are held within it. Despite all of the opportunity for connection, there is a pervasive concern that technologies overlook the important social and emotional skill development that is inherent in face to face interactions. While there is a current push for 21st Century education and students becoming proficient with the use of technology, education is bigger than educating the mind, one must educate the whole child, through a Holistic Education. But, technological competences are only a part of a successful Holistic Education. Social and Emotional Learning is a vital element in educating the whole child, their heart, as well as their mind. The development of such skills not only improves student communication, collaboration and engagement, but it has also shown to improve one&#039;s academic success. Therefore, it is my belief that having a balanced, holistic curriculum is the strategy for teaching the whole child. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;:&amp;quot;Knowing the integral part of technology in our lives and  the importance of social emotional learning, my inquiry focused on how technology could be used to foster the development of Social and Emotional skills in students by connecting them with themselves, one another, their local community and communities across the world.&lt;br /&gt;
&lt;br /&gt;
For the inquiry I created a class Edmodo website, which was used as a platform for activities and interactions that were focused on collaboration and empathy. The study was designed around the school social responsibility model STAR (Safe, Thoughtful, Accepting, Responsible), with each activity being focused on one aspect of STAR.  A variety of resources (i.e. videos and web 2.0 tools) were used to educate about online safety and expose students to the experiences of children around the world, while assignments were given to facilitate group collaboration.. Throughout the study observations were made about student engagement,, surveys were taken and assignments focusing on collaboration and empathy were given.   &lt;br /&gt;
&lt;br /&gt;
Student engagement in the website was high, from the beginning of the inquiry and remained high throughout the study. They quickly embraced the technology as a way to connect with one another, share personal information, ask questions, share ideas and resources. Even students that were resistant to participation in all other areas, were involved with the class online community. Students were reflective about their collaborative experiences, communicating their frustrations regarding the obstacles that arise when working solely with others  in a digital format. It was discovered that the misunderstandings and problems that arose were most effectively solved when debriefed and discussed in a face to face interaction.  The same was found when participating in activities designed to facilitate empathy. Students online reflections were thoughtful, but when situations occurred that were hurtful or confusing to students, it was important to have face to face discussions to dissect the experiences, feelings and thoughts of the students. &lt;br /&gt;
&lt;br /&gt;
The findings of my study demonstrated the importance of having a blended learning environment, where students learn with technology while being enhanced and supported by face to face interactions. The inherent benefits of technology, the interface to connect with people, places and knowledge beyond the scope of their community, needs to be incorporated with  meaningful interactions with those within their immediate community. Through my inquiry I observed the benefits of a holistic education within a 21st century learning model. That by extending the focus of education beyond the development of academic/technical skills, to the development of the mind, heart and body, one can facilitate a meaningful education of the whole child.&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Graduating Projects (working titles)&#039;&#039;&#039; ==&lt;br /&gt;
 Please place the working title of your graduating project below using the following format: &lt;br /&gt;
&lt;br /&gt;
Airey, Robert. (2012). Using Technology to Track and Demonstrate Understanding of Learning Outcomes in a Junior Science Classroom. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Browse example titles of DLC1 Projects http://dlc-ubc.ca/dlc2_wp/edcp508b/projects/&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Bell, Carolyn (2014) Teaching to Build Classroom Community: A Look at One Classroom&#039;s Transformations Using 21st Century Learning Skills and Digital Technology. M. Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Boucher, Robert (2014) Using Technology to raise the SES of at-risk youth. M. Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Chan, Alfred (jan 2014) Learning from collective intelligence: developing digital skills through peer sharing&lt;br /&gt;
&lt;br /&gt;
Cheng, Leo. (2014) Heads or Tails: Successes and Challenges of Implementing a Flipped Classroom in Senior Mathematics. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Fung, Anita. (2014) The Blended Learning Recipe: Student Engagement, Motivation, and Community. M. Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Grigg, Nicole (2014) Web 2.0 &#039;&#039;s’il vous plait&#039;&#039;: Enhancing the Language Arts Classroom Community Through Interactive Technologies and 21st Century Learning. M. Ed. Graduating Thesis.  &lt;br /&gt;
&lt;br /&gt;
Hodak, Alicia (2014) 21st Century Learning and Student Engagement: Motivating Students using a Class Website and Blog. M. Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Irshad, Arsala. (2014). Blended Learning 2.0: Integrating Social LMS, Web 2.0 &amp;amp; Apps for 21st Century Learning. M. Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Knight, John (2014) Promoting Student Engagement through a Virtual Learning Environment: Student Blogging and Connections to Curriculum&lt;br /&gt;
&lt;br /&gt;
Mann, Marian. (2014). Connecting a Class Community Online: Motivating Learners to Communicate and Construct Knowledge Through the Use of Technology.  M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Martin, Sean. (2014). Teaching Old Dogs New Tricks: Using a Mentor-Protégé Relationship to Help Motivate Colleagues to use Technology in the Classroom. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Mergens, Jolene. (2014). Enhancing Student Engagement Through Blending Content with Inquiry and Interactive Technology. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Ng, Christina. (2014). Blended Learning in the Classroom: Incorporating a Web-Based Curriculum and Emerging Technologies to Enhance English Second Language Learning and Experiences. M. Ed Graduating Thesis. &lt;br /&gt;
&lt;br /&gt;
Phillips, Christopher. (2014). Incorporating Web 2.0 Technologies in the Elementary Classroom: A Means to Develop 21st Century Skills and Enhance Student Engagement. M. Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Rowe, Jessica. (2014) Language Arts and Technology: A Platform for Engagement &amp;amp; Collaboration. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Schofield, Bryan. (2014). SOLE Projects in a Grade Four Classroom: A Self-Regulated Inquiry-Based Technological Approach to Learning. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Soo, Elginn. (2014).  Self-Regulation: Fighting the Temptation of Being Distracted by Technology While Using Technology for Learning. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Wood, Murray. (2014). Developing Media Literacy through Media Production.  M. Ed. Graduating Thesis&lt;br /&gt;
&lt;br /&gt;
Yager, Jennifer. (2014). Using Technology to Foster Social Emotional Development within a Holistic Education. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
==&#039;&#039;&#039;Student Planning Space&#039;&#039;&#039;==&lt;br /&gt;
Sandbox or plan DLGs etc. here...&lt;/div&gt;</summary>
		<author><name>Stephenpetrina</name></author>
	</entry>
	<entry>
		<id>https://wiki.ubc.ca/index.php?title=Course:Edcp473&amp;diff=273588</id>
		<title>Course:Edcp473</title>
		<link rel="alternate" type="text/html" href="https://wiki.ubc.ca/index.php?title=Course:Edcp473&amp;diff=273588"/>
		<updated>2014-01-29T06:26:30Z</updated>

		<summary type="html">&lt;p&gt;Stephenpetrina: /* Yager, Jennifer. Using Technology to Foster Social Emotional Development within a Holistic Education. */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== &#039;&#039;&#039;Winter 2014&#039;&#039;&#039; ==&lt;br /&gt;
== Digital Media and ICT: Ethical Uses ==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Link to the EDCP 473 WP in DLC Portal  http://dlc-ubc.ca/dlc2_wp/edcp473/&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Graduating Projects (ABSTRACTS)&#039;&#039;&#039; ==&lt;br /&gt;
 Please place the Working ABSTRACT of your graduating project below (250-350 words)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Writing Abstracts http://www.writing.utoronto.ca/advice/specific-types-of-writing/abstract&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Bell, Carolyn. Teaching to Build Classroom Community. ==&lt;br /&gt;
&lt;br /&gt;
Teaching in today’s classrooms with the myriad of teaching strategies available to promote 21st century student learning can at times seem overwhelming. Students have access to many web 2.0 technologies and are constantly engaged only in their own digital worlds.&lt;br /&gt;
&lt;br /&gt;
The purpose of this project was to determine if classroom community and student collaboration would increase with the use and implementation of digital teaching strategies as well as to determine if students would develop 21st century learning skills by using the technology. &lt;br /&gt;
&lt;br /&gt;
The inquiry project consisted the use of a classroom Weebly website which was used for a means of communication between students and parents, as well as a discussion forum where students shared ideas and learning processes. Research was also developed from the use of web/online interfaces, which students used to demonstrate their summative learning as well as the production of various media projects. The students that participated in the project ranged in age from 13-18 and were enrolled in Humanities 8 or Community Leadership 9-12 classes. &lt;br /&gt;
&lt;br /&gt;
Based on visual observations and student generated feedback it was clear that the website was very successful in terms of the discussion forum where the students expressed that the online space encouraged them to share their learning with their classmates and it especially helped to improve the depth in their dialogue. Students overall enjoyed working with the digital strategies and web 2.0 technologies, however reported that when using technology for summative assignments they found working independently more efficient and productive. In contrast, when working on the media projects collaboration was evident.&lt;br /&gt;
&lt;br /&gt;
The inquiry project is still ongoing, however findings up to date show that collaboration and community can be fostered while using web 2.0 strategies, while 21st century learning skills require both traditional teaching methods as well the use of digital technologies.&lt;br /&gt;
&lt;br /&gt;
== Boucher, Robert. Using Technology to raise the SES of at-risk youth. ==&lt;br /&gt;
&lt;br /&gt;
== Chan, Alfred Learning from collective intelligence. ==&lt;br /&gt;
&lt;br /&gt;
== Cheng, Leo. Heads or Tails. ==&lt;br /&gt;
&lt;br /&gt;
== Fung, Anita. The Blended Learning Recipe. ==&lt;br /&gt;
Blended learning combines teaching methods from both face-to-face and online learning, giving schools new approaches and strategies to develop 21st Century Learning skills.  The purpose of this inquiry was to investigate various pedagogical engagement strategies to improve overall learning experience.  The project focused on constructivist activities and several web 2.0 technologies delivered through the learning management system, Moodle. &lt;br /&gt;
&lt;br /&gt;
Over the course of two years, a complete re-design of the structure and format of senior secondary humanities courses took place.  Key changes include designing new units of study in English 12 and geo-caching in Geography 12.  In order to build community in a virtual learning space, communication tools such as the creation of a news forum and online users report played a significant role in connecting the class.  To monitor engagement and motivation, the activity completion tracker, calendar, wiki, and chat features on Moodle were also included.  &lt;br /&gt;
&lt;br /&gt;
Results were gathered through activity reports produced by Moodle, teacher observation, student reflection, discussions, and informal voluntary feedback.&lt;br /&gt;
&lt;br /&gt;
Overall, students felt that their learning experience was positive and felt a sense of pride and accomplishment by completing a course “on their own”.  The structure and organization of the course helped them remain motivated to complete course work.  In terms of engagement, the incorporation of various web 2.0 applications made their learning tasks more meaningful in addition to learning a new skill.  My findings suggest that blended learning environments flourish for all learners when student engagement and motivation drive the curriculum.&lt;br /&gt;
&lt;br /&gt;
== Grigg, Nicole. Web 2.0 &#039;&#039;s’il vous plait&#039;&#039;. ==&lt;br /&gt;
The purpose of this inquiry was to adopt a learning environment modeled on 21st century learning strategies, using web 2.0 technologies to engage students in 3 strands of the French and English Language Arts programs: reading, writing and oral speaking. Building a learning environment that encouraged flexibility, personalization and collaboration were key areas of the 21st century learning movement that were explored in this project. &lt;br /&gt;
&lt;br /&gt;
Web 2.0 technologies and portable devices such as iPads were chosen for the application of this project because they allow for their users to gather information, connect with others and create collective intelligence. Further to this, Web 2.0 technologies make it possible for classrooms to connect with other learning communities around the world. Students from diverse backgrounds can construct richer and more meaningful knowledge with one another while developing a sense of global awareness. &lt;br /&gt;
&lt;br /&gt;
For the English component of this inquiry, students participated in a program entitled “The Global Read Aloud” where classrooms around the globe read a novel at the same pace and connect with one another to share their reactions, questions and understanding. My students mainly connected with one another and other classrooms via Edmodo, Skype and GoogleDocs. Student interest in the novel was overwhelming, and students were eager to hear from their peers. For the French component of the project, students connected with correspondents in France via GoogleDocs and the classroom Weebly website. While certain methods for communication proved to require more risk-taking than others, the overall experience was positive.&lt;br /&gt;
&lt;br /&gt;
The benefits of 21st century learning environment are visible as children build communication skills and engage in the learning that takes place around them. Using interactive technologies extended the possibilities for learning as boundaries for interaction moved beyond the school hours, classroom walls and country boarders.&lt;br /&gt;
&lt;br /&gt;
== Hodak, Alicia. 21st Century Learning and Student Engagement. ==&lt;br /&gt;
&lt;br /&gt;
== Irshad, Arsala. Blended Learning 2.0: Integrating Social Media, Apps and Web 2.0 for 21st Century Learning ==&lt;br /&gt;
&lt;br /&gt;
== Knight, John. Promoting Student Engagement through a Virtual Learning Environment. ==&lt;br /&gt;
&lt;br /&gt;
As school districts across the country adopt 21st Century Learning initiatives it is vitally important that educators closely monitor and reflect upon the relationship between student learning and the incorporation of information and communication technologies into the learning environment. Research has shown that when a student is intrinsically motivated to learn, is engaged with the learning activities, and has developed a strong, positive relationship with classmates and instructors, then the chances for authentic learning to take place are greatly increased. The purpose of this inquiry was to explore the characteristics of student engagement, motivation, and collaboration that could be presented when students interact with each other, and with curriculum, in a virtual learning environment. &lt;br /&gt;
&lt;br /&gt;
Over the course of two school years, a class website was developed and students were encouraged to express themselves and their understandings via their own personal blogs on the site. The first year involved the creation of the site, troubleshooting the many issues that arose, and determining the improvements that would be needed to help increase student engagement. During the second year, the site ran smoothly and the students were able to fully utilize its potential. A qualitative, interpretivist methodology was adopted in which I was integrally involved as the classroom teacher. Students completed surveys, and anecdotal evidence was recorded to see if characteristics of motivation and engagement were present in their class website/blogging activities.&lt;br /&gt;
&lt;br /&gt;
As student activity in the online environment grew, it became clear that all students in the class had been given a voice to express their interests and areas of passion. They were also encouraged to comment on and share connections made with their peers in a positive and productive manner. Students posted curricular connections that may not have been expressed via regular class discussions due to time constraints and/or a lack of confidence with speaking aloud. Various widgets added to the site, such as a Poll, RSS feeds, and a Chatroll, also allowed for the further development and expression of such connections.&lt;br /&gt;
&lt;br /&gt;
Survey responses and anecdotal evidence collected suggest that when a virtual learning environment is used to encourage student personal expression in a positive, diverse, and creative manner, and not simply as a medium for the posting of assignments, then greater opportunity for increased engagement with curriculum is provided.&lt;br /&gt;
&lt;br /&gt;
== Mann, Marian. Connecting a Class Community Online. ==&lt;br /&gt;
&lt;br /&gt;
== Martin, Sean. Teaching Old Dogs New Tricks. ==&lt;br /&gt;
&lt;br /&gt;
With 21st Century Learning being “the next big thing” in education, it is important to understand what that means for students and teachers and what skills are needed to be successful in a 21st Century classroom. With technology integration into the curriculum being an integral part of this educational movement, many teachers appear resistant to changes that would incorporate more technology use in their classroom.&lt;br /&gt;
&lt;br /&gt;
The purpose of this inquiry was to observe the willingness of teachers to use digital technologies in their classrooms with the support of a mentor as a part of the goals of 21st Century Learning. The project focused on the creation of a class website to promote communication between teachers, parents and students, as well as to provide opportunities for class discussions. For many colleagues, the mentorship relationship progressed further to include support using other technologies, most notably the use of ipads for a variety of class specific purposes. &lt;br /&gt;
&lt;br /&gt;
This inquiry found that if teachers had a strong desire to learn and wanted to integrate digital technologies into their classroom, they would benefit more from the mentor-protégé relationship, regardless of previous familiarity with using digital technologies. While most teachers were excited to explore the possibilities of improving learning opportunities for their students, others were not as keen and had difficulty experimenting with the technology individually and making time to work with the mentor. While the support provided by the mentor was paramount in helping teachers find success using digital technologies, it seemed to be of secondary importance to a teacher’s commitment to learning.&lt;br /&gt;
&lt;br /&gt;
If our schools are to truly embrace the full integration of digital technology into the curriculum, it will certainly require support and training, but that must also be coupled with a commitment from teachers to want to make a change. Teachers can be presented with all of the training and mentorship opportunities that can be made available, but without the desire to want to use the technology as a part of their teaching practice, it will be difficult to have real progress with the goals of 21st Century Learning.&lt;br /&gt;
&lt;br /&gt;
== Mergens, Jolene. Enhancing Student Engagement Through Blending Content with Inquiry and Interactive Technology. ==&lt;br /&gt;
This project was designed to improve student engagement within a senior Biology classroom.  The objective was to increase engagement by increasing interactivity amongst students and with the teacher beyond the classroom by utilizing social media they were familiar with and by allowing student inquiry to guide their learning. &lt;br /&gt;
 &lt;br /&gt;
60 senior Biology students that ranged in academic performance were required to generate a somewhat complex human biology based question. This question needed to be one of personal relevance that they were previously or currently curious about. This became known as their INTU question (I Need to Understand). Using a class website that students were familiar and comfortable with, students were required to answer their question, read their peers’ questions/answers and interact with each other.  Significant efforts were made to increase an online presence for the class. Students regularly used twitter and the class website as the forum to ask questions, reference important dates and seek out resources. &lt;br /&gt;
 &lt;br /&gt;
Results were gathered through informal student feedback in the form of anonymous questionnaires, class discussion, online polls and tracking class website user navigation information.  &lt;br /&gt;
 &lt;br /&gt;
Overall, there were many organic conversations that resulted between students. Students felt that their age, background and similar experiences generated many common curiosities and interests that they too wanted to understand. Most students found it increased their interest in Biology, allowed them to view Biology and Science in general as relevant in their lives and felt it increased positive interactions with peers and the teacher.  A handful of students felt that this caused them to regularly and actively search out the answers to Biological questions outside of their required INTU. A few students were neutral about this process and felt it didn’t benefit them greatly nor did it affect them in a negative way, but they did find level of interaction did increase.&lt;br /&gt;
 &lt;br /&gt;
This project suggests that genuine interest and engagement levels increase when students are given the opportunity to pose their own questions, select areas of interest and then put them into context within the curricular content. Interactivity between students validates their curiosity as valued and therefore as relevant.&lt;br /&gt;
&lt;br /&gt;
== Ng, Christina. Blended Learning in the Classroom. ==&lt;br /&gt;
&lt;br /&gt;
== Phillips, Christopher. Incorporating Web 2.0 Technologies in the Elementary Classroom. ==&lt;br /&gt;
&lt;br /&gt;
== Rowe, Jessica. Language Arts and Technology. ==&lt;br /&gt;
&lt;br /&gt;
The following document describes a teacher inquiry project examining the integration of technology into one classroom’s language arts curriculum over the course of two school years, with a focus on online literature circles. Student input shaped much of the process and format with students responding via online surveys, discussion posts and polls on a continuous basis to give feedback.&lt;br /&gt;
 &lt;br /&gt;
In the first year, two different grade 6/7 classes completed traditional literature circle roles such as discussion director and passage picker using two different sites. One class used the forums on a Wordpress site while the other class used pages on a Weebly site to share and respond to roles. Feedback from students showed a preference towards shifting away from the traditional literature circle roles as followed in year one and a need for a more user-friendly format.  Year two focused this time around one grade 6/7 class using the Wordpress site to participate and share teacher-chosen assignments integrating technology and open-source sites in online literature circles. Sixteen out of thirty of the students had previous experience with online literature circles due to being a part of the inquiry project in year one.&lt;br /&gt;
&lt;br /&gt;
Students expressed frustration regarding the technical difficulties faced throughout the process including: outdated browsers, difficulty accessing sites needed to complete assignments and the speed of the school’s internet.  This study, originally intended to increase engagement and on-task behavior in language arts, was greatly hindered by these technical difficulties.  This indicates the necessity of keeping school technology and infrastructure up-to-date, an ongoing challenge for school boards faced with budget restrictions and shortfalls.&lt;br /&gt;
&lt;br /&gt;
== Schofield, Bryan. SOLE Projects in a Grade Four Classroom. ==&lt;br /&gt;
&lt;br /&gt;
== Soo, Elginn. Self-Regulation: Fighting the Temptation of Distractions on Technology While Using Technology for Learning. ==&lt;br /&gt;
&lt;br /&gt;
The purpose of my inquiry is to investigate the ways of assessing progress of self-regulation in students’ learning while using technology in the classroom.  To assist me in my study, I will be using a virtual social learning platform.&lt;br /&gt;
&lt;br /&gt;
In order for learning to occur in the ‘ideal’ environment, it is important for my students to be able to self-regulate their ability to sustain focused attention for a set period of time in the school setting.  There are an infinite number of distractions in a classroom environment as is, and incorporating another variable such as technology and a virtual space, does not help to alleviate their desire to engage with other potential tempting activities on their technological devices, while working on a computer assignment.  If my students are able to divert their full attention to working on a task to the best of their ability then I believe that teachers will be able to receive a more accurate assessment of learning that is happening when using technology.&lt;br /&gt;
&lt;br /&gt;
Through various computer-based assignments with my Grade 5/6 class, I recorded informal anecdotal notes as I monitored my students’ habits as they worked on slideshows, online quizzes, animations, writing and research.  In addition, my class completed some online, impromptu polls after some work periods to determine whether or not they were on task.  On average, 30% admitted that they were not completely focused as they were doing “other” things on the computer.  When asked why they did alternative things, their reasons ranged from a mere shrug of their shoulders to a strange excuse followed by a smirk or look of guilt.  As a class, we also discussed the possible reasons for why people may get distracted with the internet or other programs while working on their computers.&lt;br /&gt;
&lt;br /&gt;
I think the first step to addressing self-regulation in learning while using technology is to bring awareness to my students.  Once they are conscious of their unhelpful computer habits, then we can assist them with some strategies to maintain more focus and control over the temptation to ‘play’ or procrastinate.&lt;br /&gt;
&lt;br /&gt;
== Wood, Murray. Developing Media Literacy through Media Production. ==&lt;br /&gt;
&lt;br /&gt;
== Yager, Jennifer. Using Technology to Foster Social Emotional Development within a Holistic Education. ==&lt;br /&gt;
&lt;br /&gt;
Technologies are an integral part of our society. Many students are exposed to various technologies prior to their first steps down a school hallway. Inherent in technology is the power to connect us to the world and the knowledge and people that are held within it. Despite all of the opportunity for connection, there is a pervasive concern that technologies overlook the important social and emotional skill development that is inherent in face to face interactions. While there is a current push for 21st Century education and students becoming proficient with the use of technology, education is bigger than educating the mind, one must educate the whole child, through a Holistic Education. But, technological competences are only a part of a successful Holistic Education. Social and Emotional Learning is a vital element in educating the whole child, their heart, as well as their mind. The development of such skills not only improves student communication, collaboration and engagement, but it has also shown to improve one&#039;s academic success. Therefore, it is my belief that having a balanced, holistic curriculum is the strategy for teaching the whole child. &lt;br /&gt;
&lt;br /&gt;
Knowing the integral part of technology in our lives and  the importance of social emotional learning, my inquiry focused on how technology could be used to foster the development of Social and Emotional skills in students by connecting them with themselves, one another, their local community and communities across the world.&lt;br /&gt;
&lt;br /&gt;
For the inquiry I created a class Edmodo website, which was used as a platform for activities and interactions that were focused on collaboration and empathy. The study was designed around the school social responsibility model STAR (Safe, Thoughtful, Accepting, Responsible), with each activity being focused on one aspect of STAR.  A variety of resources (i.e. videos and web 2.0 tools) were used to educate about online safety and expose students to the experiences of children around the world, while assignments were given to facilitate group collaboration.. Throughout the study observations were made about student engagement,, surveys were taken and assignments focusing on collaboration and empathy were given.   &lt;br /&gt;
&lt;br /&gt;
Student engagement in the website was high, from the beginning of the inquiry and remained high throughout the study. They quickly embraced the technology as a way to connect with one another, share personal information, ask questions, share ideas and resources. Even students that were resistant to participation in all other areas, were involved with the class online community. Students were reflective about their collaborative experiences, communicating their frustrations regarding the obstacles that arise when working solely with others  in a digital format. It was discovered that the misunderstandings and problems that arose were most effectively solved when debriefed and discussed in a face to face interaction.  The same was found when participating in activities designed to facilitate empathy. Students online reflections were thoughtful, but when situations occurred that were hurtful or confusing to students, it was important to have face to face discussions to dissect the experiences, feelings and thoughts of the students. &lt;br /&gt;
&lt;br /&gt;
The findings of my study demonstrated the importance of having a blended learning environment, where students learn with technology while being enhanced and supported by face to face interactions. The inherent benefits of technology, the interface to connect with people, places and knowledge beyond the scope of their community, needs to be incorporated with  meaningful interactions with those within their immediate community. Through my inquiry I observed the benefits of a holistic education within a 21st century learning model. That by extending the focus of education beyond the development of academic/technical skills, to the development of the mind, heart and body, one can facilitate a meaningful education of the whole child.&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Graduating Projects (working titles)&#039;&#039;&#039; ==&lt;br /&gt;
 Please place the working title of your graduating project below using the following format: &lt;br /&gt;
&lt;br /&gt;
Airey, Robert. (2012). Using Technology to Track and Demonstrate Understanding of Learning Outcomes in a Junior Science Classroom. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Browse example titles of DLC1 Projects http://dlc-ubc.ca/dlc2_wp/edcp508b/projects/&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Bell, Carolyn (2014) Teaching to Build Classroom Community: A Look at One Classroom&#039;s Transformations Using 21st Century Learning Skills and Digital Technology. M. Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Boucher, Robert (2014) Using Technology to raise the SES of at-risk youth. M. Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Chan, Alfred (jan 2014) Learning from collective intelligence: developing digital skills through peer sharing&lt;br /&gt;
&lt;br /&gt;
Cheng, Leo. (2014) Heads or Tails: Successes and Challenges of Implementing a Flipped Classroom in Senior Mathematics. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Fung, Anita. (2014) The Blended Learning Recipe: Student Engagement, Motivation, and Community. M. Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Grigg, Nicole (2014) Web 2.0 &#039;&#039;s’il vous plait&#039;&#039;: Enhancing the Language Arts Classroom Community Through Interactive Technologies and 21st Century Learning. M. Ed. Graduating Thesis.  &lt;br /&gt;
&lt;br /&gt;
Hodak, Alicia (2014) 21st Century Learning and Student Engagement: Motivating Students using a Class Website and Blog. M. Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Irshad, Arsala. (2014). Blended Learning 2.0: Integrating Social LMS, Web 2.0 &amp;amp; Apps for 21st Century Learning. M. Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Knight, John (2014) Promoting Student Engagement through a Virtual Learning Environment: Student Blogging and Connections to Curriculum&lt;br /&gt;
&lt;br /&gt;
Mann, Marian. (2014). Connecting a Class Community Online: Motivating Learners to Communicate and Construct Knowledge Through the Use of Technology.  M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Martin, Sean. (2014). Teaching Old Dogs New Tricks: Using a Mentor-Protégé Relationship to Help Motivate Colleagues to use Technology in the Classroom. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Mergens, Jolene. (2014). Enhancing Student Engagement Through Blending Content with Inquiry and Interactive Technology. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Ng, Christina. (2014). Blended Learning in the Classroom: Incorporating a Web-Based Curriculum and Emerging Technologies to Enhance English Second Language Learning and Experiences. M. Ed Graduating Thesis. &lt;br /&gt;
&lt;br /&gt;
Phillips, Christopher. (2014). Incorporating Web 2.0 Technologies in the Elementary Classroom: A Means to Develop 21st Century Skills and Enhance Student Engagement. M. Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Rowe, Jessica. (2014) Language Arts and Technology: A Platform for Engagement &amp;amp; Collaboration. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Schofield, Bryan. (2014). SOLE Projects in a Grade Four Classroom: A Self-Regulated Inquiry-Based Technological Approach to Learning. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Soo, Elginn. (2014).  Self-Regulation: Fighting the Temptation of Being Distracted by Technology While Using Technology for Learning. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Wood, Murray. (2014). Developing Media Literacy through Media Production.  M. Ed. Graduating Thesis&lt;br /&gt;
&lt;br /&gt;
Yager, Jennifer. (2014). Using Technology to Foster Social Emotional Development within a Holistic Education. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
==&#039;&#039;&#039;Student Planning Space&#039;&#039;&#039;==&lt;br /&gt;
Sandbox or plan DLGs etc. here...&lt;/div&gt;</summary>
		<author><name>Stephenpetrina</name></author>
	</entry>
	<entry>
		<id>https://wiki.ubc.ca/index.php?title=Course:Edcp473&amp;diff=273587</id>
		<title>Course:Edcp473</title>
		<link rel="alternate" type="text/html" href="https://wiki.ubc.ca/index.php?title=Course:Edcp473&amp;diff=273587"/>
		<updated>2014-01-29T06:25:34Z</updated>

		<summary type="html">&lt;p&gt;Stephenpetrina: /* Yager, Jennifer. Using Technology to Foster Social Emotional Development within a Holistic Education. */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== &#039;&#039;&#039;Winter 2014&#039;&#039;&#039; ==&lt;br /&gt;
== Digital Media and ICT: Ethical Uses ==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Link to the EDCP 473 WP in DLC Portal  http://dlc-ubc.ca/dlc2_wp/edcp473/&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Graduating Projects (ABSTRACTS)&#039;&#039;&#039; ==&lt;br /&gt;
 Please place the Working ABSTRACT of your graduating project below (250-350 words)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Writing Abstracts http://www.writing.utoronto.ca/advice/specific-types-of-writing/abstract&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Bell, Carolyn. Teaching to Build Classroom Community. ==&lt;br /&gt;
&lt;br /&gt;
Teaching in today’s classrooms with the myriad of teaching strategies available to promote 21st century student learning can at times seem overwhelming. Students have access to many web 2.0 technologies and are constantly engaged only in their own digital worlds.&lt;br /&gt;
&lt;br /&gt;
The purpose of this project was to determine if classroom community and student collaboration would increase with the use and implementation of digital teaching strategies as well as to determine if students would develop 21st century learning skills by using the technology. &lt;br /&gt;
&lt;br /&gt;
The inquiry project consisted the use of a classroom Weebly website which was used for a means of communication between students and parents, as well as a discussion forum where students shared ideas and learning processes. Research was also developed from the use of web/online interfaces, which students used to demonstrate their summative learning as well as the production of various media projects. The students that participated in the project ranged in age from 13-18 and were enrolled in Humanities 8 or Community Leadership 9-12 classes. &lt;br /&gt;
&lt;br /&gt;
Based on visual observations and student generated feedback it was clear that the website was very successful in terms of the discussion forum where the students expressed that the online space encouraged them to share their learning with their classmates and it especially helped to improve the depth in their dialogue. Students overall enjoyed working with the digital strategies and web 2.0 technologies, however reported that when using technology for summative assignments they found working independently more efficient and productive. In contrast, when working on the media projects collaboration was evident.&lt;br /&gt;
&lt;br /&gt;
The inquiry project is still ongoing, however findings up to date show that collaboration and community can be fostered while using web 2.0 strategies, while 21st century learning skills require both traditional teaching methods as well the use of digital technologies.&lt;br /&gt;
&lt;br /&gt;
== Boucher, Robert. Using Technology to raise the SES of at-risk youth. ==&lt;br /&gt;
&lt;br /&gt;
== Chan, Alfred Learning from collective intelligence. ==&lt;br /&gt;
&lt;br /&gt;
== Cheng, Leo. Heads or Tails. ==&lt;br /&gt;
&lt;br /&gt;
== Fung, Anita. The Blended Learning Recipe. ==&lt;br /&gt;
Blended learning combines teaching methods from both face-to-face and online learning, giving schools new approaches and strategies to develop 21st Century Learning skills.  The purpose of this inquiry was to investigate various pedagogical engagement strategies to improve overall learning experience.  The project focused on constructivist activities and several web 2.0 technologies delivered through the learning management system, Moodle. &lt;br /&gt;
&lt;br /&gt;
Over the course of two years, a complete re-design of the structure and format of senior secondary humanities courses took place.  Key changes include designing new units of study in English 12 and geo-caching in Geography 12.  In order to build community in a virtual learning space, communication tools such as the creation of a news forum and online users report played a significant role in connecting the class.  To monitor engagement and motivation, the activity completion tracker, calendar, wiki, and chat features on Moodle were also included.  &lt;br /&gt;
&lt;br /&gt;
Results were gathered through activity reports produced by Moodle, teacher observation, student reflection, discussions, and informal voluntary feedback.&lt;br /&gt;
&lt;br /&gt;
Overall, students felt that their learning experience was positive and felt a sense of pride and accomplishment by completing a course “on their own”.  The structure and organization of the course helped them remain motivated to complete course work.  In terms of engagement, the incorporation of various web 2.0 applications made their learning tasks more meaningful in addition to learning a new skill.  My findings suggest that blended learning environments flourish for all learners when student engagement and motivation drive the curriculum.&lt;br /&gt;
&lt;br /&gt;
== Grigg, Nicole. Web 2.0 &#039;&#039;s’il vous plait&#039;&#039;. ==&lt;br /&gt;
The purpose of this inquiry was to adopt a learning environment modeled on 21st century learning strategies, using web 2.0 technologies to engage students in 3 strands of the French and English Language Arts programs: reading, writing and oral speaking. Building a learning environment that encouraged flexibility, personalization and collaboration were key areas of the 21st century learning movement that were explored in this project. &lt;br /&gt;
&lt;br /&gt;
Web 2.0 technologies and portable devices such as iPads were chosen for the application of this project because they allow for their users to gather information, connect with others and create collective intelligence. Further to this, Web 2.0 technologies make it possible for classrooms to connect with other learning communities around the world. Students from diverse backgrounds can construct richer and more meaningful knowledge with one another while developing a sense of global awareness. &lt;br /&gt;
&lt;br /&gt;
For the English component of this inquiry, students participated in a program entitled “The Global Read Aloud” where classrooms around the globe read a novel at the same pace and connect with one another to share their reactions, questions and understanding. My students mainly connected with one another and other classrooms via Edmodo, Skype and GoogleDocs. Student interest in the novel was overwhelming, and students were eager to hear from their peers. For the French component of the project, students connected with correspondents in France via GoogleDocs and the classroom Weebly website. While certain methods for communication proved to require more risk-taking than others, the overall experience was positive.&lt;br /&gt;
&lt;br /&gt;
The benefits of 21st century learning environment are visible as children build communication skills and engage in the learning that takes place around them. Using interactive technologies extended the possibilities for learning as boundaries for interaction moved beyond the school hours, classroom walls and country boarders.&lt;br /&gt;
&lt;br /&gt;
== Hodak, Alicia. 21st Century Learning and Student Engagement. ==&lt;br /&gt;
&lt;br /&gt;
== Irshad, Arsala. Blended Learning 2.0: Integrating Social Media, Apps and Web 2.0 for 21st Century Learning ==&lt;br /&gt;
&lt;br /&gt;
== Knight, John. Promoting Student Engagement through a Virtual Learning Environment. ==&lt;br /&gt;
&lt;br /&gt;
As school districts across the country adopt 21st Century Learning initiatives it is vitally important that educators closely monitor and reflect upon the relationship between student learning and the incorporation of information and communication technologies into the learning environment. Research has shown that when a student is intrinsically motivated to learn, is engaged with the learning activities, and has developed a strong, positive relationship with classmates and instructors, then the chances for authentic learning to take place are greatly increased. The purpose of this inquiry was to explore the characteristics of student engagement, motivation, and collaboration that could be presented when students interact with each other, and with curriculum, in a virtual learning environment. &lt;br /&gt;
&lt;br /&gt;
Over the course of two school years, a class website was developed and students were encouraged to express themselves and their understandings via their own personal blogs on the site. The first year involved the creation of the site, troubleshooting the many issues that arose, and determining the improvements that would be needed to help increase student engagement. During the second year, the site ran smoothly and the students were able to fully utilize its potential. A qualitative, interpretivist methodology was adopted in which I was integrally involved as the classroom teacher. Students completed surveys, and anecdotal evidence was recorded to see if characteristics of motivation and engagement were present in their class website/blogging activities.&lt;br /&gt;
&lt;br /&gt;
As student activity in the online environment grew, it became clear that all students in the class had been given a voice to express their interests and areas of passion. They were also encouraged to comment on and share connections made with their peers in a positive and productive manner. Students posted curricular connections that may not have been expressed via regular class discussions due to time constraints and/or a lack of confidence with speaking aloud. Various widgets added to the site, such as a Poll, RSS feeds, and a Chatroll, also allowed for the further development and expression of such connections.&lt;br /&gt;
&lt;br /&gt;
Survey responses and anecdotal evidence collected suggest that when a virtual learning environment is used to encourage student personal expression in a positive, diverse, and creative manner, and not simply as a medium for the posting of assignments, then greater opportunity for increased engagement with curriculum is provided.&lt;br /&gt;
&lt;br /&gt;
== Mann, Marian. Connecting a Class Community Online. ==&lt;br /&gt;
&lt;br /&gt;
== Martin, Sean. Teaching Old Dogs New Tricks. ==&lt;br /&gt;
&lt;br /&gt;
With 21st Century Learning being “the next big thing” in education, it is important to understand what that means for students and teachers and what skills are needed to be successful in a 21st Century classroom. With technology integration into the curriculum being an integral part of this educational movement, many teachers appear resistant to changes that would incorporate more technology use in their classroom.&lt;br /&gt;
&lt;br /&gt;
The purpose of this inquiry was to observe the willingness of teachers to use digital technologies in their classrooms with the support of a mentor as a part of the goals of 21st Century Learning. The project focused on the creation of a class website to promote communication between teachers, parents and students, as well as to provide opportunities for class discussions. For many colleagues, the mentorship relationship progressed further to include support using other technologies, most notably the use of ipads for a variety of class specific purposes. &lt;br /&gt;
&lt;br /&gt;
This inquiry found that if teachers had a strong desire to learn and wanted to integrate digital technologies into their classroom, they would benefit more from the mentor-protégé relationship, regardless of previous familiarity with using digital technologies. While most teachers were excited to explore the possibilities of improving learning opportunities for their students, others were not as keen and had difficulty experimenting with the technology individually and making time to work with the mentor. While the support provided by the mentor was paramount in helping teachers find success using digital technologies, it seemed to be of secondary importance to a teacher’s commitment to learning.&lt;br /&gt;
&lt;br /&gt;
If our schools are to truly embrace the full integration of digital technology into the curriculum, it will certainly require support and training, but that must also be coupled with a commitment from teachers to want to make a change. Teachers can be presented with all of the training and mentorship opportunities that can be made available, but without the desire to want to use the technology as a part of their teaching practice, it will be difficult to have real progress with the goals of 21st Century Learning.&lt;br /&gt;
&lt;br /&gt;
== Mergens, Jolene. Enhancing Student Engagement Through Blending Content with Inquiry and Interactive Technology. ==&lt;br /&gt;
This project was designed to improve student engagement within a senior Biology classroom.  The objective was to increase engagement by increasing interactivity amongst students and with the teacher beyond the classroom by utilizing social media they were familiar with and by allowing student inquiry to guide their learning. &lt;br /&gt;
 &lt;br /&gt;
60 senior Biology students that ranged in academic performance were required to generate a somewhat complex human biology based question. This question needed to be one of personal relevance that they were previously or currently curious about. This became known as their INTU question (I Need to Understand). Using a class website that students were familiar and comfortable with, students were required to answer their question, read their peers’ questions/answers and interact with each other.  Significant efforts were made to increase an online presence for the class. Students regularly used twitter and the class website as the forum to ask questions, reference important dates and seek out resources. &lt;br /&gt;
 &lt;br /&gt;
Results were gathered through informal student feedback in the form of anonymous questionnaires, class discussion, online polls and tracking class website user navigation information.  &lt;br /&gt;
 &lt;br /&gt;
Overall, there were many organic conversations that resulted between students. Students felt that their age, background and similar experiences generated many common curiosities and interests that they too wanted to understand. Most students found it increased their interest in Biology, allowed them to view Biology and Science in general as relevant in their lives and felt it increased positive interactions with peers and the teacher.  A handful of students felt that this caused them to regularly and actively search out the answers to Biological questions outside of their required INTU. A few students were neutral about this process and felt it didn’t benefit them greatly nor did it affect them in a negative way, but they did find level of interaction did increase.&lt;br /&gt;
 &lt;br /&gt;
This project suggests that genuine interest and engagement levels increase when students are given the opportunity to pose their own questions, select areas of interest and then put them into context within the curricular content. Interactivity between students validates their curiosity as valued and therefore as relevant.&lt;br /&gt;
&lt;br /&gt;
== Ng, Christina. Blended Learning in the Classroom. ==&lt;br /&gt;
&lt;br /&gt;
== Phillips, Christopher. Incorporating Web 2.0 Technologies in the Elementary Classroom. ==&lt;br /&gt;
&lt;br /&gt;
== Rowe, Jessica. Language Arts and Technology. ==&lt;br /&gt;
&lt;br /&gt;
The following document describes a teacher inquiry project examining the integration of technology into one classroom’s language arts curriculum over the course of two school years, with a focus on online literature circles. Student input shaped much of the process and format with students responding via online surveys, discussion posts and polls on a continuous basis to give feedback.&lt;br /&gt;
 &lt;br /&gt;
In the first year, two different grade 6/7 classes completed traditional literature circle roles such as discussion director and passage picker using two different sites. One class used the forums on a Wordpress site while the other class used pages on a Weebly site to share and respond to roles. Feedback from students showed a preference towards shifting away from the traditional literature circle roles as followed in year one and a need for a more user-friendly format.  Year two focused this time around one grade 6/7 class using the Wordpress site to participate and share teacher-chosen assignments integrating technology and open-source sites in online literature circles. Sixteen out of thirty of the students had previous experience with online literature circles due to being a part of the inquiry project in year one.&lt;br /&gt;
&lt;br /&gt;
Students expressed frustration regarding the technical difficulties faced throughout the process including: outdated browsers, difficulty accessing sites needed to complete assignments and the speed of the school’s internet.  This study, originally intended to increase engagement and on-task behavior in language arts, was greatly hindered by these technical difficulties.  This indicates the necessity of keeping school technology and infrastructure up-to-date, an ongoing challenge for school boards faced with budget restrictions and shortfalls.&lt;br /&gt;
&lt;br /&gt;
== Schofield, Bryan. SOLE Projects in a Grade Four Classroom. ==&lt;br /&gt;
&lt;br /&gt;
== Soo, Elginn. Self-Regulation: Fighting the Temptation of Distractions on Technology While Using Technology for Learning. ==&lt;br /&gt;
&lt;br /&gt;
The purpose of my inquiry is to investigate the ways of assessing progress of self-regulation in students’ learning while using technology in the classroom.  To assist me in my study, I will be using a virtual social learning platform.&lt;br /&gt;
&lt;br /&gt;
In order for learning to occur in the ‘ideal’ environment, it is important for my students to be able to self-regulate their ability to sustain focused attention for a set period of time in the school setting.  There are an infinite number of distractions in a classroom environment as is, and incorporating another variable such as technology and a virtual space, does not help to alleviate their desire to engage with other potential tempting activities on their technological devices, while working on a computer assignment.  If my students are able to divert their full attention to working on a task to the best of their ability then I believe that teachers will be able to receive a more accurate assessment of learning that is happening when using technology.&lt;br /&gt;
&lt;br /&gt;
Through various computer-based assignments with my Grade 5/6 class, I recorded informal anecdotal notes as I monitored my students’ habits as they worked on slideshows, online quizzes, animations, writing and research.  In addition, my class completed some online, impromptu polls after some work periods to determine whether or not they were on task.  On average, 30% admitted that they were not completely focused as they were doing “other” things on the computer.  When asked why they did alternative things, their reasons ranged from a mere shrug of their shoulders to a strange excuse followed by a smirk or look of guilt.  As a class, we also discussed the possible reasons for why people may get distracted with the internet or other programs while working on their computers.&lt;br /&gt;
&lt;br /&gt;
I think the first step to addressing self-regulation in learning while using technology is to bring awareness to my students.  Once they are conscious of their unhelpful computer habits, then we can assist them with some strategies to maintain more focus and control over the temptation to ‘play’ or procrastinate.&lt;br /&gt;
&lt;br /&gt;
== Wood, Murray. Developing Media Literacy through Media Production. ==&lt;br /&gt;
&lt;br /&gt;
== Yager, Jennifer. Using Technology to Foster Social Emotional Development within a Holistic Education. ==&lt;br /&gt;
&lt;br /&gt;
Technologies are an integral part of our society. Many students are exposed to various technologies prior to their first steps down a school hallway. Inherent in technology is the power to connect us to the world and the knowledge and people that are held within it. Despite all of the opportunity for connection, there is a pervasive concern that technologies overlook the important social and emotional skill development that is inherent in face to face interactions. While there is a current push for 21st Century education and students becoming proficient with the use of technology, education is bigger than educating the mind, one must educate the whole child, through a Holistic Education. But, technological competences are only a part of a successful Holistic Education. Social and Emotional Learning is a vital element in educating the whole child, their heart, as well as their mind. The development of such skills not only improves student communication, collaboration and engagement, but it has also shown to improve one&#039;s academic success. Therefore, it is my belief that having a balanced, holistic curriculum is the strategy for teaching the whole child. &lt;br /&gt;
               Knowing the integral part of technology in our lives and  the importance of social emotional learning, my inquiry focused on how technology could be used to foster the development of Social and Emotional skills in students by connecting them with themselves, one another, their local community and communities across the world.&lt;br /&gt;
        For the inquiry I created a class Edmodo website, which was used as a platform for activities and interactions that were focused on collaboration and empathy. The study was designed around the school social responsibility model STAR (Safe, Thoughtful, Accepting, Responsible), with each activity being focused on one aspect of STAR.  A variety of resources (i.e. videos and web 2.0 tools) were used to educate about online safety and expose students to the experiences of children around the world, while assignments were given to facilitate group collaboration.. Throughout the study observations were made about student engagement,, surveys were taken and assignments focusing on collaboration and empathy were given.   &lt;br /&gt;
         Student engagement in the website was high, from the beginning of the inquiry and remained high throughout the study. They quickly embraced the technology as a way to connect with one another, share personal information, ask questions, share ideas and resources. Even students that were resistant to participation in all other areas, were involved with the class online community. Students were reflective about their collaborative experiences, communicating their frustrations regarding the obstacles that arise when working solely with others  in a digital format. It was discovered that the misunderstandings and problems that arose were most effectively solved when debriefed and discussed in a face to face interaction.  The same was found when participating in activities designed to facilitate empathy. Students online reflections were thoughtful, but when situations occurred that were hurtful or confusing to students, it was important to have face to face discussions to dissect the experiences, feelings and thoughts of the students. &lt;br /&gt;
           The findings of my study demonstrated the importance of having a blended learning environment, where students learn with technology while being enhanced and supported by face to face interactions. The inherent benefits of technology, the interface to connect with people, places and knowledge beyond the scope of their community, needs to be incorporated with  meaningful interactions with those within their immediate community. Through my inquiry I observed the benefits of a holistic education within a 21st century learning model. That by extending the focus of education beyond the development of academic/technical skills, to the development of the mind, heart and body, one can facilitate a meaningful education of the whole child.&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Graduating Projects (working titles)&#039;&#039;&#039; ==&lt;br /&gt;
 Please place the working title of your graduating project below using the following format: &lt;br /&gt;
&lt;br /&gt;
Airey, Robert. (2012). Using Technology to Track and Demonstrate Understanding of Learning Outcomes in a Junior Science Classroom. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Browse example titles of DLC1 Projects http://dlc-ubc.ca/dlc2_wp/edcp508b/projects/&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Bell, Carolyn (2014) Teaching to Build Classroom Community: A Look at One Classroom&#039;s Transformations Using 21st Century Learning Skills and Digital Technology. M. Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Boucher, Robert (2014) Using Technology to raise the SES of at-risk youth. M. Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Chan, Alfred (jan 2014) Learning from collective intelligence: developing digital skills through peer sharing&lt;br /&gt;
&lt;br /&gt;
Cheng, Leo. (2014) Heads or Tails: Successes and Challenges of Implementing a Flipped Classroom in Senior Mathematics. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Fung, Anita. (2014) The Blended Learning Recipe: Student Engagement, Motivation, and Community. M. Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Grigg, Nicole (2014) Web 2.0 &#039;&#039;s’il vous plait&#039;&#039;: Enhancing the Language Arts Classroom Community Through Interactive Technologies and 21st Century Learning. M. Ed. Graduating Thesis.  &lt;br /&gt;
&lt;br /&gt;
Hodak, Alicia (2014) 21st Century Learning and Student Engagement: Motivating Students using a Class Website and Blog. M. Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Irshad, Arsala. (2014). Blended Learning 2.0: Integrating Social LMS, Web 2.0 &amp;amp; Apps for 21st Century Learning. M. Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Knight, John (2014) Promoting Student Engagement through a Virtual Learning Environment: Student Blogging and Connections to Curriculum&lt;br /&gt;
&lt;br /&gt;
Mann, Marian. (2014). Connecting a Class Community Online: Motivating Learners to Communicate and Construct Knowledge Through the Use of Technology.  M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Martin, Sean. (2014). Teaching Old Dogs New Tricks: Using a Mentor-Protégé Relationship to Help Motivate Colleagues to use Technology in the Classroom. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Mergens, Jolene. (2014). Enhancing Student Engagement Through Blending Content with Inquiry and Interactive Technology. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Ng, Christina. (2014). Blended Learning in the Classroom: Incorporating a Web-Based Curriculum and Emerging Technologies to Enhance English Second Language Learning and Experiences. M. Ed Graduating Thesis. &lt;br /&gt;
&lt;br /&gt;
Phillips, Christopher. (2014). Incorporating Web 2.0 Technologies in the Elementary Classroom: A Means to Develop 21st Century Skills and Enhance Student Engagement. M. Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Rowe, Jessica. (2014) Language Arts and Technology: A Platform for Engagement &amp;amp; Collaboration. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Schofield, Bryan. (2014). SOLE Projects in a Grade Four Classroom: A Self-Regulated Inquiry-Based Technological Approach to Learning. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Soo, Elginn. (2014).  Self-Regulation: Fighting the Temptation of Being Distracted by Technology While Using Technology for Learning. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Wood, Murray. (2014). Developing Media Literacy through Media Production.  M. Ed. Graduating Thesis&lt;br /&gt;
&lt;br /&gt;
Yager, Jennifer. (2014). Using Technology to Foster Social Emotional Development within a Holistic Education. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
==&#039;&#039;&#039;Student Planning Space&#039;&#039;&#039;==&lt;br /&gt;
Sandbox or plan DLGs etc. here...&lt;/div&gt;</summary>
		<author><name>Stephenpetrina</name></author>
	</entry>
	<entry>
		<id>https://wiki.ubc.ca/index.php?title=Course:Edcp473&amp;diff=273586</id>
		<title>Course:Edcp473</title>
		<link rel="alternate" type="text/html" href="https://wiki.ubc.ca/index.php?title=Course:Edcp473&amp;diff=273586"/>
		<updated>2014-01-29T06:22:52Z</updated>

		<summary type="html">&lt;p&gt;Stephenpetrina: /* Yager, Jennifer. Using Technology to Foster Social Emotional Development within a Holistic Education. */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== &#039;&#039;&#039;Winter 2014&#039;&#039;&#039; ==&lt;br /&gt;
== Digital Media and ICT: Ethical Uses ==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Link to the EDCP 473 WP in DLC Portal  http://dlc-ubc.ca/dlc2_wp/edcp473/&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Graduating Projects (ABSTRACTS)&#039;&#039;&#039; ==&lt;br /&gt;
 Please place the Working ABSTRACT of your graduating project below (250-350 words)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Writing Abstracts http://www.writing.utoronto.ca/advice/specific-types-of-writing/abstract&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Bell, Carolyn. Teaching to Build Classroom Community. ==&lt;br /&gt;
&lt;br /&gt;
Teaching in today’s classrooms with the myriad of teaching strategies available to promote 21st century student learning can at times seem overwhelming. Students have access to many web 2.0 technologies and are constantly engaged only in their own digital worlds.&lt;br /&gt;
&lt;br /&gt;
The purpose of this project was to determine if classroom community and student collaboration would increase with the use and implementation of digital teaching strategies as well as to determine if students would develop 21st century learning skills by using the technology. &lt;br /&gt;
&lt;br /&gt;
The inquiry project consisted the use of a classroom Weebly website which was used for a means of communication between students and parents, as well as a discussion forum where students shared ideas and learning processes. Research was also developed from the use of web/online interfaces, which students used to demonstrate their summative learning as well as the production of various media projects. The students that participated in the project ranged in age from 13-18 and were enrolled in Humanities 8 or Community Leadership 9-12 classes. &lt;br /&gt;
&lt;br /&gt;
Based on visual observations and student generated feedback it was clear that the website was very successful in terms of the discussion forum where the students expressed that the online space encouraged them to share their learning with their classmates and it especially helped to improve the depth in their dialogue. Students overall enjoyed working with the digital strategies and web 2.0 technologies, however reported that when using technology for summative assignments they found working independently more efficient and productive. In contrast, when working on the media projects collaboration was evident.&lt;br /&gt;
&lt;br /&gt;
The inquiry project is still ongoing, however findings up to date show that collaboration and community can be fostered while using web 2.0 strategies, while 21st century learning skills require both traditional teaching methods as well the use of digital technologies.&lt;br /&gt;
&lt;br /&gt;
== Boucher, Robert. Using Technology to raise the SES of at-risk youth. ==&lt;br /&gt;
&lt;br /&gt;
== Chan, Alfred Learning from collective intelligence. ==&lt;br /&gt;
&lt;br /&gt;
== Cheng, Leo. Heads or Tails. ==&lt;br /&gt;
&lt;br /&gt;
== Fung, Anita. The Blended Learning Recipe. ==&lt;br /&gt;
Blended learning combines teaching methods from both face-to-face and online learning, giving schools new approaches and strategies to develop 21st Century Learning skills.  The purpose of this inquiry was to investigate various pedagogical engagement strategies to improve overall learning experience.  The project focused on constructivist activities and several web 2.0 technologies delivered through the learning management system, Moodle. &lt;br /&gt;
&lt;br /&gt;
Over the course of two years, a complete re-design of the structure and format of senior secondary humanities courses took place.  Key changes include designing new units of study in English 12 and geo-caching in Geography 12.  In order to build community in a virtual learning space, communication tools such as the creation of a news forum and online users report played a significant role in connecting the class.  To monitor engagement and motivation, the activity completion tracker, calendar, wiki, and chat features on Moodle were also included.  &lt;br /&gt;
&lt;br /&gt;
Results were gathered through activity reports produced by Moodle, teacher observation, student reflection, discussions, and informal voluntary feedback.&lt;br /&gt;
&lt;br /&gt;
Overall, students felt that their learning experience was positive and felt a sense of pride and accomplishment by completing a course “on their own”.  The structure and organization of the course helped them remain motivated to complete course work.  In terms of engagement, the incorporation of various web 2.0 applications made their learning tasks more meaningful in addition to learning a new skill.  My findings suggest that blended learning environments flourish for all learners when student engagement and motivation drive the curriculum.&lt;br /&gt;
&lt;br /&gt;
== Grigg, Nicole. Web 2.0 &#039;&#039;s’il vous plait&#039;&#039;. ==&lt;br /&gt;
The purpose of this inquiry was to adopt a learning environment modeled on 21st century learning strategies, using web 2.0 technologies to engage students in 3 strands of the French and English Language Arts programs: reading, writing and oral speaking. Building a learning environment that encouraged flexibility, personalization and collaboration were key areas of the 21st century learning movement that were explored in this project. &lt;br /&gt;
&lt;br /&gt;
Web 2.0 technologies and portable devices such as iPads were chosen for the application of this project because they allow for their users to gather information, connect with others and create collective intelligence. Further to this, Web 2.0 technologies make it possible for classrooms to connect with other learning communities around the world. Students from diverse backgrounds can construct richer and more meaningful knowledge with one another while developing a sense of global awareness. &lt;br /&gt;
&lt;br /&gt;
For the English component of this inquiry, students participated in a program entitled “The Global Read Aloud” where classrooms around the globe read a novel at the same pace and connect with one another to share their reactions, questions and understanding. My students mainly connected with one another and other classrooms via Edmodo, Skype and GoogleDocs. Student interest in the novel was overwhelming, and students were eager to hear from their peers. For the French component of the project, students connected with correspondents in France via GoogleDocs and the classroom Weebly website. While certain methods for communication proved to require more risk-taking than others, the overall experience was positive.&lt;br /&gt;
&lt;br /&gt;
The benefits of 21st century learning environment are visible as children build communication skills and engage in the learning that takes place around them. Using interactive technologies extended the possibilities for learning as boundaries for interaction moved beyond the school hours, classroom walls and country boarders.&lt;br /&gt;
&lt;br /&gt;
== Hodak, Alicia. 21st Century Learning and Student Engagement. ==&lt;br /&gt;
&lt;br /&gt;
== Irshad, Arsala. Blended Learning 2.0: Integrating Social Media, Apps and Web 2.0 for 21st Century Learning ==&lt;br /&gt;
&lt;br /&gt;
== Knight, John. Promoting Student Engagement through a Virtual Learning Environment. ==&lt;br /&gt;
&lt;br /&gt;
As school districts across the country adopt 21st Century Learning initiatives it is vitally important that educators closely monitor and reflect upon the relationship between student learning and the incorporation of information and communication technologies into the learning environment. Research has shown that when a student is intrinsically motivated to learn, is engaged with the learning activities, and has developed a strong, positive relationship with classmates and instructors, then the chances for authentic learning to take place are greatly increased. The purpose of this inquiry was to explore the characteristics of student engagement, motivation, and collaboration that could be presented when students interact with each other, and with curriculum, in a virtual learning environment. &lt;br /&gt;
&lt;br /&gt;
Over the course of two school years, a class website was developed and students were encouraged to express themselves and their understandings via their own personal blogs on the site. The first year involved the creation of the site, troubleshooting the many issues that arose, and determining the improvements that would be needed to help increase student engagement. During the second year, the site ran smoothly and the students were able to fully utilize its potential. A qualitative, interpretivist methodology was adopted in which I was integrally involved as the classroom teacher. Students completed surveys, and anecdotal evidence was recorded to see if characteristics of motivation and engagement were present in their class website/blogging activities.&lt;br /&gt;
&lt;br /&gt;
As student activity in the online environment grew, it became clear that all students in the class had been given a voice to express their interests and areas of passion. They were also encouraged to comment on and share connections made with their peers in a positive and productive manner. Students posted curricular connections that may not have been expressed via regular class discussions due to time constraints and/or a lack of confidence with speaking aloud. Various widgets added to the site, such as a Poll, RSS feeds, and a Chatroll, also allowed for the further development and expression of such connections.&lt;br /&gt;
&lt;br /&gt;
Survey responses and anecdotal evidence collected suggest that when a virtual learning environment is used to encourage student personal expression in a positive, diverse, and creative manner, and not simply as a medium for the posting of assignments, then greater opportunity for increased engagement with curriculum is provided.&lt;br /&gt;
&lt;br /&gt;
== Mann, Marian. Connecting a Class Community Online. ==&lt;br /&gt;
&lt;br /&gt;
== Martin, Sean. Teaching Old Dogs New Tricks. ==&lt;br /&gt;
&lt;br /&gt;
With 21st Century Learning being “the next big thing” in education, it is important to understand what that means for students and teachers and what skills are needed to be successful in a 21st Century classroom. With technology integration into the curriculum being an integral part of this educational movement, many teachers appear resistant to changes that would incorporate more technology use in their classroom.&lt;br /&gt;
&lt;br /&gt;
The purpose of this inquiry was to observe the willingness of teachers to use digital technologies in their classrooms with the support of a mentor as a part of the goals of 21st Century Learning. The project focused on the creation of a class website to promote communication between teachers, parents and students, as well as to provide opportunities for class discussions. For many colleagues, the mentorship relationship progressed further to include support using other technologies, most notably the use of ipads for a variety of class specific purposes. &lt;br /&gt;
&lt;br /&gt;
This inquiry found that if teachers had a strong desire to learn and wanted to integrate digital technologies into their classroom, they would benefit more from the mentor-protégé relationship, regardless of previous familiarity with using digital technologies. While most teachers were excited to explore the possibilities of improving learning opportunities for their students, others were not as keen and had difficulty experimenting with the technology individually and making time to work with the mentor. While the support provided by the mentor was paramount in helping teachers find success using digital technologies, it seemed to be of secondary importance to a teacher’s commitment to learning.&lt;br /&gt;
&lt;br /&gt;
If our schools are to truly embrace the full integration of digital technology into the curriculum, it will certainly require support and training, but that must also be coupled with a commitment from teachers to want to make a change. Teachers can be presented with all of the training and mentorship opportunities that can be made available, but without the desire to want to use the technology as a part of their teaching practice, it will be difficult to have real progress with the goals of 21st Century Learning.&lt;br /&gt;
&lt;br /&gt;
== Mergens, Jolene. Enhancing Student Engagement Through Blending Content with Inquiry and Interactive Technology. ==&lt;br /&gt;
This project was designed to improve student engagement within a senior Biology classroom.  The objective was to increase engagement by increasing interactivity amongst students and with the teacher beyond the classroom by utilizing social media they were familiar with and by allowing student inquiry to guide their learning. &lt;br /&gt;
 &lt;br /&gt;
60 senior Biology students that ranged in academic performance were required to generate a somewhat complex human biology based question. This question needed to be one of personal relevance that they were previously or currently curious about. This became known as their INTU question (I Need to Understand). Using a class website that students were familiar and comfortable with, students were required to answer their question, read their peers’ questions/answers and interact with each other.  Significant efforts were made to increase an online presence for the class. Students regularly used twitter and the class website as the forum to ask questions, reference important dates and seek out resources. &lt;br /&gt;
 &lt;br /&gt;
Results were gathered through informal student feedback in the form of anonymous questionnaires, class discussion, online polls and tracking class website user navigation information.  &lt;br /&gt;
 &lt;br /&gt;
Overall, there were many organic conversations that resulted between students. Students felt that their age, background and similar experiences generated many common curiosities and interests that they too wanted to understand. Most students found it increased their interest in Biology, allowed them to view Biology and Science in general as relevant in their lives and felt it increased positive interactions with peers and the teacher.  A handful of students felt that this caused them to regularly and actively search out the answers to Biological questions outside of their required INTU. A few students were neutral about this process and felt it didn’t benefit them greatly nor did it affect them in a negative way, but they did find level of interaction did increase.&lt;br /&gt;
 &lt;br /&gt;
This project suggests that genuine interest and engagement levels increase when students are given the opportunity to pose their own questions, select areas of interest and then put them into context within the curricular content. Interactivity between students validates their curiosity as valued and therefore as relevant.&lt;br /&gt;
&lt;br /&gt;
== Ng, Christina. Blended Learning in the Classroom. ==&lt;br /&gt;
&lt;br /&gt;
== Phillips, Christopher. Incorporating Web 2.0 Technologies in the Elementary Classroom. ==&lt;br /&gt;
&lt;br /&gt;
== Rowe, Jessica. Language Arts and Technology. ==&lt;br /&gt;
&lt;br /&gt;
The following document describes a teacher inquiry project examining the integration of technology into one classroom’s language arts curriculum over the course of two school years, with a focus on online literature circles. Student input shaped much of the process and format with students responding via online surveys, discussion posts and polls on a continuous basis to give feedback.&lt;br /&gt;
 &lt;br /&gt;
In the first year, two different grade 6/7 classes completed traditional literature circle roles such as discussion director and passage picker using two different sites. One class used the forums on a Wordpress site while the other class used pages on a Weebly site to share and respond to roles. Feedback from students showed a preference towards shifting away from the traditional literature circle roles as followed in year one and a need for a more user-friendly format.  Year two focused this time around one grade 6/7 class using the Wordpress site to participate and share teacher-chosen assignments integrating technology and open-source sites in online literature circles. Sixteen out of thirty of the students had previous experience with online literature circles due to being a part of the inquiry project in year one.&lt;br /&gt;
&lt;br /&gt;
Students expressed frustration regarding the technical difficulties faced throughout the process including: outdated browsers, difficulty accessing sites needed to complete assignments and the speed of the school’s internet.  This study, originally intended to increase engagement and on-task behavior in language arts, was greatly hindered by these technical difficulties.  This indicates the necessity of keeping school technology and infrastructure up-to-date, an ongoing challenge for school boards faced with budget restrictions and shortfalls.&lt;br /&gt;
&lt;br /&gt;
== Schofield, Bryan. SOLE Projects in a Grade Four Classroom. ==&lt;br /&gt;
&lt;br /&gt;
== Soo, Elginn. Self-Regulation: Fighting the Temptation of Distractions on Technology While Using Technology for Learning. ==&lt;br /&gt;
&lt;br /&gt;
The purpose of my inquiry is to investigate the ways of assessing progress of self-regulation in students’ learning while using technology in the classroom.  To assist me in my study, I will be using a virtual social learning platform.&lt;br /&gt;
&lt;br /&gt;
In order for learning to occur in the ‘ideal’ environment, it is important for my students to be able to self-regulate their ability to sustain focused attention for a set period of time in the school setting.  There are an infinite number of distractions in a classroom environment as is, and incorporating another variable such as technology and a virtual space, does not help to alleviate their desire to engage with other potential tempting activities on their technological devices, while working on a computer assignment.  If my students are able to divert their full attention to working on a task to the best of their ability then I believe that teachers will be able to receive a more accurate assessment of learning that is happening when using technology.&lt;br /&gt;
&lt;br /&gt;
Through various computer-based assignments with my Grade 5/6 class, I recorded informal anecdotal notes as I monitored my students’ habits as they worked on slideshows, online quizzes, animations, writing and research.  In addition, my class completed some online, impromptu polls after some work periods to determine whether or not they were on task.  On average, 30% admitted that they were not completely focused as they were doing “other” things on the computer.  When asked why they did alternative things, their reasons ranged from a mere shrug of their shoulders to a strange excuse followed by a smirk or look of guilt.  As a class, we also discussed the possible reasons for why people may get distracted with the internet or other programs while working on their computers.&lt;br /&gt;
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I think the first step to addressing self-regulation in learning while using technology is to bring awareness to my students.  Once they are conscious of their unhelpful computer habits, then we can assist them with some strategies to maintain more focus and control over the temptation to ‘play’ or procrastinate.&lt;br /&gt;
&lt;br /&gt;
== Wood, Murray. Developing Media Literacy through Media Production. ==&lt;br /&gt;
&lt;br /&gt;
== Yager, Jennifer. Using Technology to Foster Social Emotional Development within a Holistic Education. ==&lt;br /&gt;
	     Technologies are an integral part of our society. Many students are exposed to various technologies prior to their first steps down a school hallway. Inherent in technology is the power to connect us to the world and the knowledge and people that are held within it. Despite all of the opportunity for connection, there is a pervasive concern that technologies overlook the important social and emotional skill development that is inherent in face to face interactions. While there is a current push for 21st Century education and students becoming proficient with the use of technology, education is bigger than educating the mind, one must educate the whole child, through a Holistic Education. But, technological competences are only a part of a successful Holistic Education. Social and Emotional Learning is a vital element in educating the whole child, their heart, as well as their mind. The development of such skills not only improves student communication, collaboration and engagement, but it has also shown to improve one&#039;s academic success. Therefore, it is my belief that having a balanced, holistic curriculum is the strategy for teaching the whole child. &lt;br /&gt;
               Knowing the integral part of technology in our lives and  the importance of social emotional learning, my inquiry focused on how technology could be used to foster the development of Social and Emotional skills in students by connecting them with themselves, one another, their local community and communities across the world.&lt;br /&gt;
        For the inquiry I created a class Edmodo website, which was used as a platform for activities and interactions that were focused on collaboration and empathy. The study was designed around the school social responsibility model STAR (Safe, Thoughtful, Accepting, Responsible), with each activity being focused on one aspect of STAR.  A variety of resources (i.e. videos and web 2.0 tools) were used to educate about online safety and expose students to the experiences of children around the world, while assignments were given to facilitate group collaboration.. Throughout the study observations were made about student engagement,, surveys were taken and assignments focusing on collaboration and empathy were given.   &lt;br /&gt;
         Student engagement in the website was high, from the beginning of the inquiry and remained high throughout the study. They quickly embraced the technology as a way to connect with one another, share personal information, ask questions, share ideas and resources. Even students that were resistant to participation in all other areas, were involved with the class online community. Students were reflective about their collaborative experiences, communicating their frustrations regarding the obstacles that arise when working solely with others  in a digital format. It was discovered that the misunderstandings and problems that arose were most effectively solved when debriefed and discussed in a face to face interaction.  The same was found when participating in activities designed to facilitate empathy. Students online reflections were thoughtful, but when situations occurred that were hurtful or confusing to students, it was important to have face to face discussions to dissect the experiences, feelings and thoughts of the students. &lt;br /&gt;
           The findings of my study demonstrated the importance of having a blended learning environment, where students learn with technology while being enhanced and supported by face to face interactions. The inherent benefits of technology, the interface to connect with people, places and knowledge beyond the scope of their community, needs to be incorporated with  meaningful interactions with those within their immediate community. Through my inquiry I observed the benefits of a holistic education within a 21st century learning model. That by extending the focus of education beyond the development of academic/technical skills, to the development of the mind, heart and body, one can facilitate a meaningful education of the whole child.&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Graduating Projects (working titles)&#039;&#039;&#039; ==&lt;br /&gt;
 Please place the working title of your graduating project below using the following format: &lt;br /&gt;
&lt;br /&gt;
Airey, Robert. (2012). Using Technology to Track and Demonstrate Understanding of Learning Outcomes in a Junior Science Classroom. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Browse example titles of DLC1 Projects http://dlc-ubc.ca/dlc2_wp/edcp508b/projects/&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Bell, Carolyn (2014) Teaching to Build Classroom Community: A Look at One Classroom&#039;s Transformations Using 21st Century Learning Skills and Digital Technology. M. Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Boucher, Robert (2014) Using Technology to raise the SES of at-risk youth. M. Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Chan, Alfred (jan 2014) Learning from collective intelligence: developing digital skills through peer sharing&lt;br /&gt;
&lt;br /&gt;
Cheng, Leo. (2014) Heads or Tails: Successes and Challenges of Implementing a Flipped Classroom in Senior Mathematics. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Fung, Anita. (2014) The Blended Learning Recipe: Student Engagement, Motivation, and Community. M. Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Grigg, Nicole (2014) Web 2.0 &#039;&#039;s’il vous plait&#039;&#039;: Enhancing the Language Arts Classroom Community Through Interactive Technologies and 21st Century Learning. M. Ed. Graduating Thesis.  &lt;br /&gt;
&lt;br /&gt;
Hodak, Alicia (2014) 21st Century Learning and Student Engagement: Motivating Students using a Class Website and Blog. M. Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Irshad, Arsala. (2014). Blended Learning 2.0: Integrating Social LMS, Web 2.0 &amp;amp; Apps for 21st Century Learning. M. Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Knight, John (2014) Promoting Student Engagement through a Virtual Learning Environment: Student Blogging and Connections to Curriculum&lt;br /&gt;
&lt;br /&gt;
Mann, Marian. (2014). Connecting a Class Community Online: Motivating Learners to Communicate and Construct Knowledge Through the Use of Technology.  M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Martin, Sean. (2014). Teaching Old Dogs New Tricks: Using a Mentor-Protégé Relationship to Help Motivate Colleagues to use Technology in the Classroom. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Mergens, Jolene. (2014). Enhancing Student Engagement Through Blending Content with Inquiry and Interactive Technology. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Ng, Christina. (2014). Blended Learning in the Classroom: Incorporating a Web-Based Curriculum and Emerging Technologies to Enhance English Second Language Learning and Experiences. M. Ed Graduating Thesis. &lt;br /&gt;
&lt;br /&gt;
Phillips, Christopher. (2014). Incorporating Web 2.0 Technologies in the Elementary Classroom: A Means to Develop 21st Century Skills and Enhance Student Engagement. M. Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Rowe, Jessica. (2014) Language Arts and Technology: A Platform for Engagement &amp;amp; Collaboration. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Schofield, Bryan. (2014). SOLE Projects in a Grade Four Classroom: A Self-Regulated Inquiry-Based Technological Approach to Learning. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Soo, Elginn. (2014).  Self-Regulation: Fighting the Temptation of Being Distracted by Technology While Using Technology for Learning. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
Wood, Murray. (2014). Developing Media Literacy through Media Production.  M. Ed. Graduating Thesis&lt;br /&gt;
&lt;br /&gt;
Yager, Jennifer. (2014). Using Technology to Foster Social Emotional Development within a Holistic Education. M.Ed. Graduating Thesis.&lt;br /&gt;
&lt;br /&gt;
==&#039;&#039;&#039;Student Planning Space&#039;&#039;&#039;==&lt;br /&gt;
Sandbox or plan DLGs etc. here...&lt;/div&gt;</summary>
		<author><name>Stephenpetrina</name></author>
	</entry>
</feed>